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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF18F5 it is the complementary color #20E70A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF18F5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF18F5 shade: #E418F0, #F52AFF, #FF3CFF, #FF4EFF and #FF60FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF18F5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF18F5 shade: #DF18F5, #CE06E2, #BD00CF, #AC00BC and #9B00A9

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF18F5 shade: #DF18F5, #F518CF, #F51894, #F51858 and #F5181D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF18F5 shade: #DF18F5, #A418F5, #6818F5, #2D18F5 and #1818F5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF18F5 shade matches the following richer shades: #DF18F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF18F5 shade: #DF18F5, #CF2CE2, #C03FCE, #B053BB and #A166A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF18F5 shade: #6918F5, #A418F5, #DF18F5, #F518D0 and #F51895

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF18F5 shade: #A307B4, #C609DB, #DF18F5, #E440F7 and #EA68F8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF18F5 shade: #DF18F5, #F52E18 and #18F587

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF18F5 shade: #DF18F5, #F5DF18 and #18F5DF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF18F5 shade: #DF18F5, #F52E18, #2EF518 and #18DFF5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF18F5 shade: #DF18F5, #F57118, #2EF518 and #189DF5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 90 / 0 / 4

HEX #DF18F5

RGB 223 24 245

HSL 294.03, 0.92%, 0.53%

LAB 55, 90.01, -64.1

 

Complementary color

CMYK 86 / 0 / 96 / 9

HEX #20E70A

RGB 32 231 10

HSL 114.03, 0.92%, 0.47%

LAB 80.45, -78.25, 76.54

 

CMYK 5 / 90 / 0 / 6

HEX #E418F0

RGB 228 24 240

HSL 296.67, 0.88%, 0.52%

LAB 55.52, 90.03, -60.43

 

CMYK 4 / 84 / 0 / 0

HEX #F52AFF

RGB 245 42 255

HSL 297.18, 1%, 0.58%

LAB 60.15, 92.27, -61.21

 

CMYK 0 / 76 / 0 / 0

HEX #FF3CFF

RGB 255 60 255

HSL 300, 1%, 0.62%

LAB 63.1, 90.1, -56.4

 

CMYK 0 / 69 / 0 / 0

HEX #FF4EFF

RGB 255 78 255

HSL 300, 1%, 0.65%

LAB 64.91, 84.93, -53.53

 

CMYK 0 / 62 / 0 / 0

HEX #FF60FF

RGB 255 96 255

HSL 300, 1%, 0.69%

LAB 67.16, 78.59, -49.97

 

CMYK 9 / 90 / 0 / 4

HEX #DF18F5

RGB 223 24 245

HSL 294.03, 0.92%, 0.53%

LAB 55, 90.01, -64.1

 

CMYK 9 / 97 / 0 / 11

HEX #CE06E2

RGB 206 6 226

HSL 294.55, 0.95%, 0.45%

LAB 50.39, 86.18, -60.99

 

CMYK 9 / 100 / 0 / 19

HEX #BD00CF

RGB 189 0 207

HSL 294.78, 1%, 0.41%

LAB 46.07, 81.17, -57.21

 

CMYK 9 / 100 / 0 / 26

HEX #AC00BC

RGB 172 0 188

HSL 294.89, 1%, 0.37%

LAB 41.85, 75.61, -53.11

 

CMYK 8 / 100 / 0 / 34

HEX #9B00A9

RGB 155 0 169

HSL 295.03, 1%, 0.33%

LAB 37.54, 69.94, -48.92

 

CMYK 9 / 90 / 0 / 4

HEX #DF18F5

RGB 223 24 245

HSL 294.03, 0.92%, 0.53%

LAB 55, 90.01, -64.1

 

CMYK 0 / 90 / 16 / 4

HEX #F518CF

RGB 245 24 207

HSL 310.32, 0.92%, 0.53%

LAB 56.65, 88.42, -39.77

 

CMYK 0 / 90 / 40 / 4

HEX #F51894

RGB 245 24 148

HSL 326.33, 0.92%, 0.53%

LAB 54.24, 82.04, -9.06

 

CMYK 0 / 90 / 64 / 4

HEX #F51858

RGB 245 24 88

HSL 342.62, 0.92%, 0.53%

LAB 52.7, 77.79, 24.88

 

CMYK 0 / 90 / 88 / 4

HEX #F5181D

RGB 245 24 29

HSL 358.64, 0.92%, 0.53%

LAB 52.01, 75.85, 56.59

 

CMYK 9 / 90 / 0 / 4

HEX #DF18F5

RGB 223 24 245

HSL 294.03, 0.92%, 0.53%

LAB 55, 90.01, -64.1

 

CMYK 33 / 90 / 0 / 4

HEX #A418F5

RGB 164 24 245

HSL 278.01, 0.92%, 0.53%

LAB 45.82, 81.78, -79.43

 

CMYK 58 / 90 / 0 / 4

HEX #6818F5

RGB 104 24 245

HSL 261.72, 0.92%, 0.53%

LAB 38.18, 75.85, -92.29

 

CMYK 82 / 90 / 0 / 4

HEX #2D18F5

RGB 45 24 245

HSL 245.7, 0.92%, 0.53%

LAB 33.57, 72.88, -100.09

 

CMYK 90 / 90 / 0 / 4

HEX #1818F5

RGB 24 24 245

HSL 240, 0.92%, 0.53%

LAB 32.79, 72.44, -101.41

 

CMYK 9 / 90 / 0 / 4

HEX #DF18F5

RGB 223 24 245

HSL 294.03, 0.92%, 0.53%

LAB 55, 90.01, -64.1

 

CMYK 9 / 90 / 0 / 4

HEX #DF18F5

RGB 223 24 245

HSL 294.03, 0.92%, 0.53%

LAB 55, 90.01, -64.1

 

