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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DEED80 it is the complementary color #21127F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DEED80. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DEED80 shade: #E3ED7B, #F4FF8E, #FFFFA1, #FFFFB4 and #FFFFC7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DEED80. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DEED80 shade: #DEED80, #CDDB6D, #BCC95A, #ABB747 and #9AA534

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DEED80 shade: #DEED82, #EDDF82, #EDC282, #EDA582 and #ED8882

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DEED80 shade: #DEED82, #C1ED82, #A4ED82, #87ED82 and #82ED99

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DEED80 shade matches the following richer shades: #DEED82 and #E6F876

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DEED80 shade: #DEED82, #D6E18D, #CDD699, #C5CAA4 and #BCBEB0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DEED80 shade: #EDC282, #EDDE82, #DEED82, #C2ED82 and #A5ED82

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DEED80 shade: #CBE239, #D4E75D, #DEED82, #E7F2A6 and #F1F7CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DEED80 shade: #DEED80, #82EDA5 and #D082ED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DEED80 shade: #DEED80, #82DEED and #ED82DE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DEED80 shade: #DEED80, #82EDA5, #9082ED and #ED82C9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DEED80 shade: #DEED80, #82EDC5, #9082ED and #ED82A9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 46 / 7

HEX #DEED80

RGB 222 237 128

HSL 68.26, 0.75%, 0.72%

LAB 90.62, -20.64, 50.83

 

Complementary color

CMYK 74 / 86 / 0 / 50

HEX #21127F

RGB 33 18 127

HSL 248.26, 0.75%, 0.28%

LAB 16.93, 41.24, -57.43

 

CMYK 4 / 0 / 48 / 7

HEX #E3ED7B

RGB 227 237 123

HSL 65.26, 0.76%, 0.71%

LAB 90.93, -19.18, 53.64

 

CMYK 4 / 0 / 44 / 0

HEX #F4FF8E

RGB 244 255 142

HSL 65.84, 1%, 0.78%

LAB 97.11, -19.52, 52.52

 

CMYK 0 / 0 / 37 / 0

HEX #FFFFA1

RGB 255 255 161

HSL 60, 1%, 0.82%

LAB 98.17, -13.39, 44.93

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB4

RGB 255 255 180

HSL 60, 1%, 0.85%

LAB 98.46, -11.2, 35.94

 

CMYK 0 / 0 / 22 / 0

HEX #FFFFC7

RGB 255 255 199

HSL 60, 1%, 0.89%

LAB 98.79, -8.74, 26.85

 

CMYK 6 / 0 / 46 / 7

HEX #DEED80

RGB 222 237 128

HSL 68.26, 0.75%, 0.72%

LAB 90.62, -20.64, 50.83

 

CMYK 6 / 0 / 50 / 14

HEX #CDDB6D

RGB 205 219 109

HSL 67.64, 0.6%, 0.64%

LAB 84.35, -20.32, 51.95

 

CMYK 6 / 0 / 55 / 21

HEX #BCC95A

RGB 188 201 90

HSL 67.03, 0.51%, 0.57%

LAB 77.99, -19.92, 53.01

 

CMYK 7 / 0 / 61 / 28

HEX #ABB747

RGB 171 183 71

HSL 66.43, 0.44%, 0.5%

LAB 71.54, -19.41, 53.94

 

CMYK 7 / 0 / 68 / 35

HEX #9AA534

RGB 154 165 52

HSL 65.84, 0.52%, 0.43%

LAB 64.98, -18.77, 54.58

 

CMYK 6 / 0 / 45 / 7

HEX #DEED82

RGB 222 237 130

HSL 68.41, 0.75%, 0.72%

LAB 90.65, -20.44, 49.91

 

CMYK 0 / 6 / 45 / 7

HEX #EDDF82

RGB 237 223 130

HSL 52.15, 0.75%, 0.72%

LAB 88.16, -7.66, 47.1

 

