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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DE96B9 it is the complementary color #216946. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DE96B9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DE96B9 shade: #E396B4, #F4A8C7, #FFBADA, #FFCCED and #FFDEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DE96B9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DE96B9 shade: #DE96B9, #CD84A6, #BC7293, #AB6080 and #9A4E6D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DE96B9 shade: #DD96B9, #DD96A5 and #DD9696

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DE96B9 shade: #DD96B9, #DD96CC, #DC96DD, #C896DD and #B596DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DE96B9 shade matches the following richer shades: #DD96B9, #E98BB8 and #F480B8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DE96B9 shade: #DD96B9, #D2A1B9, #C7ACB9, #BCB7BA and #B1C2BA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DE96B9 shade: #DB96DD, #DD96CD, #DD96BA, #DD96A7 and #DD9896

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DE96B9 shade: #CA578F, #D476A4, #DD96B9, #E7B5CE and #F1D5E3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DE96B9 shade: #DE96B9, #DDC896 and #96D6DD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DE96B9 shade: #DE96B9, #BADD96 and #96BADD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DE96B9 shade: #DE96B9, #DDC896, #96DDBA and #96ABDD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DE96B9 shade: #DE96B9, #DDDD96, #96DDBA and #9696DD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 17 / 13

HEX #DE96B9

RGB 222 150 185

HSL 330.83, 0.52%, 0.73%

LAB 70.07, 32.08, -7.09

 

Complementary color

CMYK 69 / 0 / 33 / 59

HEX #216946

RGB 33 105 70

HSL 150.83, 0.52%, 0.27%

LAB 39.36, -31.21, 13.34

 

CMYK 0 / 34 / 21 / 11

HEX #E396B4

RGB 227 150 180

HSL 336.62, 0.58%, 0.74%

LAB 70.48, 33.06, -3.63

 

CMYK 0 / 31 / 18 / 4

HEX #F4A8C7

RGB 244 168 199

HSL 335.53, 0.78%, 0.81%

LAB 76.9, 32.32, -4.43

 

CMYK 0 / 27 / 15 / 0

HEX #FFBADA

RGB 255 186 218

HSL 332.17, 1%, 0.86%

LAB 82.61, 29.58, -6.15

 

CMYK 0 / 20 / 7 / 0

HEX #FFCCED

RGB 255 204 237

HSL 321.18, 1%, 0.9%

LAB 87.27, 23.22, -9.38

 

CMYK 0 / 13 / 0 / 0

HEX #FFDEFF

RGB 255 222 255

HSL 300, 1%, 0.94%

LAB 92.01, 16.95, -11.8

 

CMYK 0 / 32 / 17 / 13

HEX #DE96B9

RGB 222 150 185

HSL 330.83, 0.52%, 0.73%

LAB 70.07, 32.08, -7.09

 

CMYK 0 / 36 / 19 / 20

HEX #CD84A6

RGB 205 132 166

HSL 332.05, 0.42%, 0.66%

LAB 63.54, 32.83, -6.31

 

CMYK 0 / 39 / 22 / 26

HEX #BC7293

RGB 188 114 147

HSL 333.24, 0.36%, 0.59%

LAB 56.91, 33.64, -5.45

 

CMYK 0 / 44 / 25 / 33

HEX #AB6080

RGB 171 96 128

HSL 334.4, 0.31%, 0.52%

LAB 50.19, 34.5, -4.46

 

CMYK 0 / 49 / 29 / 40

HEX #9A4E6D

RGB 154 78 109

HSL 335.53, 0.33%, 0.45%

LAB 43.39, 35.37, -3.28

 

CMYK 0 / 32 / 16 / 13

HEX #DD96B9

RGB 221 150 185

HSL 330.42, 0.51%, 0.73%

LAB 69.96, 31.73, -7.27

 

