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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DDD97D it is the complementary color #222682. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DDD97D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DDD97D shade: #E2D978, #F3EB8B, #FFFD9E, #FFFFB1 and #FFFFC4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DDD97D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DDD97D shade: #DDD97D, #CCC76A, #BBB557, #AAA344 and #999131

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DDD97D shade: #DDD97D, #DDBF7D, #DDA57D, #DD8B7D and #DD7D7D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DDD97D shade: #DDD97D, #C7DD7D, #ADDD7D, #93DD7D and #7DDD80

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DDD97D shade matches the following richer shades: #DDD97D, #EAE570 and #F7F162

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DDD97D shade: #DDD97D, #D0CD8A, #C3C197, #B5B5A4 and #A8A9B2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DDD97D shade: #DDA57D, #DDBF7D, #DDD87D, #C8DD7D and #AFDD7D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DDD97D shade: #CCC63B, #D5D05C, #DDD97D, #E6E39E and #EEECBE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DDD97D shade: #DDD97D, #7DDD8B and #B27DDD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DDD97D shade: #DDD97D, #7DDDD8 and #D87DDD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DDD97D shade: #DDD97D, #7DDD8B, #7D82DD and #DD7DCF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DDD97D shade: #DDD97D, #7DDDA8, #7D82DD and #DD7DB2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 43 / 13

HEX #DDD97D

RGB 221 217 125

HSL 57.5, 0.59%, 0.68%

LAB 85.24, -11.47, 45.64

 

Complementary color

CMYK 74 / 71 / 0 / 49

HEX #222682

RGB 34 38 130

HSL 237.5, 0.59%, 0.32%

LAB 21.35, 31.01, -52.03

 

CMYK 0 / 4 / 47 / 11

HEX #E2D978

RGB 226 217 120

HSL 54.91, 0.65%, 0.68%

LAB 85.58, -9.96, 48.58

 

CMYK 0 / 3 / 43 / 5

HEX #F3EB8B

RGB 243 235 139

HSL 55.38, 0.81%, 0.75%

LAB 91.84, -10.43, 47.41

 

CMYK 0 / 1 / 38 / 0

HEX #FFFD9E

RGB 255 253 158

HSL 58.76, 1%, 0.81%

LAB 97.62, -12.73, 45.68

 

CMYK 0 / 0 / 31 / 0

HEX #FFFFB1

RGB 255 255 177

HSL 60, 1%, 0.85%

LAB 98.41, -11.56, 37.37

 

CMYK 0 / 0 / 23 / 0

HEX #FFFFC4

RGB 255 255 196

HSL 60, 1%, 0.88%

LAB 98.74, -9.15, 28.29

 

CMYK 0 / 2 / 43 / 13

HEX #DDD97D

RGB 221 217 125

HSL 57.5, 0.59%, 0.68%

LAB 85.24, -11.47, 45.64

 

CMYK 0 / 2 / 48 / 20

HEX #CCC76A

RGB 204 199 106

HSL 56.94, 0.49%, 0.61%

LAB 78.88, -11.01, 46.82

 

CMYK 0 / 3 / 53 / 27

HEX #BBB557

RGB 187 181 87

HSL 56.4, 0.42%, 0.54%

LAB 72.43, -10.45, 47.98

 

CMYK 0 / 4 / 60 / 33

HEX #AAA344

RGB 170 163 68

HSL 55.88, 0.43%, 0.47%

LAB 65.87, -9.77, 49.05

 

CMYK 0 / 5 / 68 / 40

HEX #999131

RGB 153 145 49

HSL 55.38, 0.51%, 0.4%

LAB 59.2, -8.92, 49.88

 

CMYK 0 / 2 / 43 / 13

HEX #DDD97D

RGB 221 217 125

HSL 57.5, 0.59%, 0.68%

LAB 85.24, -11.47, 45.64

 

CMYK 0 / 14 / 43 / 13

HEX #DDBF7D

RGB 221 191 125

HSL 41.25, 0.59%, 0.68%

LAB 78.53, 1.88, 37.18

 

