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Color name
HEX #DEC27D

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DEC27D it is the complementary color #213D82. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DEC27D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DEC27D shade: #E3C278, #F4D48B, #FFE69E, #FFF8B1 and #FFFFC4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DEC27D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DEC27D shade: #DEC27D, #CDB06A, #BC9E57, #AB8C44 and #9A7A31

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DEC27D shade: #DEC27C, #DEA77C, #DE8D7C and #DE7C7C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DEC27D shade: #DEC27C, #DEDC7C, #C5DE7C, #ABDE7C and #91DE7C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DEC27D shade matches the following richer shades: #DEC27C, #EBC76F and #F8CD62

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DEC27D shade: #DEC27C, #D1BC89, #C3B696, #B6B1A4 and #A9ABB1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DEC27D shade: #DE8C7C, #DEA67C, #DEC07C, #DEDB7C and #C7DE7C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DEC27D shade: #CDA33A, #D6B25B, #DEC27C, #E6D19D and #EEE0BE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DEC27D shade: #DEC27D, #86DE7C and #997CDE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DEC27D shade: #DEC27D, #7CDEC0 and #C07CDE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DEC27D shade: #DEC27D, #86DE7C, #7C99DE and #D47CDE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DEC27D shade: #DEC27D, #7CDE90, #7C99DE and #DE7CCA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 44 / 13

HEX #DEC27D

RGB 222 194 125

HSL 42.68, 0.6%, 0.68%

LAB 79.38, 0.72, 38.29

 

Complementary color

CMYK 75 / 53 / 0 / 49

HEX #213D82

RGB 33 61 130

HSL 222.68, 0.6%, 0.32%

LAB 27.5, 15.13, -42.01

 

CMYK 0 / 15 / 47 / 11

HEX #E3C278

RGB 227 194 120

HSL 41.5, 0.66%, 0.68%

LAB 79.77, 2.24, 41.41

 

CMYK 0 / 13 / 43 / 4

HEX #F4D48B

RGB 244 212 139

HSL 41.71, 0.83%, 0.75%

LAB 86.1, 1.59, 40.17

 

CMYK 0 / 10 / 38 / 0

HEX #FFE69E

RGB 255 230 158

HSL 44.54, 1%, 0.81%

LAB 91.83, -1.29, 38.2

 

CMYK 0 / 3 / 31 / 0

HEX #FFF8B1

RGB 255 248 177

HSL 54.62, 1%, 0.85%

LAB 96.64, -8.11, 35.02

 

CMYK 0 / 0 / 23 / 0

HEX #FFFFC4

RGB 255 255 196

HSL 60, 1%, 0.88%

LAB 98.74, -9.15, 28.29

 

CMYK 0 / 13 / 44 / 13

HEX #DEC27D

RGB 222 194 125

HSL 42.68, 0.6%, 0.68%

LAB 79.38, 0.72, 38.29

 

CMYK 0 / 14 / 48 / 20

HEX #CDB06A

RGB 205 176 106

HSL 42.42, 0.5%, 0.61%

LAB 72.94, 1.38, 39.55

 

CMYK 0 / 16 / 54 / 26

HEX #BC9E57

RGB 188 158 87

HSL 42.18, 0.43%, 0.54%

LAB 66.39, 2.17, 40.86

 

CMYK 0 / 18 / 60 / 33

HEX #AB8C44

RGB 171 140 68

HSL 41.94, 0.43%, 0.47%

LAB 59.74, 3.11, 42.17

 

CMYK 0 / 21 / 68 / 40

HEX #9A7A31

RGB 154 122 49

HSL 41.71, 0.52%, 0.4%

LAB 52.96, 4.26, 43.38

 

CMYK 0 / 13 / 44 / 13

HEX #DEC27C

RGB 222 194 124

HSL 42.86, 0.6%, 0.68%

LAB 79.37, 0.62, 38.78

 

CMYK 0 / 25 / 44 / 13

HEX #DEA77C

RGB 222 167 124

HSL 26.33, 0.6%, 0.68%

LAB 72.64, 14.93, 30.08

 

