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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DE15B8 it is the complementary color #21EA47. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DE15B8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DE15B8 shade: #E315B3, #F427C6, #FF39D9, #FF4BEC and #FF5DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DE15B8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DE15B8 shade: #DE15B8, #CD03A5, #BC0092, #AB007F and #9A006C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DE15B8 shade: #DF14B9, #DF1482, #DF144C, #DF1415 and #DF1414

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DE15B8 shade: #DF14B9, #CF14DF, #9814DF, #6214DF and #2B14DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DE15B8 shade matches the following richer shades: #DF14B9 and #F301C5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DE15B8 shade: #DF14B9, #CC28AD, #B83CA0, #A45094 and #906488

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DE15B8 shade: #9814DF, #CF14DF, #DF14BA, #DF1484 and #DF144E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DE15B8 shade: #940D7B, #BA119A, #DF14B9, #EB32C8 and #EF57D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DE15B8 shade: #DE15B8, #DF6214 and #14DFB3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DE15B8 shade: #DE15B8, #BADF14 and #14BADF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DE15B8 shade: #DE15B8, #DF6214, #14DF3A and #1492DF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DE15B8 shade: #DE15B8, #DF9F14, #14DF3A and #1455DF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 91 / 17 / 13

HEX #DE15B8

RGB 222 21 184

HSL 311.34, 0.83%, 0.48%

LAB 51.3, 81.61, -35.18

 

Complementary color

CMYK 86 / 0 / 70 / 8

HEX #21EA47

RGB 33 234 71

HSL 131.34, 0.83%, 0.52%

LAB 81.63, -75.97, 63.18

 

CMYK 0 / 91 / 21 / 11

HEX #E315B3

RGB 227 21 179

HSL 313.98, 0.83%, 0.49%

LAB 51.97, 81.96, -31.13

 

CMYK 0 / 84 / 19 / 4

HEX #F427C6

RGB 244 39 198

HSL 313.46, 0.9%, 0.55%

LAB 56.84, 84.82, -34.33

 

CMYK 0 / 78 / 15 / 0

HEX #FF39D9

RGB 255 57 217

HSL 311.52, 1%, 0.61%

LAB 60.95, 85.53, -38.58

 

CMYK 0 / 71 / 7 / 0

HEX #FF4BEC

RGB 255 75 236

HSL 306.33, 1%, 0.65%

LAB 63.63, 83.04, -45.04

 

CMYK 0 / 64 / 0 / 0

HEX #FF5DFF

RGB 255 93 255

HSL 300, 1%, 0.68%

LAB 66.76, 79.72, -50.61

 

CMYK 0 / 91 / 17 / 13

HEX #DE15B8

RGB 222 21 184

HSL 311.34, 0.83%, 0.48%

LAB 51.3, 81.61, -35.18

 

CMYK 0 / 99 / 20 / 20

HEX #CD03A5

RGB 205 3 165

HSL 311.88, 0.97%, 0.41%

LAB 46.66, 77.76, -31.47

 

CMYK 0 / 100 / 22 / 26

HEX #BC0092

RGB 188 0 146

HSL 313.4, 1%, 0.37%

LAB 42.41, 72.51, -26.92

 

CMYK 0 / 100 / 26 / 33

HEX #AB007F

RGB 171 0 127

HSL 315.44, 1%, 0.34%

LAB 38.18, 66.92, -22.06

 

CMYK 0 / 100 / 30 / 40

HEX #9A006C

RGB 154 0 108

HSL 317.92, 1%, 0.3%

LAB 33.88, 61.25, -17

 

CMYK 0 / 91 / 17 / 13

HEX #DF14B9

RGB 223 20 185

HSL 311.23, 0.84%, 0.48%

LAB 51.49, 82.04, -35.46

 

CMYK 0 / 91 / 42 / 13

HEX #DF1482

RGB 223 20 130

HSL 327.49, 0.84%, 0.48%

LAB 49.25, 76.13, -6.13

 

