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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DEB54F it is the complementary color #214AB0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DEB54F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DEB54F shade: #E3B54A, #F4C75D, #FFD970, #FFEB83 and #FFFD96

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DEB54F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DEB54F shade: #DEB54F, #CDA33C, #BC9129, #AB7F16 and #9A6D03

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DEB54F shade: #DDB44F, #DD8E4F, #DD684F and #DD4F4F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DEB54F shade: #DDB44F, #DDDB4F, #B9DD4F, #93DD4F and #6CDD4F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DEB54F shade matches the following richer shades: #DDB44F and #EEBC3E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DEB54F shade: #DDB44F, #CCAD60, #BBA671, #AA9F82 and #999793

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DEB54F shade: #DD674F, #DD8C4F, #DDB24F, #DDD84F and #BCDD4F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DEB54F shade: #B78C22, #D6A62C, #DDB44F, #E4C372 and #EAD294

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DEB54F shade: #DEB54F, #5DDD4F and #7A4FDD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DEB54F shade: #DEB54F, #4FDDB2 and #B24FDD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DEB54F shade: #DEB54F, #5DDD4F, #4F7ADD and #CF4FDD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DEB54F shade: #DEB54F, #4FDD6B, #4F7ADD and #DD4FC1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 64 / 13

HEX #DEB54F

RGB 222 181 79

HSL 42.8, 0.68%, 0.59%

LAB 75.54, 3.77, 56.05

 

Complementary color

CMYK 81 / 58 / 0 / 31

HEX #214AB0

RGB 33 74 176

HSL 222.8, 0.68%, 0.41%

LAB 34.71, 24.43, -58.28

 

CMYK 0 / 20 / 67 / 11

HEX #E3B54A

RGB 227 181 74

HSL 41.96, 0.73%, 0.59%

LAB 75.99, 5.6, 58.88

 

CMYK 0 / 18 / 62 / 4

HEX #F4C75D

RGB 244 199 93

HSL 42.12, 0.87%, 0.66%

LAB 82.31, 4.47, 57.82

 

CMYK 0 / 15 / 56 / 0

HEX #FFD970

RGB 255 217 112

HSL 44.06, 1%, 0.72%

LAB 88, 1.07, 55.86

 

CMYK 0 / 8 / 49 / 0

HEX #FFEB83

RGB 255 235 131

HSL 50.32, 1%, 0.76%

LAB 92.71, -6.46, 52.55

 

CMYK 0 / 1 / 41 / 0

HEX #FFFD96

RGB 255 253 150

HSL 58.86, 1%, 0.79%

LAB 97.52, -13.56, 49.41

 

CMYK 0 / 18 / 64 / 13

HEX #DEB54F

RGB 222 181 79

HSL 42.8, 0.68%, 0.59%

LAB 75.54, 3.77, 56.05

 

CMYK 0 / 20 / 71 / 20

HEX #CDA33C

RGB 205 163 60

HSL 42.62, 0.59%, 0.52%

LAB 69.11, 4.97, 57

 

CMYK 0 / 23 / 78 / 26

HEX #BC9129

RGB 188 145 41

HSL 42.45, 0.64%, 0.45%

LAB 62.59, 6.38, 57.53

 

CMYK 0 / 26 / 87 / 33

HEX #AB7F16

RGB 171 127 22

HSL 42.28, 0.77%, 0.38%

LAB 55.98, 8.07, 57.19

 

CMYK 0 / 29 / 98 / 40

HEX #9A6D03

RGB 154 109 3

HSL 42.12, 0.96%, 0.31%

LAB 49.27, 10.05, 55.44

 

CMYK 0 / 19 / 64 / 13

HEX #DDB44F

RGB 221 180 79

HSL 42.68, 0.68%, 0.59%

LAB 75.19, 3.87, 55.64

 

CMYK 0 / 36 / 64 / 13

HEX #DD8E4F

RGB 221 142 79

HSL 26.62, 0.68%, 0.59%

LAB 65.97, 24.18, 45.3

 

