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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DDAC74 it is the complementary color #22538B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DDAC74. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DDAC74 shade: #E2AC6F, #F3BE82, #FFD095, #FFE2A8 and #FFF4BB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DDAC74. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DDAC74 shade: #DDAC74, #CC9A61, #BB884E, #AA763B and #996428

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DDAC74 shade: #DDAB73, #DD8F73 and #DD7373

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DDAC74 shade: #DDAB73, #DDC873, #D5DD73, #B8DD73 and #9CDD73

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DDAC74 shade matches the following richer shades: #DDAB73, #EBAC65 and #F9AD57

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DDAC74 shade: #DDAB73, #CFAA81, #C1A98F, #B3A99D and #A5A8AB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DDAC74 shade: #DD7373, #DD8F73, #DDAB73, #DDC873 and #D6DD73

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DDAC74 shade: #CC8431, #D59852, #DDAB73, #E5BF94 and #EDD3B5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DDAC74 shade: #DDAC74, #8FDD73 and #8173DD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DDAC74 shade: #DDAC74, #73DDAB and #AB73DD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DDAC74 shade: #DDAC74, #8FDD73, #73A4DD and #C073DD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DDAC74 shade: #DDAC74, #73DD76, #73A4DD and #DD73D9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 48 / 13

HEX #DDAC74

RGB 221 172 116

HSL 32, 0.61%, 0.66%

LAB 73.64, 11.05, 35.58

 

Complementary color

CMYK 76 / 40 / 0 / 45

HEX #22538B

RGB 34 83 139

HSL 212, 0.61%, 0.34%

LAB 34.78, 3.94, -35.89

 

CMYK 0 / 24 / 51 / 11

HEX #E2AC6F

RGB 226 172 111

HSL 31.83, 0.66%, 0.66%

LAB 74.08, 12.62, 38.85

 

CMYK 0 / 22 / 47 / 5

HEX #F3BE82

RGB 243 190 130

HSL 31.86, 0.82%, 0.73%

LAB 80.46, 11.74, 37.5

 

CMYK 0 / 18 / 42 / 0

HEX #FFD095

RGB 255 208 149

HSL 33.4, 1%, 0.79%

LAB 86.28, 9, 35.51

 

CMYK 0 / 4 / 27 / 0

HEX #FFF4BB

RGB 255 244 187

HSL 50.29, 1%, 0.87%

LAB 95.81, -4.87, 28.85

HEX #FFF4BB

CMYK 0 / 22 / 48 / 13

HEX #DDAC74

RGB 221 172 116

HSL 32, 0.61%, 0.66%

LAB 73.64, 11.05, 35.58

 

CMYK 0 / 25 / 52 / 20

HEX #CC9A61

RGB 204 154 97

HSL 31.96, 0.51%, 0.59%

LAB 67.14, 11.98, 36.97

 

CMYK 0 / 27 / 58 / 27

HEX #BB884E

RGB 187 136 78

HSL 31.93, 0.44%, 0.52%

LAB 60.54, 13.06, 38.43

 

CMYK 0 / 31 / 65 / 33

HEX #AA763B

RGB 170 118 59

HSL 31.89, 0.48%, 0.45%

LAB 53.83, 14.34, 39.93

 

CMYK 0 / 35 / 74 / 40

HEX #996428

RGB 153 100 40

HSL 31.86, 0.59%, 0.38%

LAB 47.03, 15.87, 41.36

 

CMYK 0 / 23 / 48 / 13

HEX #DDAB73

RGB 221 171 115

HSL 31.7, 0.61%, 0.66%

LAB 73.37, 11.49, 35.77

 

CMYK 0 / 35 / 48 / 13

HEX #DD8F73

RGB 221 143 115

HSL 15.85, 0.61%, 0.66%

LAB 66.71, 26.52, 27.12

 

CMYK 0 / 48 / 48 / 13

HEX #DD7373

RGB 221 115 115

HSL 0, 0.61%, 0.66%

LAB 60.67, 41.22, 19

 

CMYK 0 / 23 / 48 / 13

HEX #DDAB73

RGB 221 171 115

HSL 31.7, 0.61%, 0.66%

LAB 73.37, 11.49, 35.77

 

CMYK 0 / 10 / 48 / 13

HEX #DDC873

RGB 221 200 115

HSL 48.11, 0.61%, 0.66%

LAB 80.69, -3.77, 44.94

 

CMYK 4 / 0 / 48 / 13

HEX #D5DD73

RGB 213 221 115

HSL 64.53, 0.61%, 0.66%

LAB 85.55, -17.59, 50.7

 

CMYK 17 / 0 / 48 / 13

HEX #B8DD73

RGB 184 221 115

HSL 80.94, 0.61%, 0.66%

LAB 83.52, -28.8, 47.76

 

CMYK 29 / 0 / 48 / 13

HEX #9CDD73

RGB 156 221 115

HSL 96.79, 0.61%, 0.66%

LAB 81.85, -38.93, 45.33

 

CMYK 0 / 23 / 48 / 13

HEX #DDAB73

RGB 221 171 115

HSL 31.7, 0.61%, 0.66%

LAB 73.37, 11.49, 35.77

 

CMYK 0 / 27 / 57 / 8

HEX #EBAC65

RGB 235 172 101

HSL 31.79, 0.77%, 0.66%

LAB 74.89, 15.48, 45.16

 

CMYK 0 / 31 / 65 / 2

HEX #F9AD57

RGB 249 173 87

HSL 31.85, 0.93%, 0.66%

LAB 76.51, 19.76, 54.24

 

CMYK 0 / 23 / 48 / 13

HEX #DDAB73

RGB 221 171 115

HSL 31.7, 0.61%, 0.66%

LAB 73.37, 11.49, 35.77

 