CMYK 0 / 18 / 45 / 7

HEX #EDC282

RGB 237 194 130

HSL 35.89, 0.75%, 0.72%

LAB 80.85, 7.24, 37.89

 

CMYK 0 / 30 / 45 / 7

HEX #EDA582

RGB 237 165 130

HSL 19.63, 0.75%, 0.72%

LAB 73.89, 22.57, 28.8

 

CMYK 0 / 43 / 45 / 7

HEX #ED8882

RGB 237 136 130

HSL 3.36, 0.75%, 0.72%

LAB 67.45, 37.83, 20.13

 

CMYK 6 / 0 / 45 / 7

HEX #DEED82

RGB 222 237 130

HSL 68.41, 0.75%, 0.72%

LAB 90.65, -20.44, 49.91

 

CMYK 19 / 0 / 45 / 7

HEX #C1ED82

RGB 193 237 130

HSL 84.67, 0.75%, 0.72%

LAB 88.69, -31.34, 47.06

 

CMYK 31 / 0 / 45 / 7

HEX #A4ED82

RGB 164 237 130

HSL 100.93, 0.75%, 0.72%

LAB 87.03, -41.49, 44.63

 

CMYK 43 / 0 / 45 / 7

HEX #87ED82

RGB 135 237 130

HSL 117.2, 0.75%, 0.72%

LAB 85.67, -50.55, 42.63

 

CMYK 45 / 0 / 35 / 7

HEX #82ED99

RGB 130 237 153

HSL 132.9, 0.75%, 0.72%

LAB 85.81, -48.46, 31.35

 

CMYK 6 / 0 / 45 / 7

HEX #DEED82

RGB 222 237 130

HSL 68.41, 0.75%, 0.72%

LAB 90.65, -20.44, 49.91

 

CMYK 7 / 0 / 52 / 3

HEX #E6F876

RGB 230 248 118

HSL 68.31, 0.9%, 0.72%

LAB 94, -23.74, 59.6

 

CMYK 6 / 0 / 45 / 7

HEX #DEED82

RGB 222 237 130

HSL 68.41, 0.75%, 0.72%

LAB 90.65, -20.44, 49.91

 

CMYK 5 / 0 / 37 / 12

HEX #D6E18D

RGB 214 225 141

HSL 67.86, 0.58%, 0.72%

LAB 87.03, -16.46, 39.87

 

CMYK 4 / 0 / 29 / 16

HEX #CDD699

RGB 205 214 153

HSL 68.85, 0.43%, 0.72%

LAB 83.64, -12.88, 29.18

 

CMYK 2 / 0 / 19 / 21

HEX #C5CAA4

RGB 197 202 164

HSL 67.89, 0.26%, 0.72%

LAB 80.06, -8.17, 18.43

 

CMYK 1 / 0 / 7 / 25

HEX #BCBEB0

RGB 188 190 176

HSL 68.57, 0.1%, 0.72%

LAB 76.47, -3.21, 6.82

 

CMYK 0 / 18 / 45 / 7

HEX #EDC282

RGB 237 194 130

HSL 35.89, 0.75%, 0.72%

LAB 80.85, 7.24, 37.89

 

CMYK 0 / 6 / 45 / 7

HEX #EDDE82

RGB 237 222 130

HSL 51.59, 0.75%, 0.72%

LAB 87.9, -7.16, 46.78

 

CMYK 6 / 0 / 45 / 7

HEX #DEED82

RGB 222 237 130

HSL 68.41, 0.75%, 0.72%

LAB 90.65, -20.44, 49.91

 

CMYK 18 / 0 / 45 / 7

HEX #C2ED82

RGB 194 237 130

HSL 84.11, 0.75%, 0.72%

LAB 88.76, -30.97, 47.15

 

CMYK 30 / 0 / 45 / 7

HEX #A5ED82

RGB 165 237 130

HSL 100.37, 0.75%, 0.72%

LAB 87.08, -41.16, 44.71

 

