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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DDBC1B it is the complementary color #2243E4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DDBC1B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DDBC1B shade: #E2BC16, #F3CE29, #FFE03C, #FFF24F and #FFFF62

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DDBC1B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DDBC1B shade: #DDBC1B, #CCAA08, #BB9800, #AA8600 and #997400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DDBC1B shade: #DEBD1B, #DE881B, #DE541B, #DE1F1B and #DE1B1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DDBC1B shade: #DEBD1B, #CBDE1B, #96DE1B, #61DE1B and #2DDE1B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DDBC1B shade matches the following richer shades: #DEBD1B and #F2CA07

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DDBC1B shade: #DEBD1B, #CAAF2F, #B5A243, #A19558 and #8D876C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DDBC1B shade: #DE521B, #DE861B, #DEBA1B, #CEDE1B and #9ADE1B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DDBC1B shade: #947E12, #B99D16, #DEBD1B, #E6C93C and #EBD360

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DDBC1B shade: #DDBC1B, #1BDE1E and #6C1BDE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DDBC1B shade: #DDBC1B, #1BDEBA and #BA1BDE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DDBC1B shade: #DDBC1B, #1BDE1E, #1B3FDE and #DE1BDB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DDBC1B shade: #DDBC1B, #1BDE59, #1B3FDE and #DE1BA0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 88 / 13

HEX #DDBC1B

RGB 221 188 27

HSL 49.79, 0.78%, 0.49%

LAB 76.93, -2.39, 74.98

 

Complementary color

CMYK 85 / 71 / 0 / 11

HEX #2243E4

RGB 34 67 228

HSL 229.79, 0.78%, 0.51%

LAB 37.76, 48.14, -83.5

 

CMYK 0 / 17 / 90 / 11

HEX #E2BC16

RGB 226 188 22

HSL 48.82, 0.82%, 0.49%

LAB 77.4, -0.31, 76.48

 

CMYK 0 / 15 / 83 / 5

HEX #F3CE29

RGB 243 206 41

HSL 49.01, 0.89%, 0.56%

LAB 83.63, -1.88, 78.08

 

CMYK 0 / 12 / 76 / 0

HEX #FFE03C

RGB 255 224 60

HSL 50.46, 1%, 0.62%

LAB 89.34, -5.33, 78.08

 

CMYK 0 / 5 / 69 / 0

HEX #FFF24F

RGB 255 242 79

HSL 55.57, 1%, 0.65%

LAB 94.02, -13.43, 76.11

 

CMYK 0 / 0 / 62 / 0

HEX #FFFF62

RGB 255 255 98

HSL 60, 1%, 0.69%

LAB 97.5, -18.69, 72.47

 

CMYK 0 / 15 / 88 / 13

HEX #DDBC1B

RGB 221 188 27

HSL 49.79, 0.78%, 0.49%

LAB 76.93, -2.39, 74.98

 

CMYK 0 / 17 / 96 / 20

HEX #CCAA08

RGB 204 170 8

HSL 49.59, 0.92%, 0.42%

LAB 70.6, -0.7, 72.41

 

CMYK 0 / 19 / 100 / 27

HEX #BB9800

RGB 187 152 0

HSL 48.77, 1%, 0.37%

LAB 64.18, 1.23, 68.07

 

CMYK 0 / 21 / 100 / 33

HEX #AA8600

RGB 170 134 0

HSL 47.29, 1%, 0.33%

LAB 57.65, 3.33, 62.69

 

CMYK 0 / 24 / 100 / 40

HEX #997400

RGB 153 116 0

HSL 45.49, 1%, 0.3%

LAB 50.99, 5.54, 57.21

 

CMYK 0 / 15 / 88 / 13

HEX #DEBD1B

RGB 222 189 27

HSL 49.85, 0.78%, 0.49%

LAB 77.28, -2.48, 75.3

 

CMYK 0 / 39 / 88 / 13

HEX #DE881B

RGB 222 136 27

HSL 33.54, 0.78%, 0.49%

LAB 64.34, 25.67, 65.09

 