CMYK 0 / 32 / 25 / 13

HEX #DD96A5

RGB 221 150 165

HSL 347.32, 0.51%, 0.73%

LAB 69.4, 28.73, 3.06

 

CMYK 0 / 32 / 32 / 13

HEX #DD9696

RGB 221 150 150

HSL 0, 0.51%, 0.73%

LAB 69.03, 26.71, 10.89

 

CMYK 0 / 32 / 16 / 13

HEX #DD96B9

RGB 221 150 185

HSL 330.42, 0.51%, 0.73%

LAB 69.96, 31.73, -7.27

 

CMYK 0 / 32 / 8 / 13

HEX #DD96CC

RGB 221 150 204

HSL 314.37, 0.51%, 0.73%

LAB 70.56, 34.87, -16.91

 

CMYK 0 / 32 / 0 / 13

HEX #DC96DD

RGB 220 150 221

HSL 299.15, 0.51%, 0.73%

LAB 71.04, 37.58, -25.56

 

CMYK 10 / 32 / 0 / 13

HEX #C896DD

RGB 200 150 221

HSL 282.25, 0.51%, 0.73%

LAB 68.98, 31.27, -28.91

 

CMYK 18 / 32 / 0 / 13

HEX #B596DD

RGB 181 150 221

HSL 266.2, 0.51%, 0.73%

LAB 67.17, 25.39, -31.85

 

CMYK 0 / 32 / 16 / 13

HEX #DD96B9

RGB 221 150 185

HSL 330.42, 0.51%, 0.73%

LAB 69.96, 31.73, -7.27

 

CMYK 0 / 40 / 21 / 9

HEX #E98BB8

RGB 233 139 184

HSL 331.28, 0.68%, 0.73%

LAB 68.93, 41.51, -8.08

 

CMYK 0 / 48 / 25 / 4

HEX #F480B8

RGB 244 128 184

HSL 331.03, 0.84%, 0.73%

LAB 68.12, 50.72, -9.14

 

CMYK 0 / 32 / 16 / 13

HEX #DD96B9

RGB 221 150 185

HSL 330.42, 0.51%, 0.73%

LAB 69.96, 31.73, -7.27

 

CMYK 0 / 23 / 12 / 18

HEX #D2A1B9

RGB 210 161 185

HSL 330.61, 0.35%, 0.73%

LAB 71.35, 21.9, -5.34

 

CMYK 0 / 14 / 7 / 22

HEX #C7ACB9

RGB 199 172 185

HSL 331.11, 0.19%, 0.73%

LAB 72.99, 11.98, -3.03

 

CMYK 0 / 3 / 1 / 26

HEX #BCB7BA

RGB 188 183 186

HSL 324, 0.04%, 0.73%

LAB 74.89, 2.31, -0.9

 

CMYK 9 / 0 / 4 / 24

HEX #B1C2BA

RGB 177 194 186

HSL 151.76, 0.12%, 0.73%

LAB 76.97, -7.34, 2.03

 

CMYK 1 / 32 / 0 / 13

HEX #DB96DD

RGB 219 150 221

HSL 298.31, 0.51%, 0.73%

LAB 70.94, 37.27, -25.74

 

CMYK 0 / 32 / 7 / 13

HEX #DD96CD

RGB 221 150 205

HSL 313.52, 0.51%, 0.73%

LAB 70.59, 35.04, -17.42

 

CMYK 0 / 32 / 16 / 13

HEX #DD96BA

RGB 221 150 186

HSL 329.58, 0.51%, 0.73%

LAB 69.99, 31.88, -7.78

 

CMYK 0 / 32 / 24 / 13

HEX #DD96A7

RGB 221 150 167

HSL 345.63, 0.51%, 0.73%

LAB 69.45, 29.02, 2.02

 

CMYK 0 / 31 / 32 / 13

HEX #DD9896

RGB 221 152 150

HSL 1.69, 0.51%, 0.73%

LAB 69.49, 25.63, 11.54

 

