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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DEF371 it is the complementary color #210C8E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DEF371. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DEF371 shade: #E3F36C, #F4FF7F, #FFFF92, #FFFFA5 and #FFFFB8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DEF371. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DEF371 shade: #DEF371, #CDE15E, #BCCF4B, #ABBD38 and #9AAB25

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DEF371 shade: #DEF272, #F2E472, #F2C272, #F29F72 and #F27C72

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DEF371 shade: #DEF272, #BBF272, #98F272, #76F272 and #72F291

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DEF371 shade matches the following richer shades: #DEF272

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DEF371 shade: #DEF272, #D5E67E, #CDDA8A, #C4CD97 and #BCC1A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DEF371 shade: #F2C172, #F2E372, #DFF272, #BDF272 and #9AF272

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DEF371 shade: #CCEC26, #D5EF4C, #DEF272, #E6F698 and #EFF9BE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DEF371 shade: #DEF371, #72F29F and #D272F2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DEF371 shade: #DEF371, #72DFF2 and #F272DF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DEF371 shade: #DEF371, #72F29F, #8572F2 and #F272C5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DEF371 shade: #DEF371, #72F2C5, #8572F2 and #F2729F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 53 / 5

HEX #DEF371

RGB 222 243 113

HSL 69.69, 0.84%, 0.7%

LAB 92.05, -24.88, 59.44

 

Complementary color

CMYK 77 / 92 / 0 / 44

HEX #210C8E

RGB 33 12 142

HSL 249.69, 0.84%, 0.3%

LAB 18.1, 48.07, -64.95

 

CMYK 7 / 0 / 56 / 5

HEX #E3F36C

RGB 227 243 108

HSL 67.11, 0.85%, 0.69%

LAB 92.36, -23.33, 62.08

 

CMYK 4 / 0 / 50 / 0

HEX #F4FF7F

RGB 244 255 127

HSL 65.16, 1%, 0.75%

LAB 96.94, -20.89, 59.25

 

CMYK 0 / 0 / 43 / 0

HEX #FFFF92

RGB 255 255 146

HSL 60, 1%, 0.79%

LAB 97.98, -14.92, 51.89

 

CMYK 0 / 0 / 35 / 0

HEX #FFFFA5

RGB 255 255 165

HSL 60, 1%, 0.82%

LAB 98.23, -12.95, 43.05

 

CMYK 0 / 0 / 28 / 0

HEX #FFFFB8

RGB 255 255 184

HSL 60, 1%, 0.86%

LAB 98.53, -10.7, 34.03

 

CMYK 9 / 0 / 53 / 5

HEX #DEF371

RGB 222 243 113

HSL 69.69, 0.84%, 0.7%

LAB 92.05, -24.88, 59.44

 

CMYK 9 / 0 / 58 / 12

HEX #CDE15E

RGB 205 225 94

HSL 69.16, 0.69%, 0.63%

LAB 85.82, -24.47, 60.39

 

CMYK 9 / 0 / 64 / 19

HEX #BCCF4B

RGB 188 207 75

HSL 68.64, 0.58%, 0.55%

LAB 79.51, -23.97, 61.17

 

CMYK 10 / 0 / 70 / 26

HEX #ABBD38

RGB 171 189 56

HSL 68.12, 0.54%, 0.48%

LAB 73.11, -23.34, 61.61

 

CMYK 10 / 0 / 78 / 33

HEX #9AAB25

RGB 154 171 37

HSL 67.61, 0.64%, 0.41%

LAB 66.62, -22.54, 61.43

 

CMYK 8 / 0 / 53 / 5

HEX #DEF272

RGB 222 242 114

HSL 69.38, 0.83%, 0.7%

LAB 91.8, -24.32, 58.69

 

CMYK 0 / 6 / 53 / 5

HEX #F2E472

RGB 242 228 114

HSL 53.44, 0.83%, 0.7%

LAB 89.66, -9.58, 56.6

 

CMYK 0 / 20 / 53 / 5

HEX #F2C272

RGB 242 194 114

HSL 37.5, 0.83%, 0.7%

LAB 81.11, 7.8, 46.39

 

CMYK 0 / 34 / 53 / 5

HEX #F29F72

RGB 242 159 114

HSL 21.09, 0.83%, 0.7%

LAB 72.82, 26.24, 36.06

 

CMYK 0 / 49 / 53 / 5

HEX #F27C72

RGB 242 124 114

HSL 4.69, 0.83%, 0.7%

LAB 65.36, 44.3, 26.38

 

CMYK 8 / 0 / 53 / 5

HEX #DEF272

RGB 222 242 114

HSL 69.38, 0.83%, 0.7%

LAB 91.8, -24.32, 58.69

 

CMYK 23 / 0 / 53 / 5

HEX #BBF272

RGB 187 242 114

HSL 85.78, 0.83%, 0.7%

LAB 89.53, -37.48, 55.46

 

CMYK 37 / 0 / 53 / 5

HEX #98F272

RGB 152 242 114

HSL 102.19, 0.83%, 0.7%

LAB 87.68, -49.43, 52.82

 

CMYK 51 / 0 / 53 / 5

HEX #76F272

RGB 118 242 114

HSL 118.13, 0.83%, 0.7%

LAB 86.29, -59.29, 50.83

 

CMYK 53 / 0 / 40 / 5

HEX #72F291

RGB 114 242 145

HSL 134.53, 0.83%, 0.7%

LAB 86.57, -55.89, 36.25

 

CMYK 8 / 0 / 53 / 5

HEX #DEF272

RGB 222 242 114

HSL 69.38, 0.83%, 0.7%

LAB 91.8, -24.32, 58.69

 

