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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DDED9A it is the complementary color #221265. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DDED9A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DDED9A shade: #E2ED95, #F3FFA8, #FFFFBB, #FFFFCE and #FFFFE1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DDED9A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DDED9A shade: #DDED9A, #CCDB87, #BBC974, #AAB761 and #99A54E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DDED9A shade: #DDED9B, #EDE79B, #EDD09B, #EDBA9B and #EDA49B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DDED9A shade: #DDED9B, #C7ED9B, #B1ED9B, #9BED9B and #9BEDB1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DDED9A shade matches the following richer shades: #DDED9B and #E3F691

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DDED9A shade: #DDED9B, #D7E3A4, #D1DAAE, #CCD0B7 and #C6C7C1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DDED9A shade: #EDD09B, #EDE69B, #DEED9B, #C8ED9B and #B2ED9B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DDED9A shade: #C6E155, #D1E778, #DDED9B, #E9F3BE and #F5F9E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DDED9A shade: #DDED9A, #9BEDBA and #DB9BED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DDED9A shade: #DDED9A, #9BDEED and #ED9BDE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DDED9A shade: #DDED9A, #9BEDBA, #AA9BED and #ED9BCD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DDED9A shade: #DDED9A, #9BEDD3, #AA9BED and #ED9BB5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 35 / 7

HEX #DDED9A

RGB 221 237 154

HSL 71.57, 0.7%, 0.77%

LAB 90.9, -18.18, 38.49

 

Complementary color

CMYK 66 / 82 / 0 / 60

HEX #221265

RGB 34 18 101

HSL 251.57, 0.7%, 0.23%

LAB 13.9, 33, -45.58

 

CMYK 5 / 0 / 37 / 7

HEX #E2ED95

RGB 226 237 149

HSL 67.5, 0.71%, 0.76%

LAB 91.19, -16.89, 41.42

 

CMYK 5 / 0 / 34 / 0

HEX #F3FFA8

RGB 243 255 168

HSL 68.28, 1%, 0.83%

LAB 97.39, -17.08, 40.31

 

CMYK 0 / 0 / 27 / 0

HEX #FFFFBB

RGB 255 255 187

HSL 60, 1%, 0.87%

LAB 98.58, -10.32, 32.6

 

CMYK 0 / 0 / 19 / 0

HEX #FFFFCE

RGB 255 255 206

HSL 60, 1%, 0.9%

LAB 98.92, -7.77, 23.48

 

CMYK 0 / 0 / 12 / 0

HEX #FFFFE1

RGB 255 255 225

HSL 60, 1%, 0.94%

LAB 99.31, -4.95, 14.35

 

CMYK 7 / 0 / 35 / 7

HEX #DDED9A

RGB 221 237 154

HSL 71.57, 0.7%, 0.77%

LAB 90.9, -18.18, 38.49

 

CMYK 7 / 0 / 38 / 14

HEX #CCDB87

RGB 204 219 135

HSL 70.71, 0.54%, 0.69%

LAB 84.61, -18.01, 39.62

 

CMYK 7 / 0 / 42 / 21

HEX #BBC974

RGB 187 201 116

HSL 69.88, 0.44%, 0.62%

LAB 78.23, -17.81, 40.78

 

CMYK 7 / 0 / 47 / 28

HEX #AAB761

RGB 170 183 97

HSL 69.07, 0.37%, 0.55%

LAB 71.74, -17.55, 41.96

 

CMYK 7 / 0 / 53 / 35

HEX #99A54E

RGB 153 165 78

HSL 68.28, 0.36%, 0.48%

LAB 65.15, -17.21, 43.12

 

CMYK 7 / 0 / 35 / 7

HEX #DDED9B

RGB 221 237 155

HSL 71.71, 0.69%, 0.77%

LAB 90.92, -18.05, 38.01

 

CMYK 0 / 3 / 35 / 7

HEX #EDE79B

RGB 237 231 155

HSL 55.61, 0.69%, 0.77%

LAB 90.56, -9.04, 37.78

 

