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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DDD260 it is the complementary color #222D9F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DDD260. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DDD260 shade: #E2D25B, #F3E46E, #FFF681, #FFFF94 and #FFFFA7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DDD260. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DDD260 shade: #DDD260, #CCC04D, #BBAE3A, #AA9C27 and #998A14

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DDD260 shade: #DDD15F, #DDB05F, #DD8E5F, #DD6C5F and #DD5F5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DDD260 shade: #DDD15F, #C6DD5F, #A4DD5F, #82DD5F and #60DD5F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DDD260 shade matches the following richer shades: #DDD15F, #ECDE4F and #FCEB3F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DDD260 shade: #DDD15F, #CDC56E, #BDB87E, #AEAB8E and #9E9E9D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DDD260 shade: #DD8D5F, #DDAE5F, #DDD05F, #C8DD5F and #A6DD5F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DDD260 shade: #C0B328, #D5C83D, #DDD15F, #E4DB81 and #EBE5A3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DDD260 shade: #DDD260, #5FDD6B and #9E5FDD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DDD260 shade: #DDD260, #5FDDD0 and #D05FDD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DDD260 shade: #DDD260, #5FDD6B, #5F6BDD and #DD5FD0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DDD260 shade: #DDD260, #5FDD91, #5F6BDD and #DD5FAA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 57 / 13

HEX #DDD260

RGB 221 210 96

HSL 54.72, 0.65%, 0.62%

LAB 83.08, -10.46, 56.76

 

Complementary color

CMYK 79 / 72 / 0 / 38

HEX #222D9F

RGB 34 45 159

HSL 234.72, 0.65%, 0.38%

LAB 25.92, 37.1, -62.47

 

CMYK 0 / 7 / 60 / 11

HEX #E2D25B

RGB 226 210 91

HSL 52.89, 0.7%, 0.62%

LAB 83.45, -8.76, 59.52

 

CMYK 0 / 6 / 55 / 5

HEX #F3E46E

RGB 243 228 110

HSL 53.23, 0.85%, 0.69%

LAB 89.7, -9.49, 58.49

 

CMYK 0 / 4 / 49 / 0

HEX #FFF681

RGB 255 246 129

HSL 55.71, 1%, 0.75%

LAB 95.48, -12.08, 56.81

 

CMYK 0 / 0 / 42 / 0

HEX #FFFF94

RGB 255 255 148

HSL 60, 1%, 0.79%

LAB 98, -14.73, 50.97

 

CMYK 0 / 0 / 35 / 0

HEX #FFFFA7

RGB 255 255 167

HSL 60, 1%, 0.83%

LAB 98.26, -12.73, 42.11

 

CMYK 0 / 5 / 57 / 13

HEX #DDD260

RGB 221 210 96

HSL 54.72, 0.65%, 0.62%

LAB 83.08, -10.46, 56.76

 

CMYK 0 / 6 / 62 / 20

HEX #CCC04D

RGB 204 192 77

HSL 54.33, 0.55%, 0.55%

LAB 76.72, -9.71, 57.73

 

CMYK 0 / 7 / 69 / 27

HEX #BBAE3A

RGB 187 174 58

HSL 53.95, 0.53%, 0.48%

LAB 70.28, -8.8, 58.44

 

CMYK 0 / 8 / 77 / 33

HEX #AA9C27

RGB 170 156 39

HSL 53.59, 0.63%, 0.41%

LAB 63.73, -7.7, 58.63

 

CMYK 0 / 10 / 87 / 40

HEX #998A14

RGB 153 138 20

HSL 53.23, 0.77%, 0.34%

LAB 57.08, -6.36, 57.83

 

CMYK 0 / 5 / 57 / 13

HEX #DDD15F

RGB 221 209 95

HSL 54.29, 0.65%, 0.62%

LAB 82.81, -10.03, 56.91

 

CMYK 0 / 20 / 57 / 13

HEX #DDB05F

RGB 221 176 95

HSL 38.57, 0.65%, 0.62%

LAB 74.35, 7.1, 47.14

 

