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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DDD0CA it is the complementary color #222F35. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DDD0CA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DDD0CA shade: #E2D0C5, #F3E2D8, #FFF4EB and #FFFFFE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DDD0CA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DDD0CA shade: #DDD0CA, #CCBEB7, #BBACA4, #AA9A91 and #99887E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DDD0CA shade: #DDD0CA, #DDCACA and #DDCACA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DDD0CA shade: #DDD0CA, #DDD5CA, #DDDACA, #DADDCA and #D5DDCA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DDD0CA shade matches the following richer shades: #DDD0CA, #E4CDC3, #EBCABC, #F2C8B5 and #F9C5AE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DDD0CA shade: #DDD0CA, #D6D2D1, #CFD5D8, #C8D7DF and #C1DAE6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DDD0CA shade: #DDCACE, #DDCACA, #DDCFCA, #DDD4CA and #DDDACA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DDD0CA shade: #BDA397, #CDB9B0, #DDD0CA, #EDE6E3 and #FDFCFC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DDD0CA shade: #DDD0CA, #D3DDCA and #CACCDD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DDD0CA shade: #DDD0CA, #CADDCF and #CFCADD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DDD0CA shade: #DDD0CA, #D3DDCA, #CAD7DD and #D3CADD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DDD0CA shade: #DDD0CA, #CDDDCA, #CAD7DD and #D9CADD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 9 / 13

HEX #DDD0CA

RGB 221 208 202

HSL 18.95, 0.22%, 0.83%

LAB 84.35, 3.47, 4.58

 

Complementary color

CMYK 36 / 11 / 0 / 79

HEX #222F35

RGB 34 47 53

HSL 198.95, 0.22%, 0.17%

LAB 18.5, -3.68, -5.61

 

CMYK 0 / 8 / 13 / 11

HEX #E2D0C5

RGB 226 208 197

HSL 22.76, 0.33%, 0.83%

LAB 84.64, 4.43, 7.7

 

CMYK 0 / 7 / 11 / 5

HEX #F3E2D8

RGB 243 226 216

HSL 22.22, 0.53%, 0.9%

LAB 90.96, 4.15, 6.96

 

CMYK 0 / 4 / 8 / 0

HEX #FFF4EB

RGB 255 244 235

HSL 27, 1%, 0.96%

LAB 96.8, 2.18, 5.63

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFE

RGB 255 255 254

HSL 60, 1%, 1%

LAB 99.98, -0.17, 0.47

 

CMYK 0 / 6 / 9 / 13

HEX #DDD0CA

RGB 221 208 202

HSL 18.95, 0.22%, 0.83%

LAB 84.35, 3.47, 4.58

 

CMYK 0 / 7 / 10 / 20

HEX #CCBEB7

RGB 204 190 183

HSL 20, 0.17%, 0.76%

LAB 77.92, 3.73, 5.29

 

CMYK 0 / 8 / 12 / 27

HEX #BBACA4

RGB 187 172 164

HSL 20.87, 0.14%, 0.69%

LAB 71.39, 4.02, 6.05

 

CMYK 0 / 9 / 15 / 33

HEX #AA9A91

RGB 170 154 145

HSL 21.6, 0.13%, 0.62%

LAB 64.73, 4.33, 6.85

 

CMYK 0 / 11 / 18 / 40

HEX #99887E

RGB 153 136 126

HSL 22.22, 0.12%, 0.55%

LAB 57.93, 4.69, 7.7

 

CMYK 0 / 6 / 9 / 13

HEX #DDD0CA

RGB 221 208 202

HSL 18.95, 0.22%, 0.83%

LAB 84.35, 3.47, 4.58

 

CMYK 0 / 9 / 9 / 13

HEX #DDCACA

RGB 221 202 202

HSL 0, 0.22%, 0.83%

LAB 82.85, 6.63, 2.39

 

CMYK 0 / 9 / 9 / 13

HEX #DDCACA

RGB 221 202 202

HSL 0, 0.22%, 0.83%

LAB 82.85, 6.63, 2.39

 

