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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DDD3BB it is the complementary color #222C44. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DDD3BB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DDD3BB shade: #E2D3B6, #F3E5C9, #FFF7DC and #FFFFEF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DDD3BB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DDD3BB shade: #DDD3BB, #CCC1A8, #BBAF95, #AA9D82 and #998B6F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DDD3BB shade: #DCD2BB, #DCC9BB, #DCC0BB and #DCBBBB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DDD3BB shade: #DCD2BB, #DCDCBB, #D4DCBB, #CBDCBB and #C2DCBB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DDD3BB shade matches the following richer shades: #DCD2BB, #E5D6B2, #EDD9AA, #F5DDA2 and #FDE09A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DDD3BB shade: #DCD2BB, #D4CFC3, #CCCCCB, #C4C8D3 and #BBC5DC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DDD3BB shade: #DCC0BB, #DCC9BB, #DCD2BB, #DCDBBB and #D4DCBB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DDD3BB shade: #C1AF84, #CFC19F, #DCD2BB, #EAE4D6 and #F8F6F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DDD3BB shade: #DDD3BB, #BEDCBB and #C5BBDC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DDD3BB shade: #DDD3BB, #BBDCD2 and #D2BBDC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DDD3BB shade: #DDD3BB, #BEDCBB, #BBC5DC and #D9BBDC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DDD3BB shade: #DDD3BB, #BBDCC1, #BBC5DC and #DCBBD6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 15 / 13

HEX #DDD3BB

RGB 221 211 187

HSL 42.35, 0.33%, 0.8%

LAB 84.77, -0.51, 13.12

 

Complementary color

CMYK 50 / 35 / 0 / 73

HEX #222C44

RGB 34 44 68

HSL 222.35, 0.33%, 0.2%

LAB 18.18, 3.39, -16.43

 

CMYK 0 / 7 / 19 / 11

HEX #E2D3B6

RGB 226 211 182

HSL 39.55, 0.43%, 0.8%

LAB 85.07, 0.56, 16.24

 

CMYK 0 / 6 / 17 / 5

HEX #F3E5C9

RGB 243 229 201

HSL 40, 0.64%, 0.87%

LAB 91.37, 0.29, 15.37

 

CMYK 0 / 3 / 14 / 0

HEX #FFF7DC

RGB 255 247 220

HSL 46.29, 1%, 0.93%

LAB 97.21, -1.71, 13.93

 

CMYK 0 / 0 / 6 / 0

HEX #FFFFEF

RGB 255 255 239

HSL 60, 1%, 0.97%

LAB 99.62, -2.71, 7.63

 

CMYK 0 / 5 / 15 / 13

HEX #DDD3BB

RGB 221 211 187

HSL 42.35, 0.33%, 0.8%

LAB 84.77, -0.51, 13.12

 

CMYK 0 / 5 / 18 / 20

HEX #CCC1A8

RGB 204 193 168

HSL 41.67, 0.26%, 0.73%

LAB 78.35, -0.26, 13.98

 

CMYK 0 / 6 / 20 / 27

HEX #BBAF95

RGB 187 175 149

HSL 41.05, 0.22%, 0.66%

LAB 71.82, 0.01, 14.89

 

CMYK 0 / 8 / 24 / 33

HEX #AA9D82

RGB 170 157 130

HSL 40.5, 0.19%, 0.59%

LAB 65.18, 0.32, 15.86

 

CMYK 0 / 9 / 27 / 40

HEX #998B6F

RGB 153 139 111

HSL 40, 0.17%, 0.52%

LAB 58.4, 0.68, 16.91

 

CMYK 0 / 5 / 15 / 14

HEX #DCD2BB

RGB 220 210 187

HSL 41.82, 0.32%, 0.8%

LAB 84.43, -0.35, 12.63

 

CMYK 0 / 9 / 15 / 14

HEX #DCC9BB

RGB 220 201 187

HSL 25.45, 0.32%, 0.8%

LAB 82.15, 4.35, 9.39

 

CMYK 0 / 13 / 15 / 14

HEX #DCC0BB

RGB 220 192 187

HSL 9.09, 0.32%, 0.8%

LAB 79.9, 9.11, 6.16

 