CMYK 8 / 0 / 53 / 5

HEX #DEF272

RGB 222 242 114

HSL 69.38, 0.83%, 0.7%

LAB 91.8, -24.32, 58.69

 

CMYK 7 / 0 / 45 / 10

HEX #D5E67E

RGB 213 230 126

HSL 69.81, 0.68%, 0.7%

LAB 88.09, -20.92, 48.53

 

CMYK 6 / 0 / 37 / 15

HEX #CDDA8A

RGB 205 218 138

HSL 69.75, 0.52%, 0.7%

LAB 84.46, -16.78, 37.93

 

CMYK 4 / 0 / 26 / 20

HEX #C4CD97

RGB 196 205 151

HSL 70, 0.35%, 0.7%

LAB 80.53, -11.98, 25.93

 

CMYK 3 / 0 / 16 / 24

HEX #BCC1A3

RGB 188 193 163

HSL 70, 0.19%, 0.7%

LAB 76.97, -6.96, 14.54

 

CMYK 0 / 20 / 53 / 5

HEX #F2C172

RGB 242 193 114

HSL 37.03, 0.83%, 0.7%

LAB 80.87, 8.33, 46.09

 

CMYK 0 / 6 / 53 / 5

HEX #F2E372

RGB 242 227 114

HSL 52.97, 0.83%, 0.7%

LAB 89.41, -9.08, 56.3

 

CMYK 8 / 0 / 53 / 5

HEX #DFF272

RGB 223 242 114

HSL 68.91, 0.83%, 0.7%

LAB 91.87, -23.93, 58.79

 

CMYK 22 / 0 / 53 / 5

HEX #BDF272

RGB 189 242 114

HSL 84.84, 0.83%, 0.7%

LAB 89.64, -36.76, 55.63

 

CMYK 36 / 0 / 53 / 5

HEX #9AF272

RGB 154 242 114

HSL 101.25, 0.83%, 0.7%

LAB 87.77, -48.79, 52.95

 

CMYK 14 / 0 / 84 / 7

HEX #CCEC26

RGB 204 236 38

HSL 69.7, 0.84%, 0.54%

LAB 88.43, -32.86, 81.56

 

CMYK 11 / 0 / 68 / 6

HEX #D5EF4C

RGB 213 239 76

HSL 69.57, 0.84%, 0.62%

LAB 90.05, -29.1, 72.18

 

CMYK 8 / 0 / 53 / 5

HEX #DEF272

RGB 222 242 114

HSL 69.38, 0.83%, 0.7%

LAB 91.8, -24.32, 58.69

 

CMYK 7 / 0 / 38 / 4

HEX #E6F698

RGB 230 246 152

HSL 70.21, 0.84%, 0.78%

LAB 93.88, -19.42, 43.46

 

CMYK 4 / 0 / 24 / 2

HEX #EFF9BE

RGB 239 249 190

HSL 70.17, 0.83%, 0.86%

LAB 95.92, -12.78, 27.29

 

CMYK 9 / 0 / 53 / 5

HEX #DEF371

RGB 222 243 113

HSL 69.69, 0.84%, 0.7%

LAB 92.05, -24.88, 59.44

 

CMYK 53 / 0 / 34 / 5

HEX #72F29F

RGB 114 242 159

HSL 141.09, 0.83%, 0.7%

LAB 86.79, -53.52, 29.52

 

CMYK 13 / 53 / 0 / 5

HEX #D272F2

RGB 210 114 242

HSL 285, 0.83%, 0.7%

LAB 63.46, 57.37, -49.04

 

CMYK 9 / 0 / 53 / 5

HEX #DEF371

RGB 222 243 113

HSL 69.69, 0.84%, 0.7%

LAB 92.05, -24.88, 59.44

 

CMYK 53 / 8 / 0 / 5

HEX #72DFF2

RGB 114 223 242

HSL 188.91, 0.83%, 0.7%

LAB 83.32, -26.21, -18.87

 

CMYK 0 / 53 / 8 / 5

HEX #F272DF

RGB 242 114 223

HSL 308.91, 0.83%, 0.7%

LAB 66.7, 62.58, -33.14

 

CMYK 9 / 0 / 53 / 5

HEX #DEF371

RGB 222 243 113

HSL 69.69, 0.84%, 0.7%

LAB 92.05, -24.88, 59.44

 

CMYK 53 / 0 / 34 / 5

HEX #72F29F

RGB 114 242 159

HSL 141.09, 0.83%, 0.7%

LAB 86.79, -53.52, 29.52

 

CMYK 45 / 53 / 0 / 5

HEX #8572F2

RGB 133 114 242

HSL 248.91, 0.83%, 0.7%

LAB 55.51, 38.56, -62.18

 

CMYK 0 / 53 / 19 / 5

HEX #F272C5

RGB 242 114 197

HSL 321.09, 0.83%, 0.7%

LAB 65.7, 58.63, -20.12

 

CMYK 9 / 0 / 53 / 5

HEX #DEF371

RGB 222 243 113

HSL 69.69, 0.84%, 0.7%

LAB 92.05, -24.88, 59.44

 

CMYK 53 / 0 / 19 / 5

HEX #72F2C5

RGB 114 242 197

HSL 158.91, 0.83%, 0.7%

LAB 87.54, -46, 11

 

CMYK 45 / 53 / 0 / 5

HEX #8572F2

RGB 133 114 242

HSL 248.91, 0.83%, 0.7%

LAB 55.51, 38.56, -62.18

 

CMYK 0 / 53 / 34 / 5

HEX #F2729F

RGB 242 114 159

HSL 338.91, 0.83%, 0.7%

LAB 64.5, 53.66, -0.37

 

Description

Color code: HEX #DEF371 | qconv.com Color code: HEX #DEF371 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 222 red, 243 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
222 243 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 53 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 53% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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