CMYK 0 / 36 / 44 / 13

HEX #DE8D7C

RGB 222 141 124

HSL 10.41, 0.6%, 0.68%

LAB 66.55, 28.89, 21.94

 

CMYK 0 / 44 / 44 / 13

HEX #DE7C7C

RGB 222 124 124

HSL 0, 0.6%, 0.68%

LAB 62.84, 37.85, 16.88

 

CMYK 0 / 13 / 44 / 13

HEX #DEC27C

RGB 222 194 124

HSL 42.86, 0.6%, 0.68%

LAB 79.37, 0.62, 38.78

 

CMYK 0 / 1 / 44 / 13

HEX #DEDC7C

RGB 222 220 124

HSL 58.78, 0.6%, 0.68%

LAB 86.09, -12.68, 47.2

 

CMYK 11 / 0 / 44 / 13

HEX #C5DE7C

RGB 197 222 124

HSL 75.31, 0.6%, 0.68%

LAB 84.78, -23.39, 45.16

 

CMYK 23 / 0 / 44 / 13

HEX #ABDE7C

RGB 171 222 124

HSL 91.22, 0.6%, 0.68%

LAB 83.1, -33.03, 42.7

 

CMYK 35 / 0 / 44 / 13

HEX #91DE7C

RGB 145 222 124

HSL 107.14, 0.6%, 0.68%

LAB 81.68, -41.93, 40.62

 

CMYK 0 / 13 / 44 / 13

HEX #DEC27C

RGB 222 194 124

HSL 42.86, 0.6%, 0.68%

LAB 79.37, 0.62, 38.78

 

CMYK 0 / 15 / 53 / 8

HEX #EBC76F

RGB 235 199 111

HSL 42.58, 0.76%, 0.68%

LAB 81.65, 2.1, 48.36

 

CMYK 0 / 17 / 60 / 3

HEX #F8CD62

RGB 248 205 98

HSL 42.8, 0.91%, 0.68%

LAB 84.23, 3.36, 57.81

 

CMYK 0 / 13 / 44 / 13

HEX #DEC27C

RGB 222 194 124

HSL 42.86, 0.6%, 0.68%

LAB 79.37, 0.62, 38.78

 

CMYK 0 / 10 / 34 / 18

HEX #D1BC89

RGB 209 188 137

HSL 42.5, 0.44%, 0.68%

LAB 76.88, 0.02, 28.56

 

CMYK 0 / 7 / 23 / 24

HEX #C3B696

RGB 195 182 150

HSL 42.67, 0.27%, 0.68%

LAB 74.36, -0.52, 17.98

 

CMYK 0 / 3 / 10 / 29

HEX #B6B1A4

RGB 182 177 164

HSL 43.33, 0.11%, 0.68%

LAB 72.28, -0.52, 7.27

 

CMYK 5 / 3 / 0 / 31

HEX #A9ABB1

RGB 169 171 177

HSL 225, 0.05%, 0.68%

LAB 69.99, 0.46, -3.33

 

CMYK 0 / 37 / 44 / 13

HEX #DE8C7C

RGB 222 140 124

HSL 9.8, 0.6%, 0.68%

LAB 66.32, 29.42, 21.64

 

CMYK 0 / 25 / 44 / 13

HEX #DEA67C

RGB 222 166 124

HSL 25.71, 0.6%, 0.68%

LAB 72.4, 15.47, 29.76

 

CMYK 0 / 14 / 44 / 13

HEX #DEC07C

RGB 222 192 124

HSL 41.63, 0.6%, 0.68%

LAB 78.86, 1.66, 38.13

 

CMYK 0 / 1 / 44 / 13

HEX #DEDB7C

RGB 222 219 124

HSL 58.16, 0.6%, 0.68%

LAB 85.83, -12.17, 46.87

 

CMYK 10 / 0 / 44 / 13

HEX #C7DE7C

RGB 199 222 124

HSL 74.08, 0.6%, 0.68%

LAB 84.91, -22.63, 45.36

 

