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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DE3EF4 it is the complementary color #21C10B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DE3EF4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DE3EF4 shade: #E33EEF, #F450FF, #FF62FF, #FF74FF and #FF86FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DE3EF4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DE3EF4 shade: #DE3EF4, #CD2CE1, #BC1ACE, #AB08BB and #9A00A8

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DE3EF4 shade: #DD3EF3, #F33ED8, #F33EA7, #F33E76 and #F33E45

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DE3EF4 shade: #DD3EF3, #AC3EF3, #7B3EF3, #4A3EF3 and #3E3EF3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DE3EF4 shade matches the following richer shades: #DD3EF3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DE3EF4 shade: #DD3EF3, #D14EE3, #C45FD2, #B86FC2 and #AB80B1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DE3EF4 shade: #7A3EF3, #AB3EF3, #DB3EF3, #F33EDB and #F33EAB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DE3EF4 shade: #BB0CD3, #D717F1, #DD3EF3, #E465F6 and #EB8CF8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DE3EF4 shade: #DE3EF4, #F34A3E and #3EF392

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DE3EF4 shade: #DE3EF4, #F3DB3E and #3EF3DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DE3EF4 shade: #DE3EF4, #F34A3E, #56F33E and #3EE7F3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DE3EF4 shade: #DE3EF4, #F3803E, #56F33E and #3EB1F3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 75 / 0 / 4

HEX #DE3EF4

RGB 222 62 244

HSL 292.75, 0.89%, 0.6%

LAB 57.57, 81.56, -59.44

 

Complementary color

CMYK 83 / 0 / 94 / 24

HEX #21C10B

RGB 33 193 11

HSL 112.75, 0.89%, 0.4%

LAB 68.38, -67.51, 66.5

 

CMYK 5 / 74 / 0 / 6

HEX #E33EEF

RGB 227 62 239

HSL 295.93, 0.85%, 0.59%

LAB 58.04, 81.71, -55.84

 

CMYK 4 / 69 / 0 / 0

HEX #F450FF

RGB 244 80 255

HSL 296.23, 1%, 0.66%

LAB 63.5, 81.98, -55.87

 

CMYK 0 / 62 / 0 / 0

HEX #FF62FF

RGB 255 98 255

HSL 300, 1%, 0.69%

LAB 67.44, 77.81, -49.53

 

CMYK 0 / 55 / 0 / 0

HEX #FF74FF

RGB 255 116 255

HSL 300, 1%, 0.73%

LAB 70.16, 70.36, -45.25

 

CMYK 0 / 47 / 0 / 0

HEX #FF86FF

RGB 255 134 255

HSL 300, 1%, 0.76%

LAB 73.24, 62.13, -40.43

 

CMYK 9 / 75 / 0 / 4

HEX #DE3EF4

RGB 222 62 244

HSL 292.75, 0.89%, 0.6%

LAB 57.57, 81.56, -59.44

 

CMYK 9 / 80 / 0 / 12

HEX #CD2CE1

RGB 205 44 225

HSL 293.37, 0.75%, 0.53%

LAB 52.08, 80.2, -57.7

 

CMYK 9 / 87 / 0 / 19

HEX #BC1ACE

RGB 188 26 206

HSL 294, 0.78%, 0.45%

LAB 46.83, 77.94, -55.43

 

CMYK 9 / 96 / 0 / 27

HEX #AB08BB

RGB 171 8 187

HSL 294.64, 0.92%, 0.38%

LAB 41.88, 74.49, -52.48

 

CMYK 8 / 100 / 0 / 34

HEX #9A00A8

RGB 154 0 168

HSL 295, 1%, 0.33%

LAB 37.29, 69.62, -48.73

 

CMYK 9 / 74 / 0 / 5

HEX #DD3EF3

RGB 221 62 243

HSL 292.71, 0.88%, 0.6%

LAB 57.36, 81.21, -59.23

 