CMYK 0 / 25 / 43 / 13

HEX #DDA57D

RGB 221 165 125

HSL 25, 0.59%, 0.68%

LAB 72.07, 15.71, 28.77

 

CMYK 0 / 37 / 43 / 13

HEX #DD8B7D

RGB 221 139 125

HSL 8.75, 0.59%, 0.68%

LAB 66, 29.67, 20.62

 

CMYK 0 / 43 / 43 / 13

HEX #DD7D7D

RGB 221 125 125

HSL 0, 0.59%, 0.68%

LAB 62.94, 37.07, 16.43

 

CMYK 0 / 2 / 43 / 13

HEX #DDD97D

RGB 221 217 125

HSL 57.5, 0.59%, 0.68%

LAB 85.24, -11.47, 45.64

 

CMYK 10 / 0 / 43 / 13

HEX #C7DD7D

RGB 199 221 125

HSL 73.75, 0.59%, 0.68%

LAB 84.66, -22.03, 44.55

 

CMYK 22 / 0 / 43 / 13

HEX #ADDD7D

RGB 173 221 125

HSL 90, 0.59%, 0.68%

LAB 82.95, -31.73, 42.05

 

CMYK 33 / 0 / 43 / 13

HEX #93DD7D

RGB 147 221 125

HSL 106.25, 0.59%, 0.68%

LAB 81.51, -40.7, 39.92

 

CMYK 43 / 0 / 42 / 13

HEX #7DDD80

RGB 125 221 128

HSL 121.88, 0.59%, 0.68%

LAB 80.53, -47.07, 36.98

 

CMYK 0 / 2 / 43 / 13

HEX #DDD97D

RGB 221 217 125

HSL 57.5, 0.59%, 0.68%

LAB 85.24, -11.47, 45.64

 

CMYK 0 / 2 / 52 / 8

HEX #EAE570

RGB 234 229 112

HSL 57.54, 0.74%, 0.68%

LAB 89.25, -13.44, 56.87

 

CMYK 0 / 2 / 60 / 3

HEX #F7F162

RGB 247 241 98

HSL 57.58, 0.9%, 0.68%

LAB 93.26, -15.13, 67.76

 

CMYK 0 / 2 / 43 / 13

HEX #DDD97D

RGB 221 217 125

HSL 57.5, 0.59%, 0.68%

LAB 85.24, -11.47, 45.64

 

CMYK 0 / 1 / 34 / 18

HEX #D0CD8A

RGB 208 205 138

HSL 57.43, 0.43%, 0.68%

LAB 81.24, -9.08, 33.79

 

CMYK 0 / 1 / 23 / 24

HEX #C3C197

RGB 195 193 151

HSL 57.27, 0.27%, 0.68%

LAB 77.27, -6.17, 21.46

 

CMYK 0 / 0 / 9 / 29

HEX #B5B5A4

RGB 181 181 164

HSL 60, 0.1%, 0.68%

LAB 73.25, -3.03, 8.66

 

CMYK 6 / 5 / 0 / 30

HEX #A8A9B2

RGB 168 169 178

HSL 234, 0.06%, 0.68%

LAB 69.41, 1.4, -4.75

 

CMYK 0 / 25 / 43 / 13

HEX #DDA57D

RGB 221 165 125

HSL 25, 0.59%, 0.68%

LAB 72.07, 15.71, 28.77

 

CMYK 0 / 14 / 43 / 13

HEX #DDBF7D

RGB 221 191 125

HSL 41.25, 0.59%, 0.68%

LAB 78.53, 1.88, 37.18

 

CMYK 0 / 2 / 43 / 13

HEX #DDD87D

RGB 221 216 125

HSL 56.88, 0.59%, 0.68%

LAB 84.98, -10.97, 45.31

 

CMYK 10 / 0 / 43 / 13

HEX #C8DD7D

RGB 200 221 125

HSL 73.13, 0.59%, 0.68%

LAB 84.73, -21.65, 44.65

 