CMYK 0 / 20 / 72 / 20

HEX #CDA33A

RGB 205 163 58

HSL 42.86, 0.6%, 0.52%

LAB 69.1, 4.87, 57.81

 

CMYK 0 / 17 / 57 / 16

HEX #D6B25B

RGB 214 178 91

HSL 42.44, 0.6%, 0.6%

LAB 74.12, 2.8, 48.65

 

CMYK 0 / 13 / 44 / 13

HEX #DEC27C

RGB 222 194 124

HSL 42.86, 0.6%, 0.68%

LAB 79.37, 0.62, 38.78

 

CMYK 0 / 9 / 32 / 10

HEX #E6D19D

RGB 230 209 157

HSL 42.74, 0.59%, 0.76%

LAB 84.41, -0.3, 28.49

 

CMYK 0 / 6 / 20 / 7

HEX #EEE0BE

RGB 238 224 190

HSL 42.5, 0.59%, 0.84%

LAB 89.49, -0.58, 18.39

 

CMYK 0 / 13 / 44 / 13

HEX #DEC27D

RGB 222 194 125

HSL 42.68, 0.6%, 0.68%

LAB 79.38, 0.72, 38.29

 

CMYK 40 / 0 / 44 / 13

HEX #86DE7C

RGB 134 222 124

HSL 113.88, 0.6%, 0.68%

LAB 81.16, -45.39, 39.85

 

CMYK 31 / 44 / 0 / 13

HEX #997CDE

RGB 153 124 222

HSL 257.76, 0.6%, 0.68%

LAB 58.47, 32.29, -46.2

 

CMYK 0 / 13 / 44 / 13

HEX #DEC27D

RGB 222 194 125

HSL 42.68, 0.6%, 0.68%

LAB 79.38, 0.72, 38.29

 

CMYK 44 / 0 / 14 / 13

HEX #7CDEC0

RGB 124 222 192

HSL 161.63, 0.6%, 0.68%

LAB 82.02, -35.86, 5.76

 

CMYK 14 / 44 / 0 / 13

HEX #C07CDE

RGB 192 124 222

HSL 281.63, 0.6%, 0.68%

LAB 62.42, 43.22, -39.72

 

CMYK 0 / 13 / 44 / 13

HEX #DEC27D

RGB 222 194 125

HSL 42.68, 0.6%, 0.68%

LAB 79.38, 0.72, 38.29

 

CMYK 40 / 0 / 44 / 13

HEX #86DE7C

RGB 134 222 124

HSL 113.88, 0.6%, 0.68%

LAB 81.16, -45.39, 39.85

 

CMYK 44 / 31 / 0 / 13

HEX #7C99DE

RGB 124 153 222

HSL 222.24, 0.6%, 0.68%

LAB 63.62, 7.82, -38.25

 

CMYK 5 / 44 / 0 / 13

HEX #D47CDE

RGB 212 124 222

HSL 293.88, 0.6%, 0.68%

LAB 64.71, 49.01, -35.97

 

CMYK 0 / 13 / 44 / 13

HEX #DEC27D

RGB 222 194 125

HSL 42.68, 0.6%, 0.68%

LAB 79.38, 0.72, 38.29

 

CMYK 44 / 0 / 35 / 13

HEX #7CDE90

RGB 124 222 144

HSL 132.24, 0.6%, 0.68%

LAB 81.04, -45.25, 29.52

 

CMYK 44 / 31 / 0 / 13

HEX #7C99DE

RGB 124 153 222

HSL 222.24, 0.6%, 0.68%

LAB 63.62, 7.82, -38.25

 

CMYK 0 / 44 / 9 / 13

HEX #DE7CCA

RGB 222 124 202

HSL 312.24, 0.6%, 0.68%

LAB 65.13, 48.46, -24.05

 

Description

Color code: HEX #DEC27D | qconv.com Color code: HEX #DEC27D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 222 red, 194 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
222 194 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 44 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 44% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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