CMYK 0 / 74 / 11 / 5

HEX #F33ED8

RGB 243 62 216

HSL 308.95, 0.88%, 0.6%

LAB 59.4, 81.53, -40.6

 

CMYK 0 / 74 / 31 / 5

HEX #F33EA7

RGB 243 62 167

HSL 325.19, 0.88%, 0.6%

LAB 57.36, 75.4, -15.6

 

CMYK 0 / 74 / 51 / 5

HEX #F33E76

RGB 243 62 118

HSL 341.44, 0.88%, 0.6%

LAB 55.89, 70.81, 11.18

 

CMYK 0 / 74 / 72 / 5

HEX #F33E45

RGB 243 62 69

HSL 357.68, 0.88%, 0.6%

LAB 55, 67.91, 38.78

 

CMYK 9 / 74 / 0 / 5

HEX #DD3EF3

RGB 221 62 243

HSL 292.71, 0.88%, 0.6%

LAB 57.36, 81.21, -59.23

 

CMYK 29 / 74 / 0 / 5

HEX #AC3EF3

RGB 172 62 243

HSL 276.46, 0.88%, 0.6%

LAB 50.32, 72.23, -70.93

 

CMYK 49 / 74 / 0 / 5

HEX #7B3EF3

RGB 123 62 243

HSL 260.22, 0.88%, 0.6%

LAB 44.41, 64.45, -80.82

 

CMYK 70 / 74 / 0 / 5

HEX #4A3EF3

RGB 74 62 243

HSL 243.98, 0.88%, 0.6%

LAB 40.2, 58.7, -87.9

 

CMYK 74 / 74 / 0 / 5

HEX #3E3EF3

RGB 62 62 243

HSL 240, 0.88%, 0.6%

LAB 39.48, 57.7, -89.12

 

CMYK 9 / 74 / 0 / 5

HEX #DD3EF3

RGB 221 62 243

HSL 292.71, 0.88%, 0.6%

LAB 57.36, 81.21, -59.23

 

CMYK 9 / 74 / 0 / 5

HEX #DD3EF3

RGB 221 62 243

HSL 292.71, 0.88%, 0.6%

LAB 57.36, 81.21, -59.23

 

CMYK 8 / 66 / 0 / 11

HEX #D14EE3

RGB 209 78 227

HSL 292.75, 0.73%, 0.6%

LAB 56.63, 70.41, -51.52

 

CMYK 7 / 55 / 0 / 18

HEX #C45FD2

RGB 196 95 210

HSL 292.7, 0.56%, 0.6%

LAB 56.66, 56.74, -41.99

 

CMYK 5 / 43 / 0 / 24

HEX #B86FC2

RGB 184 111 194

HSL 292.77, 0.4%, 0.6%

LAB 57.52, 42.15, -31.65

 

CMYK 3 / 28 / 0 / 31

HEX #AB80B1

RGB 171 128 177

HSL 292.65, 0.24%, 0.6%

LAB 59.22, 25.22, -19.44

 

CMYK 50 / 74 / 0 / 5

HEX #7A3EF3

RGB 122 62 243

HSL 259.89, 0.88%, 0.6%

LAB 44.31, 64.31, -80.99

 

CMYK 30 / 74 / 0 / 5

HEX #AB3EF3

RGB 171 62 243

HSL 276.13, 0.88%, 0.6%

LAB 50.19, 72.06, -71.16

 

CMYK 10 / 74 / 0 / 5

HEX #DB3EF3

RGB 219 62 243

HSL 292.04, 0.88%, 0.6%

LAB 57.05, 80.83, -59.73

 

CMYK 0 / 74 / 10 / 5

HEX #F33EDB

RGB 243 62 219

HSL 307.96, 0.88%, 0.6%

LAB 59.54, 81.95, -42.07

 

CMYK 0 / 74 / 30 / 5

HEX #F33EAB

RGB 243 62 171

HSL 323.87, 0.88%, 0.6%

LAB 57.5, 75.85, -17.71

 

