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Color name
HEX #DE9F12

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DE9F12 it is the complementary color #2160ED. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DE9F12. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DE9F12 shade: #E39F0D, #F4B120, #FFC333, #FFD546 and #FFE759

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DE9F12. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DE9F12 shade: #DE9F12, #CD8D00, #BC7B00, #AB6900 and #9A5700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DE9F12 shade: #DD9E11, #DD6711, #DD3011 and #DD1111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DE9F12 shade: #DD9E11, #DDD511, #AEDD11, #77DD11 and #40DD11

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DE9F12 shade matches the following richer shades: #DD9E11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DE9F12 shade: #DD9E11, #CA9725, #B68F38, #A3884C and #90815F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DE9F12 shade: #DD3011, #DD6611, #DD9D11, #DDD311 and #B1DD11

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DE9F12 shade: #91680B, #B7830E, #DD9E11, #EDB12B and #F0BF51

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DE9F12 shade: #DE9F12, #29DD11 and #4B11DD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DE9F12 shade: #DE9F12, #11DD9D and #9D11DD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DE9F12 shade: #DE9F12, #29DD11, #1152DD and #C511DD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DE9F12 shade: #DE9F12, #11DD37, #1152DD and #DD11B8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 92 / 13

HEX #DE9F12

RGB 222 159 18

HSL 41.47, 0.85%, 0.47%

LAB 69.73, 13.2, 71.21

 

Complementary color

CMYK 86 / 59 / 0 / 7

HEX #2160ED

RGB 33 96 237

HSL 221.47, 0.85%, 0.53%

LAB 45.36, 33.37, -76.1

 

CMYK 0 / 30 / 94 / 11

HEX #E39F0D

RGB 227 159 13

HSL 40.93, 0.89%, 0.47%

LAB 70.29, 15.31, 72.67

 

CMYK 0 / 27 / 87 / 4

HEX #F4B120

RGB 244 177 32

HSL 41.04, 0.91%, 0.54%

LAB 76.55, 13.39, 74.56

 

CMYK 0 / 24 / 80 / 0

HEX #FFC333

RGB 255 195 51

HSL 42.35, 1%, 0.6%

LAB 82.13, 9.16, 74.42

 

CMYK 0 / 16 / 73 / 0

HEX #FFD546

RGB 255 213 70

HSL 46.38, 1%, 0.64%

LAB 86.65, 0.63, 72.14

 

CMYK 0 / 9 / 65 / 0

HEX #FFE759

RGB 255 231 89

HSL 51.33, 1%, 0.67%

LAB 91.29, -7.49, 69.53

 

CMYK 0 / 28 / 92 / 13

HEX #DE9F12

RGB 222 159 18

HSL 41.47, 0.85%, 0.47%

LAB 69.73, 13.2, 71.21

 

CMYK 0 / 31 / 100 / 20

HEX #CD8D00

RGB 205 141 0

HSL 41.27, 1%, 0.4%

LAB 63.37, 15.26, 68.45

 

CMYK 0 / 35 / 100 / 26

HEX #BC7B00

RGB 188 123 0

HSL 39.26, 1%, 0.37%

LAB 56.94, 17.61, 63.2

 

CMYK 0 / 39 / 100 / 33

HEX #AB6900

RGB 171 105 0

HSL 36.84, 1%, 0.34%

LAB 50.41, 20.04, 57.88

 

CMYK 0 / 44 / 100 / 40

HEX #9A5700

RGB 154 87 0

HSL 33.9, 1%, 0.3%

LAB 43.78, 22.57, 52.5

 

CMYK 0 / 29 / 92 / 13

HEX #DD9E11

RGB 221 158 17

HSL 41.47, 0.86%, 0.47%

LAB 69.37, 13.29, 71.07

 

CMYK 0 / 53 / 92 / 13

HEX #DD6711

RGB 221 103 17

HSL 25.29, 0.86%, 0.47%

LAB 57.19, 42.14, 62.32

 

CMYK 0 / 78 / 92 / 13

HEX #DD3011

RGB 221 48 17

HSL 9.12, 0.86%, 0.47%

LAB 48.92, 64.27, 56.79

 

CMYK 0 / 92 / 92 / 13

HEX #DD1111

RGB 221 17 17

HSL 0, 0.86%, 0.47%

LAB 46.73, 70.5, 55.43

 

CMYK 0 / 29 / 92 / 13

HEX #DD9E11

RGB 221 158 17

HSL 41.47, 0.86%, 0.47%

LAB 69.37, 13.29, 71.07

 

CMYK 0 / 4 / 92 / 13

HEX #DDD511

RGB 221 213 17

HSL 57.65, 0.86%, 0.47%

LAB 83.44, -15.25, 81.64

 

CMYK 21 / 0 / 92 / 13

HEX #AEDD11

RGB 174 221 17

HSL 73.82, 0.86%, 0.47%

LAB 82.25, -38.41, 79.25

 

CMYK 46 / 0 / 92 / 13

HEX #77DD11

RGB 119 221 17

HSL 90, 0.86%, 0.47%

LAB 79.43, -57.91, 75.8

 

CMYK 71 / 0 / 92 / 13

HEX #40DD11

RGB 64 221 17

HSL 106.18, 0.86%, 0.47%

LAB 77.78, -71.26, 73.77

 

CMYK 0 / 29 / 92 / 13

HEX #DD9E11

RGB 221 158 17

HSL 41.47, 0.86%, 0.47%

LAB 69.37, 13.29, 71.07

 

CMYK 0 / 29 / 92 / 13

HEX #DD9E11

RGB 221 158 17

HSL 41.47, 0.86%, 0.47%

LAB 69.37, 13.29, 71.07

 

