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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DE629F it is the complementary color #219D60. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DE629F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DE629F shade: #E3629A, #F474AD, #FF86C0, #FF98D3 and #FFAAE6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DE629F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DE629F shade: #DE629F, #CD508C, #BC3E79, #AB2C66 and #9A1A53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DE629F shade: #DD639F, #DD637E and #DD6363

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DE629F shade: #DD639F, #DD63C0, #DA63DD, #B963DD and #9763DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DE629F shade matches the following richer shades: #DD639F, #ED549F and #FC449F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DE629F shade: #DD639F, #CE729F, #BF81A0, #B091A0 and #A0A0A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DE629F shade: #D963DD, #DD63C1, #DD63A0, #DD637F and #DD6763

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DE629F shade: #C42976, #D6418A, #DD639F, #E585B4 and #ECA7C9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DE629F shade: #DE629F, #DDB963 and #63D1DD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DE629F shade: #DE629F, #A0DD63 and #63A0DD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DE629F shade: #DE629F, #DDB963, #63DDA0 and #6388DD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DE629F shade: #DE629F, #DDDD63, #63DDA0 and #6363DD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 28 / 13

HEX #DE629F

RGB 222 98 159

HSL 330.48, 0.65%, 0.63%

LAB 58.76, 54.78, -9.17

 

Complementary color

CMYK 79 / 0 / 39 / 38

HEX #219D60

RGB 33 157 96

HSL 150.48, 0.65%, 0.37%

LAB 57.35, -47.19, 22.79

 

CMYK 0 / 57 / 32 / 11

HEX #E3629A

RGB 227 98 154

HSL 333.95, 0.7%, 0.64%

LAB 59.34, 55.72, -5.32

 

CMYK 0 / 52 / 29 / 4

HEX #F474AD

RGB 244 116 173

HSL 333.28, 0.85%, 0.71%

LAB 65.55, 55.06, -6.76

 

CMYK 0 / 47 / 25 / 0

HEX #FF86C0

RGB 255 134 192

HSL 331.24, 1%, 0.76%

LAB 70.95, 52.41, -9.24

 

CMYK 0 / 40 / 17 / 0

HEX #FF98D3

RGB 255 152 211

HSL 325.63, 1%, 0.8%

LAB 75.09, 46.14, -13.56

 

CMYK 0 / 33 / 10 / 0

HEX #FFAAE6

RGB 255 170 230

HSL 317.65, 1%, 0.83%

LAB 79.46, 39.87, -17.33

 

CMYK 0 / 56 / 28 / 13

HEX #DE629F

RGB 222 98 159

HSL 330.48, 0.65%, 0.63%

LAB 58.76, 54.78, -9.17

 

CMYK 0 / 61 / 32 / 20

HEX #CD508C

RGB 205 80 140

HSL 331.2, 0.56%, 0.56%

LAB 52.52, 55.29, -7.61

 

CMYK 0 / 67 / 36 / 26

HEX #BC3E79

RGB 188 62 121

HSL 331.9, 0.5%, 0.49%

LAB 46.33, 55.53, -5.68

 

CMYK 0 / 74 / 40 / 33

HEX #AB2C66

RGB 171 44 102

HSL 332.6, 0.59%, 0.42%

LAB 40.28, 55.29, -3.23

 

CMYK 0 / 83 / 46 / 40

HEX #9A1A53

RGB 154 26 83

HSL 333.28, 0.71%, 0.35%

LAB 34.46, 54.22, -0.01

 

CMYK 0 / 55 / 28 / 13

HEX #DD639F

RGB 221 99 159

HSL 330.49, 0.64%, 0.63%

LAB 58.79, 54.01, -9.14

 

CMYK 0 / 55 / 43 / 13

HEX #DD637E

RGB 221 99 126

HSL 346.72, 0.64%, 0.63%

LAB 57.85, 50.18, 8.71

 

CMYK 0 / 55 / 55 / 13

HEX #DD6363

RGB 221 99 99

HSL 0, 0.64%, 0.63%

LAB 57.27, 47.74, 23.62

 

CMYK 0 / 55 / 28 / 13

HEX #DD639F

RGB 221 99 159

HSL 330.49, 0.64%, 0.63%

LAB 58.79, 54.01, -9.14

 

CMYK 0 / 55 / 13 / 13

HEX #DD63C0

RGB 221 99 192

HSL 314.26, 0.64%, 0.63%

LAB 59.98, 58.69, -26.31

 

CMYK 1 / 55 / 0 / 13

HEX #DA63DD

RGB 218 99 221

HSL 298.52, 0.64%, 0.63%

LAB 60.83, 62.63, -41.43

 

CMYK 16 / 55 / 0 / 13

HEX #B963DD

RGB 185 99 221

HSL 282.3, 0.64%, 0.63%

LAB 56.54, 54.1, -48.48

 

CMYK 32 / 55 / 0 / 13

HEX #9763DD

RGB 151 99 221

HSL 265.57, 0.64%, 0.63%

LAB 52.65, 45.59, -54.92

 

CMYK 0 / 55 / 28 / 13

HEX #DD639F

RGB 221 99 159

HSL 330.49, 0.64%, 0.63%

LAB 58.79, 54.01, -9.14

 

CMYK 0 / 65 / 33 / 7

HEX #ED549F

RGB 237 84 159

HSL 330.59, 0.81%, 0.63%

LAB 58.83, 65.26, -8.82

 

CMYK 0 / 73 / 37 / 1

HEX #FC449F

RGB 252 68 159

HSL 330.33, 0.97%, 0.63%

LAB 59.28, 74.98, -7.89

 