CMYK 0 / 18 / 38 / 19

HEX #CFAA81

RGB 207 170 129

HSL 31.54, 0.45%, 0.66%

LAB 71.96, 7.85, 26.22

 

CMYK 0 / 12 / 26 / 24

HEX #C1A98F

RGB 193 169 143

HSL 31.2, 0.29%, 0.66%

LAB 70.66, 4.68, 16.63

 

CMYK 0 / 6 / 12 / 30

HEX #B3A99D

RGB 179 169 157

HSL 32.73, 0.13%, 0.66%

LAB 69.75, 1.51, 7.47

 

CMYK 4 / 2 / 0 / 33

HEX #A5A8AB

RGB 165 168 171

HSL 210, 0.03%, 0.66%

LAB 68.71, -0.48, -1.92

 

CMYK 0 / 48 / 48 / 13

HEX #DD7373

RGB 221 115 115

HSL 0, 0.61%, 0.66%

LAB 60.67, 41.22, 19

 

CMYK 0 / 35 / 48 / 13

HEX #DD8F73

RGB 221 143 115

HSL 15.85, 0.61%, 0.66%

LAB 66.71, 26.52, 27.12

 

CMYK 0 / 23 / 48 / 13

HEX #DDAB73

RGB 221 171 115

HSL 31.7, 0.61%, 0.66%

LAB 73.37, 11.49, 35.77

 

CMYK 0 / 10 / 48 / 13

HEX #DDC873

RGB 221 200 115

HSL 48.11, 0.61%, 0.66%

LAB 80.69, -3.77, 44.94

 

CMYK 3 / 0 / 48 / 13

HEX #D6DD73

RGB 214 221 115

HSL 63.96, 0.61%, 0.66%

LAB 85.63, -17.19, 50.81

 

CMYK 0 / 35 / 76 / 20

HEX #CC8431

RGB 204 132 49

HSL 32.13, 0.61%, 0.5%

LAB 61.27, 20.84, 53.75

 

CMYK 0 / 29 / 62 / 16

HEX #D59852

RGB 213 152 82

HSL 32.06, 0.61%, 0.58%

LAB 67.44, 15.66, 45.25

 

CMYK 0 / 23 / 48 / 13

HEX #DDAB73

RGB 221 171 115

HSL 31.7, 0.61%, 0.66%

LAB 73.37, 11.49, 35.77

 

CMYK 0 / 17 / 35 / 10

HEX #E5BF94

RGB 229 191 148

HSL 31.85, 0.61%, 0.74%

LAB 79.65, 7.62, 26.78

 

CMYK 0 / 11 / 24 / 7

HEX #EDD3B5

RGB 237 211 181

HSL 32.14, 0.61%, 0.82%

LAB 85.97, 4.48, 18.17

 

CMYK 0 / 22 / 48 / 13

HEX #DDAC74

RGB 221 172 116

HSL 32, 0.61%, 0.66%

LAB 73.64, 11.05, 35.58

 

CMYK 35 / 0 / 48 / 13

HEX #8FDD73

RGB 143 221 115

HSL 104.15, 0.61%, 0.66%

LAB 81.18, -43.3, 44.36

 

CMYK 42 / 48 / 0 / 13

HEX #8173DD

RGB 129 115 221

HSL 247.92, 0.61%, 0.66%

LAB 54.18, 31.1, -52.58

 

CMYK 0 / 22 / 48 / 13

HEX #DDAC74

RGB 221 172 116

HSL 32, 0.61%, 0.66%

LAB 73.64, 11.05, 35.58

 

CMYK 48 / 0 / 23 / 13

HEX #73DDAB

RGB 115 221 171

HSL 151.7, 0.61%, 0.66%

LAB 80.9, -42.13, 15.22

 

CMYK 23 / 48 / 0 / 13

HEX #AB73DD

RGB 171 115 221

HSL 271.7, 0.61%, 0.66%

LAB 58.17, 41.99, -46.01

 

CMYK 0 / 22 / 48 / 13

HEX #DDAC74

RGB 221 172 116

HSL 32, 0.61%, 0.66%

LAB 73.64, 11.05, 35.58

 

CMYK 35 / 0 / 48 / 13

HEX #8FDD73

RGB 143 221 115

HSL 104.15, 0.61%, 0.66%

LAB 81.18, -43.3, 44.36

 

CMYK 48 / 26 / 0 / 13

HEX #73A4DD

RGB 115 164 221

HSL 212.26, 0.61%, 0.66%

LAB 66.07, -0.93, -33.93

 

CMYK 13 / 48 / 0 / 13

HEX #C073DD

RGB 192 115 221

HSL 283.58, 0.61%, 0.66%

LAB 60.51, 47.78, -42.16

 

CMYK 0 / 22 / 48 / 13

HEX #DDAC74

RGB 221 172 116

HSL 32, 0.61%, 0.66%

LAB 73.64, 11.05, 35.58

 

CMYK 48 / 0 / 47 / 13

HEX #73DD76

RGB 115 221 118

HSL 121.7, 0.61%, 0.66%

LAB 79.99, -51.33, 41.15

 

CMYK 48 / 26 / 0 / 13

HEX #73A4DD

RGB 115 164 221

HSL 212.26, 0.61%, 0.66%

LAB 66.07, -0.93, -33.93

 

CMYK 0 / 48 / 2 / 13

HEX #DD73D9

RGB 221 115 217

HSL 302.26, 0.61%, 0.66%

LAB 63.87, 55.21, -34.4

 

Description

Color code: HEX #DDAC74 | qconv.com Color code: HEX #DDAC74 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 172 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 172 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 48 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 48% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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