CMYK 0 / 6 / 9 / 13

HEX #DDD0CA

RGB 221 208 202

HSL 18.95, 0.22%, 0.83%

LAB 84.35, 3.47, 4.58

 

CMYK 0 / 4 / 9 / 13

HEX #DDD5CA

RGB 221 213 202

HSL 34.74, 0.22%, 0.83%

LAB 85.62, 0.86, 6.4

 

CMYK 0 / 1 / 9 / 13

HEX #DDDACA

RGB 221 218 202

HSL 50.53, 0.22%, 0.83%

LAB 86.89, -1.73, 8.23

 

CMYK 1 / 0 / 9 / 13

HEX #DADDCA

RGB 218 221 202

HSL 69.47, 0.22%, 0.83%

LAB 87.43, -4.32, 8.97

 

CMYK 4 / 0 / 9 / 13

HEX #D5DDCA

RGB 213 221 202

HSL 85.26, 0.22%, 0.83%

LAB 87.06, -6.06, 8.39

 

CMYK 0 / 6 / 9 / 13

HEX #DDD0CA

RGB 221 208 202

HSL 18.95, 0.22%, 0.83%

LAB 84.35, 3.47, 4.58

 

CMYK 0 / 10 / 14 / 11

HEX #E4CDC3

RGB 228 205 195

HSL 18.18, 0.38%, 0.83%

LAB 84.02, 6.4, 7.89

 

CMYK 0 / 14 / 20 / 8

HEX #EBCABC

RGB 235 202 188

HSL 17.87, 0.54%, 0.83%

LAB 83.72, 9.45, 11.27

 

CMYK 0 / 17 / 25 / 5

HEX #F2C8B5

RGB 242 200 181

HSL 18.69, 0.7%, 0.83%

LAB 83.72, 12.08, 15.08

 

CMYK 0 / 21 / 30 / 2

HEX #F9C5AE

RGB 249 197 174

HSL 18.4, 0.86%, 0.83%

LAB 83.51, 15.34, 18.6

 

CMYK 0 / 6 / 9 / 13

HEX #DDD0CA

RGB 221 208 202

HSL 18.95, 0.22%, 0.83%

LAB 84.35, 3.47, 4.58

 

CMYK 0 / 2 / 2 / 16

HEX #D6D2D1

RGB 214 210 209

HSL 12, 0.06%, 0.83%

LAB 84.48, 1.2, 0.97

 

CMYK 4 / 1 / 0 / 15

HEX #CFD5D8

RGB 207 213 216

HSL 200, 0.1%, 0.83%

LAB 84.9, -1.47, -2.2

 

CMYK 10 / 4 / 0 / 13

HEX #C8D7DF

RGB 200 215 223

HSL 200.87, 0.26%, 0.83%

LAB 85.1, -3.47, -5.67

 

CMYK 16 / 5 / 0 / 10

HEX #C1DAE6

RGB 193 218 230

HSL 199.46, 0.43%, 0.83%

LAB 85.6, -5.83, -8.69

 

CMYK 0 / 9 / 7 / 13

HEX #DDCACE

RGB 221 202 206

HSL 347.37, 0.22%, 0.83%

LAB 82.95, 7.31, 0.41

 

CMYK 0 / 9 / 9 / 13

HEX #DDCACA

RGB 221 202 202

HSL 0, 0.22%, 0.83%

LAB 82.85, 6.63, 2.39

 

CMYK 0 / 6 / 9 / 13

HEX #DDCFCA

RGB 221 207 202

HSL 15.79, 0.22%, 0.83%

LAB 84.1, 4, 4.21

 

CMYK 0 / 4 / 9 / 13

HEX #DDD4CA

RGB 221 212 202

HSL 31.58, 0.22%, 0.83%

LAB 85.36, 1.38, 6.03

 

CMYK 0 / 1 / 9 / 13

HEX #DDDACA

RGB 221 218 202

HSL 50.53, 0.22%, 0.83%

LAB 86.89, -1.73, 8.23

 

