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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DEA769 it is the complementary color #215896. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DEA769. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DEA769 shade: #E3A764, #F4B977, #FFCB8A, #FFDD9D and #FFEFB0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DEA769. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DEA769 shade: #DEA769, #CD9556, #BC8343, #AB7130 and #9A5F1D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DEA769 shade: #DDA668, #DD8768 and #DD6868

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DEA769 shade: #DDA668, #DDC668, #D5DD68, #B6DD68 and #96DD68

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DEA769 shade matches the following richer shades: #DDA668, #ECA759 and #FBA84A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DEA769 shade: #DDA668, #CFA577, #C0A486, #B1A495 and #A2A3A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DEA769 shade: #DD686A, #DD8568, #DDA568, #DDC468 and #D8DD68

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DEA769 shade: #C77E2B, #D69246, #DDA668, #E5BA8A and #ECCEAC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DEA769 shade: #DEA769, #89DD68 and #7668DD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DEA769 shade: #DEA769, #68DDA5 and #A568DD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DEA769 shade: #DEA769, #89DD68, #68A1DD and #BC68DD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DEA769 shade: #DEA769, #68DD6A, #68A1DD and #DD68DB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 53 / 13

HEX #DEA769

RGB 222 167 105

HSL 31.79, 0.64%, 0.64%

LAB 72.35, 13.13, 39.71

 

Complementary color

CMYK 78 / 41 / 0 / 41

HEX #215896

RGB 33 88 150

HSL 211.79, 0.64%, 0.36%

LAB 36.94, 4.85, -39.13

 

CMYK 0 / 26 / 56 / 11

HEX #E3A764

RGB 227 167 100

HSL 31.65, 0.69%, 0.64%

LAB 72.82, 14.77, 42.96

 

CMYK 0 / 24 / 51 / 4

HEX #F4B977

RGB 244 185 119

HSL 31.68, 0.85%, 0.71%

LAB 79.19, 13.75, 41.55

 

CMYK 0 / 20 / 46 / 0

HEX #FFCB8A

RGB 255 203 138

HSL 33.33, 1%, 0.77%

LAB 84.9, 10.49, 39.34

 

CMYK 0 / 13 / 38 / 0

HEX #FFDD9D

RGB 255 221 157

HSL 39.18, 1%, 0.81%

LAB 89.58, 3.17, 35.77

 

CMYK 0 / 6 / 31 / 0

HEX #FFEFB0

RGB 255 239 176

HSL 47.85, 1%, 0.85%

LAB 94.37, -3.75, 32.48

 

CMYK 0 / 25 / 53 / 13

HEX #DEA769

RGB 222 167 105

HSL 31.79, 0.64%, 0.64%

LAB 72.35, 13.13, 39.71

 

CMYK 0 / 27 / 58 / 20

HEX #CD9556

RGB 205 149 86

HSL 31.76, 0.54%, 0.57%

LAB 65.86, 14.2, 41.15

 

CMYK 0 / 30 / 64 / 26

HEX #BC8343

RGB 188 131 67

HSL 31.74, 0.47%, 0.5%

LAB 59.28, 15.46, 42.63

 

CMYK 0 / 34 / 72 / 33

HEX #AB7130

RGB 171 113 48

HSL 31.71, 0.56%, 0.43%

LAB 52.6, 16.94, 44.06

 

CMYK 0 / 38 / 81 / 40

HEX #9A5F1D

RGB 154 95 29

HSL 31.68, 0.68%, 0.36%

LAB 45.83, 18.7, 45.17

 

CMYK 0 / 25 / 53 / 13

HEX #DDA668

RGB 221 166 104

HSL 31.79, 0.63%, 0.64%

LAB 71.99, 13.16, 39.75

 

CMYK 0 / 39 / 53 / 13

HEX #DD8768

RGB 221 135 104

HSL 15.9, 0.63%, 0.64%

LAB 64.72, 29.79, 30.56

 

CMYK 0 / 53 / 53 / 13

HEX #DD6868

RGB 221 104 104

HSL 0, 0.63%, 0.64%

LAB 58.29, 45.73, 22.11

 

CMYK 0 / 25 / 53 / 13

HEX #DDA668

RGB 221 166 104

HSL 31.79, 0.63%, 0.64%

LAB 71.99, 13.16, 39.75

 

CMYK 0 / 10 / 53 / 13

HEX #DDC668

RGB 221 198 104

HSL 48.21, 0.63%, 0.64%

LAB 80.04, -3.71, 49.52

 

CMYK 4 / 0 / 53 / 13

HEX #D5DD68

RGB 213 221 104

HSL 64.1, 0.63%, 0.64%

LAB 85.43, -18.55, 55.67

 

CMYK 18 / 0 / 53 / 13

HEX #B6DD68

RGB 182 221 104

HSL 80, 0.63%, 0.64%

LAB 83.26, -30.66, 52.59

 

CMYK 32 / 0 / 53 / 13

HEX #96DD68

RGB 150 221 104

HSL 96.41, 0.63%, 0.64%

LAB 81.4, -42.24, 49.92

 

CMYK 0 / 25 / 53 / 13

HEX #DDA668

RGB 221 166 104

HSL 31.79, 0.63%, 0.64%

LAB 71.99, 13.16, 39.75

 

CMYK 0 / 29 / 62 / 7

HEX #ECA759

RGB 236 167 89

HSL 31.84, 0.79%, 0.64%

LAB 73.67, 17.7, 49.68

 

CMYK 0 / 33 / 71 / 2

HEX #FBA84A

RGB 251 168 74

HSL 31.86, 0.96%, 0.64%

LAB 75.46, 22.5, 59.11

 