CMYK 21 / 0 / 43 / 13

HEX #AFDD7D

RGB 175 221 125

HSL 88.75, 0.59%, 0.68%

LAB 83.08, -31, 42.23

 

CMYK 0 / 3 / 71 / 20

HEX #CCC63B

RGB 204 198 59

HSL 57.52, 0.59%, 0.52%

LAB 78.19, -13.77, 66.37

 

CMYK 0 / 2 / 57 / 16

HEX #D5D05C

RGB 213 208 92

HSL 57.52, 0.59%, 0.6%

LAB 81.85, -13.04, 57

 

CMYK 0 / 2 / 43 / 13

HEX #DDD97D

RGB 221 217 125

HSL 57.5, 0.59%, 0.68%

LAB 85.24, -11.47, 45.64

 

CMYK 0 / 1 / 31 / 10

HEX #E6E39E

RGB 230 227 158

HSL 57.5, 0.59%, 0.76%

LAB 89.03, -9.34, 34.15

 

CMYK 0 / 1 / 20 / 7

HEX #EEECBE

RGB 238 236 190

HSL 57.5, 0.59%, 0.84%

LAB 92.52, -6.67, 22.61

 

CMYK 0 / 2 / 43 / 13

HEX #DDD97D

RGB 221 217 125

HSL 57.5, 0.59%, 0.68%

LAB 85.24, -11.47, 45.64

 

CMYK 43 / 0 / 37 / 13

HEX #7DDD8B

RGB 125 221 139

HSL 128.75, 0.59%, 0.68%

LAB 80.7, -45.36, 31.64

 

CMYK 19 / 43 / 0 / 13

HEX #B27DDD

RGB 178 125 221

HSL 273.13, 0.59%, 0.68%

LAB 61.09, 38.44, -41.35

 

CMYK 0 / 2 / 43 / 13

HEX #DDD97D

RGB 221 217 125

HSL 57.5, 0.59%, 0.68%

LAB 85.24, -11.47, 45.64

 

CMYK 43 / 0 / 2 / 13

HEX #7DDDD8

RGB 125 221 216

HSL 176.88, 0.59%, 0.68%

LAB 82.4, -29.55, -6.42

 

CMYK 2 / 43 / 0 / 13

HEX #D87DDD

RGB 216 125 221

HSL 296.88, 0.59%, 0.68%

LAB 65.35, 49.47, -34.39

 

CMYK 0 / 2 / 43 / 13

HEX #DDD97D

RGB 221 217 125

HSL 57.5, 0.59%, 0.68%

LAB 85.24, -11.47, 45.64

 

CMYK 43 / 0 / 37 / 13

HEX #7DDD8B

RGB 125 221 139

HSL 128.75, 0.59%, 0.68%

LAB 80.7, -45.36, 31.64

 

CMYK 43 / 41 / 0 / 13

HEX #7D82DD

RGB 125 130 221

HSL 236.88, 0.59%, 0.68%

LAB 57.6, 21.24, -47.17

 

CMYK 0 / 43 / 6 / 13

HEX #DD7DCF

RGB 221 125 207

HSL 308.75, 0.59%, 0.68%

LAB 65.39, 48.49, -26.46

 

CMYK 0 / 2 / 43 / 13

HEX #DDD97D

RGB 221 217 125

HSL 57.5, 0.59%, 0.68%

LAB 85.24, -11.47, 45.64

 

CMYK 43 / 0 / 24 / 13

HEX #7DDDA8

RGB 125 221 168

HSL 146.88, 0.59%, 0.68%

LAB 81.24, -40.16, 17.33

 

CMYK 43 / 41 / 0 / 13

HEX #7D82DD

RGB 125 130 221

HSL 236.88, 0.59%, 0.68%

LAB 57.6, 21.24, -47.17

 

CMYK 0 / 43 / 19 / 13

HEX #DD7DB2

RGB 221 125 178

HSL 326.88, 0.59%, 0.68%

LAB 64.37, 43.84, -11.68

 

Description

Color code: HEX #DDD97D | qconv.com Color code: HEX #DDD97D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 217 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 217 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 43 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 43% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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