CMYK 0 / 15 / 15 / 14

HEX #DCBBBB

RGB 220 187 187

HSL 0, 0.32%, 0.8%

LAB 78.66, 11.78, 4.38

 

CMYK 0 / 5 / 15 / 14

HEX #DCD2BB

RGB 220 210 187

HSL 41.82, 0.32%, 0.8%

LAB 84.43, -0.35, 12.63

 

CMYK 0 / 0 / 15 / 14

HEX #DCDCBB

RGB 220 220 187

HSL 60, 0.32%, 0.8%

LAB 86.99, -5.51, 16.25

 

CMYK 4 / 0 / 15 / 14

HEX #D4DCBB

RGB 212 220 187

HSL 74.55, 0.32%, 0.8%

LAB 86.39, -8.37, 15.31

 

CMYK 8 / 0 / 15 / 14

HEX #CBDCBB

RGB 203 220 187

HSL 90.91, 0.32%, 0.8%

LAB 85.74, -11.56, 14.31

 

CMYK 12 / 0 / 15 / 14

HEX #C2DCBB

RGB 194 220 187

HSL 107.27, 0.32%, 0.8%

LAB 85.12, -14.68, 13.34

 

CMYK 0 / 5 / 15 / 14

HEX #DCD2BB

RGB 220 210 187

HSL 41.82, 0.32%, 0.8%

LAB 84.43, -0.35, 12.63

 

CMYK 0 / 7 / 22 / 10

HEX #E5D6B2

RGB 229 214 178

HSL 42.35, 0.5%, 0.8%

LAB 85.99, -0.46, 19.67

 

CMYK 0 / 8 / 28 / 7

HEX #EDD9AA

RGB 237 217 170

HSL 42.09, 0.65%, 0.8%

LAB 87.26, -0.1, 25.7

 

CMYK 0 / 10 / 34 / 4

HEX #F5DDA2

RGB 245 221 162

HSL 42.65, 0.81%, 0.8%

LAB 88.8, -0.1, 32.01

 

CMYK 0 / 11 / 39 / 1

HEX #FDE09A

RGB 253 224 154

HSL 42.42, 0.96%, 0.8%

LAB 90.1, 0.54, 37.93

 

CMYK 0 / 5 / 15 / 14

HEX #DCD2BB

RGB 220 210 187

HSL 41.82, 0.32%, 0.8%

LAB 84.43, -0.35, 12.63

 

CMYK 0 / 2 / 8 / 17

HEX #D4CFC3

RGB 212 207 195

HSL 42.35, 0.17%, 0.8%

LAB 83.21, -0.36, 6.56

 

CMYK 0 / 0 / 0 / 20

HEX #CCCCCB

RGB 204 204 203

HSL 60, 0.01%, 0.8%

LAB 82.02, -0.18, 0.49

 

CMYK 7 / 5 / 0 / 17

HEX #C4C8D3

RGB 196 200 211

HSL 224, 0.15%, 0.8%

LAB 80.6, 0.73, -5.96

 

CMYK 15 / 10 / 0 / 14

HEX #BBC5DC

RGB 187 197 220

HSL 221.82, 0.32%, 0.8%

LAB 79.42, 1.22, -12.61

 

CMYK 0 / 13 / 15 / 14

HEX #DCC0BB

RGB 220 192 187

HSL 9.09, 0.32%, 0.8%

LAB 79.9, 9.11, 6.16

 

CMYK 0 / 9 / 15 / 14

HEX #DCC9BB

RGB 220 201 187

HSL 25.45, 0.32%, 0.8%

LAB 82.15, 4.35, 9.39

 

CMYK 0 / 5 / 15 / 14

HEX #DCD2BB

RGB 220 210 187

HSL 41.82, 0.32%, 0.8%

LAB 84.43, -0.35, 12.63

 

CMYK 0 / 0 / 15 / 14

HEX #DCDBBB

RGB 220 219 187

HSL 58.18, 0.32%, 0.8%

LAB 86.73, -5, 15.88

 

