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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DEB9D2 it is the complementary color #21462D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DEB9D2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DEB9D2 shade: #E3B9CD, #F4CBE0, #FFDDF3 and #FFEFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DEB9D2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DEB9D2 shade: #DEB9D2, #CDA7BF, #BC95AC, #AB8399 and #9A7186

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DEB9D2 shade: #DEB9D2, #DEB9C8, #DEB9BE and #DEB9B9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DEB9D2 shade: #DEB9D2, #DEB9DC, #D6B9DE, #CCB9DE and #C2B9DE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DEB9D2 shade matches the following richer shades: #DEB9D2, #E6B1D5, #EEA9D8 and #F7A0DB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DEB9D2 shade: #DEB9D2, #D6C1CF, #CDCACC, #C5D2C9 and #BDDAC6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DEB9D2 shade: #D6B9DE, #DEB9DC, #DEB9D2, #DEB9C8 and #DEB9BF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DEB9D2 shade: #C381AE, #D19DC0, #DEB9D2, #EBD5E4 and #F8F1F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DEB9D2 shade: #DEB9D2, #DECCB9 and #B9DEDB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DEB9D2 shade: #DEB9D2, #D2DEB9 and #B9D2DE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DEB9D2 shade: #DEB9D2, #DECCB9, #B9DEC5 and #B9CBDE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DEB9D2 shade: #DEB9D2, #DED7B9, #B9DEC5 and #B9C0DE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 5 / 13

HEX #DEB9D2

RGB 222 185 210

HSL 319.46, 0.36%, 0.8%

LAB 78.97, 17.41, -7.59

 

Complementary color

CMYK 53 / 0 / 36 / 73

HEX #21462D

RGB 33 70 45

HSL 139.46, 0.36%, 0.2%

LAB 26.43, -19.91, 11.09

 

CMYK 0 / 19 / 10 / 11

HEX #E3B9CD

RGB 227 185 205

HSL 331.43, 0.43%, 0.81%

LAB 79.29, 18.29, -4.36

 

CMYK 0 / 17 / 8 / 4

HEX #F4CBE0

RGB 244 203 224

HSL 329.27, 0.65%, 0.88%

LAB 85.67, 17.82, -4.97

 

CMYK 0 / 13 / 5 / 0

HEX #FFDDF3

RGB 255 221 243

HSL 321.18, 1%, 0.93%

LAB 91.43, 15.36, -6.37

 

CMYK 0 / 6 / 0 / 0

HEX #FFEFFF

RGB 255 239 255

HSL 300, 1%, 0.97%

LAB 96.09, 8.15, -5.76

 

CMYK 0 / 17 / 5 / 13

HEX #DEB9D2

RGB 222 185 210

HSL 319.46, 0.36%, 0.8%

LAB 78.97, 17.41, -7.59

 

CMYK 0 / 19 / 7 / 20

HEX #CDA7BF

RGB 205 167 191

HSL 322.11, 0.28%, 0.73%

LAB 72.48, 17.89, -7.02

 

CMYK 0 / 21 / 9 / 26

HEX #BC95AC

RGB 188 149 172

HSL 324.62, 0.23%, 0.66%

LAB 65.88, 18.42, -6.43

 

CMYK 0 / 23 / 11 / 33

HEX #AB8399

RGB 171 131 153

HSL 327, 0.19%, 0.59%

LAB 59.15, 18.99, -5.81

 

CMYK 0 / 27 / 13 / 40

HEX #9A7186

RGB 154 113 134

HSL 329.27, 0.17%, 0.52%

LAB 52.29, 19.63, -5.14

 

CMYK 0 / 17 / 5 / 13

HEX #DEB9D2

RGB 222 185 210

HSL 319.46, 0.36%, 0.8%

LAB 78.97, 17.41, -7.59

 

CMYK 0 / 17 / 10 / 13

HEX #DEB9C8

RGB 222 185 200

HSL 335.68, 0.36%, 0.8%

LAB 78.69, 15.69, -2.59

 

