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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DEF43E it is the complementary color #210BC1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DEF43E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DEF43E shade: #E3F439, #F4FF4C, #FFFF5F, #FFFF72 and #FFFF85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DEF43E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DEF43E shade: #DEF43E, #CDE22B, #BCD018, #ABBE05 and #9AAC00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DEF43E shade: #DDF33E, #F3D83E, #F3A73E, #F3763E and #F3453E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DEF43E shade: #DDF33E, #ACF33E, #7BF33E, #4AF33E and #3EF362

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DEF43E shade matches the following richer shades: #DDF33E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DEF43E shade: #DDF33E, #D1E34E, #C4D25F, #B8C26F and #ABB180

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DEF43E shade: #F3A83E, #F3D83E, #DEF33E, #AEF33E and #7DF33E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DEF43E shade: #BBD30C, #D7F117, #DDF33E, #E4F665 and #EBF88C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DEF43E shade: #DEF43E, #3EF377 and #C03EF3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DEF43E shade: #DEF43E, #3EDEF3 and #F33EDE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DEF43E shade: #DEF43E, #3EF377, #533EF3 and #F33EBA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DEF43E shade: #DEF43E, #3EF3AE, #533EF3 and #F33E83

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 75 / 4

HEX #DEF43E

RGB 222 244 62

HSL 67.25, 0.89%, 0.6%

LAB 91.94, -28.53, 78.9

 

Complementary color

CMYK 83 / 94 / 0 / 24

HEX #210BC1

RGB 33 11 193

HSL 247.25, 0.89%, 0.4%

LAB 24.99, 62.25, -84.4

 

CMYK 7 / 0 / 77 / 4

HEX #E3F439

RGB 227 244 57

HSL 65.45, 0.89%, 0.59%

LAB 92.28, -26.72, 80.81

 

CMYK 4 / 0 / 70 / 0

HEX #F4FF4C

RGB 244 255 76

HSL 63.69, 1%, 0.65%

LAB 96.52, -24.27, 79.31

 

CMYK 0 / 0 / 63 / 0

HEX #FFFF5F

RGB 255 255 95

HSL 60, 1%, 0.69%

LAB 97.47, -18.87, 73.62

 

CMYK 0 / 0 / 55 / 0

HEX #FFFF72

RGB 255 255 114

HSL 60, 1%, 0.72%

LAB 97.63, -17.63, 66

 

CMYK 0 / 0 / 48 / 0

HEX #FFFF85

RGB 255 255 133

HSL 60, 1%, 0.76%

LAB 97.82, -16.11, 57.77

 

CMYK 9 / 0 / 75 / 4

HEX #DEF43E

RGB 222 244 62

HSL 67.25, 0.89%, 0.6%

LAB 91.94, -28.53, 78.9

 

CMYK 9 / 0 / 81 / 11

HEX #CDE22B

RGB 205 226 43

HSL 66.89, 0.76%, 0.53%

LAB 85.78, -27.65, 78.17

 

CMYK 10 / 0 / 88 / 18

HEX #BCD018

RGB 188 208 24

HSL 66.52, 0.79%, 0.45%

LAB 79.54, -26.61, 76.46

 

CMYK 10 / 0 / 97 / 25

HEX #ABBE05

RGB 171 190 5

HSL 66.16, 0.95%, 0.38%

LAB 73.22, -25.37, 73.44

 

CMYK 10 / 0 / 100 / 33

HEX #9AAC00

RGB 154 172 0

HSL 66.28, 1%, 0.34%

LAB 66.81, -23.92, 68.65

 

CMYK 9 / 0 / 74 / 5

HEX #DDF33E

RGB 221 243 62

HSL 67.29, 0.88%, 0.6%

LAB 91.6, -28.47, 78.56

 

CMYK 0 / 11 / 74 / 5

HEX #F3D83E

RGB 243 216 62

HSL 51.05, 0.88%, 0.6%

LAB 86.26, -6.26, 74.2

 