CMYK 0 / 55 / 28 / 13

HEX #DD639F

RGB 221 99 159

HSL 330.49, 0.64%, 0.63%

LAB 58.79, 54.01, -9.14

 

CMYK 0 / 45 / 23 / 19

HEX #CE729F

RGB 206 114 159

HSL 330.65, 0.48%, 0.63%

LAB 59.58, 41.69, -8.18

 

CMYK 0 / 32 / 16 / 25

HEX #BF81A0

RGB 191 129 160

HSL 330, 0.33%, 0.63%

LAB 61.06, 28.54, -6.75

 

CMYK 0 / 18 / 9 / 31

HEX #B091A0

RGB 176 145 160

HSL 330.97, 0.16%, 0.63%

LAB 63.36, 14.17, -3.52

 

CMYK 0 / 0 / 0 / 37

HEX #A0A0A0

RGB 160 160 160

HSL 0, 0%, 0.63%

LAB 65.87, 0, -0.01

 

CMYK 2 / 55 / 0 / 13

HEX #D963DD

RGB 217 99 221

HSL 298.03, 0.64%, 0.63%

LAB 60.69, 62.37, -41.66

 

CMYK 0 / 55 / 13 / 13

HEX #DD63C1

RGB 221 99 193

HSL 313.77, 0.64%, 0.63%

LAB 60.02, 58.84, -26.82

 

CMYK 0 / 55 / 28 / 13

HEX #DD63A0

RGB 221 99 160

HSL 330, 0.64%, 0.63%

LAB 58.82, 54.14, -9.67

 

CMYK 0 / 55 / 43 / 13

HEX #DD637F

RGB 221 99 127

HSL 346.23, 0.64%, 0.63%

LAB 57.87, 50.28, 8.16

 

CMYK 0 / 53 / 55 / 13

HEX #DD6763

RGB 221 103 99

HSL 1.97, 0.64%, 0.63%

LAB 58.01, 45.81, 24.61

 

CMYK 0 / 79 / 40 / 23

HEX #C42976

RGB 196 41 118

HSL 330.19, 0.65%, 0.46%

LAB 45.12, 64.52, -5.49

 

CMYK 0 / 70 / 36 / 16

HEX #D6418A

RGB 214 65 138

HSL 330.6, 0.65%, 0.55%

LAB 51.74, 63.69, -7.43

 

CMYK 0 / 55 / 28 / 13

HEX #DD639F

RGB 221 99 159

HSL 330.49, 0.64%, 0.63%

LAB 58.79, 54.01, -9.14

 

CMYK 0 / 42 / 21 / 10

HEX #E585B4

RGB 229 133 180

HSL 330.63, 0.65%, 0.71%

LAB 67.07, 42.68, -8.66

 

CMYK 0 / 29 / 15 / 7

HEX #ECA7C9

RGB 236 167 201

HSL 330.43, 0.64%, 0.79%

LAB 75.88, 30.39, -7.13

 

CMYK 0 / 56 / 28 / 13

HEX #DE629F

RGB 222 98 159

HSL 330.48, 0.65%, 0.63%

LAB 58.76, 54.78, -9.17

 

CMYK 0 / 16 / 55 / 13

HEX #DDB963

RGB 221 185 99

HSL 42.3, 0.64%, 0.63%

LAB 76.66, 2.66, 47.92

 

CMYK 55 / 5 / 0 / 13

HEX #63D1DD

RGB 99 209 221

HSL 185.9, 0.64%, 0.63%

LAB 78.15, -28.05, -15.52

 

CMYK 0 / 56 / 28 / 13

HEX #DE629F

RGB 222 98 159

HSL 330.48, 0.65%, 0.63%

LAB 58.76, 54.78, -9.17

 

CMYK 28 / 0 / 55 / 13

HEX #A0DD63

RGB 160 221 99

HSL 90, 0.64%, 0.63%

LAB 81.89, -39.26, 52.93

 

CMYK 55 / 28 / 0 / 13

HEX #63A0DD

RGB 99 160 221

HSL 210, 0.64%, 0.63%

LAB 64.17, -2.26, -36.94

 

CMYK 0 / 56 / 28 / 13

HEX #DE629F

RGB 222 98 159

HSL 330.48, 0.65%, 0.63%

LAB 58.76, 54.78, -9.17

 

CMYK 0 / 16 / 55 / 13

HEX #DDB963

RGB 221 185 99

HSL 42.3, 0.64%, 0.63%

LAB 76.66, 2.66, 47.92

 

CMYK 55 / 0 / 28 / 13

HEX #63DDA0

RGB 99 221 160

HSL 150, 0.64%, 0.63%

LAB 80.13, -48.11, 19.83

 

CMYK 55 / 38 / 0 / 13

HEX #6388DD

RGB 99 136 221

HSL 221.8, 0.64%, 0.63%

LAB 57.54, 11.7, -47.37

 

CMYK 0 / 56 / 28 / 13

HEX #DE629F

RGB 222 98 159

HSL 330.48, 0.65%, 0.63%

LAB 58.76, 54.78, -9.17

 

CMYK 0 / 0 / 55 / 13

HEX #DDDD63

RGB 221 221 99

HSL 60, 0.64%, 0.63%

LAB 86, -15.73, 58.73

 

CMYK 55 / 0 / 28 / 13

HEX #63DDA0

RGB 99 221 160

HSL 150, 0.64%, 0.63%

LAB 80.13, -48.11, 19.83

 

CMYK 55 / 55 / 0 / 13

HEX #6363DD

RGB 99 99 221

HSL 240, 0.64%, 0.63%

LAB 48, 34.15, -62.64

 

Description

Color code: HEX #DE629F | qconv.com Color code: HEX #DE629F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 222 red, 98 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
222 98 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 28 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 28% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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