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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DDFB46 it is the complementary color #2204B9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DDFB46. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DDFB46 shade: #E2FB41, #F3FF54, #FFFF67, #FFFF7A and #FFFF8D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DDFB46. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DDFB46 shade: #DDFB46, #CCE933, #BBD720, #AAC50D and #99B300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DDFB46 shade: #DDFB46, #FBE846, #FBB746, #FB8646 and #FB5546

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DDFB46 shade: #DDFB46, #ACFB46, #7BFB46, #4AFB46 and #46FB72

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DDFB46 shade matches the following richer shades: #DDFB46

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DDFB46 shade: #DDFB46, #D3EB55, #C8DC64, #BECD73 and #B4BE83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DDFB46 shade: #FBB546, #FBE646, #E0FB46, #AFFB46 and #7FFB46

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DDFB46 shade: #C4EA04, #D5FA1D, #DDFB46, #E4FC6E and #EBFC96

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DDFB46 shade: #DDFB46, #46FB85 and #CD46FB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DDFB46 shade: #DDFB46, #46E0FB and #FB46E0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DDFB46 shade: #DDFB46, #46FB85, #6146FB and #FB46BB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DDFB46 shade: #DDFB46, #46FBBB, #6146FB and #FB4685

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 72 / 2

HEX #DDFB46

RGB 221 251 70

HSL 69.94, 0.96%, 0.63%

LAB 93.8, -31.81, 78.11

 

Complementary color

CMYK 82 / 98 / 0 / 27

HEX #2204B9

RGB 34 4 185

HSL 249.94, 0.96%, 0.37%

LAB 23.44, 61.73, -82.25

 

CMYK 10 / 0 / 74 / 2

HEX #E2FB41

RGB 226 251 65

HSL 68.06, 0.96%, 0.62%

LAB 94.12, -30.06, 80.11

 

CMYK 5 / 0 / 67 / 0

HEX #F3FF54

RGB 243 255 84

HSL 64.21, 1%, 0.66%

LAB 96.5, -24.26, 76.47

 

CMYK 0 / 0 / 60 / 0

HEX #FFFF67

RGB 255 255 103

HSL 60, 1%, 0.7%

LAB 97.53, -18.38, 70.5

 

CMYK 0 / 0 / 52 / 0

HEX #FFFF7A

RGB 255 255 122

HSL 60, 1%, 0.74%

LAB 97.71, -17.02, 62.59

 

CMYK 0 / 0 / 45 / 0

HEX #FFFF8D

RGB 255 255 141

HSL 60, 1%, 0.78%

LAB 97.91, -15.4, 54.17

 

CMYK 12 / 0 / 72 / 2

HEX #DDFB46

RGB 221 251 70

HSL 69.94, 0.96%, 0.63%

LAB 93.8, -31.81, 78.11

 

CMYK 12 / 0 / 78 / 9

HEX #CCE933

RGB 204 233 51

HSL 69.56, 0.81%, 0.56%

LAB 87.66, -31.06, 77.71

 

CMYK 13 / 0 / 85 / 16

HEX #BBD720

RGB 187 215 32

HSL 69.18, 0.74%, 0.48%

LAB 81.44, -30.14, 76.48

 

CMYK 14 / 0 / 93 / 23

HEX #AAC50D

RGB 170 197 13

HSL 68.8, 0.88%, 0.41%

LAB 75.14, -29.05, 74.03

 

CMYK 15 / 0 / 100 / 30

HEX #99B300

RGB 153 179 0

HSL 68.72, 1%, 0.35%

LAB 68.76, -27.75, 70.08

 

CMYK 12 / 0 / 72 / 2

HEX #DDFB46

RGB 221 251 70

HSL 69.94, 0.96%, 0.63%

LAB 93.8, -31.81, 78.11

 