CMYK 0 / 31 / 74 / 5

HEX #F3A73E

RGB 243 167 62

HSL 34.81, 0.88%, 0.6%

LAB 74.22, 19.16, 62.64

 

CMYK 0 / 51 / 74 / 5

HEX #F3763E

RGB 243 118 62

HSL 18.56, 0.88%, 0.6%

LAB 63.64, 44.43, 51.94

 

CMYK 0 / 72 / 74 / 5

HEX #F3453E

RGB 243 69 62

HSL 2.32, 0.88%, 0.6%

LAB 55.74, 65.33, 43.51

 

CMYK 9 / 0 / 74 / 5

HEX #DDF33E

RGB 221 243 62

HSL 67.29, 0.88%, 0.6%

LAB 91.6, -28.47, 78.56

 

CMYK 29 / 0 / 74 / 5

HEX #ACF33E

RGB 172 243 62

HSL 83.54, 0.88%, 0.6%

LAB 88.55, -47.21, 74.59

 

CMYK 49 / 0 / 74 / 5

HEX #7BF33E

RGB 123 243 62

HSL 99.78, 0.88%, 0.6%

LAB 86.34, -63.04, 71.69

 

CMYK 70 / 0 / 74 / 5

HEX #4AF33E

RGB 74 243 62

HSL 116.02, 0.88%, 0.6%

LAB 84.95, -74.22, 69.86

 

CMYK 74 / 0 / 60 / 5

HEX #3EF362

RGB 62 243 98

HSL 131.93, 0.88%, 0.6%

LAB 85, -72.77, 56.1

 

CMYK 9 / 0 / 74 / 5

HEX #DDF33E

RGB 221 243 62

HSL 67.29, 0.88%, 0.6%

LAB 91.6, -28.47, 78.56

 

CMYK 9 / 0 / 74 / 5

HEX #DDF33E

RGB 221 243 62

HSL 67.29, 0.88%, 0.6%

LAB 91.6, -28.47, 78.56

 

CMYK 8 / 0 / 66 / 11

HEX #D1E34E

RGB 209 227 78

HSL 67.25, 0.73%, 0.6%

LAB 86.53, -24.91, 67.76

 

CMYK 7 / 0 / 55 / 18

HEX #C4D25F

RGB 196 210 95

HSL 67.3, 0.56%, 0.6%

LAB 81.1, -20.71, 54.44

 

CMYK 5 / 0 / 43 / 24

HEX #B8C26F

RGB 184 194 111

HSL 67.23, 0.4%, 0.6%

LAB 76.02, -16.02, 40.48

 

CMYK 3 / 0 / 28 / 31

HEX #ABB180

RGB 171 177 128

HSL 67.35, 0.24%, 0.6%

LAB 70.64, -10.29, 24.43

 

CMYK 0 / 31 / 74 / 5

HEX #F3A83E

RGB 243 168 62

HSL 35.14, 0.88%, 0.6%

LAB 74.45, 18.63, 62.87

 

CMYK 0 / 11 / 74 / 5

HEX #F3D83E

RGB 243 216 62

HSL 51.05, 0.88%, 0.6%

LAB 86.26, -6.26, 74.2

 

CMYK 9 / 0 / 74 / 5

HEX #DEF33E

RGB 222 243 62

HSL 66.96, 0.88%, 0.6%

LAB 91.68, -28.06, 78.65

 

CMYK 28 / 0 / 74 / 5

HEX #AEF33E

RGB 174 243 62

HSL 82.87, 0.88%, 0.6%

LAB 88.66, -46.49, 74.74

 

CMYK 49 / 0 / 74 / 5

HEX #7DF33E

RGB 125 243 62

HSL 99.12, 0.88%, 0.6%

LAB 86.41, -62.47, 71.79

 

