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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DE6D9A it is the complementary color #219265. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DE6D9A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DE6D9A shade: #E36D95, #F47FA8, #FF91BB, #FFA3CE and #FFB5E1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DE6D9A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DE6D9A shade: #DE6D9A, #CD5B87, #BC4974, #AB3761 and #9A254E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DE6D9A shade: #DD6D9A, #DD6D7B and #DD6D6D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DE6D9A shade: #DD6D9A, #DD6DB8, #DD6DD6, #C66DDD and #A86DDD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DE6D9A shade matches the following richer shades: #DD6D9A, #EC5F97 and #FA5094

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DE6D9A shade: #DD6D9A, #CF7B9D, #C18AA0, #B298A3 and #A4A7A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DE6D9A shade: #DD6DD6, #DD6DB8, #DD6D9A, #DD6D7C and #DD7C6D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DE6D9A shade: #CA2E6C, #D64B83, #DD6D9A, #E58FB1 and #EDB0C8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DE6D9A shade: #DE6D9A, #DDC76D and #6DC7DD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DE6D9A shade: #DE6D9A, #9ADD6D and #6D9ADD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DE6D9A shade: #DE6D9A, #DDC76D, #6DDDB0 and #6D84DD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DE6D9A shade: #DE6D9A, #D2DD6D, #6DDDB0 and #786DDD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 31 / 13

HEX #DE6D9A

RGB 222 109 154

HSL 336.11, 0.63%, 0.65%

LAB 60.6, 48.9, -3.54

 

Complementary color

CMYK 77 / 0 / 31 / 43

HEX #219265

RGB 33 146 101

HSL 156.11, 0.63%, 0.35%

LAB 53.84, -41.73, 15.25

 

CMYK 0 / 52 / 34 / 11

HEX #E36D95

RGB 227 109 149

HSL 339.66, 0.68%, 0.66%

LAB 61.17, 49.95, 0.25

 

CMYK 0 / 48 / 31 / 4

HEX #F47FA8

RGB 244 127 168

HSL 338.97, 0.84%, 0.73%

LAB 67.46, 49.12, -1.11

 

CMYK 0 / 43 / 27 / 0

HEX #FF91BB

RGB 255 145 187

HSL 337.09, 1%, 0.78%

LAB 72.96, 46.28, -3.49

 

CMYK 0 / 36 / 19 / 0

HEX #FFA3CE

RGB 255 163 206

HSL 331.96, 1%, 0.82%

LAB 77.23, 39.75, -7.63

 

CMYK 0 / 29 / 12 / 0

HEX #FFB5E1

RGB 255 181 225

HSL 324.32, 1%, 0.85%

LAB 81.7, 33.31, -11.27

 

CMYK 0 / 51 / 31 / 13

HEX #DE6D9A

RGB 222 109 154

HSL 336.11, 0.63%, 0.65%

LAB 60.6, 48.9, -3.54

 

CMYK 0 / 56 / 34 / 20

HEX #CD5B87

RGB 205 91 135

HSL 336.84, 0.53%, 0.58%

LAB 54.25, 49.65, -2.09

 

CMYK 0 / 61 / 38 / 26

HEX #BC4974

RGB 188 73 116

HSL 337.57, 0.46%, 0.51%

LAB 47.9, 50.27, -0.33

 

CMYK 0 / 68 / 43 / 33

HEX #AB3761

RGB 171 55 97

HSL 338.28, 0.51%, 0.44%

LAB 41.62, 50.62, 1.87

 

CMYK 0 / 76 / 49 / 40

HEX #9A254E

RGB 154 37 78

HSL 338.97, 0.61%, 0.37%

LAB 35.49, 50.45, 4.7

 

CMYK 0 / 51 / 30 / 13

HEX #DD6D9A

RGB 221 109 154

HSL 335.89, 0.62%, 0.65%

LAB 60.46, 48.57, -3.76

 