CMYK 0 / 36 / 57 / 13

HEX #DD8E5F

RGB 221 142 95

HSL 22.38, 0.65%, 0.62%

LAB 66.17, 25.31, 37.25

 

CMYK 0 / 51 / 57 / 13

HEX #DD6C5F

RGB 221 108 95

HSL 6.19, 0.65%, 0.62%

LAB 58.9, 43.03, 28.05

 

CMYK 0 / 57 / 57 / 13

HEX #DD5F5F

RGB 221 95 95

HSL 0, 0.65%, 0.62%

LAB 56.47, 49.32, 24.88

 

CMYK 0 / 5 / 57 / 13

HEX #DDD15F

RGB 221 209 95

HSL 54.29, 0.65%, 0.62%

LAB 82.81, -10.03, 56.91

 

CMYK 10 / 0 / 57 / 13

HEX #C6DD5F

RGB 198 221 95

HSL 70.95, 0.65%, 0.62%

LAB 84.25, -25.25, 58.05

 

CMYK 26 / 0 / 57 / 13

HEX #A4DD5F

RGB 164 221 95

HSL 87.14, 0.65%, 0.62%

LAB 82.07, -38.2, 55

 

CMYK 41 / 0 / 57 / 13

HEX #82DD5F

RGB 130 221 95

HSL 103.33, 0.65%, 0.62%

LAB 80.34, -49.75, 52.55

 

CMYK 57 / 0 / 57 / 13

HEX #60DD5F

RGB 96 221 95

HSL 119.52, 0.65%, 0.62%

LAB 79.06, -59.21, 50.73

 

CMYK 0 / 5 / 57 / 13

HEX #DDD15F

RGB 221 209 95

HSL 54.29, 0.65%, 0.62%

LAB 82.81, -10.03, 56.91

 

CMYK 0 / 6 / 67 / 7

HEX #ECDE4F

RGB 236 222 79

HSL 54.65, 0.81%, 0.62%

LAB 87.31, -11.38, 68.85

 

CMYK 0 / 7 / 75 / 1

HEX #FCEB3F

RGB 252 235 63

HSL 54.6, 0.97%, 0.62%

LAB 91.9, -11.93, 79.39

 

CMYK 0 / 5 / 57 / 13

HEX #DDD15F

RGB 221 209 95

HSL 54.29, 0.65%, 0.62%

LAB 82.81, -10.03, 56.91

 

CMYK 0 / 4 / 46 / 20

HEX #CDC56E

RGB 205 197 110

HSL 54.95, 0.49%, 0.62%

LAB 78.48, -9.2, 44.39

 

CMYK 0 / 3 / 33 / 26

HEX #BDB87E

RGB 189 184 126

HSL 55.24, 0.32%, 0.62%

LAB 73.94, -7.15, 30.15

 

CMYK 0 / 2 / 18 / 32

HEX #AEAB8E

RGB 174 171 142

HSL 54.38, 0.16%, 0.62%

LAB 69.52, -3.88, 15.35

 

CMYK 0 / 0 / 1 / 38

HEX #9E9E9D

RGB 158 158 157

HSL 60, 0.01%, 0.62%

LAB 65.09, -0.19, 0.51

 

CMYK 0 / 36 / 57 / 13

HEX #DD8D5F

RGB 221 141 95

HSL 21.9, 0.65%, 0.62%

LAB 65.94, 25.85, 36.97

 

CMYK 0 / 21 / 57 / 13

HEX #DDAE5F

RGB 221 174 95

HSL 37.62, 0.65%, 0.62%

LAB 73.85, 8.16, 46.55

 

CMYK 0 / 6 / 57 / 13

HEX #DDD05F

RGB 221 208 95

HSL 53.81, 0.65%, 0.62%

LAB 82.55, -9.53, 56.61

 

CMYK 10 / 0 / 57 / 13

HEX #C8DD5F

RGB 200 221 95

HSL 70, 0.65%, 0.62%

LAB 84.39, -24.46, 58.25

 

