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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DDA330 it is the complementary color #225CCF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DDA330. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DDA330 shade: #E2A32B, #F3B53E, #FFC751, #FFD964 and #FFEB77

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DDA330. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DDA330 shade: #DDA330, #CC911D, #BB7F0A, #AA6D00 and #995B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DDA330 shade: #DDA330, #DD7530, #DD4630 and #DD3030

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DDA330 shade: #DDA330, #DDD230, #BADD30, #8BDD30 and #5DDD30

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DDA330 shade matches the following richer shades: #DDA330 and #F0A91D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DDA330 shade: #DDA330, #CA9D44, #B69657, #A3906B and #8F8A7E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DDA330 shade: #DD4430, #DD7330, #DDA130, #DDCF30 and #BDDD30

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DDA330 shade: #A1741A, #C48D20, #DDA330, #E3B354 and #E8C377

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DDA330 shade: #DDA330, #4ADD30 and #5C30DD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DDA330 shade: #DDA330, #30DDA1 and #A130DD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DDA330 shade: #DDA330, #4ADD30, #306DDD and #C330DD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DDA330 shade: #DDA330, #30DD4A, #306DDD and #DD30C3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 78 / 13

HEX #DDA330

RGB 221 163 48

HSL 39.88, 0.72%, 0.53%

LAB 70.72, 11.38, 63.8

 

Complementary color

CMYK 84 / 56 / 0 / 19

HEX #225CCF

RGB 34 92 207

HSL 219.88, 0.72%, 0.47%

LAB 42, 24.63, -64.53

 

CMYK 0 / 28 / 81 / 11

HEX #E2A32B

RGB 226 163 43

HSL 39.34, 0.76%, 0.53%

LAB 71.24, 13.37, 66.2

 

CMYK 0 / 26 / 74 / 5

HEX #F3B53E

RGB 243 181 62

HSL 39.45, 0.88%, 0.6%

LAB 77.55, 11.79, 65.89

 

CMYK 0 / 22 / 68 / 0

HEX #FFC751

RGB 255 199 81

HSL 40.69, 1%, 0.66%

LAB 83.28, 8.34, 64.43

 

CMYK 0 / 15 / 61 / 0

HEX #FFD964

RGB 255 217 100

HSL 45.29, 1%, 0.7%

LAB 87.88, 0.23, 61.18

 

CMYK 0 / 8 / 53 / 0

HEX #FFEB77

RGB 255 235 119

HSL 51.18, 1%, 0.73%

LAB 92.58, -7.46, 57.98

 

CMYK 0 / 26 / 78 / 13

HEX #DDA330

RGB 221 163 48

HSL 39.88, 0.72%, 0.53%

LAB 70.72, 11.38, 63.8

 

CMYK 0 / 29 / 86 / 20

HEX #CC911D

RGB 204 145 29

HSL 39.77, 0.75%, 0.46%

LAB 64.3, 13.09, 63.6

 

CMYK 0 / 32 / 95 / 27

HEX #BB7F0A

RGB 187 127 10

HSL 39.66, 0.9%, 0.39%

LAB 57.81, 15.07, 62.04

 

CMYK 0 / 36 / 100 / 33

HEX #AA6D00

RGB 170 109 0

HSL 38.47, 1%, 0.33%

LAB 51.25, 17.35, 58.36

 

CMYK 0 / 41 / 100 / 40

HEX #995B00

RGB 153 91 0

HSL 35.69, 1%, 0.3%

LAB 44.6, 19.85, 52.95

 

CMYK 0 / 26 / 78 / 13

HEX #DDA330

RGB 221 163 48

HSL 39.88, 0.72%, 0.53%

LAB 70.72, 11.38, 63.8

 

CMYK 0 / 47 / 78 / 13

HEX #DD7530

RGB 221 117 48

HSL 23.93, 0.72%, 0.53%

LAB 60.17, 35.84, 53.86

 

CMYK 0 / 68 / 78 / 13

HEX #DD4630

RGB 221 70 48

HSL 7.63, 0.72%, 0.53%

LAB 51.8, 57.55, 45.59

 

CMYK 0 / 78 / 78 / 13

HEX #DD3030

RGB 221 48 48

HSL 0, 0.72%, 0.53%

LAB 49.13, 64.95, 42.85

 

CMYK 0 / 26 / 78 / 13

HEX #DDA330

RGB 221 163 48

HSL 39.88, 0.72%, 0.53%

LAB 70.72, 11.38, 63.8

 

CMYK 0 / 5 / 78 / 13

HEX #DDD230

RGB 221 210 48

HSL 56.18, 0.72%, 0.53%

LAB 82.74, -13.04, 74.66

 

CMYK 16 / 0 / 78 / 13

HEX #BADD30

RGB 186 221 48

HSL 72.14, 0.72%, 0.53%

LAB 83.11, -32.81, 73.99

 

CMYK 37 / 0 / 78 / 13

HEX #8BDD30

RGB 139 221 48

HSL 88.44, 0.72%, 0.53%

LAB 80.41, -50.37, 70.54

 

CMYK 58 / 0 / 78 / 13

HEX #5DDD30

RGB 93 221 48

HSL 104.39, 0.72%, 0.53%

LAB 78.61, -63.98, 68.2

 

CMYK 0 / 26 / 78 / 13

HEX #DDA330

RGB 221 163 48

HSL 39.88, 0.72%, 0.53%

LAB 70.72, 11.38, 63.8

 

CMYK 0 / 30 / 88 / 6

HEX #F0A91D

RGB 240 169 29

HSL 39.81, 0.88%, 0.53%

LAB 74.18, 15.83, 73.22

 

