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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DDAACC it is the complementary color #225533. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DDAACC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DDAACC shade: #E2AAC7, #F3BCDA, #FFCEED, #FFE0FF and #FFF2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DDAACC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DDAACC shade: #DDAACC, #CC98B9, #BB86A6, #AA7493 and #996280

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DDAACC shade: #DDABCC, #DDABBF, #DDABB1 and #DDABAB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DDAACC shade: #DDABCC, #DDABDA, #D3ABDD, #C5ABDD and #B7ABDD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DDAACC shade matches the following richer shades: #DDABCC, #E7A1CF, #F098D3 and #FA8ED6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DDAACC shade: #DDABCC, #D4B4C9, #CABEC6, #C1C7C3 and #B7D1C0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DDAACC shade: #D3ABDD, #DDABDA, #DDABCC, #DDABBF and #DDABB1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DDAACC shade: #C670A9, #D18DBB, #DDABCC, #E9C8DE and #F5E6F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DDAACC shade: #DDAACC, #DDC6AB and #ABDDDA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DDAACC shade: #DDAACC, #CCDDAB and #ABCCDD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DDAACC shade: #DDAACC, #DDC6AB, #ABDDBB and #ABC2DD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DDAACC shade: #DDAACC, #DDD5AB, #ABDDBB and #ABB3DD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 8 / 13

HEX #DDAACC

RGB 221 170 204

HSL 320, 0.43%, 0.77%

LAB 75.13, 24.1, -10.05

 

Complementary color

CMYK 60 / 0 / 40 / 67

HEX #225533

RGB 34 85 51

HSL 140, 0.43%, 0.23%

LAB 31.98, -25.85, 14.83

 

CMYK 0 / 25 / 12 / 11

HEX #E2AAC7

RGB 226 170 199

HSL 328.93, 0.49%, 0.78%

LAB 75.48, 24.99, -6.74

 

CMYK 0 / 23 / 10 / 5

HEX #F3BCDA

RGB 243 188 218

HSL 327.27, 0.7%, 0.85%

LAB 81.88, 24.4, -7.36

 

CMYK 0 / 19 / 7 / 0

HEX #FFCEED

RGB 255 206 237

HSL 322.04, 1%, 0.9%

LAB 87.74, 22.17, -8.69

 

CMYK 0 / 12 / 0 / 0

HEX #FFE0FF

RGB 255 224 255

HSL 300, 1%, 0.94%

LAB 92.48, 15.9, -11.1

 

CMYK 0 / 5 / 0 / 0

HEX #FFF2FF

RGB 255 242 255

HSL 300, 1%, 0.97%

LAB 96.81, 6.61, -4.68

 

CMYK 0 / 23 / 8 / 13

HEX #DDAACC

RGB 221 170 204

HSL 320, 0.43%, 0.77%

LAB 75.13, 24.1, -10.05

 

CMYK 0 / 25 / 9 / 20

HEX #CC98B9

RGB 204 152 185

HSL 321.92, 0.34%, 0.7%

LAB 68.6, 24.7, -9.48

 

CMYK 0 / 28 / 11 / 27

HEX #BB86A6

RGB 187 134 166

HSL 323.77, 0.28%, 0.63%

LAB 61.97, 25.35, -8.86

 

CMYK 0 / 32 / 14 / 33

HEX #AA7493

RGB 170 116 147

HSL 325.56, 0.24%, 0.56%

LAB 55.22, 26.06, -8.2

 

CMYK 0 / 36 / 16 / 40

HEX #996280

RGB 153 98 128

HSL 327.27, 0.22%, 0.49%

LAB 48.34, 26.84, -7.46

 

CMYK 0 / 23 / 8 / 13

HEX #DDABCC

RGB 221 171 204

HSL 320.4, 0.42%, 0.77%

LAB 75.36, 23.56, -9.7

 

CMYK 0 / 23 / 14 / 13

HEX #DDABBF

RGB 221 171 191

HSL 336, 0.42%, 0.77%

LAB 74.99, 21.38, -3.14

 

