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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DDAEB3 it is the complementary color #22514C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DDAEB3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DDAEB3 shade: #E2AEAE, #F3C0C1, #FFD2D4, #FFE4E7 and #FFF6FA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DDAEB3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DDAEB3 shade: #DDAEB3, #CC9CA0, #BB8A8D, #AA787A and #996667

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DDAEB3 shade: #DCACB1 and #DCACAC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DDAEB3 shade: #DCACB1, #DCACBE, #DCACCB, #DCACD8 and #D3ACDC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DDAEB3 shade matches the following richer shades: #DCACB1, #E5A2A9, #EF99A2 and #F88F9B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DDAEB3 shade: #DCACB1, #D2B5B8, #C9BFC0, #BFC8C7 and #B6D2CF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DDAEB3 shade: #DCACCB, #DCACBE, #DCACB1, #DCB3AC and #DCC0AC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DDAEB3 shade: #C4727A, #D08F96, #DCACB1, #E8C9CC and #F4E6E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DDAEB3 shade: #DDAEB3, #D8DCAC and #ACC5DC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DDAEB3 shade: #DDAEB3, #B1DCAC and #ACB1DC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DDAEB3 shade: #DDAEB3, #D8DCAC, #ACDCD6 and #B0ACDC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DDAEB3 shade: #DDAEB3, #C9DCAC, #ACDCD6 and #BEACDC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 19 / 13

HEX #DDAEB3

RGB 221 174 179

HSL 353.62, 0.41%, 0.77%

LAB 75.39, 17.86, 4

 

Complementary color

CMYK 58 / 0 / 6 / 68

HEX #22514C

RGB 34 81 76

HSL 173.62, 0.41%, 0.23%

LAB 31.22, -17.37, -1.93

 

CMYK 0 / 23 / 23 / 11

HEX #E2AEAE

RGB 226 174 174

HSL 0, 0.47%, 0.78%

LAB 75.76, 18.96, 7.33

 

CMYK 0 / 21 / 21 / 5

HEX #F3C0C1

RGB 243 192 193

HSL 358.82, 0.68%, 0.85%

LAB 82.17, 18.37, 6.47

 

CMYK 0 / 18 / 17 / 0

HEX #FFD2D4

RGB 255 210 212

HSL 357.33, 1%, 0.91%

LAB 88.02, 16.07, 4.95

 

CMYK 0 / 11 / 9 / 0

HEX #FFE4E7

RGB 255 228 231

HSL 353.33, 1%, 0.95%

LAB 92.8, 9.72, 1.91

 

CMYK 0 / 4 / 2 / 0

HEX #FFF6FA

RGB 255 246 250

HSL 333.33, 1%, 0.98%

LAB 97.66, 3.69, -0.86

 

CMYK 0 / 21 / 19 / 13

HEX #DDAEB3

RGB 221 174 179

HSL 353.62, 0.41%, 0.77%

LAB 75.39, 17.86, 4

 

CMYK 0 / 24 / 22 / 20

HEX #CC9CA0

RGB 204 156 160

HSL 355, 0.32%, 0.71%

LAB 68.86, 18.46, 4.84

 

CMYK 0 / 26 / 25 / 27

HEX #BB8A8D

RGB 187 138 141

HSL 356.33, 0.26%, 0.64%

LAB 62.22, 19.12, 5.74

 

CMYK 0 / 29 / 28 / 33

HEX #AA787A

RGB 170 120 122

HSL 357.6, 0.23%, 0.57%

LAB 55.47, 19.86, 6.73

 

CMYK 0 / 33 / 33 / 40

HEX #996667

RGB 153 102 103

HSL 358.82, 0.2%, 0.5%

LAB 48.58, 20.7, 7.84

 

CMYK 0 / 22 / 20 / 14

HEX #DCACB1

RGB 220 172 177

HSL 353.75, 0.41%, 0.77%

LAB 74.76, 18.27, 4.17

 