CMYK 0 / 8 / 72 / 2

HEX #FBE846

RGB 251 232 70

HSL 53.7, 0.96%, 0.63%

LAB 91.08, -10.58, 76.3

 

CMYK 0 / 27 / 72 / 2

HEX #FBB746

RGB 251 183 70

HSL 37.46, 0.96%, 0.63%

LAB 78.94, 14.46, 64.38

 

CMYK 0 / 47 / 72 / 2

HEX #FB8646

RGB 251 134 70

HSL 21.22, 0.96%, 0.63%

LAB 68.02, 39.88, 53.08

 

CMYK 0 / 66 / 72 / 2

HEX #FB5546

RGB 251 85 70

HSL 4.97, 0.96%, 0.63%

LAB 59.39, 62.25, 43.62

 

CMYK 12 / 0 / 72 / 2

HEX #DDFB46

RGB 221 251 70

HSL 69.94, 0.96%, 0.63%

LAB 93.8, -31.81, 78.11

 

CMYK 31 / 0 / 72 / 2

HEX #ACFB46

RGB 172 251 70

HSL 86.19, 0.96%, 0.63%

LAB 90.87, -50.12, 74.26

 

CMYK 51 / 0 / 72 / 2

HEX #7BFB46

RGB 123 251 70

HSL 102.43, 0.96%, 0.63%

LAB 88.76, -65.42, 71.45

 

CMYK 71 / 0 / 72 / 2

HEX #4AFB46

RGB 74 251 70

HSL 118.67, 0.96%, 0.63%

LAB 87.43, -76.11, 69.69

 

CMYK 72 / 0 / 55 / 2

HEX #46FB72

RGB 70 251 114

HSL 134.59, 0.96%, 0.63%

LAB 87.73, -72.24, 52.26

 

CMYK 12 / 0 / 72 / 2

HEX #DDFB46

RGB 221 251 70

HSL 69.94, 0.96%, 0.63%

LAB 93.8, -31.81, 78.11

 

CMYK 12 / 0 / 72 / 2

HEX #DDFB46

RGB 221 251 70

HSL 69.94, 0.96%, 0.63%

LAB 93.8, -31.81, 78.11

 

CMYK 10 / 0 / 64 / 8

HEX #D3EB55

RGB 211 235 85

HSL 69.6, 0.79%, 0.63%

LAB 88.89, -27.48, 67.54

 

CMYK 9 / 0 / 55 / 14

HEX #C8DC64

RGB 200 220 100

HSL 70, 0.63%, 0.63%

LAB 84.17, -23.57, 55.77

 

CMYK 7 / 0 / 44 / 20

HEX #BECD73

RGB 190 205 115

HSL 70, 0.47%, 0.63%

LAB 79.53, -18.73, 42.95

 

CMYK 5 / 0 / 31 / 25

HEX #B4BE83

RGB 180 190 131

HSL 70.17, 0.31%, 0.63%

LAB 74.93, -13.14, 28.71

 

CMYK 0 / 28 / 72 / 2

HEX #FBB546

RGB 251 181 70

HSL 36.8, 0.96%, 0.63%

LAB 78.46, 15.5, 63.9

 

CMYK 0 / 8 / 72 / 2

HEX #FBE646

RGB 251 230 70

HSL 53.04, 0.96%, 0.63%

LAB 90.57, -9.59, 75.81

 

CMYK 11 / 0 / 72 / 2

HEX #E0FB46

RGB 224 251 70

HSL 68.95, 0.96%, 0.63%

LAB 94.01, -30.63, 78.38

 

CMYK 30 / 0 / 72 / 2

HEX #AFFB46

RGB 175 251 70

HSL 85.19, 0.96%, 0.63%

LAB 91.03, -49.07, 74.47

 

CMYK 49 / 0 / 72 / 2

HEX #7FFB46

RGB 127 251 70

HSL 101.1, 0.96%, 0.63%

LAB 88.9, -64.32, 71.64

 

