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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DEC88E it is the complementary color #213771. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DEC88E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DEC88E shade: #E3C889, #F4DA9C, #FFECAF, #FFFEC2 and #FFFFD5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DEC88E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DEC88E shade: #DEC88E, #CDB67B, #BCA468, #AB9255 and #9A8042

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DEC88E shade: #DDC78C, #DDB18C, #DD9B8C and #DD8C8C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DEC88E shade: #DDC78C, #DDDD8C, #C8DD8C, #B2DD8C and #9CDD8C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DEC88E shade matches the following richer shades: #DDC78C, #E9CC80 and #F5D274

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DEC88E shade: #DDC78C, #D1C198, #C5BCA4, #B9B7B0 and #ADB1BC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DEC88E shade: #DD9B8C, #DDB08C, #DDC68C, #DDDC8C and #C9DD8C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DEC88E shade: #CBA84C, #D4B76C, #DDC78C, #E7D6AC and #F0E6CC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DEC88E shade: #DEC88E, #93DD8C and #A68CDD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DEC88E shade: #DEC88E, #8CDDC6 and #C68CDD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DEC88E shade: #DEC88E, #93DD8C, #8CA3DD and #D68CDD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DEC88E shade: #DEC88E, #8CDD9E, #8CA3DD and #DD8CCC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 36 / 13

HEX #DEC88E

RGB 222 200 142

HSL 43.5, 0.55%, 0.71%

LAB 81.18, -0.55, 31.85

 

Complementary color

CMYK 71 / 51 / 0 / 56

HEX #213771

RGB 33 55 113

HSL 223.5, 0.55%, 0.29%

LAB 24.47, 12.56, -36.15

 

CMYK 0 / 12 / 40 / 11

HEX #E3C889

RGB 227 200 137

HSL 42, 0.62%, 0.71%

LAB 81.54, 0.86, 34.99

 

CMYK 0 / 11 / 36 / 4

HEX #F4DA9C

RGB 244 218 156

HSL 42.27, 0.8%, 0.78%

LAB 87.86, 0.35, 33.83

 

CMYK 0 / 7 / 31 / 0

HEX #FFECAF

RGB 255 236 175

HSL 45.75, 1%, 0.84%

LAB 93.6, -2.36, 31.96

 

CMYK 0 / 0 / 24 / 0

HEX #FFFEC2

RGB 255 254 194

HSL 59.02, 1%, 0.88%

LAB 98.45, -8.92, 28.9

 

CMYK 0 / 0 / 16 / 0

HEX #FFFFD5

RGB 255 255 213

HSL 60, 1%, 0.92%

LAB 99.06, -6.76, 20.12

 

CMYK 0 / 10 / 36 / 13

HEX #DEC88E

RGB 222 200 142

HSL 43.5, 0.55%, 0.71%

LAB 81.18, -0.55, 31.85

 

CMYK 0 / 11 / 40 / 20

HEX #CDB67B

RGB 205 182 123

HSL 43.17, 0.45%, 0.64%

LAB 74.74, -0.04, 33.04

 

CMYK 0 / 13 / 45 / 26

HEX #BCA468

RGB 188 164 104

HSL 42.86, 0.39%, 0.57%

LAB 68.2, 0.55, 34.29

 

CMYK 0 / 15 / 50 / 33

HEX #AB9255

RGB 171 146 85

HSL 42.56, 0.34%, 0.5%

LAB 61.54, 1.26, 35.6

 

CMYK 0 / 17 / 57 / 40

HEX #9A8042

RGB 154 128 66

HSL 42.27, 0.4%, 0.43%

LAB 54.76, 2.11, 36.95

 

CMYK 0 / 10 / 37 / 13

HEX #DDC78C

RGB 221 199 140

HSL 43.7, 0.54%, 0.71%

LAB 80.8, -0.65, 32.38

 

CMYK 0 / 20 / 37 / 13

HEX #DDB18C

RGB 221 177 140

HSL 27.41, 0.54%, 0.71%

LAB 75.27, 10.96, 25

 

