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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DEB25D it is the complementary color #214DA2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DEB25D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DEB25D shade: #E3B258, #F4C46B, #FFD67E, #FFE891 and #FFFAA4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DEB25D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DEB25D shade: #DEB25D, #CDA04A, #BC8E37, #AB7C24 and #9A6A11

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DEB25D shade: #DEB25E, #DE8F5E, #DE6D5E and #DE5E5E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DEB25D shade: #DEB25E, #DED45E, #C4DE5E, #A2DE5E and #7FDE5E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DEB25D shade matches the following richer shades: #DEB25E, #EDB74E and #FDBC3E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DEB25D shade: #DEB25E, #CEAD6D, #BEA87D, #AFA38D and #9F9E9C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DEB25D shade: #DE6D5E, #DE8F5E, #DEB15E, #DED35E and #C6DE5E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DEB25D shade: #C18D27, #D7A23B, #DEB25E, #E5C280 and #ECD3A2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DEB25D shade: #DEB25D, #71DE5E and #7E5EDE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DEB25D shade: #DEB25D, #5EDEB1 and #B15EDE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DEB25D shade: #DEB25D, #71DE5E, #5E8ADE and #CA5EDE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DEB25D shade: #DEB25D, #5EDE71, #5E8ADE and #DE5ECA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 58 / 13

HEX #DEB25D

RGB 222 178 93

HSL 39.53, 0.66%, 0.62%

LAB 74.93, 6.31, 48.82

 

Complementary color

CMYK 80 / 52 / 0 / 36

HEX #214DA2

RGB 33 77 162

HSL 219.53, 0.66%, 0.38%

LAB 34.48, 16.91, -50.31

 

CMYK 0 / 22 / 61 / 11

HEX #E3B258

RGB 227 178 88

HSL 38.85, 0.71%, 0.62%

LAB 75.37, 8.04, 51.86

 

CMYK 0 / 20 / 56 / 4

HEX #F4C46B

RGB 244 196 107

HSL 38.98, 0.86%, 0.69%

LAB 81.72, 7.02, 50.58

 

CMYK 0 / 16 / 51 / 0

HEX #FFD67E

RGB 255 214 126

HSL 40.93, 1%, 0.75%

LAB 87.42, 3.73, 48.49

 

CMYK 0 / 9 / 43 / 0

HEX #FFE891

RGB 255 232 145

HSL 47.45, 1%, 0.78%

LAB 92.14, -3.66, 45.07

 

CMYK 0 / 2 / 36 / 0

HEX #FFFAA4

RGB 255 250 164

HSL 56.7, 1%, 0.82%

LAB 96.95, -10.61, 41.88

 

CMYK 0 / 20 / 58 / 13

HEX #DEB25D

RGB 222 178 93

HSL 39.53, 0.66%, 0.62%

LAB 74.93, 6.31, 48.82

 

CMYK 0 / 22 / 64 / 20

HEX #CDA04A

RGB 205 160 74

HSL 39.39, 0.57%, 0.55%

LAB 68.47, 7.39, 50.08

 

CMYK 0 / 24 / 71 / 26

HEX #BC8E37

RGB 188 142 55

HSL 39.25, 0.55%, 0.48%

LAB 61.92, 8.67, 51.19

 

CMYK 0 / 27 / 79 / 33

HEX #AB7C24

RGB 171 124 36

HSL 39.11, 0.65%, 0.41%

LAB 55.28, 10.2, 51.92

 

CMYK 0 / 31 / 89 / 40

HEX #9A6A11

RGB 154 106 17

HSL 38.98, 0.8%, 0.34%

LAB 48.53, 12.03, 51.71

 

CMYK 0 / 20 / 58 / 13

HEX #DEB25E

RGB 222 178 94

HSL 39.38, 0.66%, 0.62%

LAB 74.94, 6.38, 48.35

 

CMYK 0 / 36 / 58 / 13

HEX #DE8F5E

RGB 222 143 94

HSL 22.97, 0.66%, 0.62%

LAB 66.51, 25.11, 38.22

 

