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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DDE39A it is the complementary color #221C65. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DDE39A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DDE39A shade: #E2E395, #F3F5A8, #FFFFBB, #FFFFCE and #FFFFE1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DDE39A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DDE39A shade: #DDE39A, #CCD187, #BBBF74, #AAAD61 and #999B4E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DDE39A shade: #DDE39A, #E3D59A, #E3C29A, #E3AE9A and #E39B9A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DDE39A shade: #DDE39A, #CAE39A, #B6E39A, #A2E39A and #9AE3A6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DDE39A shade matches the following richer shades: #DDE39A, #E6ED90 and #EEF886

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DDE39A shade: #DDE39A, #D4D9A5, #CCCEAF, #C3C4B9 and #BBBAC4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DDE39A shade: #E3C19A, #E3D59A, #DEE39A, #CBE39A and #B7E39A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DDE39A shade: #C8D15A, #D2DA7A, #DDE39A, #E8ECBB and #F3F5DB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DDE39A shade: #DDE39A, #9AE3AE and #CB9AE3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DDE39A shade: #DDE39A, #9ADEE3 and #E39ADE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DDE39A shade: #DDE39A, #9AE3AE, #9F9AE3 and #E39AD0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DDE39A shade: #DDE39A, #9AE3C4, #9F9AE3 and #E39ABA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 32 / 11

HEX #DDE39A

RGB 221 227 154

HSL 64.93, 0.57%, 0.75%

LAB 88.28, -13.24, 35.05

 

Complementary color

CMYK 66 / 72 / 0 / 60

HEX #221C65

RGB 34 28 101

HSL 244.93, 0.57%, 0.25%

LAB 16.06, 26.96, -42.04

 

CMYK 0 / 0 / 34 / 11

HEX #E2E395

RGB 226 227 149

HSL 60.77, 0.58%, 0.74%

LAB 88.58, -11.94, 38.04

 

CMYK 1 / 0 / 31 / 4

HEX #F3F5A8

RGB 243 245 168

HSL 61.56, 0.79%, 0.81%

LAB 94.82, -12.19, 36.94

 

CMYK 0 / 0 / 27 / 0

HEX #FFFFBB

RGB 255 255 187

HSL 60, 1%, 0.87%

LAB 98.58, -10.32, 32.6

 

CMYK 0 / 0 / 19 / 0

HEX #FFFFCE

RGB 255 255 206

HSL 60, 1%, 0.9%

LAB 98.92, -7.77, 23.48

 

CMYK 0 / 0 / 12 / 0

HEX #FFFFE1

RGB 255 255 225

HSL 60, 1%, 0.94%

LAB 99.31, -4.95, 14.35

 

CMYK 3 / 0 / 32 / 11

HEX #DDE39A

RGB 221 227 154

HSL 64.93, 0.57%, 0.75%

LAB 88.28, -13.24, 35.05

 

CMYK 2 / 0 / 35 / 18

HEX #CCD187

RGB 204 209 135

HSL 64.05, 0.45%, 0.67%

LAB 81.94, -13.02, 36.18

 

CMYK 2 / 0 / 39 / 25

HEX #BBBF74

RGB 187 191 116

HSL 63.2, 0.37%, 0.6%

LAB 75.51, -12.75, 37.34

 

CMYK 2 / 0 / 44 / 32

HEX #AAAD61

RGB 170 173 97

HSL 62.37, 0.32%, 0.53%

LAB 68.97, -12.41, 38.55

 

CMYK 1 / 0 / 50 / 39

HEX #999B4E

RGB 153 155 78

HSL 61.56, 0.33%, 0.46%

LAB 62.31, -11.99, 39.76

 

CMYK 3 / 0 / 32 / 11

HEX #DDE39A

RGB 221 227 154

HSL 64.93, 0.57%, 0.75%

LAB 88.28, -13.24, 35.05

 

CMYK 0 / 6 / 32 / 11

HEX #E3D59A

RGB 227 213 154

HSL 48.49, 0.57%, 0.75%

LAB 85.13, -3.88, 30.96

 