CMYK 0 / 30 / 37 / 13

HEX #DD9B8C

RGB 221 155 140

HSL 11.11, 0.54%, 0.71%

LAB 69.97, 22.78, 17.75

 

CMYK 0 / 37 / 37 / 13

HEX #DD8C8C

RGB 221 140 140

HSL 0, 0.54%, 0.71%

LAB 66.54, 30.82, 12.97

 

CMYK 0 / 10 / 37 / 13

HEX #DDC78C

RGB 221 199 140

HSL 43.7, 0.54%, 0.71%

LAB 80.8, -0.65, 32.38

 

CMYK 0 / 0 / 37 / 13

HEX #DDDD8C

RGB 221 221 140

HSL 60, 0.54%, 0.71%

LAB 86.49, -11.89, 39.79

 

CMYK 10 / 0 / 37 / 13

HEX #C8DD8C

RGB 200 221 140

HSL 75.56, 0.54%, 0.71%

LAB 84.94, -19.92, 37.47

 

CMYK 19 / 0 / 37 / 13

HEX #B2DD8C

RGB 178 221 140

HSL 91.85, 0.54%, 0.71%

LAB 83.48, -28.01, 35.29

 

CMYK 29 / 0 / 37 / 13

HEX #9CDD8C

RGB 156 221 140

HSL 108.15, 0.54%, 0.71%

LAB 82.2, -35.62, 33.38

 

CMYK 0 / 10 / 37 / 13

HEX #DDC78C

RGB 221 199 140

HSL 43.7, 0.54%, 0.71%

LAB 80.8, -0.65, 32.38

 

CMYK 0 / 12 / 45 / 9

HEX #E9CC80

RGB 233 204 128

HSL 43.43, 0.7%, 0.71%

LAB 82.95, 0.24, 41.5

 

CMYK 0 / 14 / 53 / 4

HEX #F5D274

RGB 245 210 116

HSL 43.72, 0.87%, 0.71%

LAB 85.39, 0.91, 50.65

 

CMYK 0 / 10 / 37 / 13

HEX #DDC78C

RGB 221 199 140

HSL 43.7, 0.54%, 0.71%

LAB 80.8, -0.65, 32.38

 

CMYK 0 / 8 / 27 / 18

HEX #D1C198

RGB 209 193 152

HSL 43.16, 0.38%, 0.71%

LAB 78.44, -0.68, 22.72

 

CMYK 0 / 5 / 17 / 23

HEX #C5BCA4

RGB 197 188 164

HSL 43.64, 0.22%, 0.71%

LAB 76.39, -0.84, 13.28

 

CMYK 0 / 1 / 5 / 27

HEX #B9B7B0

RGB 185 183 176

HSL 46.67, 0.06%, 0.71%

LAB 74.39, -0.56, 3.79

 

CMYK 8 / 6 / 0 / 26

HEX #ADB1BC

RGB 173 177 188

HSL 224, 0.1%, 0.71%

LAB 72.2, 0.76, -6.09

 

CMYK 0 / 30 / 37 / 13

HEX #DD9B8C

RGB 221 155 140

HSL 11.11, 0.54%, 0.71%

LAB 69.97, 22.78, 17.75

 

CMYK 0 / 20 / 37 / 13

HEX #DDB08C

RGB 221 176 140

HSL 26.67, 0.54%, 0.71%

LAB 75.02, 11.49, 24.67

 

CMYK 0 / 10 / 37 / 13

HEX #DDC68C

RGB 221 198 140

HSL 42.96, 0.54%, 0.71%

LAB 80.55, -0.13, 32.04

 

CMYK 0 / 0 / 37 / 13

HEX #DDDC8C

RGB 221 220 140

HSL 59.26, 0.54%, 0.71%

LAB 86.23, -11.39, 39.45

 

CMYK 9 / 0 / 37 / 13

HEX #C9DD8C

RGB 201 221 140

HSL 74.81, 0.54%, 0.71%

LAB 85.01, -19.54, 37.58

 