CMYK 4 / 0 / 15 / 14

HEX #D4DCBB

RGB 212 220 187

HSL 74.55, 0.32%, 0.8%

LAB 86.39, -8.37, 15.31

 

CMYK 0 / 9 / 32 / 24

HEX #C1AF84

RGB 193 175 132

HSL 42.3, 0.33%, 0.64%

LAB 72, -0.04, 24.44

 

CMYK 0 / 7 / 23 / 19

HEX #CFC19F

RGB 207 193 159

HSL 42.5, 0.33%, 0.72%

LAB 78.41, -0.47, 18.92

 

CMYK 0 / 5 / 15 / 14

HEX #DCD2BB

RGB 220 210 187

HSL 41.82, 0.32%, 0.8%

LAB 84.43, -0.35, 12.63

 

CMYK 0 / 3 / 9 / 8

HEX #EAE4D6

RGB 234 228 214

HSL 42, 0.32%, 0.88%

LAB 90.7, -0.35, 7.54

 

CMYK 0 / 1 / 2 / 3

HEX #F8F6F2

RGB 248 246 242

HSL 40, 0.3%, 0.96%

LAB 96.93, -0.03, 2.14

 

CMYK 0 / 5 / 15 / 13

HEX #DDD3BB

RGB 221 211 187

HSL 42.35, 0.33%, 0.8%

LAB 84.77, -0.51, 13.12

 

CMYK 14 / 0 / 15 / 14

HEX #BEDCBB

RGB 190 220 187

HSL 114.55, 0.32%, 0.8%

LAB 84.85, -16.05, 12.93

 

CMYK 10 / 15 / 0 / 14

HEX #C5BBDC

RGB 197 187 220

HSL 258.18, 0.32%, 0.8%

LAB 77.63, 9.83, -15.23

 

CMYK 0 / 5 / 15 / 13

HEX #DDD3BB

RGB 221 211 187

HSL 42.35, 0.33%, 0.8%

LAB 84.77, -0.51, 13.12

 

CMYK 15 / 0 / 5 / 14

HEX #BBDCD2

RGB 187 220 210

HSL 161.82, 0.32%, 0.8%

LAB 85.2, -12.8, 1.26

 

CMYK 5 / 15 / 0 / 14

HEX #D2BBDC

RGB 210 187 220

HSL 281.82, 0.32%, 0.8%

LAB 78.7, 14.11, -13.51

 

CMYK 0 / 5 / 15 / 13

HEX #DDD3BB

RGB 221 211 187

HSL 42.35, 0.33%, 0.8%

LAB 84.77, -0.51, 13.12

 

CMYK 14 / 0 / 15 / 14

HEX #BEDCBB

RGB 190 220 187

HSL 114.55, 0.32%, 0.8%

LAB 84.85, -16.05, 12.93

 

CMYK 15 / 10 / 0 / 14

HEX #BBC5DC

RGB 187 197 220

HSL 221.82, 0.32%, 0.8%

LAB 79.42, 1.22, -12.61

 

CMYK 1 / 15 / 0 / 14

HEX #D9BBDC

RGB 217 187 220

HSL 294.55, 0.32%, 0.8%

LAB 79.31, 16.45, -12.54

 

CMYK 0 / 5 / 15 / 13

HEX #DDD3BB

RGB 221 211 187

HSL 42.35, 0.33%, 0.8%

LAB 84.77, -0.51, 13.12

 

CMYK 15 / 0 / 12 / 14

HEX #BBDCC1

RGB 187 220 193

HSL 130.91, 0.32%, 0.8%

LAB 84.79, -16, 9.65

 

CMYK 15 / 10 / 0 / 14

HEX #BBC5DC

RGB 187 197 220

HSL 221.82, 0.32%, 0.8%

LAB 79.42, 1.22, -12.61

 

CMYK 0 / 15 / 3 / 14

HEX #DCBBD6

RGB 220 187 214

HSL 310.91, 0.32%, 0.8%

LAB 79.39, 16.37, -9.14

 

Description

Color code: HEX #DDD3BB | qconv.com Color code: HEX #DDD3BB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 211 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 211 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 15 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 15% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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