CMYK 0 / 51 / 44 / 13

HEX #DD6D7B

RGB 221 109 123

HSL 352.5, 0.62%, 0.65%

LAB 59.65, 45.02, 13

 

CMYK 0 / 51 / 51 / 13

HEX #DD6D6D

RGB 221 109 109

HSL 0, 0.62%, 0.65%

LAB 59.36, 43.69, 20.66

 

CMYK 0 / 51 / 30 / 13

HEX #DD6D9A

RGB 221 109 154

HSL 335.89, 0.62%, 0.65%

LAB 60.46, 48.57, -3.76

 

CMYK 0 / 51 / 17 / 13

HEX #DD6DB8

RGB 221 109 184

HSL 319.82, 0.62%, 0.65%

LAB 61.46, 52.75, -19.49

 

CMYK 0 / 51 / 3 / 13

HEX #DD6DD6

RGB 221 109 214

HSL 303.75, 0.62%, 0.65%

LAB 62.65, 57.58, -34.63

 

CMYK 10 / 51 / 0 / 13

HEX #C66DDD

RGB 198 109 221

HSL 287.68, 0.62%, 0.65%

LAB 60.04, 52.52, -42.85

 

CMYK 24 / 51 / 0 / 13

HEX #A86DDD

RGB 168 109 221

HSL 271.61, 0.62%, 0.65%

LAB 56.57, 44.45, -48.56

 

CMYK 0 / 51 / 30 / 13

HEX #DD6D9A

RGB 221 109 154

HSL 335.89, 0.62%, 0.65%

LAB 60.46, 48.57, -3.76

 

CMYK 0 / 60 / 36 / 7

HEX #EC5F97

RGB 236 95 151

HSL 336.17, 0.79%, 0.65%

LAB 60.12, 59.5, -2.29

 

CMYK 0 / 68 / 41 / 2

HEX #FA5094

RGB 250 80 148

HSL 336, 0.94%, 0.65%

LAB 60.07, 69.29, -0.35

 

CMYK 0 / 51 / 30 / 13

HEX #DD6D9A

RGB 221 109 154

HSL 335.89, 0.62%, 0.65%

LAB 60.46, 48.57, -3.76

 

CMYK 0 / 41 / 24 / 19

HEX #CF7B9D

RGB 207 123 157

HSL 335.71, 0.47%, 0.65%

LAB 61.54, 37.01, -4.11

 

CMYK 0 / 28 / 17 / 24

HEX #C18AA0

RGB 193 138 160

HSL 336, 0.31%, 0.65%

LAB 63.39, 24.3, -3.28

 

CMYK 0 / 15 / 8 / 30

HEX #B298A3

RGB 178 152 163

HSL 334.62, 0.14%, 0.65%

LAB 65.41, 11.53, -2.18

 

CMYK 2 / 0 / 1 / 35

HEX #A4A7A6

RGB 164 167 166

HSL 160, 0.02%, 0.65%

LAB 68.23, -1.25, 0.13

 

CMYK 0 / 51 / 3 / 13

HEX #DD6DD6

RGB 221 109 214

HSL 303.75, 0.62%, 0.65%

LAB 62.65, 57.58, -34.63

 

CMYK 0 / 51 / 17 / 13

HEX #DD6DB8

RGB 221 109 184

HSL 319.82, 0.62%, 0.65%

LAB 61.46, 52.75, -19.49

 

CMYK 0 / 51 / 30 / 13

HEX #DD6D9A

RGB 221 109 154

HSL 335.89, 0.62%, 0.65%

LAB 60.46, 48.57, -3.76

 

CMYK 0 / 51 / 44 / 13

HEX #DD6D7C

RGB 221 109 124

HSL 351.96, 0.62%, 0.65%

LAB 59.68, 45.12, 12.45

 

CMYK 0 / 44 / 51 / 13

HEX #DD7C6D

RGB 221 124 109

HSL 8.04, 0.62%, 0.65%

LAB 62.42, 36.03, 24.76

 

