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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DD8233 it is the complementary color #227DCC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DD8233. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DD8233 shade: #E2822E, #F39441, #FFA654, #FFB867 and #FFCA7A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DD8233. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DD8233 shade: #DD8233, #CC7020, #BB5E0D, #AA4C00 and #993A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DD8233 shade: #DC8132, #DC5332 and #DC3232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DD8233 shade: #DC8132, #DCAF32, #DBDC32, #ADDC32 and #7FDC32

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DD8233 shade matches the following richer shades: #DC8132 and #EF7F1E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DD8233 shade: #DC8132, #C88245, #B58358, #A2856C and #8E867F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DD8233 shade: #DC3240, #DC5132, #DC7E32, #DCAC32 and #DCD932

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DD8233 shade: #A0591B, #C36C21, #DC8132, #E29655 and #E8AC78

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DD8233 shade: #DD8233, #6DDC32 and #3A32DC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DD8233 shade: #DD8233, #32DC7E and #7E32DC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DD8233 shade: #DD8233, #6DDC32, #328FDC and #A032DC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DD8233 shade: #DD8233, #3ADC32, #328FDC and #D332DC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 77 / 13

HEX #DD8233

RGB 221 130 51

HSL 27.88, 0.71%, 0.53%

LAB 62.99, 29.15, 55.3

 

Complementary color

CMYK 83 / 39 / 0 / 20

HEX #227DCC

RGB 34 125 204

HSL 207.88, 0.71%, 0.47%

LAB 51.11, 2.52, -48.14

 

CMYK 0 / 42 / 80 / 11

HEX #E2822E

RGB 226 130 46

HSL 28, 0.76%, 0.53%

LAB 63.62, 31.02, 58.21

 

CMYK 0 / 39 / 73 / 5

HEX #F39441

RGB 243 148 65

HSL 27.98, 0.88%, 0.6%

LAB 69.91, 29.28, 57.03

 

CMYK 0 / 35 / 67 / 0

HEX #FFA654

RGB 255 166 84

HSL 28.77, 1%, 0.66%

LAB 75.56, 25.7, 54.79

 

CMYK 0 / 28 / 60 / 0

HEX #FFB867

RGB 255 184 103

HSL 31.97, 1%, 0.7%

LAB 79.91, 17.48, 50.67

HEX #FFB867

CMYK 0 / 21 / 52 / 0

HEX #FFCA7A

RGB 255 202 122

HSL 36.09, 1%, 0.74%

LAB 84.44, 9.57, 46.79

HEX #FFCA7A

CMYK 0 / 41 / 77 / 13

HEX #DD8233

RGB 221 130 51

HSL 27.88, 0.71%, 0.53%

LAB 62.99, 29.15, 55.3

 

CMYK 0 / 45 / 84 / 20

HEX #CC7020

RGB 204 112 32

HSL 27.91, 0.73%, 0.46%

LAB 56.61, 31.02, 56.21

 

CMYK 0 / 50 / 93 / 27

HEX #BB5E0D

RGB 187 94 13

HSL 27.93, 0.87%, 0.39%

LAB 50.22, 33.1, 56.02

 

CMYK 0 / 55 / 100 / 33

HEX #AA4C00

RGB 170 76 0

HSL 26.82, 1%, 0.33%

LAB 43.82, 35.33, 53.78

 

CMYK 0 / 62 / 100 / 40

HEX #993A00

RGB 153 58 0

HSL 22.75, 1%, 0.3%

LAB 37.48, 37.57, 48.72

 

CMYK 0 / 41 / 77 / 14

HEX #DC8132

RGB 220 129 50

HSL 27.88, 0.71%, 0.53%

LAB 62.63, 29.23, 55.34

 

CMYK 0 / 62 / 77 / 14

HEX #DC5332

RGB 220 83 50

HSL 11.65, 0.71%, 0.53%

LAB 53.63, 51.92, 46.38

 

CMYK 0 / 77 / 77 / 14

HEX #DC3232

RGB 220 50 50

HSL 0, 0.71%, 0.53%

LAB 49.16, 64.15, 41.73

 

CMYK 0 / 41 / 77 / 14

HEX #DC8132

RGB 220 129 50

HSL 27.88, 0.71%, 0.53%

LAB 62.63, 29.23, 55.34

 

CMYK 0 / 20 / 77 / 14

HEX #DCAF32

RGB 220 175 50

HSL 44.12, 0.71%, 0.53%

LAB 73.61, 4.64, 65.73

 

CMYK 0 / 0 / 77 / 14

HEX #DBDC32

RGB 219 220 50

HSL 60.35, 0.71%, 0.53%

LAB 85.24, -18.76, 76.25

 

CMYK 21 / 0 / 77 / 14

HEX #ADDC32

RGB 173 220 50

HSL 76.59, 0.71%, 0.53%

LAB 82, -37.39, 72.1

 

CMYK 42 / 0 / 77 / 14

HEX #7FDC32

RGB 127 220 50

HSL 92.82, 0.71%, 0.53%

LAB 79.57, -53.84, 68.97

 

CMYK 0 / 41 / 77 / 14

HEX #DC8132

RGB 220 129 50

HSL 27.88, 0.71%, 0.53%

LAB 62.63, 29.23, 55.34

 

CMYK 0 / 47 / 87 / 6

HEX #EF7F1E

RGB 239 127 30

HSL 27.85, 0.87%, 0.53%

LAB 64.66, 37.4, 65.46

 

CMYK 0 / 41 / 77 / 14

HEX #DC8132

RGB 220 129 50

HSL 27.88, 0.71%, 0.53%

LAB 62.63, 29.23, 55.34

 

