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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DE01C3 it is the complementary color #21FE3C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DE01C3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DE01C3 shade: #E301BE, #F413D1, #FF25E4, #FF37F7 and #FF49FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DE01C3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DE01C3 shade: #DE01C3, #CD00B0, #BC009D, #AB008A and #9A0077

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DE01C3 shade: #DF01C4, #DF0188, #DF014C, #DF0110 and #DF0101

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DE01C3 shade: #DF01C4, #BE01DF, #8201DF, #4601DF and #0A01DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DE01C3 shade matches the following richer shades: #DF01C4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DE01C3 shade: #DF01C4, #CD13B6, #BA25A8, #A8379A and #96498D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DE01C3 shade: #8201DF, #BD01DF, #DF01C5, #DF018A and #DF014E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DE01C3 shade: #8D007C, #B600A0, #DF01C4, #FD0BE0 and #FD34E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DE01C3 shade: #DE01C3, #DF4701 and #01DFA0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DE01C3 shade: #DE01C3, #C5DF01 and #01C5DF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DE01C3 shade: #DE01C3, #DF4701, #01DF1B and #0198DF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DE01C3 shade: #DE01C3, #DF8A01, #01DF1B and #0156DF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 100 / 12 / 13

HEX #DE01C3

RGB 222 1 195

HSL 307.33, 0.99%, 0.44%

LAB 51.26, 84.75, -41.65

 

Complementary color

CMYK 87 / 0 / 76 / 0

HEX #21FE3C

RGB 33 254 60

HSL 127.33, 0.99%, 0.56%

LAB 87.74, -82.47, 73.02

 

CMYK 0 / 100 / 16 / 11

HEX #E301BE

RGB 227 1 190

HSL 309.82, 0.99%, 0.45%

LAB 51.92, 85, -37.64

 

CMYK 0 / 92 / 14 / 4

HEX #F413D1

RGB 244 19 209

HSL 309.33, 0.91%, 0.52%

LAB 56.39, 89.03, -41.34

 

CMYK 0 / 85 / 11 / 0

HEX #FF25E4

RGB 255 37 228

HSL 307.43, 1%, 0.57%

LAB 60.06, 91.11, -46.2

 

CMYK 0 / 78 / 3 / 0

HEX #FF37F7

RGB 255 55 247

HSL 302.4, 1%, 0.61%

LAB 62.26, 90.14, -53.32

 

CMYK 0 / 71 / 0 / 0

HEX #FF49FF

RGB 255 73 255

HSL 300, 1%, 0.64%

LAB 64.36, 86.49, -54.4

 

CMYK 0 / 100 / 12 / 13

HEX #DE01C3

RGB 222 1 195

HSL 307.33, 0.99%, 0.44%

LAB 51.26, 84.75, -41.65

 

CMYK 0 / 100 / 14 / 20

HEX #CD00B0

RGB 205 0 176

HSL 308.49, 1%, 0.4%

LAB 47.12, 79.39, -37.27

 

CMYK 0 / 100 / 16 / 26

HEX #BC009D

RGB 188 0 157

HSL 309.89, 1%, 0.37%

LAB 42.95, 73.87, -32.73

 

CMYK 0 / 100 / 19 / 33

HEX #AB008A

RGB 171 0 138

HSL 311.58, 1%, 0.34%

LAB 38.71, 68.26, -28.04

 

CMYK 0 / 100 / 23 / 40

HEX #9A0077

RGB 154 0 119

HSL 313.64, 1%, 0.3%

LAB 34.4, 62.56, -23.19

 

CMYK 0 / 100 / 12 / 13

HEX #DF01C4

RGB 223 1 196

HSL 307.3, 0.99%, 0.44%

LAB 51.49, 85.05, -41.85

 

CMYK 0 / 100 / 39 / 13

HEX #DF0188

RGB 223 1 136

HSL 323.51, 0.99%, 0.44%

LAB 48.87, 78.39, -10.35

 