CMYK 11 / 94 / 0 / 17

HEX #BB0CD3

RGB 187 12 211

HSL 292.76, 0.89%, 0.44%

LAB 46.35, 80.45, -59.08

 

CMYK 11 / 90 / 0 / 5

HEX #D717F1

RGB 215 23 241

HSL 292.84, 0.89%, 0.52%

LAB 53.4, 88.28, -64.52

 

CMYK 9 / 74 / 0 / 5

HEX #DD3EF3

RGB 221 62 243

HSL 292.71, 0.88%, 0.6%

LAB 57.36, 81.21, -59.23

 

CMYK 7 / 59 / 0 / 4

HEX #E465F6

RGB 228 101 246

HSL 292.55, 0.89%, 0.68%

LAB 63.72, 68.67, -50.7

 

CMYK 5 / 44 / 0 / 3

HEX #EB8CF8

RGB 235 140 248

HSL 292.78, 0.89%, 0.76%

LAB 71.69, 52.34, -39.22

 

CMYK 9 / 75 / 0 / 4

HEX #DE3EF4

RGB 222 62 244

HSL 292.75, 0.89%, 0.6%

LAB 57.57, 81.56, -59.44

 

CMYK 0 / 70 / 74 / 5

HEX #F34A3E

RGB 243 74 62

HSL 3.98, 0.88%, 0.6%

LAB 56.39, 63.56, 44.21

 

CMYK 74 / 0 / 40 / 5

HEX #3EF392

RGB 62 243 146

HSL 147.85, 0.88%, 0.6%

LAB 85.61, -65.69, 34.25

 

CMYK 9 / 75 / 0 / 4

HEX #DE3EF4

RGB 222 62 244

HSL 292.75, 0.89%, 0.6%

LAB 57.57, 81.56, -59.44

 

CMYK 0 / 10 / 74 / 5

HEX #F3DB3E

RGB 243 219 62

HSL 52.04, 0.88%, 0.6%

LAB 87.03, -7.76, 74.91

 

CMYK 74 / 0 / 10 / 5

HEX #3EF3DB

RGB 62 243 219

HSL 172.04, 0.88%, 0.6%

LAB 87.11, -49.57, -1.25

 

CMYK 9 / 75 / 0 / 4

HEX #DE3EF4

RGB 222 62 244

HSL 292.75, 0.89%, 0.6%

LAB 57.57, 81.56, -59.44

 

CMYK 0 / 70 / 74 / 5

HEX #F34A3E

RGB 243 74 62

HSL 3.98, 0.88%, 0.6%

LAB 56.39, 63.56, 44.21

 

CMYK 65 / 0 / 74 / 5

HEX #56F33E

RGB 86 243 62

HSL 112.04, 0.88%, 0.6%

LAB 85.21, -71.98, 70.21

 

CMYK 74 / 5 / 0 / 5

HEX #3EE7F3

RGB 62 231 243

HSL 183.98, 0.88%, 0.6%

LAB 84.3, -37.68, -18.05

 

CMYK 9 / 75 / 0 / 4

HEX #DE3EF4

RGB 222 62 244

HSL 292.75, 0.89%, 0.6%

LAB 57.57, 81.56, -59.44

 

CMYK 0 / 47 / 74 / 5

HEX #F3803E

RGB 243 128 62

HSL 21.88, 0.88%, 0.6%

LAB 65.62, 39.45, 53.99

 

CMYK 65 / 0 / 74 / 5

HEX #56F33E

RGB 86 243 62

HSL 112.04, 0.88%, 0.6%

LAB 85.21, -71.98, 70.21

 

CMYK 74 / 27 / 0 / 5

HEX #3EB1F3

RGB 62 177 243

HSL 201.88, 0.88%, 0.6%

LAB 68.71, -10.58, -42.01

 

Description

Color code: HEX #DE3EF4 | qconv.com Color code: HEX #DE3EF4 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 222 red, 62 green and 244 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
222 62 244 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 75 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 75% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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