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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DEB997 it is the complementary color #214668. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DEB997. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DEB997 shade: #E3B992, #F4CBA5, #FFDDB8, #FFEFCB and #FFFFDE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DEB997. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DEB997 shade: #DEB997, #CDA784, #BC9571, #AB835E and #9A714B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DEB997 shade: #DDB896, #DDA596 and #DD9696

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DEB997 shade: #DDB896, #DDCB96, #DCDD96, #C9DD96 and #B6DD96

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DEB997 shade matches the following richer shades: #DDB896, #E9B88B and #F4B780

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DEB997 shade: #DDB896, #D2B9A1, #C7B9AC, #BCBAB7 and #B1BAC2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DEB997 shade: #DD969B, #DDA496, #DDB796, #DDCA96 and #DDDD96

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DEB997 shade: #CA8E57, #D4A376, #DDB896, #E7CDB5 and #F1E2D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DEB997 shade: #DEB997, #AEDD96 and #9B96DD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DEB997 shade: #DEB997, #96DDB7 and #B796DD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DEB997 shade: #DEB997, #AEDD96, #96BCDD and #C696DD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DEB997 shade: #DEB997, #98DD96, #96BCDD and #DB96DD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 32 / 13

HEX #DEB997

RGB 222 185 151

HSL 28.73, 0.52%, 0.73%

LAB 77.56, 8.44, 22.23

 

Complementary color

CMYK 68 / 33 / 0 / 59

HEX #214668

RGB 33 70 104

HSL 208.73, 0.52%, 0.27%

LAB 28.65, -1.25, -23.76

 

CMYK 0 / 19 / 36 / 11

HEX #E3B992

RGB 227 185 146

HSL 28.89, 0.59%, 0.73%

LAB 77.94, 9.77, 25.5

 

CMYK 0 / 17 / 32 / 4

HEX #F4CBA5

RGB 244 203 165

HSL 28.86, 0.78%, 0.8%

LAB 84.31, 9.18, 24.38

 

CMYK 0 / 13 / 28 / 0

HEX #FFDDB8

RGB 255 221 184

HSL 31.27, 1%, 0.86%

LAB 90.06, 6.41, 22.52

 

CMYK 0 / 6 / 20 / 0

HEX #FFEFCB

RGB 255 239 203

HSL 41.54, 1%, 0.9%

LAB 94.87, -0.18, 19.38

 

CMYK 0 / 0 / 13 / 0

HEX #FFFFDE

RGB 255 255 222

HSL 60, 1%, 0.94%

LAB 99.24, -5.41, 15.79

 

CMYK 0 / 17 / 32 / 13

HEX #DEB997

RGB 222 185 151

HSL 28.73, 0.52%, 0.73%

LAB 77.56, 8.44, 22.23

 

CMYK 0 / 19 / 36 / 20

HEX #CDA784

RGB 205 167 132

HSL 28.77, 0.42%, 0.66%

LAB 71.07, 9.03, 23.36

 

CMYK 0 / 21 / 40 / 26

HEX #BC9571

RGB 188 149 113

HSL 28.8, 0.36%, 0.59%

LAB 64.47, 9.72, 24.58

 

CMYK 0 / 23 / 45 / 33

HEX #AB835E

RGB 171 131 94

HSL 28.83, 0.31%, 0.52%

LAB 57.75, 10.52, 25.9

 

CMYK 0 / 27 / 51 / 40

HEX #9A714B

RGB 154 113 75

HSL 28.86, 0.34%, 0.45%

LAB 50.91, 11.47, 27.34

 

CMYK 0 / 17 / 32 / 13

HEX #DDB896

RGB 221 184 150

HSL 28.73, 0.51%, 0.73%

LAB 77.19, 8.45, 22.26

 

CMYK 0 / 25 / 32 / 13

HEX #DDA596

RGB 221 165 150

HSL 12.68, 0.51%, 0.73%

LAB 72.55, 18.63, 15.84

 

CMYK 0 / 32 / 32 / 13

HEX #DD9696

RGB 221 150 150

HSL 0, 0.51%, 0.73%

LAB 69.03, 26.71, 10.89

 

CMYK 0 / 17 / 32 / 13

HEX #DDB896

RGB 221 184 150

HSL 28.73, 0.51%, 0.73%

LAB 77.19, 8.45, 22.26

 

CMYK 0 / 8 / 32 / 13

HEX #DDCB96

RGB 221 203 150

HSL 44.79, 0.51%, 0.73%

LAB 81.99, -1.53, 28.76

 

CMYK 0 / 0 / 32 / 13

HEX #DCDD96

RGB 220 221 150

HSL 60.85, 0.51%, 0.73%

LAB 86.57, -11.11, 34.82

 

CMYK 9 / 0 / 32 / 13

HEX #C9DD96

RGB 201 221 150

HSL 76.9, 0.51%, 0.73%

LAB 85.17, -18.27, 32.71

 

CMYK 18 / 0 / 32 / 13

HEX #B6DD96

RGB 182 221 150

HSL 92.96, 0.51%, 0.73%

LAB 83.89, -25.2, 30.79

 

CMYK 0 / 17 / 32 / 13

HEX #DDB896

RGB 221 184 150

HSL 28.73, 0.51%, 0.73%

LAB 77.19, 8.45, 22.26

 

CMYK 0 / 21 / 40 / 9

HEX #E9B88B

RGB 233 184 139

HSL 28.72, 0.68%, 0.73%

LAB 78.15, 11.85, 29.6

 

CMYK 0 / 25 / 48 / 4

HEX #F4B780

RGB 244 183 128

HSL 28.45, 0.84%, 0.73%

LAB 78.84, 15.62, 36.48

 