CMYK 0 / 12 / 35 / 7

HEX #EDD09B

RGB 237 208 155

HSL 38.78, 0.69%, 0.77%

LAB 84.73, 2.68, 30.07

 

CMYK 0 / 22 / 35 / 7

HEX #EDBA9B

RGB 237 186 155

HSL 22.68, 0.69%, 0.77%

LAB 79.32, 14.2, 22.75

 

CMYK 0 / 31 / 35 / 7

HEX #EDA49B

RGB 237 164 155

HSL 6.59, 0.69%, 0.77%

LAB 74.14, 25.88, 15.58

 

CMYK 7 / 0 / 35 / 7

HEX #DDED9B

RGB 221 237 155

HSL 71.71, 0.69%, 0.77%

LAB 90.92, -18.05, 38.01

 

CMYK 16 / 0 / 35 / 7

HEX #C7ED9B

RGB 199 237 155

HSL 87.8, 0.69%, 0.77%

LAB 89.43, -26.11, 35.78

 

CMYK 25 / 0 / 35 / 7

HEX #B1ED9B

RGB 177 237 155

HSL 103.9, 0.69%, 0.77%

LAB 88.1, -33.76, 33.79

 

CMYK 35 / 0 / 35 / 7

HEX #9BED9B

RGB 155 237 155

HSL 120, 0.69%, 0.77%

LAB 86.95, -40.88, 32.05

 

CMYK 35 / 0 / 25 / 7

HEX #9BEDB1

RGB 155 237 177

HSL 136.1, 0.69%, 0.77%

LAB 87.34, -37.2, 21.33

 

CMYK 7 / 0 / 35 / 7

HEX #DDED9B

RGB 221 237 155

HSL 71.71, 0.69%, 0.77%

LAB 90.92, -18.05, 38.01

 

CMYK 8 / 0 / 41 / 4

HEX #E3F691

RGB 227 246 145

HSL 71.29, 0.85%, 0.77%

LAB 93.57, -21.32, 46.43

 

CMYK 7 / 0 / 35 / 7

HEX #DDED9B

RGB 221 237 155

HSL 71.71, 0.69%, 0.77%

LAB 90.92, -18.05, 38.01

 

CMYK 5 / 0 / 28 / 11

HEX #D7E3A4

RGB 215 227 164

HSL 71.43, 0.53%, 0.77%

LAB 88, -14.19, 29.51

 

CMYK 4 / 0 / 20 / 15

HEX #D1DAAE

RGB 209 218 174

HSL 72.27, 0.37%, 0.77%

LAB 85.38, -10.45, 20.68

 

CMYK 2 / 0 / 12 / 18

HEX #CCD0B7

RGB 204 208 183

HSL 69.6, 0.21%, 0.77%

LAB 82.58, -5.72, 11.95

 

CMYK 1 / 0 / 3 / 22

HEX #C6C7C1

RGB 198 199 193

HSL 70, 0.05%, 0.77%

LAB 80.01, -1.43, 2.87

 

CMYK 0 / 12 / 35 / 7

HEX #EDD09B

RGB 237 208 155

HSL 38.78, 0.69%, 0.77%

LAB 84.73, 2.68, 30.07

 

CMYK 0 / 3 / 35 / 7

HEX #EDE69B

RGB 237 230 155

HSL 54.88, 0.69%, 0.77%

LAB 90.31, -8.54, 37.44

 

CMYK 6 / 0 / 35 / 7

HEX #DEED9B

RGB 222 237 155

HSL 70.98, 0.69%, 0.77%

LAB 90.99, -17.68, 38.12

 

CMYK 16 / 0 / 35 / 7

HEX #C8ED9B

RGB 200 237 155

HSL 87.07, 0.69%, 0.77%

LAB 89.49, -25.75, 35.88

 

CMYK 25 / 0 / 35 / 7

HEX #B2ED9B

RGB 178 237 155

HSL 103.17, 0.69%, 0.77%

LAB 88.16, -33.42, 33.87

 