CMYK 0 / 57 / 29 / 21

HEX #CA578F

RGB 202 87 143

HSL 330.78, 0.52%, 0.57%

LAB 53.34, 51.57, -8.22

 

CMYK 0 / 44 / 23 / 17

HEX #D476A4

RGB 212 118 164

HSL 330.64, 0.52%, 0.65%

LAB 61.34, 42.37, -8.35

 

CMYK 0 / 32 / 16 / 13

HEX #DD96B9

RGB 221 150 185

HSL 330.42, 0.51%, 0.73%

LAB 69.96, 31.73, -7.27

 

CMYK 0 / 22 / 11 / 9

HEX #E7B5CE

RGB 231 181 206

HSL 330, 0.51%, 0.81%

LAB 78.75, 21.99, -5.66

 

CMYK 0 / 12 / 6 / 5

HEX #F1D5E3

RGB 241 213 227

HSL 330, 0.5%, 0.89%

LAB 87.89, 12.04, -3.32

 

CMYK 0 / 32 / 17 / 13

HEX #DE96B9

RGB 222 150 185

HSL 330.83, 0.52%, 0.73%

LAB 70.07, 32.08, -7.09

 

CMYK 0 / 10 / 32 / 13

HEX #DDC896

RGB 221 200 150

HSL 42.25, 0.51%, 0.73%

LAB 81.23, 0.03, 27.73

 

CMYK 32 / 3 / 0 / 13

HEX #96D6DD

RGB 150 214 221

HSL 185.92, 0.51%, 0.73%

LAB 81.73, -18.49, -9.94

 

CMYK 0 / 32 / 17 / 13

HEX #DE96B9

RGB 222 150 185

HSL 330.83, 0.52%, 0.73%

LAB 70.07, 32.08, -7.09

 

CMYK 16 / 0 / 32 / 13

HEX #BADD96

RGB 186 221 150

HSL 89.58, 0.51%, 0.73%

LAB 84.15, -23.76, 31.18

 

CMYK 32 / 16 / 0 / 13

HEX #96BADD

RGB 150 186 221

HSL 209.58, 0.51%, 0.73%

LAB 74.08, -3.86, -21.46

 

CMYK 0 / 32 / 17 / 13

HEX #DE96B9

RGB 222 150 185

HSL 330.83, 0.52%, 0.73%

LAB 70.07, 32.08, -7.09

 

CMYK 0 / 10 / 32 / 13

HEX #DDC896

RGB 221 200 150

HSL 42.25, 0.51%, 0.73%

LAB 81.23, 0.03, 27.73

 

CMYK 32 / 0 / 16 / 13

HEX #96DDBA

RGB 150 221 186

HSL 150.42, 0.51%, 0.73%

LAB 82.78, -29.54, 10.18

 

CMYK 32 / 23 / 0 / 13

HEX #96ABDD

RGB 150 171 221

HSL 222.25, 0.51%, 0.73%

LAB 70.06, 4.36, -27.6

 

CMYK 0 / 32 / 17 / 13

HEX #DE96B9

RGB 222 150 185

HSL 330.83, 0.52%, 0.73%

LAB 70.07, 32.08, -7.09

 

CMYK 0 / 0 / 32 / 13

HEX #DDDD96

RGB 221 221 150

HSL 60, 0.51%, 0.73%

LAB 86.65, -10.73, 34.94

 

CMYK 32 / 0 / 16 / 13

HEX #96DDBA

RGB 150 221 186

HSL 150.42, 0.51%, 0.73%

LAB 82.78, -29.54, 10.18

 

CMYK 32 / 32 / 0 / 13

HEX #9696DD

RGB 150 150 221

HSL 240, 0.51%, 0.73%

LAB 64.58, 16.23, -36.08

 

Description

Color code: HEX #DE96B9 | qconv.com Color code: HEX #DE96B9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 222 red, 150 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
222 150 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 17 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 17% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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