CMYK 0 / 100 / 66 / 13

HEX #DF014C

RGB 223 1 76

HSL 339.73, 0.99%, 0.44%

LAB 47.28, 74.17, 24.31

 

CMYK 0 / 100 / 93 / 13

HEX #DF0110

RGB 223 1 16

HSL 355.95, 0.99%, 0.44%

LAB 46.64, 72.44, 55.94

 

CMYK 0 / 100 / 100 / 13

HEX #DF0101

RGB 223 1 1

HSL 0, 0.99%, 0.44%

LAB 46.59, 72.32, 60.44

 

CMYK 0 / 100 / 12 / 13

HEX #DF01C4

RGB 223 1 196

HSL 307.3, 0.99%, 0.44%

LAB 51.49, 85.05, -41.85

 

CMYK 15 / 100 / 0 / 13

HEX #BE01DF

RGB 190 1 223

HSL 291.08, 0.99%, 0.44%

LAB 47.36, 83.78, -64.3

 

CMYK 42 / 100 / 0 / 13

HEX #8201DF

RGB 130 1 223

HSL 274.86, 0.99%, 0.44%

LAB 38.01, 76.65, -79.96

 

CMYK 69 / 100 / 0 / 13

HEX #4601DF

RGB 70 1 223

HSL 258.65, 0.99%, 0.44%

LAB 31, 72.66, -91.79

 

CMYK 96 / 100 / 0 / 13

HEX #0A01DF

RGB 10 1 223

HSL 242.43, 0.99%, 0.44%

LAB 27.88, 71.44, -97.08

 

CMYK 0 / 100 / 12 / 13

HEX #DF01C4

RGB 223 1 196

HSL 307.3, 0.99%, 0.44%

LAB 51.49, 85.05, -41.85

 

CMYK 0 / 100 / 12 / 13

HEX #DF01C4

RGB 223 1 196

HSL 307.3, 0.99%, 0.44%

LAB 51.49, 85.05, -41.85

 

CMYK 0 / 91 / 11 / 20

HEX #CD13B6

RGB 205 19 182

HSL 307.42, 0.83%, 0.44%

LAB 48.04, 78.41, -39.36

 

CMYK 0 / 80 / 10 / 27

HEX #BA25A8

RGB 186 37 168

HSL 307.25, 0.67%, 0.44%

LAB 45.07, 69.39, -36

 

CMYK 0 / 67 / 8 / 34

HEX #A8379A

RGB 168 55 154

HSL 307.43, 0.51%, 0.44%

LAB 43.35, 57.34, -30.55

 

CMYK 0 / 51 / 6 / 41

HEX #96498D

RGB 150 73 141

HSL 307.01, 0.35%, 0.44%

LAB 43.02, 41.84, -23.42

 

CMYK 42 / 100 / 0 / 13

HEX #8201DF

RGB 130 1 223

HSL 274.86, 0.99%, 0.44%

LAB 38.01, 76.65, -79.96

 

CMYK 15 / 100 / 0 / 13

HEX #BD01DF

RGB 189 1 223

HSL 290.81, 0.99%, 0.44%

LAB 47.19, 83.64, -64.58

 

CMYK 0 / 100 / 12 / 13

HEX #DF01C5

RGB 223 1 197

HSL 307.03, 0.99%, 0.44%

LAB 51.54, 85.18, -42.34

 

CMYK 0 / 100 / 38 / 13

HEX #DF018A

RGB 223 1 138

HSL 322.97, 0.99%, 0.44%

LAB 48.94, 78.57, -11.45

 

CMYK 0 / 100 / 65 / 13

HEX #DF014E

RGB 223 1 78

HSL 339.19, 0.99%, 0.44%

LAB 47.31, 74.27, 23.12

 

