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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DDAD7D it is the complementary color #225282. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DDAD7D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DDAD7D shade: #E2AD78, #F3BF8B, #FFD19E, #FFE3B1 and #FFF5C4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DDAD7D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DDAD7D shade: #DDAD7D, #CC9B6A, #BB8957, #AA7744 and #996531

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DDAD7D shade: #DDAD7D, #DD937D and #DD7D7D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DDAD7D shade: #DDAD7D, #DDC77D, #D9DD7D, #BFDD7D and #A5DD7D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DDAD7D shade matches the following richer shades: #DDAD7D, #EAAD70 and #F7AD62

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DDAD7D shade: #DDAD7D, #D0AD8A, #C3AD97, #B5ADA4 and #A8ADB2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DDAD7D shade: #DD7D80, #DD937D, #DDAD7D, #DDC77D and #DADD7D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DDAD7D shade: #CC843B, #D5985C, #DDAD7D, #E6C29E and #EED6BE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DDAD7D shade: #DDAD7D, #9ADD7D and #867DDD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DDAD7D shade: #DDAD7D, #7DDDAD and #AD7DDD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DDAD7D shade: #DDAD7D, #9ADD7D, #7DADDD and #C07DDD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DDAD7D shade: #DDAD7D, #7DDD7D, #7DADDD and #DD7DDD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 43 / 13

HEX #DDAD7D

RGB 221 173 125

HSL 30, 0.59%, 0.68%

LAB 74.02, 11.42, 31.34

 

Complementary color

CMYK 74 / 37 / 0 / 49

HEX #225282

RGB 34 82 130

HSL 210, 0.59%, 0.32%

LAB 33.95, 1.09, -31.68

 

CMYK 0 / 23 / 47 / 11

HEX #E2AD78

RGB 226 173 120

HSL 30, 0.65%, 0.68%

LAB 74.45, 12.93, 34.64

 

CMYK 0 / 21 / 43 / 5

HEX #F3BF8B

RGB 243 191 139

HSL 30, 0.81%, 0.75%

LAB 80.84, 12.11, 33.33

 

CMYK 0 / 18 / 38 / 0

HEX #FFD19E

RGB 255 209 158

HSL 31.55, 1%, 0.81%

LAB 86.67, 9.46, 31.39

 

CMYK 0 / 11 / 31 / 0

HEX #FFE3B1

RGB 255 227 177

HSL 38.46, 1%, 0.85%

LAB 91.4, 2.45, 27.97

 

CMYK 0 / 4 / 23 / 0

HEX #FFF5C4

RGB 255 245 196

HSL 49.83, 1%, 0.88%

LAB 96.22, -4.17, 24.84

 

CMYK 0 / 22 / 43 / 13

HEX #DDAD7D

RGB 221 173 125

HSL 30, 0.59%, 0.68%

LAB 74.02, 11.42, 31.34

 

CMYK 0 / 24 / 48 / 20

HEX #CC9B6A

RGB 204 155 106

HSL 30, 0.49%, 0.61%

LAB 67.52, 12.27, 32.68

 

CMYK 0 / 27 / 53 / 27

HEX #BB8957

RGB 187 137 87

HSL 30, 0.42%, 0.54%

LAB 60.91, 13.26, 34.12

 

CMYK 0 / 30 / 60 / 33

HEX #AA7744

RGB 170 119 68

HSL 30, 0.43%, 0.47%

LAB 54.19, 14.43, 35.65

 

CMYK 0 / 34 / 68 / 40

HEX #996531

RGB 153 101 49

HSL 30, 0.51%, 0.4%

LAB 47.37, 15.82, 37.23

 

CMYK 0 / 22 / 43 / 13

HEX #DDAD7D

RGB 221 173 125

HSL 30, 0.59%, 0.68%

LAB 74.02, 11.42, 31.34

 