CMYK 11 / 0 / 94 / 17

HEX #BBD30C

RGB 187 211 12

HSL 67.24, 0.89%, 0.44%

LAB 80.28, -28.64, 78.64

 

CMYK 11 / 0 / 90 / 5

HEX #D7F117

RGB 215 241 23

HSL 67.16, 0.89%, 0.52%

LAB 90.51, -31.07, 86.16

 

CMYK 9 / 0 / 74 / 5

HEX #DDF33E

RGB 221 243 62

HSL 67.29, 0.88%, 0.6%

LAB 91.6, -28.47, 78.56

 

CMYK 7 / 0 / 59 / 4

HEX #E4F665

RGB 228 246 101

HSL 67.45, 0.89%, 0.68%

LAB 93.17, -24.89, 65.99

 

CMYK 5 / 0 / 44 / 3

HEX #EBF88C

RGB 235 248 140

HSL 67.22, 0.89%, 0.76%

LAB 94.61, -19.78, 50.24

 

CMYK 9 / 0 / 75 / 4

HEX #DEF43E

RGB 222 244 62

HSL 67.25, 0.89%, 0.6%

LAB 91.94, -28.53, 78.9

 

CMYK 74 / 0 / 51 / 5

HEX #3EF377

RGB 62 243 119

HSL 138.9, 0.88%, 0.6%

LAB 85.23, -70.05, 46.88

 

CMYK 21 / 74 / 0 / 5

HEX #C03EF3

RGB 192 62 243

HSL 283.09, 0.88%, 0.6%

LAB 53.08, 75.79, -66.32

 

CMYK 9 / 0 / 75 / 4

HEX #DEF43E

RGB 222 244 62

HSL 67.25, 0.89%, 0.6%

LAB 91.94, -28.53, 78.9

 

CMYK 74 / 9 / 0 / 5

HEX #3EDEF3

RGB 62 222 243

HSL 186.96, 0.88%, 0.6%

LAB 81.7, -33.48, -21.99

 

CMYK 0 / 74 / 9 / 5

HEX #F33EDE

RGB 243 62 222

HSL 306.96, 0.88%, 0.6%

LAB 59.68, 82.37, -43.54

 

CMYK 9 / 0 / 75 / 4

HEX #DEF43E

RGB 222 244 62

HSL 67.25, 0.89%, 0.6%

LAB 91.94, -28.53, 78.9

 

CMYK 74 / 0 / 51 / 5

HEX #3EF377

RGB 62 243 119

HSL 138.9, 0.88%, 0.6%

LAB 85.23, -70.05, 46.88

 

CMYK 66 / 74 / 0 / 5

HEX #533EF3

RGB 83 62 243

HSL 246.96, 0.88%, 0.6%

LAB 40.82, 59.56, -86.85

 

CMYK 0 / 74 / 23 / 5

HEX #F33EBA

RGB 243 62 186

HSL 318.9, 0.88%, 0.6%

LAB 58.08, 77.61, -25.52

 

CMYK 9 / 0 / 75 / 4

HEX #DEF43E

RGB 222 244 62

HSL 67.25, 0.89%, 0.6%

LAB 91.94, -28.53, 78.9

 

CMYK 74 / 0 / 28 / 5

HEX #3EF3AE

RGB 62 243 174

HSL 157.13, 0.88%, 0.6%

LAB 86.1, -60.21, 20.7

 

CMYK 66 / 74 / 0 / 5

HEX #533EF3

RGB 83 62 243

HSL 246.96, 0.88%, 0.6%

LAB 40.82, 59.56, -86.85

 

CMYK 0 / 74 / 46 / 5

HEX #F33E83

RGB 243 62 131

HSL 337.13, 0.88%, 0.6%

LAB 56.23, 71.87, 3.92

 

Description

Color code: HEX #DEF43E | qconv.com Color code: HEX #DEF43E | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 222 red, 244 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
222 244 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 75 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 75% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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