CMYK 0 / 23 / 20 / 13

HEX #DDABB1

RGB 221 171 177

HSL 352.8, 0.42%, 0.77%

LAB 74.62, 19.18, 3.98

 

CMYK 0 / 23 / 23 / 13

HEX #DDABAB

RGB 221 171 171

HSL 0, 0.42%, 0.77%

LAB 74.47, 18.28, 7.05

 

CMYK 0 / 23 / 8 / 13

HEX #DDABCC

RGB 221 171 204

HSL 320.4, 0.42%, 0.77%

LAB 75.36, 23.56, -9.7

 

CMYK 0 / 23 / 1 / 13

HEX #DDABDA

RGB 221 171 218

HSL 303.6, 0.42%, 0.77%

LAB 75.8, 26.05, -16.68

 

CMYK 5 / 23 / 0 / 13

HEX #D3ABDD

RGB 211 171 221

HSL 288, 0.42%, 0.77%

LAB 74.95, 23.32, -19.7

 

CMYK 11 / 23 / 0 / 13

HEX #C5ABDD

RGB 197 171 221

HSL 271.2, 0.42%, 0.77%

LAB 73.69, 18.77, -21.73

 

CMYK 17 / 23 / 0 / 13

HEX #B7ABDD

RGB 183 171 221

HSL 254.4, 0.42%, 0.77%

LAB 72.5, 14.3, -23.64

 

CMYK 0 / 23 / 8 / 13

HEX #DDABCC

RGB 221 171 204

HSL 320.4, 0.42%, 0.77%

LAB 75.36, 23.56, -9.7

 

CMYK 0 / 30 / 10 / 9

HEX #E7A1CF

RGB 231 161 207

HSL 320.57, 0.59%, 0.77%

LAB 74.18, 32.85, -13.01

 

CMYK 0 / 37 / 12 / 6

HEX #F098D3

RGB 240 152 211

HSL 319.77, 0.75%, 0.77%

LAB 73.34, 41.24, -16.36

 

CMYK 0 / 43 / 14 / 2

HEX #FA8ED6

RGB 250 142 214

HSL 320, 0.92%, 0.77%

LAB 72.58, 50.04, -19.05

 

CMYK 0 / 23 / 8 / 13

HEX #DDABCC

RGB 221 171 204

HSL 320.4, 0.42%, 0.77%

LAB 75.36, 23.56, -9.7

 

CMYK 0 / 15 / 5 / 17

HEX #D4B4C9

RGB 212 180 201

HSL 320.63, 0.27%, 0.77%

LAB 76.59, 15.05, -6.33

 

CMYK 0 / 6 / 2 / 21

HEX #CABEC6

RGB 202 190 198

HSL 320, 0.1%, 0.77%

LAB 78.15, 5.65, -2.51

 

CMYK 3 / 0 / 2 / 22

HEX #C1C7C3

RGB 193 199 195

HSL 140, 0.05%, 0.77%

LAB 79.68, -2.8, 1.27

 

CMYK 12 / 0 / 8 / 18

HEX #B7D1C0

RGB 183 209 192

HSL 140.77, 0.22%, 0.77%

LAB 81.55, -11.95, 5.49

 

CMYK 5 / 23 / 0 / 13

HEX #D3ABDD

RGB 211 171 221

HSL 288, 0.42%, 0.77%

LAB 74.95, 23.32, -19.7

 

CMYK 0 / 23 / 1 / 13

HEX #DDABDA

RGB 221 171 218

HSL 303.6, 0.42%, 0.77%

LAB 75.8, 26.05, -16.68

 

CMYK 0 / 23 / 8 / 13

HEX #DDABCC

RGB 221 171 204

HSL 320.4, 0.42%, 0.77%

LAB 75.36, 23.56, -9.7

 

CMYK 0 / 23 / 14 / 13

HEX #DDABBF

RGB 221 171 191

HSL 336, 0.42%, 0.77%

LAB 74.99, 21.38, -3.14

 

CMYK 0 / 23 / 20 / 13

HEX #DDABB1

RGB 221 171 177

HSL 352.8, 0.42%, 0.77%

LAB 74.62, 19.18, 3.98

 

