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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF18EC it is the complementary color #20E713. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF18EC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF18EC shade: #E418E7, #F52AFA, #FF3CFF, #FF4EFF and #FF60FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF18EC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF18EC shade: #DF18EC, #CE06D9, #BD00C6, #AC00B3 and #9B00A0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF18EC shade: #DF17EC, #EC17C0, #EC1786, #EC174D and #EC1717

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF18EC shade: #DF17EC, #A517EC, #6C17EC, #3317EC and #1717EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF18EC shade matches the following richer shades: #DF17EC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF18EC shade: #DF17EC, #CD2CD8, #BB40C3, #AA54AF and #98689B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF18EC shade: #6C17EC, #A517EC, #DE17EC, #EC17C1 and #EC1789

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF18EC shade: #9B0DA4, #BF10CA, #DF17EC, #E43EEF and #E964F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF18EC shade: #DF18EC, #EC3417 and #17EC89

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF18EC shade: #DF18EC, #ECDE17 and #17ECDE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF18EC shade: #DF18EC, #EC3417, #26EC17 and #17CFEC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF18EC shade: #DF18EC, #EC7317, #26EC17 and #1790EC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 90 / 0 / 7

HEX #DF18EC

RGB 223 24 236

HSL 296.32, 0.85%, 0.51%

LAB 54.45, 88.63, -59.96

 

Complementary color

CMYK 86 / 0 / 92 / 9

HEX #20E713

RGB 32 231 19

HSL 116.32, 0.85%, 0.49%

LAB 80.46, -78.07, 75.57

 

CMYK 1 / 90 / 0 / 9

HEX #E418E7

RGB 228 24 231

HSL 299.13, 0.81%, 0.5%

LAB 54.99, 88.7, -56.23

 

CMYK 2 / 83 / 0 / 2

HEX #F52AFA

RGB 245 42 250

HSL 298.56, 0.95%, 0.57%

LAB 59.86, 91.52, -58.9

 

CMYK 0 / 76 / 0 / 0

HEX #FF3CFF

RGB 255 60 255

HSL 300, 1%, 0.62%

LAB 63.1, 90.1, -56.4

 

CMYK 0 / 69 / 0 / 0

HEX #FF4EFF

RGB 255 78 255

HSL 300, 1%, 0.65%

LAB 64.91, 84.93, -53.53

 

CMYK 0 / 62 / 0 / 0

HEX #FF60FF

RGB 255 96 255

HSL 300, 1%, 0.69%

LAB 67.16, 78.59, -49.97

 

CMYK 6 / 90 / 0 / 7

HEX #DF18EC

RGB 223 24 236

HSL 296.32, 0.85%, 0.51%

LAB 54.45, 88.63, -59.96

 

CMYK 5 / 97 / 0 / 15

HEX #CE06D9

RGB 206 6 217

HSL 296.87, 0.95%, 0.44%

LAB 49.81, 84.81, -56.78

 

CMYK 5 / 100 / 0 / 22

HEX #BD00C6

RGB 189 0 198

HSL 297.27, 1%, 0.39%

LAB 45.49, 79.79, -52.93

 

CMYK 4 / 100 / 0 / 30

HEX #AC00B3

RGB 172 0 179

HSL 297.65, 1%, 0.35%

LAB 41.26, 74.2, -48.75

 

CMYK 3 / 100 / 0 / 37

HEX #9B00A0

RGB 155 0 160

HSL 298.13, 1%, 0.31%

LAB 36.94, 68.52, -44.47

 

CMYK 6 / 90 / 0 / 7

HEX #DF17EC

RGB 223 23 236

HSL 296.34, 0.85%, 0.51%

LAB 54.4, 88.75, -60.02

 

CMYK 0 / 90 / 19 / 7

HEX #EC17C0

RGB 236 23 192

HSL 312.39, 0.85%, 0.51%

LAB 54.29, 85.01, -34.96

 

CMYK 0 / 90 / 43 / 7

HEX #EC1786

RGB 236 23 134

HSL 328.73, 0.85%, 0.51%

LAB 52.03, 78.97, -4.16

 

CMYK 0 / 90 / 67 / 7

HEX #EC174D

RGB 236 23 77

HSL 344.79, 0.85%, 0.51%

LAB 50.67, 75.21, 28.55

 

CMYK 0 / 90 / 90 / 7

HEX #EC1717

RGB 236 23 23

HSL 0, 0.85%, 0.51%

LAB 50.11, 73.62, 56.86

 

CMYK 6 / 90 / 0 / 7

HEX #DF17EC

RGB 223 23 236

HSL 296.34, 0.85%, 0.51%

LAB 54.4, 88.75, -60.02

 

CMYK 30 / 90 / 0 / 7

HEX #A517EC

RGB 165 23 236

HSL 280, 0.85%, 0.51%

LAB 45.18, 80.35, -75.41

 

CMYK 54 / 90 / 0 / 7

HEX #6C17EC

RGB 108 23 236

HSL 263.94, 0.85%, 0.51%

LAB 37.58, 74.3, -88.17

 

CMYK 78 / 90 / 0 / 7

HEX #3317EC

RGB 51 23 236

HSL 247.89, 0.85%, 0.51%

LAB 32.64, 71.01, -96.53

 

CMYK 90 / 90 / 0 / 7

HEX #1717EC

RGB 23 23 236

HSL 240, 0.85%, 0.51%

LAB 31.47, 70.33, -98.52

 

CMYK 6 / 90 / 0 / 7

HEX #DF17EC

RGB 223 23 236

HSL 296.34, 0.85%, 0.51%

LAB 54.4, 88.75, -60.02

 

CMYK 6 / 90 / 0 / 7

HEX #DF17EC

RGB 223 23 236

HSL 296.34, 0.85%, 0.51%

LAB 54.4, 88.75, -60.02

 