CMYK 0 / 17 / 14 / 13

HEX #DEB9BE

RGB 222 185 190

HSL 351.89, 0.36%, 0.8%

LAB 78.43, 14.05, 2.44

 

CMYK 0 / 17 / 17 / 13

HEX #DEB9B9

RGB 222 185 185

HSL 0, 0.36%, 0.8%

LAB 78.3, 13.26, 4.96

 

CMYK 0 / 17 / 5 / 13

HEX #DEB9D2

RGB 222 185 210

HSL 319.46, 0.36%, 0.8%

LAB 78.97, 17.41, -7.59

 

CMYK 0 / 17 / 1 / 13

HEX #DEB9DC

RGB 222 185 220

HSL 303.24, 0.36%, 0.8%

LAB 79.27, 19.21, -12.55

 

CMYK 4 / 17 / 0 / 13

HEX #D6B9DE

RGB 214 185 222

HSL 287.03, 0.36%, 0.8%

LAB 78.62, 16.91, -14.67

 

CMYK 8 / 17 / 0 / 13

HEX #CCB9DE

RGB 204 185 222

HSL 270.81, 0.36%, 0.8%

LAB 77.76, 13.61, -16.05

 

CMYK 13 / 17 / 0 / 13

HEX #C2B9DE

RGB 194 185 222

HSL 254.59, 0.36%, 0.8%

LAB 76.95, 10.35, -17.36

 

CMYK 0 / 17 / 5 / 13

HEX #DEB9D2

RGB 222 185 210

HSL 319.46, 0.36%, 0.8%

LAB 78.97, 17.41, -7.59

 

CMYK 0 / 23 / 7 / 10

HEX #E6B1D5

RGB 230 177 213

HSL 319.25, 0.51%, 0.8%

LAB 77.92, 24.97, -10.7

 

CMYK 0 / 29 / 9 / 7

HEX #EEA9D8

RGB 238 169 216

HSL 319.13, 0.67%, 0.8%

LAB 76.99, 32.46, -13.64

 

CMYK 0 / 35 / 11 / 3

HEX #F7A0DB

RGB 247 160 219

HSL 319.31, 0.84%, 0.8%

LAB 76.09, 40.66, -16.53

 

CMYK 0 / 17 / 5 / 13

HEX #DEB9D2

RGB 222 185 210

HSL 319.46, 0.36%, 0.8%

LAB 78.97, 17.41, -7.59

 

CMYK 0 / 10 / 3 / 16

HEX #D6C1CF

RGB 214 193 207

HSL 320, 0.2%, 0.8%

LAB 80.15, 9.83, -4.31

 

CMYK 0 / 1 / 0 / 20

HEX #CDCACC

RGB 205 202 204

HSL 320, 0.03%, 0.8%

LAB 81.61, 1.4, -0.64

 

CMYK 6 / 0 / 4 / 18

HEX #C5D2C9

RGB 197 210 201

HSL 138.46, 0.13%, 0.8%

LAB 83.01, -6.07, 2.93

 

CMYK 13 / 0 / 9 / 15

HEX #BDDAC6

RGB 189 218 198

HSL 138.62, 0.28%, 0.8%

LAB 84.5, -13.41, 6.61

 

CMYK 4 / 17 / 0 / 13

HEX #D6B9DE

RGB 214 185 222

HSL 287.03, 0.36%, 0.8%

LAB 78.62, 16.91, -14.67

 

CMYK 0 / 17 / 1 / 13

HEX #DEB9DC

RGB 222 185 220

HSL 303.24, 0.36%, 0.8%

LAB 79.27, 19.21, -12.55

 

CMYK 0 / 17 / 5 / 13

HEX #DEB9D2

RGB 222 185 210

HSL 319.46, 0.36%, 0.8%

LAB 78.97, 17.41, -7.59

 

CMYK 0 / 17 / 10 / 13

HEX #DEB9C8

RGB 222 185 200

HSL 335.68, 0.36%, 0.8%

LAB 78.69, 15.69, -2.59

 

CMYK 0 / 17 / 14 / 13

HEX #DEB9BF

RGB 222 185 191

HSL 350.27, 0.36%, 0.8%

LAB 78.46, 14.21, 1.94

 