CMYK 0 / 100 / 12 / 45

HEX #8D007C

RGB 141 0 124

HSL 307.23, 1%, 0.28%

LAB 32.07, 60.7, -30.18

 

CMYK 0 / 100 / 12 / 29

HEX #B600A0

RGB 182 0 160

HSL 307.25, 1%, 0.36%

LAB 41.97, 73.17, -36.15

 

CMYK 0 / 100 / 12 / 13

HEX #DF01C4

RGB 223 1 196

HSL 307.3, 0.99%, 0.44%

LAB 51.49, 85.05, -41.85

 

CMYK 0 / 96 / 11 / 1

HEX #FD0BE0

RGB 253 11 224

HSL 307.19, 0.98%, 0.52%

LAB 58.51, 93.15, -46.41

 

CMYK 0 / 79 / 9 / 1

HEX #FD34E5

RGB 253 52 229

HSL 307.16, 0.98%, 0.6%

LAB 60.78, 87.92, -45.64

 

CMYK 0 / 100 / 12 / 13

HEX #DE01C3

RGB 222 1 195

HSL 307.33, 0.99%, 0.44%

LAB 51.26, 84.75, -41.65

 

CMYK 0 / 68 / 100 / 13

HEX #DF4701

RGB 223 71 1

HSL 18.92, 0.99%, 0.44%

LAB 52.06, 56.96, 62.84

 

CMYK 100 / 0 / 28 / 13

HEX #01DFA0

RGB 1 223 160

HSL 162.97, 0.99%, 0.44%

LAB 79.23, -59.94, 18.35

 

CMYK 0 / 100 / 12 / 13

HEX #DE01C3

RGB 222 1 195

HSL 307.33, 0.99%, 0.44%

LAB 51.26, 84.75, -41.65

 

CMYK 12 / 0 / 100 / 13

HEX #C5DF01

RGB 197 223 1

HSL 67.03, 0.99%, 0.44%

LAB 84.3, -30.28, 82.99

 

CMYK 100 / 12 / 0 / 13

HEX #01C5DF

RGB 1 197 223

HSL 187.03, 0.99%, 0.44%

LAB 73.07, -31.43, -24.46

 

CMYK 0 / 100 / 12 / 13

HEX #DE01C3

RGB 222 1 195

HSL 307.33, 0.99%, 0.44%

LAB 51.26, 84.75, -41.65

 

CMYK 0 / 68 / 100 / 13

HEX #DF4701

RGB 223 71 1

HSL 18.92, 0.99%, 0.44%

LAB 52.06, 56.96, 62.84

 

CMYK 100 / 0 / 88 / 13

HEX #01DF1B

RGB 1 223 27

HSL 127.03, 0.99%, 0.44%

LAB 77.79, -77.23, 71.97

 

CMYK 100 / 32 / 0 / 13

HEX #0198DF

RGB 1 152 223

HSL 199.19, 0.99%, 0.44%

LAB 59.7, -7.82, -45.23

 

CMYK 0 / 100 / 12 / 13

HEX #DE01C3

RGB 222 1 195

HSL 307.33, 0.99%, 0.44%

LAB 51.26, 84.75, -41.65

 

CMYK 0 / 38 / 100 / 13

HEX #DF8A01

RGB 223 138 1

HSL 37.03, 0.99%, 0.44%

LAB 64.86, 24.69, 70.35

 

CMYK 100 / 0 / 88 / 13

HEX #01DF1B

RGB 1 223 27

HSL 127.03, 0.99%, 0.44%

LAB 77.79, -77.23, 71.97

 

CMYK 100 / 61 / 0 / 13

HEX #0156DF

RGB 1 86 223

HSL 217.03, 0.99%, 0.44%

LAB 41.2, 33.27, -75.01

 

Description

Color code: HEX #DE01C3 | qconv.com Color code: HEX #DE01C3 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 222 red, 1 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
222 1 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 100 magenta, 12 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 100% 12% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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