CMYK 0 / 91 / 66 / 13

HEX #DF144C

RGB 223 20 76

HSL 343.45, 0.84%, 0.48%

LAB 47.89, 72.39, 25.1

 

CMYK 0 / 91 / 91 / 13

HEX #DF1415

RGB 223 20 21

HSL 359.7, 0.84%, 0.48%

LAB 47.29, 70.69, 54.48

 

CMYK 0 / 91 / 91 / 13

HEX #DF1414

RGB 223 20 20

HSL 0, 0.84%, 0.48%

LAB 47.29, 70.68, 54.87

 

CMYK 0 / 91 / 17 / 13

HEX #DF14B9

RGB 223 20 185

HSL 311.23, 0.84%, 0.48%

LAB 51.49, 82.04, -35.46

 

CMYK 7 / 91 / 0 / 13

HEX #CF14DF

RGB 207 20 223

HSL 295.27, 0.84%, 0.48%

LAB 50.8, 84.59, -58.61

 

CMYK 32 / 91 / 0 / 13

HEX #9814DF

RGB 152 20 223

HSL 279.01, 0.84%, 0.48%

LAB 42.01, 76.69, -73.28

 

CMYK 56 / 91 / 0 / 13

HEX #6214DF

RGB 98 20 223

HSL 263.05, 0.84%, 0.48%

LAB 34.85, 71.13, -85.31

 

CMYK 81 / 91 / 0 / 13

HEX #2B14DF

RGB 43 20 223

HSL 246.8, 0.84%, 0.48%

LAB 30.26, 68.18, -93.08

 

CMYK 0 / 91 / 17 / 13

HEX #DF14B9

RGB 223 20 185

HSL 311.23, 0.84%, 0.48%

LAB 51.49, 82.04, -35.46

 

CMYK 0 / 100 / 19 / 5

HEX #F301C5

RGB 243 1 197

HSL 311.4, 0.99%, 0.48%

LAB 55.18, 88.71, -36.36

 

CMYK 0 / 91 / 17 / 13

HEX #DF14B9

RGB 223 20 185

HSL 311.23, 0.84%, 0.48%

LAB 51.49, 82.04, -35.46

 

CMYK 0 / 80 / 15 / 20

HEX #CC28AD

RGB 204 40 173

HSL 311.34, 0.67%, 0.48%

LAB 48.73, 73.15, -32.99

 

CMYK 0 / 67 / 13 / 28

HEX #B83CA0

RGB 184 60 160

HSL 311.61, 0.51%, 0.48%

LAB 46.92, 60.4, -28.36

 

CMYK 0 / 51 / 10 / 36

HEX #A45094

RGB 164 80 148

HSL 311.43, 0.34%, 0.48%

LAB 46.67, 43.8, -21.83

 

CMYK 0 / 31 / 6 / 44

HEX #906488

RGB 144 100 136

HSL 310.91, 0.18%, 0.48%

LAB 48.03, 23.86, -12.81

 

CMYK 32 / 91 / 0 / 13

HEX #9814DF

RGB 152 20 223

HSL 279.01, 0.84%, 0.48%

LAB 42.01, 76.69, -73.28

 

CMYK 7 / 91 / 0 / 13

HEX #CF14DF

RGB 207 20 223

HSL 295.27, 0.84%, 0.48%

LAB 50.8, 84.59, -58.61

 

CMYK 0 / 91 / 17 / 13

HEX #DF14BA

RGB 223 20 186

HSL 310.94, 0.84%, 0.48%

LAB 51.53, 82.17, -35.97

 

CMYK 0 / 91 / 41 / 13

HEX #DF1484

RGB 223 20 132

HSL 326.9, 0.84%, 0.48%

LAB 49.32, 76.31, -7.25

 

CMYK 0 / 91 / 65 / 13

HEX #DF144E

RGB 223 20 78

HSL 342.86, 0.84%, 0.48%

LAB 47.93, 72.49, 23.92

 

