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Color name
HEX #DE348D

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DE348D it is the complementary color #21CB72. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DE348D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DE348D shade: #E33488, #F4469B, #FF58AE, #FF6AC1 and #FF7CD4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DE348D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DE348D shade: #DE348D, #CD227A, #BC1067, #AB0054 and #9A0041

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DE348D shade: #DE358D, #DE3560 and #DE3535

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DE348D shade: #DE358D, #DE35BB, #D335DE, #A535DE and #7835DE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DE348D shade matches the following richer shades: #DE358D and #F1228E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DE348D shade: #DE358D, #CB488C, #B85B8B, #A56E8A and #92818A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DE348D shade: #D235DE, #DE35BC, #DE358F, #DE3562 and #DE3535

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DE348D shade: #A51B63, #C92079, #DE358D, #E358A1 and #E97CB5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DE348D shade: #DE348D, #DEA535 and #35D2DE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DE348D shade: #DE348D, #8FDE35 and #358FDE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DE348D shade: #DE348D, #DEA535, #35DE84 and #356DDE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DE348D shade: #DE348D, #DED835, #35DE84 and #353ADE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 36 / 13

HEX #DE348D

RGB 222 52 141

HSL 328.59, 0.72%, 0.54%

LAB 51.73, 70.34, -9.08

 

Complementary color

CMYK 84 / 0 / 44 / 20

HEX #21CB72

RGB 33 203 114

HSL 148.59, 0.72%, 0.46%

LAB 72.4, -60.57, 33.05

 

CMYK 0 / 77 / 40 / 11

HEX #E33488

RGB 227 52 136

HSL 331.2, 0.76%, 0.55%

LAB 52.47, 71.1, -4.89

 

CMYK 0 / 71 / 36 / 4

HEX #F4469B

RGB 244 70 155

HSL 330.69, 0.89%, 0.62%

LAB 58.02, 71.85, -7.58

 

CMYK 0 / 65 / 32 / 0

HEX #FF58AE

RGB 255 88 174

HSL 329.1, 1%, 0.67%

LAB 62.76, 70.44, -11.32

 

CMYK 0 / 58 / 24 / 0

HEX #FF6AC1

RGB 255 106 193

HSL 324.97, 1%, 0.71%

LAB 66.07, 65.45, -17.13

 

CMYK 0 / 51 / 17 / 0

HEX #FF7CD4

RGB 255 124 212

HSL 319.69, 1%, 0.74%

LAB 69.77, 59.99, -22.15

 

CMYK 0 / 77 / 36 / 13

HEX #DE348D

RGB 222 52 141

HSL 328.59, 0.72%, 0.54%

LAB 51.73, 70.34, -9.08

 

CMYK 0 / 83 / 40 / 20

HEX #CD227A

RGB 205 34 122

HSL 329.12, 0.72%, 0.47%

LAB 46.35, 68.87, -5.94

 

CMYK 0 / 91 / 45 / 26

HEX #BC1067

RGB 188 16 103

HSL 329.65, 0.84%, 0.4%

LAB 41.28, 66.35, -2

 

CMYK 0 / 100 / 51 / 33

HEX #AB0054

RGB 171 0 84

HSL 330.53, 1%, 0.34%

LAB 36.55, 62.7, 2.8

 

CMYK 0 / 100 / 58 / 40

HEX #9A0041

RGB 154 0 65

HSL 334.68, 1%, 0.3%

LAB 32.37, 57.31, 8.81

 

CMYK 0 / 76 / 36 / 13

HEX #DE358D

RGB 222 53 141

HSL 328.76, 0.72%, 0.54%

LAB 51.84, 70.05, -8.93

 

CMYK 0 / 76 / 57 / 13

HEX #DE3560

RGB 222 53 96

HSL 344.73, 0.72%, 0.54%

LAB 50.59, 66.18, 16.46

 

CMYK 0 / 76 / 76 / 13

HEX #DE3535

RGB 222 53 53

HSL 0, 0.72%, 0.54%

LAB 49.9, 63.94, 40.97

 

CMYK 0 / 76 / 36 / 13

HEX #DE358D

RGB 222 53 141

HSL 328.76, 0.72%, 0.54%

LAB 51.84, 70.05, -8.93

 

CMYK 0 / 76 / 16 / 13

HEX #DE35BB

RGB 222 53 187

HSL 312.43, 0.72%, 0.54%

LAB 53.67, 75.54, -33.22

 

CMYK 5 / 76 / 0 / 13

HEX #D335DE

RGB 211 53 222

HSL 296.09, 0.72%, 0.54%

LAB 53.67, 78.46, -53.4

 

CMYK 26 / 76 / 0 / 13

HEX #A535DE

RGB 165 53 222

HSL 279.76, 0.72%, 0.54%

LAB 46.74, 69.92, -64.92

 

CMYK 46 / 76 / 0 / 13

HEX #7835DE

RGB 120 53 222

HSL 263.79, 0.72%, 0.54%

LAB 40.92, 62.6, -74.66

 

CMYK 0 / 76 / 36 / 13

HEX #DE358D

RGB 222 53 141

HSL 328.76, 0.72%, 0.54%

LAB 51.84, 70.05, -8.93

 

CMYK 0 / 86 / 41 / 5

HEX #F1228E

RGB 241 34 142

HSL 328.7, 0.88%, 0.54%

LAB 53.81, 79.11, -6.21

 

CMYK 0 / 76 / 36 / 13

HEX #DE358D

RGB 222 53 141

HSL 328.76, 0.72%, 0.54%

LAB 51.84, 70.05, -8.93

 