CMYK 25 / 0 / 57 / 13

HEX #A6DD5F

RGB 166 221 95

HSL 86.19, 0.65%, 0.62%

LAB 82.19, -37.47, 55.16

 

CMYK 0 / 7 / 79 / 25

HEX #C0B328

RGB 192 179 40

HSL 54.87, 0.66%, 0.45%

LAB 71.96, -10.02, 66.49

 

CMYK 0 / 6 / 71 / 16

HEX #D5C83D

RGB 213 200 61

HSL 54.87, 0.64%, 0.54%

LAB 79.5, -10.87, 67.17

 

CMYK 0 / 5 / 57 / 13

HEX #DDD15F

RGB 221 209 95

HSL 54.29, 0.65%, 0.62%

LAB 82.81, -10.03, 56.91

 

CMYK 0 / 4 / 43 / 11

HEX #E4DB81

RGB 228 219 129

HSL 54.55, 0.65%, 0.7%

LAB 86.38, -9.31, 45.21

 

CMYK 0 / 3 / 31 / 8

HEX #EBE5A3

RGB 235 229 163

HSL 55, 0.64%, 0.78%

LAB 90.02, -7.84, 32.99

 

CMYK 0 / 5 / 57 / 13

HEX #DDD260

RGB 221 210 96

HSL 54.72, 0.65%, 0.62%

LAB 83.08, -10.46, 56.76

 

CMYK 57 / 0 / 52 / 13

HEX #5FDD6B

RGB 95 221 107

HSL 125.71, 0.65%, 0.62%

LAB 79.16, -57.94, 45.28

 

CMYK 29 / 57 / 0 / 13

HEX #9E5FDD

RGB 158 95 221

HSL 270, 0.65%, 0.62%

LAB 52.59, 49.42, -54.97

 

CMYK 0 / 5 / 57 / 13

HEX #DDD260

RGB 221 210 96

HSL 54.72, 0.65%, 0.62%

LAB 83.08, -10.46, 56.76

 

CMYK 57 / 0 / 6 / 13

HEX #5FDDD0

RGB 95 221 208

HSL 173.81, 0.65%, 0.62%

LAB 81.13, -37.93, -4.16

 

CMYK 6 / 57 / 0 / 13

HEX #D05FDD

RGB 208 95 221

HSL 293.81, 0.65%, 0.62%

LAB 58.8, 61.88, -44.71

 

CMYK 0 / 5 / 57 / 13

HEX #DDD260

RGB 221 210 96

HSL 54.72, 0.65%, 0.62%

LAB 83.08, -10.46, 56.76

 

CMYK 57 / 0 / 52 / 13

HEX #5FDD6B

RGB 95 221 107

HSL 125.71, 0.65%, 0.62%

LAB 79.16, -57.94, 45.28

 

CMYK 57 / 52 / 0 / 13

HEX #5F6BDD

RGB 95 107 221

HSL 234.29, 0.65%, 0.62%

LAB 49.7, 28.51, -59.91

 

CMYK 0 / 57 / 6 / 13

HEX #DD5FD0

RGB 221 95 208

HSL 306.19, 0.65%, 0.62%

LAB 59.99, 63.01, -35.39

 

CMYK 0 / 5 / 57 / 13

HEX #DDD260

RGB 221 210 96

HSL 54.72, 0.65%, 0.62%

LAB 83.08, -10.46, 56.76

 

CMYK 57 / 0 / 34 / 13

HEX #5FDD91

RGB 95 221 145

HSL 143.81, 0.65%, 0.62%

LAB 79.72, -51.88, 27.06

 

CMYK 57 / 52 / 0 / 13

HEX #5F6BDD

RGB 95 107 221

HSL 234.29, 0.65%, 0.62%

LAB 49.7, 28.51, -59.91

 

CMYK 0 / 57 / 23 / 13

HEX #DD5FAA

RGB 221 95 170

HSL 324.29, 0.65%, 0.62%

LAB 58.47, 57.31, -15.99

 

Description

Color code: HEX #DDD260 | qconv.com Color code: HEX #DDD260 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 210 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 210 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 57 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 57% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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