CMYK 0 / 62 / 88 / 13

HEX #DE541B

RGB 222 84 27

HSL 17.54, 0.78%, 0.49%

LAB 53.97, 51.55, 57

 

CMYK 0 / 86 / 88 / 13

HEX #DE1F1B

RGB 222 31 27

HSL 1.23, 0.78%, 0.49%

LAB 47.74, 68.75, 52.19

 

CMYK 0 / 88 / 88 / 13

HEX #DE1B1B

RGB 222 27 27

HSL 0, 0.78%, 0.49%

LAB 47.49, 69.47, 52

 

CMYK 0 / 15 / 88 / 13

HEX #DEBD1B

RGB 222 189 27

HSL 49.85, 0.78%, 0.49%

LAB 77.28, -2.48, 75.3

 

CMYK 9 / 0 / 88 / 13

HEX #CBDE1B

RGB 203 222 27

HSL 65.85, 0.78%, 0.49%

LAB 84.49, -27, 80.39

 

CMYK 32 / 0 / 88 / 13

HEX #96DE1B

RGB 150 222 27

HSL 82.15, 0.78%, 0.49%

LAB 81.18, -47.68, 76.32

 

CMYK 56 / 0 / 88 / 13

HEX #61DE1B

RGB 97 222 27

HSL 98.46, 0.78%, 0.49%

LAB 78.96, -64.23, 73.55

 

CMYK 80 / 0 / 88 / 13

HEX #2DDE1B

RGB 45 222 27

HSL 114.46, 0.78%, 0.49%

LAB 77.8, -74.02, 72.1

 

CMYK 0 / 15 / 88 / 13

HEX #DEBD1B

RGB 222 189 27

HSL 49.85, 0.78%, 0.49%

LAB 77.28, -2.48, 75.3

 

CMYK 0 / 17 / 97 / 5

HEX #F2CA07

RGB 242 202 7

HSL 49.79, 0.94%, 0.49%

LAB 82.45, -0.8, 82.76

 

CMYK 0 / 15 / 88 / 13

HEX #DEBD1B

RGB 222 189 27

HSL 49.85, 0.78%, 0.49%

LAB 77.28, -2.48, 75.3

 

CMYK 0 / 13 / 77 / 21

HEX #CAAF2F

RGB 202 175 47

HSL 49.55, 0.62%, 0.49%

LAB 71.84, -3.3, 64.48

 

CMYK 0 / 10 / 63 / 29

HEX #B5A243

RGB 181 162 67

HSL 50, 0.46%, 0.49%

LAB 66.57, -4.53, 50.55

 

CMYK 0 / 7 / 45 / 37

HEX #A19558

RGB 161 149 88

HSL 50.14, 0.29%, 0.49%

LAB 61.46, -4.36, 33.71

 

CMYK 0 / 4 / 23 / 45

HEX #8D876C

RGB 141 135 108

HSL 49.09, 0.13%, 0.49%

LAB 56.16, -2.4, 15.35

 

CMYK 0 / 63 / 88 / 13

HEX #DE521B

RGB 222 82 27

HSL 16.92, 0.78%, 0.49%

LAB 53.65, 52.42, 56.75

 

CMYK 0 / 40 / 88 / 13

HEX #DE861B

RGB 222 134 27

HSL 32.92, 0.78%, 0.49%

LAB 63.88, 26.73, 64.74

 

CMYK 0 / 16 / 88 / 13

HEX #DEBA1B

RGB 222 186 27

HSL 48.92, 0.78%, 0.49%

LAB 76.51, -0.92, 74.69

 

CMYK 7 / 0 / 88 / 13

HEX #CEDE1B

RGB 206 222 27

HSL 64.92, 0.78%, 0.49%

LAB 84.71, -25.76, 80.66

 

CMYK 31 / 0 / 88 / 13

HEX #9ADE1B

RGB 154 222 27

HSL 80.92, 0.78%, 0.49%

LAB 81.4, -46.23, 76.58

 