CMYK 8 / 81 / 0 / 11

HEX #CF2CE2

RGB 207 44 226

HSL 293.74, 0.76%, 0.53%

LAB 52.46, 80.72, -57.64

 

CMYK 7 / 69 / 0 / 19

HEX #C03FCE

RGB 192 63 206

HSL 294.13, 0.59%, 0.53%

LAB 50.94, 68.67, -48.8

 

CMYK 6 / 56 / 0 / 27

HEX #B053BB

RGB 176 83 187

HSL 293.65, 0.43%, 0.53%

LAB 50.69, 52.84, -38.38

 

CMYK 4 / 39 / 0 / 35

HEX #A166A7

RGB 161 102 167

HSL 294.46, 0.27%, 0.53%

LAB 51.69, 34.57, -25.33

 

CMYK 57 / 90 / 0 / 4

HEX #6918F5

RGB 105 24 245

HSL 261.99, 0.92%, 0.53%

LAB 38.29, 75.92, -92.11

 

CMYK 33 / 90 / 0 / 4

HEX #A418F5

RGB 164 24 245

HSL 278.01, 0.92%, 0.53%

LAB 45.82, 81.78, -79.43

 

CMYK 9 / 90 / 0 / 4

HEX #DF18F5

RGB 223 24 245

HSL 294.03, 0.92%, 0.53%

LAB 55, 90.01, -64.1

 

CMYK 0 / 90 / 15 / 4

HEX #F518D0

RGB 245 24 208

HSL 310.05, 0.92%, 0.53%

LAB 56.7, 88.54, -40.26

 

CMYK 0 / 90 / 39 / 4

HEX #F51895

RGB 245 24 149

HSL 326.06, 0.92%, 0.53%

LAB 54.28, 82.13, -9.61

 

CMYK 9 / 96 / 0 / 29

HEX #A307B4

RGB 163 7 180

HSL 294.1, 0.93%, 0.37%

LAB 39.97, 72.2, -51.49

 

CMYK 10 / 96 / 0 / 14

HEX #C609DB

RGB 198 9 219

HSL 294, 0.92%, 0.45%

LAB 48.66, 83.65, -59.86

 

CMYK 9 / 90 / 0 / 4

HEX #DF18F5

RGB 223 24 245

HSL 294.03, 0.92%, 0.53%

LAB 55, 90.01, -64.1

 

CMYK 8 / 74 / 0 / 3

HEX #E440F7

RGB 228 64 247

HSL 293.77, 0.92%, 0.61%

LAB 58.86, 82.61, -58.99

 

CMYK 6 / 58 / 0 / 3

HEX #EA68F8

RGB 234 104 248

HSL 294.17, 0.91%, 0.69%

LAB 65.1, 69.17, -49.57

 

CMYK 9 / 90 / 0 / 4

HEX #DF18F5

RGB 223 24 245

HSL 294.03, 0.92%, 0.53%

LAB 55, 90.01, -64.1

 

CMYK 0 / 81 / 90 / 4

HEX #F52E18

RGB 245 46 24

HSL 5.97, 0.92%, 0.53%

LAB 53.42, 71.68, 59.58

 

CMYK 90 / 0 / 45 / 4

HEX #18F587

RGB 24 245 135

HSL 150.14, 0.92%, 0.53%

LAB 85.63, -71.66, 39.63

 

CMYK 9 / 90 / 0 / 4

HEX #DF18F5

RGB 223 24 245

HSL 294.03, 0.92%, 0.53%

LAB 55, 90.01, -64.1

 

CMYK 0 / 9 / 90 / 4

HEX #F5DF18

RGB 245 223 24

HSL 54.03, 0.92%, 0.53%

LAB 88.09, -9.95, 85.13

 

CMYK 90 / 0 / 9 / 4

HEX #18F5DF

RGB 24 245 223

HSL 174.03, 0.92%, 0.53%

LAB 87.4, -52.14, -2.97

 

CMYK 9 / 90 / 0 / 4

HEX #DF18F5

RGB 223 24 245

HSL 294.03, 0.92%, 0.53%

LAB 55, 90.01, -64.1

 

CMYK 0 / 81 / 90 / 4

HEX #F52E18

RGB 245 46 24

HSL 5.97, 0.92%, 0.53%

LAB 53.42, 71.68, 59.58

 

CMYK 81 / 0 / 90 / 4

HEX #2EF518

RGB 46 245 24

HSL 114.03, 0.92%, 0.53%

LAB 84.97, -80.48, 78.72

 

CMYK 90 / 9 / 0 / 4

HEX #18DFF5

RGB 24 223 245

HSL 185.97, 0.92%, 0.53%

LAB 81.6, -36.12, -23.24

 

CMYK 9 / 90 / 0 / 4

HEX #DF18F5

RGB 223 24 245

HSL 294.03, 0.92%, 0.53%

LAB 55, 90.01, -64.1

 

CMYK 0 / 54 / 90 / 4

HEX #F57118

RGB 245 113 24

HSL 24.16, 0.92%, 0.53%

LAB 62.75, 46.54, 66.13

 

CMYK 81 / 0 / 90 / 4

HEX #2EF518

RGB 46 245 24

HSL 114.03, 0.92%, 0.53%

LAB 84.97, -80.48, 78.72

 

CMYK 90 / 36 / 0 / 4

HEX #189DF5

RGB 24 157 245

HSL 203.89, 0.92%, 0.53%

LAB 62.42, -1.76, -53.06

 

Description

Color code: HEX #DF18F5 | qconv.com Color code: HEX #DF18F5 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 24 green and 245 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 24 245 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 90 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 90% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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