CMYK 0 / 51 / 58 / 13

HEX #DE6D5E

RGB 222 109 94

HSL 7.03, 0.66%, 0.62%

LAB 59.23, 42.83, 29.07

 

CMYK 0 / 58 / 58 / 13

HEX #DE5E5E

RGB 222 94 94

HSL 0, 0.66%, 0.62%

LAB 56.43, 50.06, 25.44

 

CMYK 0 / 20 / 58 / 13

HEX #DEB25E

RGB 222 178 94

HSL 39.38, 0.66%, 0.62%

LAB 74.94, 6.38, 48.35

 

CMYK 0 / 5 / 58 / 13

HEX #DED45E

RGB 222 212 94

HSL 55.31, 0.66%, 0.62%

LAB 83.67, -11.21, 58.34

 

CMYK 12 / 0 / 58 / 13

HEX #C4DE5E

RGB 196 222 94

HSL 72.19, 0.66%, 0.62%

LAB 84.37, -26.59, 58.59

 

CMYK 27 / 0 / 58 / 13

HEX #A2DE5E

RGB 162 222 94

HSL 88.13, 0.66%, 0.62%

LAB 82.23, -39.46, 55.6

 

CMYK 43 / 0 / 58 / 13

HEX #7FDE5E

RGB 127 222 94

HSL 104.53, 0.66%, 0.62%

LAB 80.5, -51.19, 53.15

 

CMYK 0 / 20 / 58 / 13

HEX #DEB25E

RGB 222 178 94

HSL 39.38, 0.66%, 0.62%

LAB 74.94, 6.38, 48.35

 

CMYK 0 / 23 / 67 / 7

HEX #EDB74E

RGB 237 183 78

HSL 39.62, 0.82%, 0.62%

LAB 77.53, 8.99, 59.08

 

CMYK 0 / 26 / 75 / 1

HEX #FDBC3E

RGB 253 188 62

HSL 39.58, 0.98%, 0.62%

LAB 80.29, 12.35, 68.9

 

CMYK 0 / 20 / 58 / 13

HEX #DEB25E

RGB 222 178 94

HSL 39.38, 0.66%, 0.62%

LAB 74.94, 6.38, 48.35

 

CMYK 0 / 16 / 47 / 19

HEX #CEAD6D

RGB 206 173 109

HSL 39.59, 0.5%, 0.62%

LAB 72.3, 3.68, 37.23

 

CMYK 0 / 12 / 34 / 25

HEX #BEA87D

RGB 190 168 125

HSL 39.69, 0.33%, 0.62%

LAB 69.78, 1.63, 25.17

 

CMYK 0 / 7 / 19 / 31

HEX #AFA38D

RGB 175 163 141

HSL 38.82, 0.18%, 0.62%

LAB 67.45, 0.67, 13

 

CMYK 0 / 1 / 2 / 38

HEX #9F9E9C

RGB 159 158 156

HSL 40, 0.02%, 0.62%

LAB 65.14, -0.01, 1.16

 

CMYK 0 / 51 / 58 / 13

HEX #DE6D5E

RGB 222 109 94

HSL 7.03, 0.66%, 0.62%

LAB 59.23, 42.83, 29.07

 

CMYK 0 / 36 / 58 / 13

HEX #DE8F5E

RGB 222 143 94

HSL 22.97, 0.66%, 0.62%

LAB 66.51, 25.11, 38.22

 

CMYK 0 / 20 / 58 / 13

HEX #DEB15E

RGB 222 177 94

HSL 38.91, 0.66%, 0.62%

LAB 74.69, 6.91, 48.05

 

CMYK 0 / 5 / 58 / 13

HEX #DED35E

RGB 222 211 94

HSL 54.84, 0.66%, 0.62%

LAB 83.4, -10.7, 58.05

 

CMYK 11 / 0 / 58 / 13

HEX #C6DE5E

RGB 198 222 94

HSL 71.25, 0.66%, 0.62%

LAB 84.51, -25.8, 58.79

 