CMYK 0 / 17 / 63 / 20

HEX #CBA84C

RGB 203 168 76

HSL 43.46, 0.55%, 0.55%

LAB 70.33, 2.37, 51.16

 

CMYK 0 / 14 / 49 / 17

HEX #D4B76C

RGB 212 183 108

HSL 43.27, 0.55%, 0.63%

LAB 75.42, 0.76, 41.76

 

CMYK 0 / 10 / 37 / 13

HEX #DDC78C

RGB 221 199 140

HSL 43.7, 0.54%, 0.71%

LAB 80.8, -0.65, 32.38

 

CMYK 0 / 7 / 26 / 9

HEX #E7D6AC

RGB 231 214 172

HSL 42.71, 0.55%, 0.79%

LAB 86.04, -0.55, 22.9

 

CMYK 0 / 4 / 15 / 6

HEX #F0E6CC

RGB 240 230 204

HSL 43.33, 0.55%, 0.87%

LAB 91.45, -0.84, 13.88

 

CMYK 0 / 10 / 36 / 13

HEX #DEC88E

RGB 222 200 142

HSL 43.5, 0.55%, 0.71%

LAB 81.18, -0.55, 31.85

 

CMYK 33 / 0 / 37 / 13

HEX #93DD8C

RGB 147 221 140

HSL 114.81, 0.54%, 0.71%

LAB 81.73, -38.56, 32.68

 

CMYK 25 / 37 / 0 / 13

HEX #A68CDD

RGB 166 140 221

HSL 259.26, 0.54%, 0.71%

LAB 63.41, 26.55, -37.8

 

CMYK 0 / 10 / 36 / 13

HEX #DEC88E

RGB 222 200 142

HSL 43.5, 0.55%, 0.71%

LAB 81.18, -0.55, 31.85

 

CMYK 37 / 0 / 10 / 13

HEX #8CDDC6

RGB 140 221 198

HSL 162.96, 0.54%, 0.71%

LAB 82.57, -29.88, 3.48

 

CMYK 10 / 37 / 0 / 13

HEX #C68CDD

RGB 198 140 221

HSL 282.96, 0.54%, 0.71%

LAB 66.51, 36.13, -32.75

 

CMYK 0 / 10 / 36 / 13

HEX #DEC88E

RGB 222 200 142

HSL 43.5, 0.55%, 0.71%

LAB 81.18, -0.55, 31.85

 

CMYK 33 / 0 / 37 / 13

HEX #93DD8C

RGB 147 221 140

HSL 114.81, 0.54%, 0.71%

LAB 81.73, -38.56, 32.68

 

CMYK 37 / 26 / 0 / 13

HEX #8CA3DD

RGB 140 163 221

HSL 222.96, 0.54%, 0.71%

LAB 67.27, 6.04, -31.95

 

CMYK 3 / 37 / 0 / 13

HEX #D68CDD

RGB 214 140 221

HSL 294.81, 0.54%, 0.71%

LAB 68.22, 41.04, -29.96

 

CMYK 0 / 10 / 36 / 13

HEX #DEC88E

RGB 222 200 142

HSL 43.5, 0.55%, 0.71%

LAB 81.18, -0.55, 31.85

 

CMYK 37 / 0 / 29 / 13

HEX #8CDD9E

RGB 140 221 158

HSL 133.33, 0.54%, 0.71%

LAB 81.71, -37.78, 23.31

 

CMYK 37 / 26 / 0 / 13

HEX #8CA3DD

RGB 140 163 221

HSL 222.96, 0.54%, 0.71%

LAB 67.27, 6.04, -31.95

 

CMYK 0 / 37 / 8 / 13

HEX #DD8CCC

RGB 221 140 204

HSL 312.59, 0.54%, 0.71%

LAB 68.38, 40.18, -20.21

 

Description

Color code: HEX #DEC88E | qconv.com Color code: HEX #DEC88E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 222 red, 200 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
222 200 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 36 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 36% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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