CMYK 0 / 65 / 31 / 20

HEX #CB488C

RGB 203 72 140

HSL 328.85, 0.56%, 0.54%

LAB 50.95, 58.1, -9.99

 

CMYK 0 / 51 / 24 / 28

HEX #B85B8B

RGB 184 91 139

HSL 329.03, 0.4%, 0.54%

LAB 51.31, 43.23, -9.15

 

CMYK 0 / 33 / 16 / 35

HEX #A56E8A

RGB 165 110 138

HSL 329.45, 0.23%, 0.54%

LAB 52.93, 26.11, -6.4

 

CMYK 0 / 12 / 5 / 43

HEX #92818A

RGB 146 129 138

HSL 328.24, 0.07%, 0.54%

LAB 55.73, 8.11, -2.48

 

CMYK 5 / 76 / 0 / 13

HEX #D235DE

RGB 210 53 222

HSL 295.74, 0.72%, 0.54%

LAB 53.52, 78.27, -53.66

 

CMYK 0 / 76 / 15 / 13

HEX #DE35BC

RGB 222 53 188

HSL 312.07, 0.72%, 0.54%

LAB 53.71, 75.68, -33.73

 

CMYK 0 / 76 / 36 / 13

HEX #DE358F

RGB 222 53 143

HSL 328.05, 0.72%, 0.54%

LAB 51.9, 70.26, -10.02

 

CMYK 0 / 76 / 56 / 13

HEX #DE3562

RGB 222 53 98

HSL 344.02, 0.72%, 0.54%

LAB 50.64, 66.31, 15.3

 

CMYK 0 / 76 / 76 / 13

HEX #DE3535

RGB 222 53 53

HSL 0, 0.72%, 0.54%

LAB 49.9, 63.94, 40.97

 

CMYK 0 / 84 / 40 / 35

HEX #A51B63

RGB 165 27 99

HSL 328.7, 0.72%, 0.38%

LAB 37.27, 58.38, -5.92

 

CMYK 0 / 84 / 40 / 21

HEX #C92079

RGB 201 32 121

HSL 328.4, 0.73%, 0.46%

LAB 45.4, 68.25, -6.82

 

CMYK 0 / 76 / 36 / 13

HEX #DE358D

RGB 222 53 141

HSL 328.76, 0.72%, 0.54%

LAB 51.84, 70.05, -8.93

 

CMYK 0 / 61 / 29 / 11

HEX #E358A1

RGB 227 88 161

HSL 328.49, 0.71%, 0.62%

LAB 57.93, 60.98, -11.5

 

CMYK 0 / 47 / 22 / 9

HEX #E97CB5

RGB 233 124 181

HSL 328.62, 0.71%, 0.7%

LAB 65.81, 48.72, -11.06

 

CMYK 0 / 77 / 36 / 13

HEX #DE348D

RGB 222 52 141

HSL 328.59, 0.72%, 0.54%

LAB 51.73, 70.34, -9.08

 

CMYK 0 / 26 / 76 / 13

HEX #DEA535

RGB 222 165 53

HSL 39.76, 0.72%, 0.54%

LAB 71.35, 10.94, 62.59

 

CMYK 76 / 5 / 0 / 13

HEX #35D2DE

RGB 53 210 222

HSL 184.26, 0.72%, 0.54%

LAB 77.35, -35.02, -17.37

 

CMYK 0 / 77 / 36 / 13

HEX #DE348D

RGB 222 52 141

HSL 328.59, 0.72%, 0.54%

LAB 51.73, 70.34, -9.08

 

CMYK 36 / 0 / 76 / 13

HEX #8FDE35

RGB 143 222 53

HSL 88.05, 0.72%, 0.54%

LAB 80.93, -49.15, 69.6

 

CMYK 76 / 36 / 0 / 13

HEX #358FDE

RGB 53 143 222

HSL 208.05, 0.72%, 0.54%

LAB 57.73, 0.31, -47.75

 

CMYK 0 / 77 / 36 / 13

HEX #DE348D

RGB 222 52 141

HSL 328.59, 0.72%, 0.54%

LAB 51.73, 70.34, -9.08

 

CMYK 0 / 26 / 76 / 13

HEX #DEA535

RGB 222 165 53

HSL 39.76, 0.72%, 0.54%

LAB 71.35, 10.94, 62.59

 

CMYK 76 / 0 / 41 / 13

HEX #35DE84

RGB 53 222 132

HSL 148.05, 0.72%, 0.54%

LAB 78.85, -61.89, 32.37

 

CMYK 76 / 51 / 0 / 13

HEX #356DDE

RGB 53 109 222

HSL 220.12, 0.72%, 0.54%

LAB 48.22, 21.19, -62.97

 

CMYK 0 / 77 / 36 / 13

HEX #DE348D

RGB 222 52 141

HSL 328.59, 0.72%, 0.54%

LAB 51.73, 70.34, -9.08

 

CMYK 0 / 3 / 76 / 13

HEX #DED835

RGB 222 216 53

HSL 57.87, 0.72%, 0.54%

LAB 84.43, -15.42, 74.73

 

CMYK 76 / 0 / 41 / 13

HEX #35DE84

RGB 53 222 132

HSL 148.05, 0.72%, 0.54%

LAB 78.85, -61.89, 32.37

 

CMYK 76 / 74 / 0 / 13

HEX #353ADE

RGB 53 58 222

HSL 238.22, 0.72%, 0.54%

LAB 36.09, 52.49, -82.8

 

Description

Color code: HEX #DE348D | qconv.com Color code: HEX #DE348D | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 222 red, 52 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
222 52 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 36 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 36% 13% C M Y K

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Provide designers and agencies with accurate color values.

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