CMYK 0 / 43 / 15 / 22

HEX #C670A9

RGB 198 112 169

HSL 320.23, 0.43%, 0.61%

LAB 58.47, 41.59, -15.71

 

CMYK 0 / 33 / 11 / 18

HEX #D18DBB

RGB 209 141 187

HSL 319.41, 0.43%, 0.69%

LAB 66.67, 32.76, -13.44

 

CMYK 0 / 23 / 8 / 13

HEX #DDABCC

RGB 221 171 204

HSL 320.4, 0.42%, 0.77%

LAB 75.36, 23.56, -9.7

 

CMYK 0 / 14 / 5 / 9

HEX #E9C8DE

RGB 233 200 222

HSL 320, 0.43%, 0.85%

LAB 83.92, 15.29, -6.6

 

CMYK 0 / 6 / 2 / 4

HEX #F5E6F0

RGB 245 230 240

HSL 320, 0.43%, 0.93%

LAB 92.71, 6.81, -3.03

 

CMYK 0 / 23 / 8 / 13

HEX #DDAACC

RGB 221 170 204

HSL 320, 0.43%, 0.77%

LAB 75.13, 24.1, -10.05

 

CMYK 0 / 10 / 23 / 13

HEX #DDC6AB

RGB 221 198 171

HSL 32.4, 0.42%, 0.77%

LAB 81.13, 3.89, 16.49

HEX #DDC6AB

CMYK 23 / 0 / 1 / 13

HEX #ABDDDA

RGB 171 221 218

HSL 176.4, 0.42%, 0.77%

LAB 84.71, -16.65, -3.81

HEX #ABDDDA

CMYK 0 / 23 / 8 / 13

HEX #DDAACC

RGB 221 170 204

HSL 320, 0.43%, 0.77%

LAB 75.13, 24.1, -10.05

 

CMYK 8 / 0 / 23 / 13

HEX #CCDDAB

RGB 204 221 171

HSL 80.4, 0.42%, 0.77%

LAB 85.75, -14.22, 22.7

 

CMYK 23 / 8 / 0 / 13

HEX #ABCCDD

RGB 171 204 221

HSL 200.4, 0.42%, 0.77%

LAB 80.22, -7.26, -12.07

 

CMYK 0 / 23 / 8 / 13

HEX #DDAACC

RGB 221 170 204

HSL 320, 0.43%, 0.77%

LAB 75.13, 24.1, -10.05

 

CMYK 0 / 10 / 23 / 13

HEX #DDC6AB

RGB 221 198 171

HSL 32.4, 0.42%, 0.77%

LAB 81.13, 3.89, 16.49

HEX #DDC6AB

CMYK 23 / 0 / 15 / 13

HEX #ABDDBB

RGB 171 221 187

HSL 139.2, 0.42%, 0.77%

LAB 83.94, -22.85, 11.47

HEX #ABDDBB

CMYK 23 / 12 / 0 / 13

HEX #ABC2DD

RGB 171 194 221

HSL 212.4, 0.42%, 0.77%

LAB 77.56, -1.97, -16.06

HEX #ABC2DD

CMYK 0 / 23 / 8 / 13

HEX #DDAACC

RGB 221 170 204

HSL 320, 0.43%, 0.77%

LAB 75.13, 24.1, -10.05

 

CMYK 0 / 4 / 23 / 13

HEX #DDD5AB

RGB 221 213 171

HSL 50.4, 0.42%, 0.77%

LAB 84.95, -3.91, 21.79

 

CMYK 23 / 0 / 15 / 13

HEX #ABDDBB

RGB 171 221 187

HSL 139.2, 0.42%, 0.77%

LAB 83.94, -22.85, 11.47

 

CMYK 23 / 19 / 0 / 13

HEX #ABB3DD

RGB 171 179 221

HSL 230.4, 0.42%, 0.77%

LAB 73.62, 6.16, -22.02

 

Description

Color code: HEX #DDAACC | qconv.com Color code: HEX #DDAACC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 170 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 170 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 8 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 8% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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