CMYK 0 / 77 / 47 / 21

HEX #CA2E6C

RGB 202 46 108

HSL 336.15, 0.63%, 0.49%

LAB 46.44, 63.73, 2.73

 

CMYK 0 / 65 / 39 / 16

HEX #D64B83

RGB 214 75 131

HSL 335.83, 0.63%, 0.57%

LAB 52.91, 59.09, -1.51

 

CMYK 0 / 51 / 30 / 13

HEX #DD6D9A

RGB 221 109 154

HSL 335.89, 0.62%, 0.65%

LAB 60.46, 48.57, -3.76

 

CMYK 0 / 38 / 23 / 10

HEX #E58FB1

RGB 229 143 177

HSL 336.28, 0.62%, 0.73%

LAB 69.1, 37.03, -3.98

 

CMYK 0 / 26 / 16 / 7

HEX #EDB0C8

RGB 237 176 200

HSL 336.39, 0.63%, 0.81%

LAB 78.01, 25.79, -3.43

 

CMYK 0 / 51 / 31 / 13

HEX #DE6D9A

RGB 222 109 154

HSL 336.11, 0.63%, 0.65%

LAB 60.6, 48.9, -3.54

 

CMYK 0 / 10 / 51 / 13

HEX #DDC76D

RGB 221 199 109

HSL 48.21, 0.62%, 0.65%

LAB 80.36, -3.8, 47.48

 

CMYK 51 / 10 / 0 / 13

HEX #6DC7DD

RGB 109 199 221

HSL 191.79, 0.62%, 0.65%

LAB 75.65, -21.03, -19.26

 

CMYK 0 / 51 / 31 / 13

HEX #DE6D9A

RGB 222 109 154

HSL 336.11, 0.63%, 0.65%

LAB 60.6, 48.9, -3.54

 

CMYK 30 / 0 / 51 / 13

HEX #9ADD6D

RGB 154 221 109

HSL 95.89, 0.62%, 0.65%

LAB 81.67, -40.32, 47.95

 

CMYK 51 / 30 / 0 / 13

HEX #6D9ADD

RGB 109 154 221

HSL 215.89, 0.62%, 0.65%

LAB 63, 3.35, -38.74

 

CMYK 0 / 51 / 31 / 13

HEX #DE6D9A

RGB 222 109 154

HSL 336.11, 0.63%, 0.65%

LAB 60.6, 48.9, -3.54

 

CMYK 0 / 10 / 51 / 13

HEX #DDC76D

RGB 221 199 109

HSL 48.21, 0.62%, 0.65%

LAB 80.36, -3.8, 47.48

 

CMYK 51 / 0 / 20 / 13

HEX #6DDDB0

RGB 109 221 176

HSL 155.89, 0.62%, 0.65%

LAB 80.79, -42.52, 12.4

 

CMYK 51 / 40 / 0 / 13

HEX #6D84DD

RGB 109 132 221

HSL 227.68, 0.62%, 0.65%

LAB 57.05, 16.27, -48.11

 

CMYK 0 / 51 / 31 / 13

HEX #DE6D9A

RGB 222 109 154

HSL 336.11, 0.63%, 0.65%

LAB 60.6, 48.9, -3.54

 

CMYK 5 / 0 / 51 / 13

HEX #D2DD6D

RGB 210 221 109

HSL 65.89, 0.62%, 0.65%

LAB 85.26, -19.32, 53.11

 

CMYK 51 / 0 / 20 / 13

HEX #6DDDB0

RGB 109 221 176

HSL 155.89, 0.62%, 0.65%

LAB 80.79, -42.52, 12.4

 

CMYK 46 / 51 / 0 / 13

HEX #786DDD

RGB 120 109 221

HSL 245.89, 0.62%, 0.65%

LAB 52.01, 32.54, -56.11

 

Description

Color code: HEX #DE6D9A | qconv.com Color code: HEX #DE6D9A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 222 red, 109 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
222 109 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 31 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 31% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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