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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DDD994 it is the complementary color #22266B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DDD994. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DDD994 shade: #E2D98F, #F3EBA2, #FFFDB5, #FFFFC8 and #FFFFDB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DDD994. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DDD994 shade: #DDD994, #CCC781, #BBB56E, #AAA35B and #999148

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DDD994 shade: #DCD892, #DCC492, #DCB092, #DC9C92 and #DC9292

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DDD994 shade: #DCD892, #CCDC92, #B8DC92, #A4DC92 and #92DC94

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DDD994 shade matches the following richer shades: #DCD892, #E8E286 and #F3ED7B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DDD994 shade: #DCD892, #D1CE9E, #C5C4A9, #BAB9B5 and #AEAFC0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DDD994 shade: #DCB092, #DCC392, #DCD792, #CDDC92 and #BADC92

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DDD994 shade: #C8C253, #D2CD73, #DCD892, #E6E3B1 and #F0EED1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DDD994 shade: #DDD994, #92DC9C and #BA92DC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DDD994 shade: #DDD994, #92DCD7 and #D792DC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DDD994 shade: #DDD994, #92DC9C, #9297DC and #DC92D2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DDD994 shade: #DDD994, #92DCB2, #9297DC and #DC92BC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 33 / 13

HEX #DDD994

RGB 221 217 148

HSL 56.71, 0.52%, 0.72%

LAB 85.57, -8.95, 34.54

 

Complementary color

CMYK 68 / 64 / 0 / 58

HEX #22266B

RGB 34 38 107

HSL 236.71, 0.52%, 0.28%

LAB 19.17, 22.4, -40.87

 

CMYK 0 / 4 / 37 / 11

HEX #E2D98F

RGB 226 217 143

HSL 53.49, 0.59%, 0.72%

LAB 85.9, -7.6, 37.58

 

CMYK 0 / 3 / 33 / 5

HEX #F3EBA2

RGB 243 235 162

HSL 54.07, 0.77%, 0.79%

LAB 92.17, -7.94, 36.45

 

CMYK 0 / 1 / 29 / 0

HEX #FFFDB5

RGB 255 253 181

HSL 58.38, 1%, 0.85%

LAB 97.97, -10.09, 34.79

 

CMYK 0 / 0 / 22 / 0

HEX #FFFFC8

RGB 255 255 200

HSL 60, 1%, 0.89%

LAB 98.81, -8.6, 26.37

 

CMYK 0 / 0 / 14 / 0

HEX #FFFFDB

RGB 255 255 219

HSL 60, 1%, 0.93%

LAB 99.18, -5.87, 17.23

 

CMYK 0 / 2 / 33 / 13

HEX #DDD994

RGB 221 217 148

HSL 56.71, 0.52%, 0.72%

LAB 85.57, -8.95, 34.54

 

CMYK 0 / 2 / 37 / 20

HEX #CCC781

RGB 204 199 129

HSL 56, 0.42%, 0.65%

LAB 79.2, -8.63, 35.69

 

CMYK 0 / 3 / 41 / 27

HEX #BBB56E

RGB 187 181 110

HSL 55.32, 0.36%, 0.58%

LAB 72.72, -8.24, 36.89

 

CMYK 0 / 4 / 46 / 33

HEX #AAA35B

RGB 170 163 91

HSL 54.68, 0.32%, 0.51%

LAB 66.13, -7.78, 38.12

 

CMYK 0 / 5 / 53 / 40

HEX #999148

RGB 153 145 72

HSL 54.07, 0.36%, 0.44%

LAB 59.43, -7.2, 39.36

 

CMYK 0 / 2 / 34 / 14

HEX #DCD892

RGB 220 216 146

HSL 56.76, 0.51%, 0.72%

LAB 85.2, -9.07, 35.06

 

CMYK 0 / 11 / 34 / 14

HEX #DCC492

RGB 220 196 146

HSL 40.54, 0.51%, 0.72%

LAB 80.05, 1.24, 28.23

 