CMYK 0 / 15 / 88 / 42

HEX #947E12

RGB 148 126 18

HSL 49.85, 0.78%, 0.33%

LAB 53.23, -2.11, 54.98

 

CMYK 0 / 15 / 88 / 27

HEX #B99D16

RGB 185 157 22

HSL 49.69, 0.79%, 0.41%

LAB 65.35, -2.04, 65.36

 

CMYK 0 / 15 / 88 / 13

HEX #DEBD1B

RGB 222 189 27

HSL 49.85, 0.78%, 0.49%

LAB 77.28, -2.48, 75.3

 

CMYK 0 / 13 / 74 / 10

HEX #E6C93C

RGB 230 201 60

HSL 49.76, 0.77%, 0.57%

LAB 81.25, -4.21, 69.74

 

CMYK 0 / 10 / 59 / 8

HEX #EBD360

RGB 235 211 96

HSL 49.64, 0.78%, 0.65%

LAB 84.53, -5.21, 58.73

 

CMYK 0 / 15 / 88 / 13

HEX #DDBC1B

RGB 221 188 27

HSL 49.79, 0.78%, 0.49%

LAB 76.93, -2.39, 74.98

 

CMYK 88 / 0 / 86 / 13

HEX #1BDE1E

RGB 27 222 30

HSL 120.92, 0.78%, 0.49%

LAB 77.62, -75.63, 71.29

 

CMYK 51 / 88 / 0 / 13

HEX #6C1BDE

RGB 108 27 222

HSL 264.92, 0.78%, 0.49%

LAB 36.45, 70.11, -82.05

 

CMYK 0 / 15 / 88 / 13

HEX #DDBC1B

RGB 221 188 27

HSL 49.79, 0.78%, 0.49%

LAB 76.93, -2.39, 74.98

 

CMYK 88 / 0 / 16 / 13

HEX #1BDEBA

RGB 27 222 186

HSL 168.92, 0.78%, 0.49%

LAB 79.63, -52.31, 5.21

 

CMYK 16 / 88 / 0 / 13

HEX #BA1BDE

RGB 186 27 222

HSL 288.92, 0.78%, 0.49%

LAB 47.62, 80.11, -63.34

 

CMYK 0 / 15 / 88 / 13

HEX #DDBC1B

RGB 221 188 27

HSL 49.79, 0.78%, 0.49%

LAB 76.93, -2.39, 74.98

 

CMYK 88 / 0 / 86 / 13

HEX #1BDE1E

RGB 27 222 30

HSL 120.92, 0.78%, 0.49%

LAB 77.62, -75.63, 71.29

 

CMYK 88 / 72 / 0 / 13

HEX #1B3FDE

RGB 27 63 222

HSL 228.92, 0.78%, 0.49%

LAB 36.1, 48.08, -82.82

 

CMYK 0 / 88 / 1 / 13

HEX #DE1BDB

RGB 222 27 219

HSL 300.92, 0.78%, 0.49%

LAB 53.41, 85.53, -52

 

CMYK 0 / 15 / 88 / 13

HEX #DDBC1B

RGB 221 188 27

HSL 49.79, 0.78%, 0.49%

LAB 76.93, -2.39, 74.98

 

CMYK 88 / 0 / 60 / 13

HEX #1BDE59

RGB 27 222 89

HSL 139.08, 0.78%, 0.49%

LAB 77.99, -70.96, 51.83

 

CMYK 88 / 72 / 0 / 13

HEX #1B3FDE

RGB 27 63 222

HSL 228.92, 0.78%, 0.49%

LAB 36.1, 48.08, -82.82

 

CMYK 0 / 88 / 28 / 13

HEX #DE1BA0

RGB 222 27 160

HSL 319.08, 0.78%, 0.49%

LAB 50.51, 77.93, -22.27

 

Description

Color code: HEX #DDBC1B | qconv.com Color code: HEX #DDBC1B | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 188 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 188 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 88 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 88% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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