CMYK 0 / 53 / 64 / 13

HEX #DD684F

RGB 221 104 79

HSL 10.56, 0.68%, 0.59%

LAB 57.88, 43.91, 35.73

 

CMYK 0 / 64 / 64 / 13

HEX #DD4F4F

RGB 221 79 79

HSL 0, 0.68%, 0.59%

LAB 53.52, 55.36, 30.36

 

CMYK 0 / 19 / 64 / 13

HEX #DDB44F

RGB 221 180 79

HSL 42.68, 0.68%, 0.59%

LAB 75.19, 3.87, 55.64

 

CMYK 0 / 1 / 64 / 13

HEX #DDDB4F

RGB 221 219 79

HSL 59.15, 0.68%, 0.59%

LAB 85.3, -16.08, 66.39

 

CMYK 16 / 0 / 64 / 13

HEX #B9DD4F

RGB 185 221 79

HSL 75.21, 0.68%, 0.59%

LAB 83.23, -31.54, 63.41

 

CMYK 33 / 0 / 64 / 13

HEX #93DD4F

RGB 147 221 79

HSL 91.27, 0.68%, 0.59%

LAB 81.01, -45.63, 60.38

 

CMYK 51 / 0 / 64 / 13

HEX #6CDD4F

RGB 108 221 79

HSL 107.75, 0.68%, 0.59%

LAB 79.31, -57.79, 58.04

 

CMYK 0 / 19 / 64 / 13

HEX #DDB44F

RGB 221 180 79

HSL 42.68, 0.68%, 0.59%

LAB 75.19, 3.87, 55.64

 

CMYK 0 / 21 / 74 / 7

HEX #EEBC3E

RGB 238 188 62

HSL 42.95, 0.84%, 0.59%

LAB 78.75, 6.01, 66.88

 

CMYK 0 / 19 / 64 / 13

HEX #DDB44F

RGB 221 180 79

HSL 42.68, 0.68%, 0.59%

LAB 75.19, 3.87, 55.64

 

CMYK 0 / 15 / 53 / 20

HEX #CCAD60

RGB 204 173 96

HSL 42.78, 0.51%, 0.59%

LAB 71.94, 1.66, 43.37

 

CMYK 0 / 11 / 40 / 27

HEX #BBA671

RGB 187 166 113

HSL 42.97, 0.35%, 0.59%

LAB 68.77, 0.05, 30.24

 

CMYK 0 / 6 / 24 / 33

HEX #AA9F82

RGB 170 159 130

HSL 43.5, 0.19%, 0.59%

LAB 65.71, -0.77, 16.6

 

CMYK 0 / 1 / 4 / 40

HEX #999793

RGB 153 151 147

HSL 40, 0.03%, 0.59%

LAB 62.52, -0.02, 2.35

 

CMYK 0 / 53 / 64 / 13

HEX #DD674F

RGB 221 103 79

HSL 10.14, 0.68%, 0.59%

LAB 57.69, 44.4, 35.5

 

CMYK 0 / 37 / 64 / 13

HEX #DD8C4F

RGB 221 140 79

HSL 25.77, 0.68%, 0.59%

LAB 65.51, 25.25, 44.77

 

CMYK 0 / 19 / 64 / 13

HEX #DDB24F

RGB 221 178 79

HSL 41.83, 0.68%, 0.59%

LAB 74.68, 4.93, 55.09

 

CMYK 0 / 2 / 64 / 13

HEX #DDD84F

RGB 221 216 79

HSL 57.89, 0.68%, 0.59%

LAB 84.51, -14.6, 65.57

 

CMYK 15 / 0 / 64 / 13

HEX #BCDD4F

RGB 188 221 79

HSL 73.94, 0.68%, 0.59%

LAB 83.43, -30.37, 63.69

 