CMYK 0 / 35 / 66 / 22

HEX #C88245

RGB 200 130 69

HSL 27.94, 0.54%, 0.53%

LAB 60.49, 21.27, 43.39

 

CMYK 0 / 28 / 51 / 29

HEX #B58358

RGB 181 131 88

HSL 27.74, 0.39%, 0.53%

LAB 58.75, 14.14, 30.72

 

CMYK 0 / 18 / 33 / 36

HEX #A2856C

RGB 162 133 108

HSL 27.78, 0.23%, 0.53%

LAB 57.6, 7.32, 17.64

 

CMYK 0 / 6 / 11 / 44

HEX #8E867F

RGB 142 134 127

HSL 28, 0.06%, 0.53%

LAB 56.42, 1.71, 4.83

 

CMYK 0 / 77 / 71 / 14

HEX #DC3240

RGB 220 50 64

HSL 355.06, 0.71%, 0.53%

LAB 49.33, 64.7, 33.94

 

CMYK 0 / 63 / 77 / 14

HEX #DC5132

RGB 220 81 50

HSL 10.94, 0.71%, 0.53%

LAB 53.31, 52.79, 46.05

 

CMYK 0 / 43 / 77 / 14

HEX #DC7E32

RGB 220 126 50

HSL 26.82, 0.71%, 0.53%

LAB 61.97, 30.81, 54.69

 

CMYK 0 / 22 / 77 / 14

HEX #DCAC32

RGB 220 172 50

HSL 43.06, 0.71%, 0.53%

LAB 72.86, 6.23, 65.03

 

CMYK 0 / 1 / 77 / 14

HEX #DCD932

RGB 220 217 50

HSL 58.94, 0.71%, 0.53%

LAB 84.52, -16.87, 75.63

 

CMYK 0 / 44 / 83 / 37

HEX #A0591B

RGB 160 89 27

HSL 27.97, 0.71%, 0.37%

LAB 45.22, 24.68, 45.74

 

CMYK 0 / 45 / 83 / 24

HEX #C36C21

RGB 195 108 33

HSL 27.78, 0.71%, 0.45%

LAB 54.49, 29.43, 53.49

 

CMYK 0 / 41 / 77 / 14

HEX #DC8132

RGB 220 129 50

HSL 27.88, 0.71%, 0.53%

LAB 62.63, 29.23, 55.34

 

CMYK 0 / 34 / 62 / 11

HEX #E29655

RGB 226 150 85

HSL 27.66, 0.71%, 0.61%

LAB 68.49, 22.35, 45.36

 

CMYK 0 / 26 / 48 / 9

HEX #E8AC78

RGB 232 172 120

HSL 27.86, 0.71%, 0.69%

LAB 74.84, 15.88, 35.25

 

CMYK 0 / 41 / 77 / 13

HEX #DD8233

RGB 221 130 51

HSL 27.88, 0.71%, 0.53%

LAB 62.99, 29.15, 55.3

 

CMYK 50 / 0 / 77 / 14

HEX #6DDC32

RGB 109 220 50

HSL 99.18, 0.71%, 0.53%

LAB 78.85, -59.28, 68.02

 

CMYK 74 / 77 / 0 / 14

HEX #3A32DC

RGB 58 50 220

HSL 242.82, 0.71%, 0.53%

LAB 34.7, 56.42, -83.95

 

CMYK 0 / 41 / 77 / 13

HEX #DD8233

RGB 221 130 51

HSL 27.88, 0.71%, 0.53%

LAB 62.99, 29.15, 55.3

 

CMYK 77 / 0 / 43 / 14

HEX #32DC7E

RGB 50 220 126

HSL 146.82, 0.71%, 0.53%

LAB 78.09, -62.61, 34.41

 

CMYK 43 / 77 / 0 / 14

HEX #7E32DC

RGB 126 50 220

HSL 266.82, 0.71%, 0.53%

LAB 41.03, 64.22, -73.3

 

CMYK 0 / 41 / 77 / 13

HEX #DD8233

RGB 221 130 51

HSL 27.88, 0.71%, 0.53%

LAB 62.99, 29.15, 55.3

 

CMYK 50 / 0 / 77 / 14

HEX #6DDC32

RGB 109 220 50

HSL 99.18, 0.71%, 0.53%

LAB 78.85, -59.28, 68.02

 

CMYK 77 / 35 / 0 / 14

HEX #328FDC

RGB 50 143 220

HSL 207.18, 0.71%, 0.53%

LAB 57.55, -0.75, -46.92

 

CMYK 27 / 77 / 0 / 14

HEX #A032DC

RGB 160 50 220

HSL 278.82, 0.71%, 0.53%

LAB 45.53, 69.68, -65.78

 

CMYK 0 / 41 / 77 / 13

HEX #DD8233

RGB 221 130 51

HSL 27.88, 0.71%, 0.53%

LAB 62.99, 29.15, 55.3

 

CMYK 74 / 0 / 77 / 14

HEX #3ADC32

RGB 58 220 50

HSL 117.18, 0.71%, 0.53%

LAB 77.47, -70.53, 66.22

 

CMYK 77 / 35 / 0 / 14

HEX #328FDC

RGB 50 143 220

HSL 207.18, 0.71%, 0.53%

LAB 57.55, -0.75, -46.92

 

CMYK 4 / 77 / 0 / 14

HEX #D332DC

RGB 211 50 220

HSL 296.82, 0.71%, 0.53%

LAB 53.27, 78.96, -52.9

 

Description

Color code: HEX #DD8233 | qconv.com Color code: HEX #DD8233 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 130 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 130 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 77 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 77% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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