CMYK 12 / 0 / 62 / 12

HEX #C6E155

RGB 198 225 85

HSL 71.57, 0.7%, 0.61%

LAB 85.26, -27.9, 63.41

 

CMYK 10 / 0 / 48 / 9

HEX #D1E778

RGB 209 231 120

HSL 71.89, 0.7%, 0.69%

LAB 88, -23.54, 51.21

 

CMYK 7 / 0 / 35 / 7

HEX #DDED9B

RGB 221 237 155

HSL 71.71, 0.69%, 0.77%

LAB 90.92, -18.05, 38.01

 

CMYK 4 / 0 / 22 / 5

HEX #E9F3BE

RGB 233 243 190

HSL 71.32, 0.69%, 0.85%

LAB 93.94, -11.97, 24.51

 

CMYK 2 / 0 / 10 / 2

HEX #F5F9E1

RGB 245 249 225

HSL 70, 0.67%, 0.93%

LAB 97.07, -5.4, 11.06

 

CMYK 7 / 0 / 35 / 7

HEX #DDED9A

RGB 221 237 154

HSL 71.57, 0.7%, 0.77%

LAB 90.9, -18.18, 38.49

 

CMYK 35 / 0 / 22 / 7

HEX #9BEDBA

RGB 155 237 186

HSL 142.68, 0.69%, 0.77%

LAB 87.52, -35.55, 16.93

 

CMYK 8 / 35 / 0 / 7

HEX #DB9BED

RGB 219 155 237

HSL 286.83, 0.69%, 0.77%

LAB 72.64, 37.65, -31.88

 

CMYK 7 / 0 / 35 / 7

HEX #DDED9A

RGB 221 237 154

HSL 71.57, 0.7%, 0.77%

LAB 90.9, -18.18, 38.49

 

CMYK 35 / 6 / 0 / 7

HEX #9BDEED

RGB 155 222 237

HSL 190.98, 0.69%, 0.77%

LAB 84.65, -17.37, -14.05

 

CMYK 0 / 35 / 6 / 7

HEX #ED9BDE

RGB 237 155 222

HSL 310.98, 0.69%, 0.77%

LAB 74.01, 40.54, -21.42

 

CMYK 7 / 0 / 35 / 7

HEX #DDED9A

RGB 221 237 154

HSL 71.57, 0.7%, 0.77%

LAB 90.9, -18.18, 38.49

 

CMYK 35 / 0 / 22 / 7

HEX #9BEDBA

RGB 155 237 186

HSL 142.68, 0.69%, 0.77%

LAB 87.52, -35.55, 16.93

 

CMYK 28 / 35 / 0 / 7

HEX #AA9BED

RGB 170 155 237

HSL 250.98, 0.69%, 0.77%

LAB 68.1, 23.08, -39.29

 

CMYK 0 / 35 / 14 / 7

HEX #ED9BCD

RGB 237 155 205

HSL 323.41, 0.69%, 0.77%

LAB 73.45, 37.72, -12.93

 

CMYK 7 / 0 / 35 / 7

HEX #DDED9A

RGB 221 237 154

HSL 71.57, 0.7%, 0.77%

LAB 90.9, -18.18, 38.49

 

CMYK 35 / 0 / 11 / 7

HEX #9BEDD3

RGB 155 237 211

HSL 160.98, 0.69%, 0.77%

LAB 88.08, -30.57, 4.7

 

CMYK 28 / 35 / 0 / 7

HEX #AA9BED

RGB 170 155 237

HSL 250.98, 0.69%, 0.77%

LAB 68.1, 23.08, -39.29

 

CMYK 0 / 35 / 24 / 7

HEX #ED9BB5

RGB 237 155 181

HSL 340.98, 0.69%, 0.77%

LAB 72.75, 34.08, -0.73

 

Description

Color code: HEX #DDED9A | qconv.com Color code: HEX #DDED9A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 237 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 237 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 35 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 35% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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