CMYK 0 / 22 / 22 / 14

HEX #DCACAC

RGB 220 172 172

HSL 0, 0.41%, 0.77%

LAB 74.63, 17.52, 6.73

 

CMYK 0 / 22 / 20 / 14

HEX #DCACB1

RGB 220 172 177

HSL 353.75, 0.41%, 0.77%

LAB 74.76, 18.27, 4.17

 

CMYK 0 / 22 / 14 / 14

HEX #DCACBE

RGB 220 172 190

HSL 337.5, 0.41%, 0.77%

LAB 75.1, 20.32, -2.44

 

CMYK 0 / 22 / 8 / 14

HEX #DCACCB

RGB 220 172 203

HSL 321.25, 0.41%, 0.77%

LAB 75.47, 22.5, -9

 

CMYK 0 / 22 / 2 / 14

HEX #DCACD8

RGB 220 172 216

HSL 305, 0.41%, 0.77%

LAB 75.87, 24.81, -15.49

 

CMYK 4 / 22 / 0 / 14

HEX #D3ACDC

RGB 211 172 220

HSL 288.75, 0.41%, 0.77%

LAB 75.15, 22.58, -18.84

 

CMYK 0 / 22 / 20 / 14

HEX #DCACB1

RGB 220 172 177

HSL 353.75, 0.41%, 0.77%

LAB 74.76, 18.27, 4.17

 

CMYK 0 / 29 / 26 / 10

HEX #E5A2A9

RGB 229 162 169

HSL 353.73, 0.56%, 0.77%

LAB 73.13, 25.79, 6.34

 

CMYK 0 / 36 / 32 / 6

HEX #EF99A2

RGB 239 153 162

HSL 353.72, 0.73%, 0.77%

LAB 72.06, 33.31, 8.81

 

CMYK 0 / 42 / 38 / 3

HEX #F88F9B

RGB 248 143 155

HSL 353.14, 0.88%, 0.77%

LAB 70.85, 40.92, 11.13

 

CMYK 0 / 22 / 20 / 14

HEX #DCACB1

RGB 220 172 177

HSL 353.75, 0.41%, 0.77%

LAB 74.76, 18.27, 4.17

 

CMYK 0 / 14 / 12 / 18

HEX #D2B5B8

RGB 210 181 184

HSL 353.79, 0.24%, 0.77%

LAB 76.2, 10.89, 2.32

 

CMYK 0 / 5 / 4 / 21

HEX #C9BFC0

RGB 201 191 192

HSL 354, 0.08%, 0.77%

LAB 78.16, 3.68, 0.74

 

CMYK 5 / 0 / 0 / 22

HEX #BFC8C7

RGB 191 200 199

HSL 173.33, 0.08%, 0.77%

LAB 79.9, -3.26, -0.58

 

CMYK 13 / 0 / 1 / 18

HEX #B6D2CF

RGB 182 210 207

HSL 173.57, 0.24%, 0.77%

LAB 82.13, -9.89, -1.67

 

CMYK 0 / 22 / 8 / 14

HEX #DCACCB

RGB 220 172 203

HSL 321.25, 0.41%, 0.77%

LAB 75.47, 22.5, -9

 

CMYK 0 / 22 / 14 / 14

HEX #DCACBE

RGB 220 172 190

HSL 337.5, 0.41%, 0.77%

LAB 75.1, 20.32, -2.44

 

CMYK 0 / 22 / 20 / 14

HEX #DCACB1

RGB 220 172 177

HSL 353.75, 0.41%, 0.77%

LAB 74.76, 18.27, 4.17

 

CMYK 0 / 19 / 22 / 14

HEX #DCB3AC

RGB 220 179 172

HSL 8.75, 0.41%, 0.77%

LAB 76.34, 13.76, 9.16

 

CMYK 0 / 13 / 22 / 14

HEX #DCC0AC

RGB 220 192 172

HSL 25, 0.41%, 0.77%

LAB 79.55, 6.83, 13.73

 