CMYK 0 / 26 / 78 / 13

HEX #DDA330

RGB 221 163 48

HSL 39.88, 0.72%, 0.53%

LAB 70.72, 11.38, 63.8

 

CMYK 0 / 22 / 66 / 21

HEX #CA9D44

RGB 202 157 68

HSL 39.85, 0.56%, 0.53%

LAB 67.34, 7.34, 51.54

 

CMYK 0 / 18 / 52 / 29

HEX #B69657

RGB 182 150 87

HSL 39.79, 0.39%, 0.53%

LAB 63.71, 3.96, 37.46

 

CMYK 0 / 12 / 34 / 36

HEX #A3906B

RGB 163 144 107

HSL 39.64, 0.23%, 0.53%

LAB 60.6, 1.45, 22.29

 

CMYK 0 / 3 / 12 / 44

HEX #8F8A7E

RGB 143 138 126

HSL 42.35, 0.07%, 0.53%

LAB 57.58, -0.33, 7.08

 

CMYK 0 / 69 / 78 / 13

HEX #DD4430

RGB 221 68 48

HSL 6.94, 0.72%, 0.53%

LAB 51.52, 58.32, 45.3

 

CMYK 0 / 48 / 78 / 13

HEX #DD7330

RGB 221 115 48

HSL 23.24, 0.72%, 0.53%

LAB 59.75, 36.86, 53.46

 

CMYK 0 / 27 / 78 / 13

HEX #DDA130

RGB 221 161 48

HSL 39.19, 0.72%, 0.53%

LAB 70.23, 12.45, 63.35

 

CMYK 0 / 6 / 78 / 13

HEX #DDCF30

RGB 221 207 48

HSL 55.14, 0.72%, 0.53%

LAB 81.95, -11.54, 73.96

 

CMYK 14 / 0 / 78 / 13

HEX #BDDD30

RGB 189 221 48

HSL 71.1, 0.72%, 0.53%

LAB 83.31, -31.61, 74.25

 

CMYK 0 / 28 / 84 / 37

HEX #A1741A

RGB 161 116 26

HSL 40, 0.72%, 0.37%

LAB 52, 9.8, 52.16

 

CMYK 0 / 28 / 84 / 23

HEX #C48D20

RGB 196 141 32

HSL 39.88, 0.72%, 0.45%

LAB 62.41, 11.83, 60.76

 

CMYK 0 / 26 / 78 / 13

HEX #DDA330

RGB 221 163 48

HSL 39.88, 0.72%, 0.53%

LAB 70.72, 11.38, 63.8

 

CMYK 0 / 21 / 63 / 11

HEX #E3B354

RGB 227 179 84

HSL 39.86, 0.72%, 0.61%

LAB 75.58, 7.25, 53.96

 

CMYK 0 / 16 / 49 / 9

HEX #E8C377

RGB 232 195 119

HSL 40.35, 0.71%, 0.69%

LAB 80.47, 3.66, 42.89

 

CMYK 0 / 26 / 78 / 13

HEX #DDA330

RGB 221 163 48

HSL 39.88, 0.72%, 0.53%

LAB 70.72, 11.38, 63.8

 

CMYK 67 / 0 / 78 / 13

HEX #4ADD30

RGB 74 221 48

HSL 110.98, 0.72%, 0.53%

LAB 78.1, -68.17, 67.54

 

CMYK 58 / 78 / 0 / 13

HEX #5C30DD

RGB 92 48 221

HSL 255.26, 0.72%, 0.53%

LAB 37.13, 60.86, -80.42

 

CMYK 0 / 26 / 78 / 13

HEX #DDA330

RGB 221 163 48

HSL 39.88, 0.72%, 0.53%

LAB 70.72, 11.38, 63.8

 

CMYK 78 / 0 / 27 / 13

HEX #30DDA1

RGB 48 221 161

HSL 159.19, 0.72%, 0.53%

LAB 78.99, -56.23, 17.56

 

CMYK 27 / 78 / 0 / 13

HEX #A130DD

RGB 161 48 221

HSL 279.19, 0.72%, 0.53%

LAB 45.51, 70.71, -66.37

 

CMYK 0 / 26 / 78 / 13

HEX #DDA330

RGB 221 163 48

HSL 39.88, 0.72%, 0.53%

LAB 70.72, 11.38, 63.8

 

CMYK 67 / 0 / 78 / 13

HEX #4ADD30

RGB 74 221 48

HSL 110.98, 0.72%, 0.53%

LAB 78.1, -68.17, 67.54

 

CMYK 78 / 51 / 0 / 13

HEX #306DDD

RGB 48 109 221

HSL 218.84, 0.72%, 0.53%

LAB 47.99, 20.28, -62.78

 

CMYK 12 / 78 / 0 / 13

HEX #C330DD

RGB 195 48 221

HSL 290.98, 0.72%, 0.53%

LAB 50.61, 76.68, -57.87

 

CMYK 0 / 26 / 78 / 13

HEX #DDA330

RGB 221 163 48

HSL 39.88, 0.72%, 0.53%

LAB 70.72, 11.38, 63.8

 

CMYK 78 / 0 / 67 / 13

HEX #30DD4A

RGB 48 221 74

HSL 129.02, 0.72%, 0.53%

LAB 77.78, -70.29, 57.97

 

CMYK 78 / 51 / 0 / 13

HEX #306DDD

RGB 48 109 221

HSL 218.84, 0.72%, 0.53%

LAB 47.99, 20.28, -62.78

 

CMYK 0 / 78 / 12 / 13

HEX #DD30C3

RGB 221 48 195

HSL 309.02, 0.72%, 0.53%

LAB 53.41, 77.75, -38.26

 

Description

Color code: HEX #DDA330 | qconv.com Color code: HEX #DDA330 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 163 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 163 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 78 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 78% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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