CMYK 0 / 25 / 82 / 21

HEX #CA9725

RGB 202 151 37

HSL 41.45, 0.69%, 0.47%

LAB 65.61, 9.18, 62.2

 

CMYK 0 / 21 / 69 / 29

HEX #B68F38

RGB 182 143 56

HSL 41.43, 0.53%, 0.47%

LAB 61.55, 5.53, 50.16

 

CMYK 0 / 17 / 53 / 36

HEX #A3884C

RGB 163 136 76

HSL 41.38, 0.36%, 0.47%

LAB 57.96, 2.48, 35.77

 

CMYK 0 / 10 / 34 / 44

HEX #90815F

RGB 144 129 95

HSL 41.63, 0.21%, 0.47%

LAB 54.51, 0.35, 20.54

 

CMYK 0 / 78 / 92 / 13

HEX #DD3011

RGB 221 48 17

HSL 9.12, 0.86%, 0.47%

LAB 48.92, 64.27, 56.79

 

CMYK 0 / 54 / 92 / 13

HEX #DD6611

RGB 221 102 17

HSL 25, 0.86%, 0.47%

LAB 56.99, 42.63, 62.19

 

CMYK 0 / 29 / 92 / 13

HEX #DD9D11

RGB 221 157 17

HSL 41.18, 0.86%, 0.47%

LAB 69.13, 13.82, 70.89

 

CMYK 0 / 5 / 92 / 13

HEX #DDD311

RGB 221 211 17

HSL 57.06, 0.86%, 0.47%

LAB 82.91, -14.26, 81.24

 

CMYK 20 / 0 / 92 / 13

HEX #B1DD11

RGB 177 221 17

HSL 72.94, 0.86%, 0.47%

LAB 82.43, -37.23, 79.48

 

CMYK 0 / 28 / 92 / 43

HEX #91680B

RGB 145 104 11

HSL 41.64, 0.86%, 0.31%

LAB 46.9, 8.85, 51.5

 

CMYK 0 / 28 / 92 / 28

HEX #B7830E

RGB 183 131 14

HSL 41.54, 0.86%, 0.39%

LAB 58.35, 11.12, 61.5

 

CMYK 0 / 29 / 92 / 13

HEX #DD9E11

RGB 221 158 17

HSL 41.47, 0.86%, 0.47%

LAB 69.37, 13.29, 71.07

 

CMYK 0 / 25 / 82 / 7

HEX #EDB12B

RGB 237 177 43

HSL 41.44, 0.84%, 0.55%

LAB 75.84, 10.67, 70.67

 

CMYK 0 / 20 / 66 / 6

HEX #F0BF51

RGB 240 191 81

HSL 41.51, 0.84%, 0.63%

LAB 79.83, 6.23, 60.32

 

CMYK 0 / 28 / 92 / 13

HEX #DE9F12

RGB 222 159 18

HSL 41.47, 0.85%, 0.47%

LAB 69.73, 13.2, 71.21

 

CMYK 81 / 0 / 92 / 13

HEX #29DD11

RGB 41 221 17

HSL 112.94, 0.86%, 0.47%

LAB 77.42, -74.49, 73.32

 

CMYK 66 / 92 / 0 / 13

HEX #4B11DD

RGB 75 17 221

HSL 257.06, 0.86%, 0.47%

LAB 32.07, 69.75, -88.85

 

CMYK 0 / 28 / 92 / 13

HEX #DE9F12

RGB 222 159 18

HSL 41.47, 0.85%, 0.47%

LAB 69.73, 13.2, 71.21

 

CMYK 92 / 0 / 29 / 13

HEX #11DD9D

RGB 17 221 157

HSL 161.18, 0.86%, 0.47%

LAB 78.62, -59.37, 19.09

 

CMYK 29 / 92 / 0 / 13

HEX #9D11DD

RGB 157 17 221

HSL 281.18, 0.86%, 0.47%

LAB 42.44, 77.4, -71.39

 

CMYK 0 / 28 / 92 / 13

HEX #DE9F12

RGB 222 159 18

HSL 41.47, 0.85%, 0.47%

LAB 69.73, 13.2, 71.21

 

CMYK 81 / 0 / 92 / 13

HEX #29DD11

RGB 41 221 17

HSL 112.94, 0.86%, 0.47%

LAB 77.42, -74.49, 73.32

 

CMYK 92 / 63 / 0 / 13

HEX #1152DD

RGB 17 82 221

HSL 220.88, 0.86%, 0.47%

LAB 40.2, 35.53, -75.5

 

CMYK 11 / 92 / 0 / 13

HEX #C511DD

RGB 197 17 221

HSL 292.94, 0.86%, 0.47%

LAB 48.87, 83.06, -60.66

 

CMYK 0 / 28 / 92 / 13

HEX #DE9F12

RGB 222 159 18

HSL 41.47, 0.85%, 0.47%

LAB 69.73, 13.2, 71.21

 

CMYK 92 / 0 / 75 / 13

HEX #11DD37

RGB 17 221 55

HSL 131.18, 0.86%, 0.47%

LAB 77.35, -74.57, 64.36

 

CMYK 92 / 63 / 0 / 13

HEX #1152DD

RGB 17 82 221

HSL 220.88, 0.86%, 0.47%

LAB 40.2, 35.53, -75.5

 

CMYK 0 / 92 / 17 / 13

HEX #DD11B8

RGB 221 17 184

HSL 310.88, 0.86%, 0.47%

LAB 50.96, 81.88, -35.73

 

Description

Color code: HEX #DE9F12 | qconv.com Color code: HEX #DE9F12 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 222 red, 159 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
222 159 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 92 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 92% 13% C M Y K

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