CMYK 0 / 23 / 81 / 28

HEX #B78C22

RGB 183 140 34

HSL 42.68, 0.69%, 0.43%

LAB 60.73, 6.64, 58.09

 

CMYK 0 / 22 / 79 / 16

HEX #D6A62C

RGB 214 166 44

HSL 43.06, 0.67%, 0.51%

LAB 70.7, 6.6, 64.89

 

CMYK 0 / 19 / 64 / 13

HEX #DDB44F

RGB 221 180 79

HSL 42.68, 0.68%, 0.59%

LAB 75.19, 3.87, 55.64

 

CMYK 0 / 14 / 50 / 11

HEX #E4C372

RGB 228 195 114

HSL 42.63, 0.68%, 0.67%

LAB 80.03, 1.58, 44.77

 

CMYK 0 / 10 / 37 / 8

HEX #EAD294

RGB 234 210 148

HSL 43.26, 0.67%, 0.75%

LAB 84.86, -0.34, 33.8

 

CMYK 0 / 18 / 64 / 13

HEX #DEB54F

RGB 222 181 79

HSL 42.8, 0.68%, 0.59%

LAB 75.54, 3.77, 56.05

 

CMYK 58 / 0 / 64 / 13

HEX #5DDD4F

RGB 93 221 79

HSL 114.08, 0.68%, 0.59%

LAB 78.81, -61.63, 57.36

 

CMYK 45 / 64 / 0 / 13

HEX #7A4FDD

RGB 122 79 221

HSL 258.17, 0.68%, 0.59%

LAB 45.57, 50.1, -66.49

 

CMYK 0 / 18 / 64 / 13

HEX #DEB54F

RGB 222 181 79

HSL 42.8, 0.68%, 0.59%

LAB 75.54, 3.77, 56.05

 

CMYK 64 / 0 / 19 / 13

HEX #4FDDB2

RGB 79 221 178

HSL 161.83, 0.68%, 0.59%

LAB 79.95, -48.1, 10.02

 

CMYK 19 / 64 / 0 / 13

HEX #B24FDD

RGB 178 79 221

HSL 281.83, 0.68%, 0.59%

LAB 52.15, 61.91, -55.54

 

CMYK 0 / 18 / 64 / 13

HEX #DEB54F

RGB 222 181 79

HSL 42.8, 0.68%, 0.59%

LAB 75.54, 3.77, 56.05

 

CMYK 58 / 0 / 64 / 13

HEX #5DDD4F

RGB 93 221 79

HSL 114.08, 0.68%, 0.59%

LAB 78.81, -61.63, 57.36

 

CMYK 64 / 45 / 0 / 13

HEX #4F7ADD

RGB 79 122 221

HSL 221.83, 0.68%, 0.59%

LAB 52.73, 16.38, -55.09

 

CMYK 6 / 64 / 0 / 13

HEX #CF4FDD

RGB 207 79 221

HSL 294.08, 0.68%, 0.59%

LAB 56.17, 68.5, -48.9

 

CMYK 0 / 18 / 64 / 13

HEX #DEB54F

RGB 222 181 79

HSL 42.8, 0.68%, 0.59%

LAB 75.54, 3.77, 56.05

 

CMYK 64 / 0 / 52 / 13

HEX #4FDD6B

RGB 79 221 107

HSL 131.83, 0.68%, 0.59%

LAB 78.72, -61.39, 44.63

 

CMYK 64 / 45 / 0 / 13

HEX #4F7ADD

RGB 79 122 221

HSL 221.83, 0.68%, 0.59%

LAB 52.73, 16.38, -55.09

 

CMYK 0 / 64 / 13 / 13

HEX #DD4FC1

RGB 221 79 193

HSL 311.83, 0.68%, 0.59%

LAB 56.89, 67.36, -31.66

 

Description

Color code: HEX #DEB54F | qconv.com Color code: HEX #DEB54F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 222 red, 181 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
222 181 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 64 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 64% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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