CMYK 0 / 20 / 34 / 14

HEX #DCB092

RGB 220 176 146

HSL 24.32, 0.51%, 0.72%

LAB 75.04, 11.83, 21.44

 

CMYK 0 / 29 / 34 / 14

HEX #DC9C92

RGB 220 156 146

HSL 8.11, 0.51%, 0.72%

LAB 70.22, 22.59, 14.77

 

CMYK 0 / 34 / 34 / 14

HEX #DC9292

RGB 220 146 146

HSL 0, 0.51%, 0.72%

LAB 67.91, 27.97, 11.52

 

CMYK 0 / 2 / 34 / 14

HEX #DCD892

RGB 220 216 146

HSL 56.76, 0.51%, 0.72%

LAB 85.2, -9.07, 35.06

 

CMYK 7 / 0 / 34 / 14

HEX #CCDC92

RGB 204 220 146

HSL 72.97, 0.51%, 0.72%

LAB 85.05, -17.17, 34.63

 

CMYK 16 / 0 / 34 / 14

HEX #B8DC92

RGB 184 220 146

HSL 89.19, 0.51%, 0.72%

LAB 83.68, -24.56, 32.58

 

CMYK 25 / 0 / 34 / 14

HEX #A4DC92

RGB 164 220 146

HSL 105.41, 0.51%, 0.72%

LAB 82.46, -31.58, 30.74

 

CMYK 34 / 0 / 33 / 14

HEX #92DC94

RGB 146 220 148

HSL 121.62, 0.51%, 0.72%

LAB 81.53, -37.17, 28.3

 

CMYK 0 / 2 / 34 / 14

HEX #DCD892

RGB 220 216 146

HSL 56.76, 0.51%, 0.72%

LAB 85.2, -9.07, 35.06

 

CMYK 0 / 3 / 42 / 9

HEX #E8E286

RGB 232 226 134

HSL 56.33, 0.68%, 0.72%

LAB 88.58, -10.75, 45.58

 

CMYK 0 / 2 / 49 / 5

HEX #F3ED7B

RGB 243 237 123

HSL 57, 0.83%, 0.72%

LAB 92.16, -12.89, 55.4

 

CMYK 0 / 2 / 34 / 14

HEX #DCD892

RGB 220 216 146

HSL 56.76, 0.51%, 0.72%

LAB 85.2, -9.07, 35.06

 

CMYK 0 / 1 / 24 / 18

HEX #D1CE9E

RGB 209 206 158

HSL 56.47, 0.36%, 0.72%

LAB 81.93, -6.62, 24.32

 

CMYK 0 / 1 / 14 / 23

HEX #C5C4A9

RGB 197 196 169

HSL 57.86, 0.19%, 0.72%

LAB 78.59, -4.27, 13.7

 

CMYK 0 / 1 / 3 / 27

HEX #BAB9B5

RGB 186 185 181

HSL 48, 0.03%, 0.72%

LAB 75.12, -0.38, 2.14

 

CMYK 9 / 9 / 0 / 25

HEX #AEAFC0

RGB 174 175 192

HSL 236.67, 0.13%, 0.72%

LAB 71.87, 3, -8.77

 

CMYK 0 / 20 / 34 / 14

HEX #DCB092

RGB 220 176 146

HSL 24.32, 0.51%, 0.72%

LAB 75.04, 11.83, 21.44

 

CMYK 0 / 11 / 34 / 14

HEX #DCC392

RGB 220 195 146

HSL 39.73, 0.51%, 0.72%

LAB 79.8, 1.76, 27.89

 

CMYK 0 / 2 / 34 / 14

HEX #DCD792

RGB 220 215 146

HSL 55.95, 0.51%, 0.72%

LAB 84.94, -8.56, 34.72

 

CMYK 7 / 0 / 34 / 14

HEX #CDDC92

RGB 205 220 146

HSL 72.16, 0.51%, 0.72%

LAB 85.12, -16.8, 34.74

 