CMYK 0 / 15 / 32 / 11

HEX #E3C29A

RGB 227 194 154

HSL 32.88, 0.57%, 0.75%

LAB 80.32, 5.99, 24.48

 

CMYK 0 / 23 / 32 / 11

HEX #E3AE9A

RGB 227 174 154

HSL 16.44, 0.57%, 0.75%

LAB 75.41, 16.61, 17.74

 

CMYK 0 / 32 / 32 / 11

HEX #E39B9A

RGB 227 155 154

HSL 0.82, 0.57%, 0.75%

LAB 70.94, 26.79, 11.47

 

CMYK 3 / 0 / 32 / 11

HEX #DDE39A

RGB 221 227 154

HSL 64.93, 0.57%, 0.75%

LAB 88.28, -13.24, 35.05

 

CMYK 11 / 0 / 32 / 11

HEX #CAE39A

RGB 202 227 154

HSL 80.55, 0.57%, 0.75%

LAB 86.91, -20.32, 33

 

CMYK 20 / 0 / 32 / 11

HEX #B6E39A

RGB 182 227 154

HSL 96.99, 0.57%, 0.75%

LAB 85.61, -27.5, 31.04

 

CMYK 29 / 0 / 32 / 11

HEX #A2E39A

RGB 162 227 154

HSL 113.42, 0.57%, 0.75%

LAB 84.46, -34.28, 29.29

 

CMYK 32 / 0 / 27 / 11

HEX #9AE3A6

RGB 154 227 166

HSL 129.86, 0.57%, 0.75%

LAB 84.26, -34.86, 22.76

 

CMYK 3 / 0 / 32 / 11

HEX #DDE39A

RGB 221 227 154

HSL 64.93, 0.57%, 0.75%

LAB 88.28, -13.24, 35.05

 

CMYK 3 / 0 / 39 / 7

HEX #E6ED90

RGB 230 237 144

HSL 64.52, 0.72%, 0.75%

LAB 91.42, -15.92, 44.23

 

CMYK 4 / 0 / 46 / 3

HEX #EEF886

RGB 238 248 134

HSL 65.26, 0.89%, 0.75%

LAB 94.75, -19.21, 53.3

 

CMYK 3 / 0 / 32 / 11

HEX #DDE39A

RGB 221 227 154

HSL 64.93, 0.57%, 0.75%

LAB 88.28, -13.24, 35.05

 

CMYK 2 / 0 / 24 / 15

HEX #D4D9A5

RGB 212 217 165

HSL 65.77, 0.41%, 0.75%

LAB 85.17, -10.14, 25.12

 

CMYK 1 / 0 / 15 / 19

HEX #CCCEAF

RGB 204 206 175

HSL 63.87, 0.24%, 0.75%

LAB 81.88, -5.97, 15.21

 

CMYK 1 / 0 / 6 / 23

HEX #C3C4B9

RGB 195 196 185

HSL 65.45, 0.09%, 0.75%

LAB 78.8, -2.32, 5.39

 

CMYK 5 / 5 / 0 / 23

HEX #BBBAC4

RGB 187 186 196

HSL 246, 0.08%, 0.75%

LAB 75.87, 2.25, -4.92

 

CMYK 0 / 15 / 32 / 11

HEX #E3C19A

RGB 227 193 154

HSL 32.05, 0.57%, 0.75%

LAB 80.07, 6.52, 24.14

 

CMYK 0 / 6 / 32 / 11

HEX #E3D59A

RGB 227 213 154

HSL 48.49, 0.57%, 0.75%

LAB 85.13, -3.88, 30.96

 

CMYK 2 / 0 / 32 / 11

HEX #DEE39A

RGB 222 227 154

HSL 64.11, 0.57%, 0.75%

LAB 88.35, -12.86, 35.17

 

CMYK 11 / 0 / 32 / 11

HEX #CBE39A

RGB 203 227 154

HSL 79.73, 0.57%, 0.75%

LAB 86.98, -19.96, 33.1

 