CMYK 0 / 25 / 53 / 13

HEX #DDA668

RGB 221 166 104

HSL 31.79, 0.63%, 0.64%

LAB 71.99, 13.16, 39.75

 

CMYK 0 / 20 / 43 / 19

HEX #CFA577

RGB 207 165 119

HSL 31.36, 0.48%, 0.64%

LAB 70.53, 9.42, 29.69

 

CMYK 0 / 15 / 30 / 25

HEX #C0A486

RGB 192 164 134

HSL 31.03, 0.32%, 0.64%

LAB 69.1, 5.75, 19.38

 

CMYK 0 / 7 / 16 / 31

HEX #B1A495

RGB 177 164 149

HSL 32.14, 0.15%, 0.64%

LAB 68.07, 2.15, 9.48

 

CMYK 1 / 0 / 0 / 36

HEX #A2A3A3

RGB 162 163 163

HSL 180, 0.01%, 0.64%

LAB 66.92, -0.35, -0.13

 

CMYK 0 / 53 / 52 / 13

HEX #DD686A

RGB 221 104 106

HSL 358.97, 0.63%, 0.64%

LAB 58.33, 45.9, 21.01

 

CMYK 0 / 40 / 53 / 13

HEX #DD8568

RGB 221 133 104

HSL 14.87, 0.63%, 0.64%

LAB 64.28, 30.85, 29.99

 

CMYK 0 / 25 / 53 / 13

HEX #DDA568

RGB 221 165 104

HSL 31.28, 0.63%, 0.64%

LAB 71.75, 13.7, 39.45

 

CMYK 0 / 11 / 53 / 13

HEX #DDC468

RGB 221 196 104

HSL 47.18, 0.63%, 0.64%

LAB 79.53, -2.67, 48.91

 

CMYK 2 / 0 / 53 / 13

HEX #D8DD68

RGB 216 221 104

HSL 62.56, 0.63%, 0.64%

LAB 85.66, -17.35, 55.99

 

CMYK 0 / 37 / 78 / 22

HEX #C77E2B

RGB 199 126 43

HSL 31.92, 0.64%, 0.47%

LAB 59.19, 21.72, 54.03

 

CMYK 0 / 32 / 67 / 16

HEX #D69246

RGB 214 146 70

HSL 31.67, 0.64%, 0.56%

LAB 65.98, 18.56, 49.5

 

CMYK 0 / 25 / 53 / 13

HEX #DDA668

RGB 221 166 104

HSL 31.79, 0.63%, 0.64%

LAB 71.99, 13.16, 39.75

 

CMYK 0 / 19 / 40 / 10

HEX #E5BA8A

RGB 229 186 138

HSL 31.65, 0.64%, 0.72%

LAB 78.23, 9.1, 30.17

 

CMYK 0 / 13 / 27 / 7

HEX #ECCEAC

RGB 236 206 172

HSL 31.88, 0.63%, 0.8%

LAB 84.46, 5.48, 20.79

 

CMYK 0 / 25 / 53 / 13

HEX #DEA769

RGB 222 167 105

HSL 31.79, 0.64%, 0.64%

LAB 72.35, 13.13, 39.71

 

CMYK 38 / 0 / 53 / 13

HEX #89DD68

RGB 137 221 104

HSL 103.08, 0.63%, 0.64%

LAB 80.76, -46.55, 49

 

CMYK 47 / 53 / 0 / 13

HEX #7668DD

RGB 118 104 221

HSL 247.18, 0.63%, 0.64%

LAB 50.66, 35.06, -58.29

 

CMYK 0 / 25 / 53 / 13

HEX #DEA769

RGB 222 167 105

HSL 31.79, 0.64%, 0.64%

LAB 72.35, 13.13, 39.71

 

CMYK 53 / 0 / 25 / 13

HEX #68DDA5

RGB 104 221 165

HSL 151.28, 0.63%, 0.64%

LAB 80.39, -45.98, 17.6

 

CMYK 25 / 53 / 0 / 13

HEX #A568DD

RGB 165 104 221

HSL 271.28, 0.63%, 0.64%

LAB 55.2, 46.37, -50.76

 

CMYK 0 / 25 / 53 / 13

HEX #DEA769

RGB 222 167 105

HSL 31.79, 0.64%, 0.64%

LAB 72.35, 13.13, 39.71

 

CMYK 38 / 0 / 53 / 13

HEX #89DD68

RGB 137 221 104

HSL 103.08, 0.63%, 0.64%

LAB 80.76, -46.55, 49

 

CMYK 53 / 27 / 0 / 13

HEX #68A1DD

RGB 104 161 221

HSL 210.77, 0.63%, 0.64%

LAB 64.69, -1.75, -36.12

 

CMYK 15 / 53 / 0 / 13

HEX #BC68DD

RGB 188 104 221

HSL 283.08, 0.63%, 0.64%

LAB 57.86, 52.36, -46.37

 

CMYK 0 / 25 / 53 / 13

HEX #DEA769

RGB 222 167 105

HSL 31.79, 0.64%, 0.64%

LAB 72.35, 13.13, 39.71

 

CMYK 53 / 0 / 52 / 13

HEX #68DD6A

RGB 104 221 106

HSL 121.03, 0.63%, 0.64%

LAB 79.44, -55.87, 46.16

 

CMYK 53 / 27 / 0 / 13

HEX #68A1DD

RGB 104 161 221

HSL 210.77, 0.63%, 0.64%

LAB 64.69, -1.75, -36.12

 

CMYK 0 / 53 / 1 / 13

HEX #DD68DB

RGB 221 104 219

HSL 301.03, 0.63%, 0.64%

LAB 61.99, 60.79, -38.46

 

Description

Color code: HEX #DEA769 | qconv.com Color code: HEX #DEA769 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 222 red, 167 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
222 167 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 53 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 53% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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