CMYK 0 / 27 / 80 / 24

HEX #C18D27

RGB 193 141 39

HSL 39.74, 0.66%, 0.45%

LAB 62.11, 10.72, 58.01

 

CMYK 0 / 25 / 73 / 16

HEX #D7A23B

RGB 215 162 59

HSL 39.62, 0.66%, 0.54%

LAB 69.9, 9.79, 58.54

 

CMYK 0 / 20 / 58 / 13

HEX #DEB25E

RGB 222 178 94

HSL 39.38, 0.66%, 0.62%

LAB 74.94, 6.38, 48.35

 

CMYK 0 / 15 / 44 / 10

HEX #E5C280

RGB 229 194 128

HSL 39.21, 0.66%, 0.7%

LAB 80.07, 3.84, 37.76

 

CMYK 0 / 11 / 31 / 7

HEX #ECD3A2

RGB 236 211 162

HSL 39.73, 0.66%, 0.78%

LAB 85.52, 1.59, 27.48

 

CMYK 0 / 20 / 58 / 13

HEX #DEB25D

RGB 222 178 93

HSL 39.53, 0.66%, 0.62%

LAB 74.93, 6.31, 48.82

 

CMYK 49 / 0 / 58 / 13

HEX #71DE5E

RGB 113 222 94

HSL 111.09, 0.66%, 0.62%

LAB 79.93, -55.28, 52.35

 

CMYK 43 / 58 / 0 / 13

HEX #7E5EDE

RGB 126 94 222

HSL 255, 0.66%, 0.62%

LAB 49.15, 42.89, -61.24

 

CMYK 0 / 20 / 58 / 13

HEX #DEB25D

RGB 222 178 93

HSL 39.53, 0.66%, 0.62%

LAB 74.93, 6.31, 48.82

 

CMYK 58 / 0 / 20 / 13

HEX #5EDEB1

RGB 94 222 177

HSL 158.91, 0.66%, 0.62%

LAB 80.63, -45.98, 11.57

 

CMYK 20 / 58 / 0 / 13

HEX #B15EDE

RGB 177 94 222

HSL 278.91, 0.66%, 0.62%

LAB 54.69, 54.79, -52.06

 

CMYK 0 / 20 / 58 / 13

HEX #DEB25D

RGB 222 178 93

HSL 39.53, 0.66%, 0.62%

LAB 74.93, 6.31, 48.82

 

CMYK 49 / 0 / 58 / 13

HEX #71DE5E

RGB 113 222 94

HSL 111.09, 0.66%, 0.62%

LAB 79.93, -55.28, 52.35

 

CMYK 58 / 38 / 0 / 13

HEX #5E8ADE

RGB 94 138 222

HSL 219.38, 0.66%, 0.62%

LAB 57.88, 9.8, -47.41

 

CMYK 9 / 58 / 0 / 13

HEX #CA5EDE

RGB 202 94 222

HSL 290.63, 0.66%, 0.62%

LAB 57.88, 61, -46.78

 

CMYK 0 / 20 / 58 / 13

HEX #DEB25D

RGB 222 178 93

HSL 39.53, 0.66%, 0.62%

LAB 74.93, 6.31, 48.82

 

CMYK 58 / 0 / 49 / 13

HEX #5EDE71

RGB 94 222 113

HSL 128.91, 0.66%, 0.62%

LAB 79.51, -57.72, 42.83

 

CMYK 58 / 38 / 0 / 13

HEX #5E8ADE

RGB 94 138 222

HSL 219.38, 0.66%, 0.62%

LAB 57.88, 9.8, -47.41

 

CMYK 0 / 58 / 9 / 13

HEX #DE5ECA

RGB 222 94 202

HSL 309.38, 0.66%, 0.62%

LAB 59.71, 62.76, -32.41

 

Description

Color code: HEX #DEB25D | qconv.com Color code: HEX #DEB25D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 222 red, 178 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
222 178 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 58 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 58% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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