CMYK 0 / 91 / 17 / 42

HEX #940D7B

RGB 148 13 123

HSL 311.11, 0.84%, 0.32%

LAB 34.01, 60.12, -26.4

 

CMYK 0 / 91 / 17 / 27

HEX #BA119A

RGB 186 17 154

HSL 311.36, 0.83%, 0.4%

LAB 43.02, 71.34, -30.83

 

CMYK 0 / 91 / 17 / 13

HEX #DF14B9

RGB 223 20 185

HSL 311.23, 0.84%, 0.48%

LAB 51.49, 82.04, -35.46

 

CMYK 0 / 79 / 15 / 8

HEX #EB32C8

RGB 235 50 200

HSL 311.35, 0.82%, 0.56%

LAB 56.2, 80.86, -36.59

 

CMYK 0 / 64 / 12 / 6

HEX #EF57D2

RGB 239 87 210

HSL 311.45, 0.83%, 0.64%

LAB 61.5, 71.29, -33.97

 

CMYK 0 / 91 / 17 / 13

HEX #DE15B8

RGB 222 21 184

HSL 311.34, 0.83%, 0.48%

LAB 51.3, 81.61, -35.18

 

CMYK 0 / 56 / 91 / 13

HEX #DF6214

RGB 223 98 20

HSL 23.05, 0.84%, 0.48%

LAB 56.56, 45.37, 61.24

 

CMYK 91 / 0 / 20 / 13

HEX #14DFB3

RGB 20 223 179

HSL 167, 0.84%, 0.48%

LAB 79.72, -54.82, 9.04

 

CMYK 0 / 91 / 17 / 13

HEX #DE15B8

RGB 222 21 184

HSL 311.34, 0.83%, 0.48%

LAB 51.3, 81.61, -35.18

 

CMYK 17 / 0 / 91 / 13

HEX #BADF14

RGB 186 223 20

HSL 70.94, 0.84%, 0.48%

LAB 83.58, -34.51, 80.24

 

CMYK 91 / 17 / 0 / 13

HEX #14BADF

RGB 20 186 223

HSL 190.94, 0.84%, 0.48%

LAB 69.89, -25.43, -29.33

 

CMYK 0 / 91 / 17 / 13

HEX #DE15B8

RGB 222 21 184

HSL 311.34, 0.83%, 0.48%

LAB 51.3, 81.61, -35.18

 

CMYK 0 / 56 / 91 / 13

HEX #DF6214

RGB 223 98 20

HSL 23.05, 0.84%, 0.48%

LAB 56.56, 45.37, 61.24

 

CMYK 91 / 0 / 74 / 13

HEX #14DF3A

RGB 20 223 58

HSL 131.23, 0.84%, 0.48%

LAB 78.01, -74.76, 64.03

 

CMYK 91 / 35 / 0 / 13

HEX #1492DF

RGB 20 146 223

HSL 202.76, 0.84%, 0.48%

LAB 58.07, -3.73, -47.8

 

CMYK 0 / 91 / 17 / 13

HEX #DE15B8

RGB 222 21 184

HSL 311.34, 0.83%, 0.48%

LAB 51.3, 81.61, -35.18

 

CMYK 0 / 29 / 91 / 13

HEX #DF9F14

RGB 223 159 20

HSL 41.08, 0.84%, 0.48%

LAB 69.85, 13.67, 70.98

 

CMYK 91 / 0 / 74 / 13

HEX #14DF3A

RGB 20 223 58

HSL 131.23, 0.84%, 0.48%

LAB 78.01, -74.76, 64.03

 

CMYK 91 / 62 / 0 / 13

HEX #1455DF

RGB 20 85 223

HSL 220.79, 0.84%, 0.48%

LAB 41.17, 34.48, -75.05

 

Description

Color code: HEX #DE15B8 | qconv.com Color code: HEX #DE15B8 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 222 red, 21 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
222 21 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 91 magenta, 17 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 91% 17% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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