CMYK 0 / 33 / 43 / 13

HEX #DD937D

RGB 221 147 125

HSL 13.75, 0.59%, 0.68%

LAB 67.81, 25.39, 23.08

 

CMYK 0 / 43 / 43 / 13

HEX #DD7D7D

RGB 221 125 125

HSL 0, 0.59%, 0.68%

LAB 62.94, 37.07, 16.43

 

CMYK 0 / 22 / 43 / 13

HEX #DDAD7D

RGB 221 173 125

HSL 30, 0.59%, 0.68%

LAB 74.02, 11.42, 31.34

 

CMYK 0 / 10 / 43 / 13

HEX #DDC77D

RGB 221 199 125

HSL 46.25, 0.59%, 0.68%

LAB 80.57, -2.28, 39.78

 

CMYK 2 / 0 / 43 / 13

HEX #D9DD7D

RGB 217 221 125

HSL 62.5, 0.59%, 0.68%

LAB 85.98, -15.04, 46.48

 

CMYK 14 / 0 / 43 / 13

HEX #BFDD7D

RGB 191 221 125

HSL 78.75, 0.59%, 0.68%

LAB 84.11, -25.07, 43.74

 

CMYK 25 / 0 / 43 / 13

HEX #A5DD7D

RGB 165 221 125

HSL 95, 0.59%, 0.68%

LAB 82.48, -34.58, 41.36

 

CMYK 0 / 22 / 43 / 13

HEX #DDAD7D

RGB 221 173 125

HSL 30, 0.59%, 0.68%

LAB 74.02, 11.42, 31.34

 

CMYK 0 / 26 / 52 / 8

HEX #EAAD70

RGB 234 173 112

HSL 30, 0.74%, 0.68%

LAB 75.17, 15.44, 39.88

 

CMYK 0 / 30 / 60 / 3

HEX #F7AD62

RGB 247 173 98

HSL 30.2, 0.9%, 0.68%

LAB 76.4, 19.65, 48.77

 

CMYK 0 / 22 / 43 / 13

HEX #DDAD7D

RGB 221 173 125

HSL 30, 0.59%, 0.68%

LAB 74.02, 11.42, 31.34

 

CMYK 0 / 17 / 34 / 18

HEX #D0AD8A

RGB 208 173 138

HSL 30, 0.43%, 0.68%

LAB 72.98, 7.73, 22.76

 

CMYK 0 / 11 / 23 / 24

HEX #C3AD97

RGB 195 173 151

HSL 30, 0.27%, 0.68%

LAB 72.04, 4.44, 14.21

 

CMYK 0 / 4 / 9 / 29

HEX #B5ADA4

RGB 181 173 164

HSL 31.76, 0.1%, 0.68%

LAB 71.14, 1.27, 5.63

 

CMYK 6 / 3 / 0 / 30

HEX #A8ADB2

RGB 168 173 178

HSL 210, 0.06%, 0.68%

LAB 70.47, -0.78, -3.18

 

CMYK 0 / 43 / 42 / 13

HEX #DD7D80

RGB 221 125 128

HSL 358.13, 0.59%, 0.68%

LAB 63.01, 37.38, 14.81

 

CMYK 0 / 33 / 43 / 13

HEX #DD937D

RGB 221 147 125

HSL 13.75, 0.59%, 0.68%

LAB 67.81, 25.39, 23.08

 

CMYK 0 / 22 / 43 / 13

HEX #DDAD7D

RGB 221 173 125

HSL 30, 0.59%, 0.68%

LAB 74.02, 11.42, 31.34

 

CMYK 0 / 10 / 43 / 13

HEX #DDC77D

RGB 221 199 125

HSL 46.25, 0.59%, 0.68%

LAB 80.57, -2.28, 39.78

 

CMYK 1 / 0 / 43 / 13

HEX #DADD7D

RGB 218 221 125

HSL 61.88, 0.59%, 0.68%

LAB 86.06, -14.65, 46.6

 