CMYK 0 / 42 / 38 / 23

HEX #C4727A

RGB 196 114 122

HSL 354.15, 0.41%, 0.61%

LAB 57.25, 33.19, 9.7

 

CMYK 0 / 31 / 28 / 18

HEX #D08F96

RGB 208 143 150

HSL 353.54, 0.41%, 0.69%

LAB 65.95, 25.61, 6.3

 

CMYK 0 / 22 / 20 / 14

HEX #DCACB1

RGB 220 172 177

HSL 353.75, 0.41%, 0.77%

LAB 74.76, 18.27, 4.17

 

CMYK 0 / 13 / 12 / 9

HEX #E8C9CC

RGB 232 201 204

HSL 354.19, 0.4%, 0.85%

LAB 83.59, 11.38, 2.53

 

CMYK 0 / 6 / 5 / 4

HEX #F4E6E7

RGB 244 230 231

HSL 355.71, 0.39%, 0.93%

LAB 92.4, 4.92, 1.21

 

CMYK 0 / 21 / 19 / 13

HEX #DDAEB3

RGB 221 174 179

HSL 353.62, 0.41%, 0.77%

LAB 75.39, 17.86, 4

 

CMYK 2 / 0 / 22 / 14

HEX #D8DCAC

RGB 216 220 172

HSL 65, 0.41%, 0.77%

LAB 86.39, -9.19, 23.19

 

CMYK 22 / 10 / 0 / 14

HEX #ACC5DC

RGB 172 197 220

HSL 208.75, 0.41%, 0.77%

LAB 78.39, -3.48, -14.27

 

CMYK 0 / 21 / 19 / 13

HEX #DDAEB3

RGB 221 174 179

HSL 353.62, 0.41%, 0.77%

LAB 75.39, 17.86, 4

 

CMYK 20 / 0 / 22 / 14

HEX #B1DCAC

RGB 177 220 172

HSL 113.75, 0.41%, 0.77%

LAB 83.71, -23.03, 19.08

 

CMYK 22 / 20 / 0 / 14

HEX #ACB1DC

RGB 172 177 220

HSL 233.75, 0.41%, 0.77%

LAB 73.14, 7.34, -22.2

 

CMYK 0 / 21 / 19 / 13

HEX #DDAEB3

RGB 221 174 179

HSL 353.62, 0.41%, 0.77%

LAB 75.39, 17.86, 4

 

CMYK 2 / 0 / 22 / 14

HEX #D8DCAC

RGB 216 220 172

HSL 65, 0.41%, 0.77%

LAB 86.39, -9.19, 23.19

 

CMYK 22 / 0 / 3 / 14

HEX #ACDCD6

RGB 172 220 214

HSL 172.5, 0.41%, 0.77%

LAB 84.39, -16.69, -2.16

 

CMYK 20 / 22 / 0 / 14

HEX #B0ACDC

RGB 176 172 220

HSL 245, 0.41%, 0.77%

LAB 72.16, 11.34, -23.66

 

CMYK 0 / 21 / 19 / 13

HEX #DDAEB3

RGB 221 174 179

HSL 353.62, 0.41%, 0.77%

LAB 75.39, 17.86, 4

 

CMYK 9 / 0 / 22 / 14

HEX #C9DCAC

RGB 201 220 172

HSL 83.75, 0.41%, 0.77%

LAB 85.29, -14.65, 21.51

 

CMYK 22 / 0 / 3 / 14

HEX #ACDCD6

RGB 172 220 214

HSL 172.5, 0.41%, 0.77%

LAB 84.39, -16.69, -2.16

 

CMYK 14 / 22 / 0 / 14

HEX #BEACDC

RGB 190 172 220

HSL 262.5, 0.41%, 0.77%

LAB 73.3, 15.76, -21.83

 

Description

Color code: HEX #DDAEB3 | qconv.com Color code: HEX #DDAEB3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 174 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 174 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 19 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 19% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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