CMYK 0 / 17 / 32 / 13

HEX #DDB896

RGB 221 184 150

HSL 28.73, 0.51%, 0.73%

LAB 77.19, 8.45, 22.26

 

CMYK 0 / 12 / 23 / 18

HEX #D2B9A1

RGB 210 185 161

HSL 29.39, 0.35%, 0.73%

LAB 76.66, 5.19, 15.45

 

CMYK 0 / 7 / 14 / 22

HEX #C7B9AC

RGB 199 185 172

HSL 28.89, 0.19%, 0.73%

LAB 75.96, 2.76, 8.37

 

CMYK 0 / 1 / 3 / 26

HEX #BCBAB7

RGB 188 186 183

HSL 36, 0.04%, 0.73%

LAB 75.59, 0.16, 1.76

 

CMYK 9 / 4 / 0 / 24

HEX #B1BAC2

RGB 177 186 194

HSL 208.24, 0.12%, 0.73%

LAB 75.05, -1.53, -5.12

 

CMYK 0 / 32 / 30 / 13

HEX #DD969B

RGB 221 150 155

HSL 355.77, 0.51%, 0.73%

LAB 69.15, 27.36, 8.27

 

CMYK 0 / 26 / 32 / 13

HEX #DDA496

RGB 221 164 150

HSL 11.83, 0.51%, 0.73%

LAB 72.31, 19.17, 15.51

 

CMYK 0 / 17 / 32 / 13

HEX #DDB796

RGB 221 183 150

HSL 27.89, 0.51%, 0.73%

LAB 76.95, 8.99, 21.92

 

CMYK 0 / 9 / 32 / 13

HEX #DDCA96

RGB 221 202 150

HSL 43.94, 0.51%, 0.73%

LAB 81.74, -1.01, 28.42

 

CMYK 0 / 0 / 32 / 13

HEX #DDDD96

RGB 221 221 150

HSL 60, 0.51%, 0.73%

LAB 86.65, -10.73, 34.94

 

CMYK 0 / 30 / 57 / 21

HEX #CA8E57

RGB 202 142 87

HSL 28.7, 0.52%, 0.57%

LAB 63.83, 16.84, 38.1

 

CMYK 0 / 23 / 44 / 17

HEX #D4A376

RGB 212 163 118

HSL 28.72, 0.52%, 0.65%

LAB 70.52, 12.42, 30.32

 

CMYK 0 / 17 / 32 / 13

HEX #DDB896

RGB 221 184 150

HSL 28.73, 0.51%, 0.73%

LAB 77.19, 8.45, 22.26

 

CMYK 0 / 11 / 22 / 9

HEX #E7CDB5

RGB 231 205 181

HSL 28.8, 0.51%, 0.81%

LAB 83.96, 5.38, 15.28

 

CMYK 0 / 6 / 12 / 5

HEX #F1E2D5

RGB 241 226 213

HSL 27.86, 0.5%, 0.89%

LAB 90.73, 2.97, 8.18

 

CMYK 0 / 17 / 32 / 13

HEX #DEB997

RGB 222 185 151

HSL 28.73, 0.52%, 0.73%

LAB 77.56, 8.44, 22.23

 

CMYK 21 / 0 / 32 / 13

HEX #AEDD96

RGB 174 221 150

HSL 99.72, 0.51%, 0.73%

LAB 83.4, -28.02, 30.04

 

CMYK 30 / 32 / 0 / 13

HEX #9B96DD

RGB 155 150 221

HSL 244.23, 0.51%, 0.73%

LAB 64.96, 17.66, -35.45

 

CMYK 0 / 17 / 32 / 13

HEX #DEB997

RGB 222 185 151

HSL 28.73, 0.52%, 0.73%

LAB 77.56, 8.44, 22.23

 

CMYK 32 / 0 / 17 / 13

HEX #96DDB7

RGB 150 221 183

HSL 147.89, 0.51%, 0.73%

LAB 82.71, -30.13, 11.67

 

CMYK 17 / 32 / 0 / 13

HEX #B796DD

RGB 183 150 221

HSL 267.89, 0.51%, 0.73%

LAB 67.35, 26, -31.55

 

CMYK 0 / 17 / 32 / 13

HEX #DEB997

RGB 222 185 151

HSL 28.73, 0.52%, 0.73%

LAB 77.56, 8.44, 22.23

 

CMYK 21 / 0 / 32 / 13

HEX #AEDD96

RGB 174 221 150

HSL 99.72, 0.51%, 0.73%

LAB 83.4, -28.02, 30.04

 

CMYK 32 / 15 / 0 / 13

HEX #96BCDD

RGB 150 188 221

HSL 207.89, 0.51%, 0.73%

LAB 74.62, -4.94, -20.64

 

CMYK 10 / 32 / 0 / 13

HEX #C696DD

RGB 198 150 221

HSL 280.56, 0.51%, 0.73%

LAB 68.78, 30.65, -29.23

 

CMYK 0 / 17 / 32 / 13

HEX #DEB997

RGB 222 185 151

HSL 28.73, 0.52%, 0.73%

LAB 77.56, 8.44, 22.23

 

CMYK 31 / 0 / 32 / 13

HEX #98DD96

RGB 152 221 150

HSL 118.31, 0.51%, 0.73%

LAB 82.16, -35.4, 28.16

 

CMYK 32 / 15 / 0 / 13

HEX #96BCDD

RGB 150 188 221

HSL 207.89, 0.51%, 0.73%

LAB 74.62, -4.94, -20.64

 

CMYK 1 / 32 / 0 / 13

HEX #DB96DD

RGB 219 150 221

HSL 298.31, 0.51%, 0.73%

LAB 70.94, 37.27, -25.74

 

Description

Color code: HEX #DEB997 | qconv.com Color code: HEX #DEB997 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 222 red, 185 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
222 185 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 32 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 32% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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