CMYK 10 / 0 / 75 / 11

HEX #CBE239

RGB 203 226 57

HSL 68.17, 0.74%, 0.55%

LAB 85.7, -27.94, 74.14

 

CMYK 8 / 0 / 60 / 9

HEX #D4E75D

RGB 212 231 93

HSL 68.26, 0.74%, 0.64%

LAB 87.94, -24.64, 63.29

 

CMYK 6 / 0 / 45 / 7

HEX #DEED82

RGB 222 237 130

HSL 68.41, 0.75%, 0.72%

LAB 90.65, -20.44, 49.91

 

CMYK 5 / 0 / 31 / 5

HEX #E7F2A6

RGB 231 242 166

HSL 68.68, 0.75%, 0.8%

LAB 93.12, -15.43, 35.54

 

CMYK 2 / 0 / 18 / 3

HEX #F1F7CA

RGB 241 247 202

HSL 68, 0.74%, 0.88%

LAB 95.78, -9.35, 21.01

 

CMYK 6 / 0 / 46 / 7

HEX #DEED80

RGB 222 237 128

HSL 68.26, 0.75%, 0.72%

LAB 90.62, -20.64, 50.83

 

CMYK 45 / 0 / 30 / 7

HEX #82EDA5

RGB 130 237 165

HSL 139.63, 0.75%, 0.72%

LAB 86.02, -46.39, 25.52

 

CMYK 12 / 45 / 0 / 7

HEX #D082ED

RGB 208 130 237

HSL 283.74, 0.75%, 0.72%

LAB 66.13, 47.68, -42.1

 

CMYK 6 / 0 / 46 / 7

HEX #DEED80

RGB 222 237 128

HSL 68.26, 0.75%, 0.72%

LAB 90.62, -20.64, 50.83

 

CMYK 45 / 6 / 0 / 7

HEX #82DEED

RGB 130 222 237

HSL 188.41, 0.75%, 0.72%

LAB 83.5, -23.59, -15.9

 

CMYK 0 / 45 / 6 / 7

HEX #ED82DE

RGB 237 130 222

HSL 308.41, 0.75%, 0.72%

LAB 68.93, 53.33, -29.2

 

CMYK 6 / 0 / 46 / 7

HEX #DEED80

RGB 222 237 128

HSL 68.26, 0.75%, 0.72%

LAB 90.62, -20.64, 50.83

 

CMYK 45 / 0 / 30 / 7

HEX #82EDA5

RGB 130 237 165

HSL 139.63, 0.75%, 0.72%

LAB 86.02, -46.39, 25.52

 

CMYK 39 / 45 / 0 / 7

HEX #9082ED

RGB 144 130 237

HSL 247.85, 0.75%, 0.72%

LAB 59.9, 30.45, -52.35

 

CMYK 0 / 45 / 15 / 7

HEX #ED82C9

RGB 237 130 201

HSL 320.19, 0.75%, 0.72%

LAB 68.16, 49.96, -18.7

 

CMYK 6 / 0 / 46 / 7

HEX #DEED80

RGB 222 237 128

HSL 68.26, 0.75%, 0.72%

LAB 90.62, -20.64, 50.83

 

CMYK 45 / 0 / 17 / 7

HEX #82EDC5

RGB 130 237 197

HSL 157.57, 0.75%, 0.72%

LAB 86.67, -40.1, 9.84

 

CMYK 39 / 45 / 0 / 7

HEX #9082ED

RGB 144 130 237

HSL 247.85, 0.75%, 0.72%

LAB 59.9, 30.45, -52.35

 

CMYK 0 / 45 / 29 / 7

HEX #ED82A9

RGB 237 130 169

HSL 338.13, 0.75%, 0.72%

LAB 67.15, 45.4, -2.23

 

Description

Color code: HEX #DEED80 | qconv.com Color code: HEX #DEED80 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 222 red, 237 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
222 237 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 46 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 46% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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