CMYK 19 / 0 / 32 / 11

HEX #B7E39A

RGB 183 227 154

HSL 96.16, 0.57%, 0.75%

LAB 85.67, -27.15, 31.13

 

CMYK 4 / 0 / 57 / 18

HEX #C8D15A

RGB 200 209 90

HSL 64.54, 0.56%, 0.59%

LAB 81.08, -19, 56.74

 

CMYK 4 / 0 / 44 / 15

HEX #D2DA7A

RGB 210 218 122

HSL 65, 0.56%, 0.67%

LAB 84.61, -16.61, 46.14

 

CMYK 3 / 0 / 32 / 11

HEX #DDE39A

RGB 221 227 154

HSL 64.93, 0.57%, 0.75%

LAB 88.28, -13.24, 35.05

 

CMYK 2 / 0 / 21 / 7

HEX #E8ECBB

RGB 232 236 187

HSL 64.9, 0.56%, 0.83%

LAB 92.01, -9.27, 23.37

 

CMYK 1 / 0 / 11 / 4

HEX #F3F5DB

RGB 243 245 219

HSL 64.62, 0.57%, 0.91%

LAB 95.78, -5.04, 12.29

 

CMYK 3 / 0 / 32 / 11

HEX #DDE39A

RGB 221 227 154

HSL 64.93, 0.57%, 0.75%

LAB 88.28, -13.24, 35.05

 

CMYK 32 / 0 / 23 / 11

HEX #9AE3AE

RGB 154 227 174

HSL 136.44, 0.57%, 0.75%

LAB 84.41, -33.44, 18.81

 

CMYK 11 / 32 / 0 / 11

HEX #CB9AE3

RGB 203 154 227

HSL 280.27, 0.57%, 0.75%

LAB 70.42, 31.25, -29.96

 

CMYK 3 / 0 / 32 / 11

HEX #DDE39A

RGB 221 227 154

HSL 64.93, 0.57%, 0.75%

LAB 88.28, -13.24, 35.05

 

CMYK 32 / 2 / 0 / 11

HEX #9ADEE3

RGB 154 222 227

HSL 184.11, 0.57%, 0.75%

LAB 84.31, -20.01, -9.27

 

CMYK 0 / 32 / 2 / 11

HEX #E39ADE

RGB 227 154 222

HSL 304.11, 0.57%, 0.75%

LAB 72.7, 37.86, -23.51

 

CMYK 3 / 0 / 32 / 11

HEX #DDE39A

RGB 221 227 154

HSL 64.93, 0.57%, 0.75%

LAB 88.28, -13.24, 35.05

 

CMYK 32 / 0 / 23 / 11

HEX #9AE3AE

RGB 154 227 174

HSL 136.44, 0.57%, 0.75%

LAB 84.41, -33.44, 18.81

 

CMYK 30 / 32 / 0 / 11

HEX #9F9AE3

RGB 159 154 227

HSL 244.11, 0.57%, 0.75%

LAB 66.54, 18.03, -36.28

 

CMYK 0 / 32 / 8 / 11

HEX #E39AD0

RGB 227 154 208

HSL 315.62, 0.57%, 0.75%

LAB 72.23, 35.41, -16.54

 

CMYK 3 / 0 / 32 / 11

HEX #DDE39A

RGB 221 227 154

HSL 64.93, 0.57%, 0.75%

LAB 88.28, -13.24, 35.05

 

CMYK 32 / 0 / 14 / 11

HEX #9AE3C4

RGB 154 227 196

HSL 154.52, 0.57%, 0.75%

LAB 84.89, -29.22, 7.96

 

CMYK 30 / 32 / 0 / 11

HEX #9F9AE3

RGB 159 154 227

HSL 244.11, 0.57%, 0.75%

LAB 66.54, 18.03, -36.28

 

CMYK 0 / 32 / 18 / 11

HEX #E39ABA

RGB 227 154 186

HSL 333.7, 0.57%, 0.75%

LAB 71.55, 31.84, -5.39

 

Description

Color code: HEX #DDE39A | qconv.com Color code: HEX #DDE39A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 227 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 227 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 32 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 32% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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