CMYK 15 / 0 / 34 / 14

HEX #BADC92

RGB 186 220 146

HSL 87.57, 0.51%, 0.72%

LAB 83.81, -23.83, 32.77

 

CMYK 0 / 3 / 59 / 22

HEX #C8C253

RGB 200 194 83

HSL 56.92, 0.52%, 0.55%

LAB 76.97, -12, 55.27

 

CMYK 0 / 2 / 45 / 18

HEX #D2CD73

RGB 210 205 115

HSL 56.84, 0.51%, 0.64%

LAB 81.07, -10.78, 45.2

 

CMYK 0 / 2 / 34 / 14

HEX #DCD892

RGB 220 216 146

HSL 56.76, 0.51%, 0.72%

LAB 85.2, -9.07, 35.06

 

CMYK 0 / 1 / 23 / 10

HEX #E6E3B1

RGB 230 227 177

HSL 56.6, 0.51%, 0.8%

LAB 89.36, -6.88, 24.86

 

CMYK 0 / 1 / 13 / 6

HEX #F0EED1

RGB 240 238 209

HSL 56.13, 0.51%, 0.88%

LAB 93.57, -4.13, 14.29

 

CMYK 0 / 2 / 33 / 13

HEX #DDD994

RGB 221 217 148

HSL 56.71, 0.52%, 0.72%

LAB 85.57, -8.95, 34.54

 

CMYK 34 / 0 / 29 / 14

HEX #92DC9C

RGB 146 220 156

HSL 128.11, 0.51%, 0.72%

LAB 81.67, -35.84, 24.35

 

CMYK 15 / 34 / 0 / 14

HEX #BA92DC

RGB 186 146 220

HSL 272.43, 0.51%, 0.72%

LAB 66.65, 28.93, -32.07

 

CMYK 0 / 2 / 33 / 13

HEX #DDD994

RGB 221 217 148

HSL 56.71, 0.52%, 0.72%

LAB 85.57, -8.95, 34.54

 

CMYK 34 / 0 / 2 / 14

HEX #92DCD7

RGB 146 220 215

HSL 175.95, 0.51%, 0.72%

LAB 83.02, -23.96, -4.86

 

CMYK 2 / 34 / 0 / 14

HEX #D792DC

RGB 215 146 220

HSL 295.95, 0.51%, 0.72%

LAB 69.59, 37.96, -27.28

 

CMYK 0 / 2 / 33 / 13

HEX #DDD994

RGB 221 217 148

HSL 56.71, 0.52%, 0.72%

LAB 85.57, -8.95, 34.54

 

CMYK 34 / 0 / 29 / 14

HEX #92DC9C

RGB 146 220 156

HSL 128.11, 0.51%, 0.72%

LAB 81.67, -35.84, 24.35

 

CMYK 34 / 31 / 0 / 14

HEX #9297DC

RGB 146 151 220

HSL 235.95, 0.51%, 0.72%

LAB 64.49, 14.27, -35.68

 

CMYK 0 / 34 / 5 / 14

HEX #DC92D2

RGB 220 146 210

HSL 308.11, 0.51%, 0.72%

LAB 69.77, 37.72, -21.43

 

CMYK 0 / 2 / 33 / 13

HEX #DDD994

RGB 221 217 148

HSL 56.71, 0.52%, 0.72%

LAB 85.57, -8.95, 34.54

 

CMYK 34 / 0 / 19 / 14

HEX #92DCB2

RGB 146 220 178

HSL 145.95, 0.51%, 0.72%

LAB 82.12, -31.82, 13.44

 

CMYK 34 / 31 / 0 / 14

HEX #9297DC

RGB 146 151 220

HSL 235.95, 0.51%, 0.72%

LAB 64.49, 14.27, -35.68

 

CMYK 0 / 34 / 15 / 14

HEX #DC92BC

RGB 220 146 188

HSL 325.95, 0.51%, 0.72%

LAB 69.04, 34, -10.31

 

Description

Color code: HEX #DDD994 | qconv.com Color code: HEX #DDD994 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 217 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 217 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 33 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 33% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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