CMYK 0 / 14 / 20 / 26

HEX #BDA397

RGB 189 163 151

HSL 18.95, 0.22%, 0.67%

LAB 68.93, 7.58, 9.74

 

CMYK 0 / 10 / 14 / 20

HEX #CDB9B0

RGB 205 185 176

HSL 18.62, 0.22%, 0.75%

LAB 76.56, 5.61, 7.14

 

CMYK 0 / 6 / 9 / 13

HEX #DDD0CA

RGB 221 208 202

HSL 18.95, 0.22%, 0.83%

LAB 84.35, 3.47, 4.58

 

CMYK 0 / 3 / 4 / 7

HEX #EDE6E3

RGB 237 230 227

HSL 18, 0.22%, 0.91%

LAB 91.75, 1.85, 2.29

 

CMYK 0 / 0 / 0 / 1

HEX #FDFCFC

RGB 253 252 252

HSL 0, 0.2%, 0.99%

LAB 99.04, 0.34, 0.11

 

CMYK 0 / 6 / 9 / 13

HEX #DDD0CA

RGB 221 208 202

HSL 18.95, 0.22%, 0.83%

LAB 84.35, 3.47, 4.58

 

CMYK 5 / 0 / 9 / 13

HEX #D3DDCA

RGB 211 221 202

HSL 91.58, 0.22%, 0.83%

LAB 86.91, -6.76, 8.16

 

CMYK 9 / 8 / 0 / 13

HEX #CACCDD

RGB 202 204 221

HSL 233.68, 0.22%, 0.83%

LAB 82.36, 2.56, -8.65

 

CMYK 0 / 6 / 9 / 13

HEX #DDD0CA

RGB 221 208 202

HSL 18.95, 0.22%, 0.83%

LAB 84.35, 3.47, 4.58

 

CMYK 9 / 0 / 6 / 13

HEX #CADDCF

RGB 202 221 207

HSL 135.79, 0.22%, 0.83%

LAB 86.39, -8.94, 4.7

 

CMYK 6 / 9 / 0 / 13

HEX #CFCADD

RGB 207 202 221

HSL 255.79, 0.22%, 0.83%

LAB 82.23, 5.28, -8.8

 

CMYK 0 / 6 / 9 / 13

HEX #DDD0CA

RGB 221 208 202

HSL 18.95, 0.22%, 0.83%

LAB 84.35, 3.47, 4.58

 

CMYK 5 / 0 / 9 / 13

HEX #D3DDCA

RGB 211 221 202

HSL 91.58, 0.22%, 0.83%

LAB 86.91, -6.76, 8.16

 

CMYK 9 / 3 / 0 / 13

HEX #CAD7DD

RGB 202 215 221

HSL 198.95, 0.22%, 0.83%

LAB 85.19, -3.21, -4.46

 

CMYK 5 / 9 / 0 / 13

HEX #D3CADD

RGB 211 202 221

HSL 268.42, 0.22%, 0.83%

LAB 82.55, 6.61, -8.3

 

CMYK 0 / 6 / 9 / 13

HEX #DDD0CA

RGB 221 208 202

HSL 18.95, 0.22%, 0.83%

LAB 84.35, 3.47, 4.58

 

CMYK 7 / 0 / 9 / 13

HEX #CDDDCA

RGB 205 221 202

HSL 110.53, 0.22%, 0.83%

LAB 86.48, -8.82, 7.49

 

CMYK 9 / 3 / 0 / 13

HEX #CAD7DD

RGB 202 215 221

HSL 198.95, 0.22%, 0.83%

LAB 85.19, -3.21, -4.46

 

CMYK 2 / 9 / 0 / 13

HEX #D9CADD

RGB 217 202 221

HSL 287.37, 0.22%, 0.83%

LAB 83.03, 8.62, -7.53

 

Description

Color code: HEX #DDD0CA | qconv.com Color code: HEX #DDD0CA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 208 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 208 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 9 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 9% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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