CMYK 0 / 34 / 11 / 24

HEX #C381AE

RGB 195 129 174

HSL 319.09, 0.35%, 0.64%

LAB 61.96, 32.28, -13.34

 

CMYK 0 / 25 / 8 / 18

HEX #D19DC0

RGB 209 157 192

HSL 319.62, 0.36%, 0.72%

LAB 70.51, 24.92, -10.47

 

CMYK 0 / 17 / 5 / 13

HEX #DEB9D2

RGB 222 185 210

HSL 319.46, 0.36%, 0.8%

LAB 78.97, 17.41, -7.59

 

CMYK 0 / 9 / 3 / 8

HEX #EBD5E4

RGB 235 213 228

HSL 319.09, 0.35%, 0.88%

LAB 87.41, 10.17, -4.6

 

CMYK 0 / 3 / 1 / 3

HEX #F8F1F6

RGB 248 241 246

HSL 317.14, 0.33%, 0.96%

LAB 95.8, 3.21, -1.58

 

CMYK 0 / 17 / 5 / 13

HEX #DEB9D2

RGB 222 185 210

HSL 319.46, 0.36%, 0.8%

LAB 78.97, 17.41, -7.59

 

CMYK 0 / 8 / 17 / 13

HEX #DECCB9

RGB 222 204 185

HSL 30.81, 0.36%, 0.8%

LAB 83.03, 3.19, 11.73

 

CMYK 17 / 0 / 1 / 13

HEX #B9DEDB

RGB 185 222 219

HSL 175.14, 0.36%, 0.8%

LAB 85.84, -12.66, -2.58

 

CMYK 0 / 17 / 5 / 13

HEX #DEB9D2

RGB 222 185 210

HSL 319.46, 0.36%, 0.8%

LAB 78.97, 17.41, -7.59

 

CMYK 5 / 0 / 17 / 13

HEX #D2DEB9

RGB 210 222 185

HSL 79.46, 0.36%, 0.8%

LAB 86.72, -10.42, 16.81

 

CMYK 17 / 5 / 0 / 13

HEX #B9D2DE

RGB 185 210 222

HSL 199.46, 0.36%, 0.8%

LAB 82.74, -5.86, -8.74

 

CMYK 0 / 17 / 5 / 13

HEX #DEB9D2

RGB 222 185 210

HSL 319.46, 0.36%, 0.8%

LAB 78.97, 17.41, -7.59

 

CMYK 0 / 8 / 17 / 13

HEX #DECCB9

RGB 222 204 185

HSL 30.81, 0.36%, 0.8%

LAB 83.03, 3.19, 11.73

 

CMYK 17 / 0 / 11 / 13

HEX #B9DEC5

RGB 185 222 197

HSL 139.46, 0.36%, 0.8%

LAB 85.3, -16.94, 8.24

 

CMYK 17 / 9 / 0 / 13

HEX #B9CBDE

RGB 185 203 222

HSL 210.81, 0.36%, 0.8%

LAB 80.91, -2.18, -11.48

 

CMYK 0 / 17 / 5 / 13

HEX #DEB9D2

RGB 222 185 210

HSL 319.46, 0.36%, 0.8%

LAB 78.97, 17.41, -7.59

 

CMYK 0 / 3 / 17 / 13

HEX #DED7B9

RGB 222 215 185

HSL 48.65, 0.36%, 0.8%

LAB 85.82, -2.52, 15.68

 

CMYK 17 / 0 / 11 / 13

HEX #B9DEC5

RGB 185 222 197

HSL 139.46, 0.36%, 0.8%

LAB 85.3, -16.94, 8.24

 

CMYK 17 / 14 / 0 / 13

HEX #B9C0DE

RGB 185 192 222

HSL 228.65, 0.36%, 0.8%

LAB 78.04, 3.69, -15.77

 

Description

Color code: HEX #DEB9D2 | qconv.com Color code: HEX #DEB9D2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 222 red, 185 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
222 185 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 5 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 5% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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