CMYK 0 / 35 / 71 / 20

HEX #CC843B

RGB 204 132 59

HSL 30.21, 0.59%, 0.52%

LAB 61.36, 21.31, 49.35

 

CMYK 0 / 29 / 57 / 16

HEX #D5985C

RGB 213 152 92

HSL 29.75, 0.59%, 0.6%

LAB 67.56, 16.4, 40.32

 

CMYK 0 / 22 / 43 / 13

HEX #DDAD7D

RGB 221 173 125

HSL 30, 0.59%, 0.68%

LAB 74.02, 11.42, 31.34

 

CMYK 0 / 16 / 31 / 10

HEX #E6C29E

RGB 230 194 158

HSL 30, 0.59%, 0.76%

LAB 80.67, 7.66, 22.89

 

CMYK 0 / 10 / 20 / 7

HEX #EED6BE

RGB 238 214 190

HSL 30, 0.59%, 0.84%

LAB 86.99, 4.58, 14.88

 

CMYK 0 / 22 / 43 / 13

HEX #DDAD7D

RGB 221 173 125

HSL 30, 0.59%, 0.68%

LAB 74.02, 11.42, 31.34

 

CMYK 30 / 0 / 43 / 13

HEX #9ADD7D

RGB 154 221 125

HSL 101.88, 0.59%, 0.68%

LAB 81.87, -38.37, 40.46

 

CMYK 39 / 43 / 0 / 13

HEX #867DDD

RGB 134 125 221

HSL 245.63, 0.59%, 0.68%

LAB 57.03, 26.45, -48.03

 

CMYK 0 / 22 / 43 / 13

HEX #DDAD7D

RGB 221 173 125

HSL 30, 0.59%, 0.68%

LAB 74.02, 11.42, 31.34

 

CMYK 43 / 0 / 22 / 13

HEX #7DDDAD

RGB 125 221 173

HSL 150, 0.59%, 0.68%

LAB 81.34, -39.17, 14.84

 

CMYK 22 / 43 / 0 / 13

HEX #AD7DDD

RGB 173 125 221

HSL 270, 0.59%, 0.68%

LAB 60.58, 37.02, -42.19

 

CMYK 0 / 22 / 43 / 13

HEX #DDAD7D

RGB 221 173 125

HSL 30, 0.59%, 0.68%

LAB 74.02, 11.42, 31.34

 

CMYK 30 / 0 / 43 / 13

HEX #9ADD7D

RGB 154 221 125

HSL 101.88, 0.59%, 0.68%

LAB 81.87, -38.37, 40.46

 

CMYK 43 / 22 / 0 / 13

HEX #7DADDD

RGB 125 173 221

HSL 210, 0.59%, 0.68%

LAB 69.09, -3.49, -29.22

 

CMYK 13 / 43 / 0 / 13

HEX #C07DDD

RGB 192 125 221

HSL 281.88, 0.59%, 0.68%

LAB 62.59, 42.47, -38.9

 

CMYK 0 / 22 / 43 / 13

HEX #DDAD7D

RGB 221 173 125

HSL 30, 0.59%, 0.68%

LAB 74.02, 11.42, 31.34

 

CMYK 43 / 0 / 43 / 13

HEX #7DDD7D

RGB 125 221 125

HSL 120, 0.59%, 0.68%

LAB 80.49, -47.51, 38.42

 

CMYK 43 / 22 / 0 / 13

HEX #7DADDD

RGB 125 173 221

HSL 210, 0.59%, 0.68%

LAB 69.09, -3.49, -29.22

 

CMYK 0 / 43 / 0 / 13

HEX #DD7DDD

RGB 221 125 221

HSL 300, 0.59%, 0.68%

LAB 65.95, 50.94, -33.4

 

Description

Color code: HEX #DDAD7D | qconv.com Color code: HEX #DDAD7D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 173 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 173 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 43 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 43% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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