CMYK 5 / 80 / 0 / 15

HEX #CD2CD8

RGB 205 44 216

HSL 296.16, 0.69%, 0.51%

LAB 51.54, 78.74, -53.45

 

CMYK 4 / 67 / 0 / 24

HEX #BB40C3

RGB 187 64 195

HSL 296.34, 0.52%, 0.51%

LAB 49.7, 65.27, -44.48

 

CMYK 3 / 52 / 0 / 31

HEX #AA54AF

RGB 170 84 175

HSL 296.7, 0.36%, 0.51%

LAB 49.47, 48.43, -33.37

 

CMYK 2 / 33 / 0 / 39

HEX #98689B

RGB 152 104 155

HSL 296.47, 0.2%, 0.51%

LAB 50.62, 28.06, -20.04

 

CMYK 54 / 90 / 0 / 7

HEX #6C17EC

RGB 108 23 236

HSL 263.94, 0.85%, 0.51%

LAB 37.58, 74.3, -88.17

 

CMYK 30 / 90 / 0 / 7

HEX #A517EC

RGB 165 23 236

HSL 280, 0.85%, 0.51%

LAB 45.18, 80.35, -75.41

 

CMYK 6 / 90 / 0 / 7

HEX #DE17EC

RGB 222 23 236

HSL 296.06, 0.85%, 0.51%

LAB 54.24, 88.59, -60.3

 

CMYK 0 / 90 / 18 / 7

HEX #EC17C1

RGB 236 23 193

HSL 312.11, 0.85%, 0.51%

LAB 54.34, 85.13, -35.46

 

CMYK 0 / 90 / 42 / 7

HEX #EC1789

RGB 236 23 137

HSL 327.89, 0.85%, 0.51%

LAB 52.12, 79.23, -5.83

 

CMYK 5 / 92 / 0 / 36

HEX #9B0DA4

RGB 155 13 164

HSL 296.42, 0.85%, 0.35%

LAB 37.73, 67.59, -45.62

 

CMYK 5 / 92 / 0 / 21

HEX #BF10CA

RGB 191 16 202

HSL 296.45, 0.85%, 0.43%

LAB 46.59, 79.23, -53.46

 

CMYK 6 / 90 / 0 / 7

HEX #DF17EC

RGB 223 23 236

HSL 296.34, 0.85%, 0.51%

LAB 54.4, 88.75, -60.02

 

CMYK 5 / 74 / 0 / 6

HEX #E43EEF

RGB 228 62 239

HSL 296.27, 0.85%, 0.59%

LAB 58.2, 81.9, -55.58

 

CMYK 4 / 59 / 0 / 5

HEX #E964F2

RGB 233 100 242

HSL 296.2, 0.85%, 0.67%

LAB 64.04, 69.6, -47.94

 

CMYK 6 / 90 / 0 / 7

HEX #DF18EC

RGB 223 24 236

HSL 296.32, 0.85%, 0.51%

LAB 54.45, 88.63, -59.96

 

CMYK 0 / 78 / 90 / 7

HEX #EC3417

RGB 236 52 23

HSL 8.17, 0.85%, 0.51%

LAB 52.23, 67.58, 58.31

 

CMYK 90 / 0 / 42 / 7

HEX #17EC89

RGB 23 236 137

HSL 152.11, 0.85%, 0.51%

LAB 82.9, -68.39, 35.11

 

CMYK 6 / 90 / 0 / 7

HEX #DF18EC

RGB 223 24 236

HSL 296.32, 0.85%, 0.51%

LAB 54.45, 88.63, -59.96

 

CMYK 0 / 6 / 90 / 7

HEX #ECDE17

RGB 236 222 23

HSL 56.06, 0.85%, 0.51%

LAB 87.06, -13.27, 84.15

 

CMYK 90 / 0 / 6 / 7

HEX #17ECDE

RGB 23 236 222

HSL 176.06, 0.85%, 0.51%

LAB 84.71, -48.69, -6.41

 

CMYK 6 / 90 / 0 / 7

HEX #DF18EC

RGB 223 24 236

HSL 296.32, 0.85%, 0.51%

LAB 54.45, 88.63, -59.96

 

CMYK 0 / 78 / 90 / 7

HEX #EC3417

RGB 236 52 23

HSL 8.17, 0.85%, 0.51%

LAB 52.23, 67.58, 58.31

 

CMYK 84 / 0 / 90 / 7

HEX #26EC17

RGB 38 236 23

HSL 115.77, 0.85%, 0.51%

LAB 82.09, -78.82, 76.4

 

CMYK 90 / 12 / 0 / 7

HEX #17CFEC

RGB 23 207 236

HSL 188.17, 0.85%, 0.51%

LAB 76.6, -31.41, -26.07

 

CMYK 6 / 90 / 0 / 7

HEX #DF18EC

RGB 223 24 236

HSL 296.32, 0.85%, 0.51%

LAB 54.45, 88.63, -59.96

 

CMYK 0 / 51 / 90 / 7

HEX #EC7317

RGB 236 115 23

HSL 25.92, 0.85%, 0.51%

LAB 61.79, 42.12, 65.09

 

CMYK 84 / 0 / 90 / 7

HEX #26EC17

RGB 38 236 23

HSL 115.77, 0.85%, 0.51%

LAB 82.09, -78.82, 76.4

 

CMYK 90 / 39 / 0 / 7

HEX #1790EC

RGB 23 144 236

HSL 205.92, 0.85%, 0.51%

LAB 58.21, 2.46, -54.8

 

Description

Color code: HEX #DF18EC | qconv.com Color code: HEX #DF18EC | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 24 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 24 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 90 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 90% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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