CMYK 16 / 0 / 98 / 8

HEX #C4EA04

RGB 196 234 4

HSL 69.91, 0.97%, 0.47%

LAB 87.29, -35.71, 84.96

 

CMYK 15 / 0 / 88 / 2

HEX #D5FA1D

RGB 213 250 29

HSL 70.05, 0.96%, 0.55%

LAB 92.84, -35.87, 87.08

 

CMYK 12 / 0 / 72 / 2

HEX #DDFB46

RGB 221 251 70

HSL 69.94, 0.96%, 0.63%

LAB 93.8, -31.81, 78.11

 

CMYK 10 / 0 / 56 / 1

HEX #E4FC6E

RGB 228 252 110

HSL 70.14, 0.96%, 0.71%

LAB 94.84, -27.05, 64.04

 

CMYK 7 / 0 / 40 / 1

HEX #EBFC96

RGB 235 252 150

HSL 70, 0.94%, 0.79%

LAB 95.78, -20.66, 46.91

 

CMYK 12 / 0 / 72 / 2

HEX #DDFB46

RGB 221 251 70

HSL 69.94, 0.96%, 0.63%

LAB 93.8, -31.81, 78.11

 

CMYK 72 / 0 / 47 / 2

HEX #46FB85

RGB 70 251 133

HSL 140.88, 0.96%, 0.63%

LAB 87.96, -69.54, 43.68

 

CMYK 18 / 72 / 0 / 2

HEX #CD46FB

RGB 205 70 251

HSL 284.75, 0.96%, 0.63%

LAB 56.41, 76.94, -65.32

 

CMYK 12 / 0 / 72 / 2

HEX #DDFB46

RGB 221 251 70

HSL 69.94, 0.96%, 0.63%

LAB 93.8, -31.81, 78.11

 

CMYK 72 / 11 / 0 / 2

HEX #46E0FB

RGB 70 224 251

HSL 188.95, 0.96%, 0.63%

LAB 82.69, -31.14, -24.7

 

CMYK 0 / 72 / 11 / 2

HEX #FB46E0

RGB 251 70 224

HSL 308.95, 0.96%, 0.63%

LAB 61.89, 82.01, -41.11

 

CMYK 12 / 0 / 72 / 2

HEX #DDFB46

RGB 221 251 70

HSL 69.94, 0.96%, 0.63%

LAB 93.8, -31.81, 78.11

 

CMYK 72 / 0 / 47 / 2

HEX #46FB85

RGB 70 251 133

HSL 140.88, 0.96%, 0.63%

LAB 87.96, -69.54, 43.68

 

CMYK 61 / 72 / 0 / 2

HEX #6146FB

RGB 97 70 251

HSL 248.95, 0.96%, 0.63%

LAB 44.07, 59.43, -85.96

 

CMYK 0 / 72 / 25 / 2

HEX #FB46BB

RGB 251 70 187

HSL 321.22, 0.96%, 0.63%

LAB 60.32, 77.19, -22.54

 

CMYK 12 / 0 / 72 / 2

HEX #DDFB46

RGB 221 251 70

HSL 69.94, 0.96%, 0.63%

LAB 93.8, -31.81, 78.11

 

CMYK 72 / 0 / 25 / 2

HEX #46FBBB

RGB 70 251 187

HSL 158.78, 0.96%, 0.63%

LAB 88.87, -59.47, 17.89

 

CMYK 61 / 72 / 0 / 2

HEX #6146FB

RGB 97 70 251

HSL 248.95, 0.96%, 0.63%

LAB 44.07, 59.43, -85.96

 

CMYK 0 / 72 / 47 / 2

HEX #FB4685

RGB 251 70 133

HSL 339.12, 0.96%, 0.63%

LAB 58.59, 71.66, 6.32

 

Description

Color code: HEX #DDFB46 | qconv.com Color code: HEX #DDFB46 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 251 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 251 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 72 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 72% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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