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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DD88EA it is the complementary color #227715. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DD88EA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DD88EA shade: #E288E5, #F39AF8, #FFACFF, #FFBEFF and #FFD0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DD88EA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DD88EA shade: #DD88EA, #CC76D7, #BB64C4, #AA52B1 and #99409E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DD88EA shade: #DD89EA, #EA89DD, #EA89C3, #EA89A9 and #EA898F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DD88EA shade: #DD89EA, #C389EA, #A989EA, #8F89EA and #8989EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DD88EA shade matches the following richer shades: #DD89EA and #E57EF5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DD88EA shade: #DD89EA, #D595DF, #CDA0D4, #C5ABC8 and #BCB6BD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DD88EA shade: #AA89EA, #C389EA, #DD89EA, #EA89DD and #EA89C3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DD88EA shade: #C943DD, #D366E4, #DD89EA, #E7ADF0 and #F1D0F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DD88EA shade: #DD88EA, #EA9089 and #89EAB6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DD88EA shade: #DD88EA, #EADD89 and #89EADD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DD88EA shade: #DD88EA, #EA9089, #96EA89 and #89E3EA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DD88EA shade: #DD88EA, #EAAD89, #96EA89 and #89C7EA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 42 / 0 / 8

HEX #DD88EA

RGB 221 136 234

HSL 292.04, 0.7%, 0.73%

LAB 68.69, 47.71, -36.33

 

Complementary color

CMYK 71 / 0 / 82 / 53

HEX #227715

RGB 34 119 21

HSL 112.04, 0.7%, 0.27%

LAB 43.64, -43.63, 42.8

 

CMYK 1 / 41 / 0 / 10

HEX #E288E5

RGB 226 136 229

HSL 298.06, 0.64%, 0.72%

LAB 69.06, 48.25, -32.96

 

CMYK 2 / 38 / 0 / 3

HEX #F39AF8

RGB 243 154 248

HSL 296.81, 0.87%, 0.79%

LAB 75.42, 47.52, -33.37

 

CMYK 0 / 33 / 0 / 0

HEX #FFACFF

RGB 255 172 255

HSL 300, 1%, 0.84%

LAB 80.73, 43.12, -28.85

 

CMYK 0 / 25 / 0 / 0

HEX #FFBEFF

RGB 255 190 255

HSL 300, 1%, 0.87%

LAB 84.64, 33.72, -22.89

 

CMYK 0 / 18 / 0 / 0

HEX #FFD0FF

RGB 255 208 255

HSL 300, 1%, 0.91%

LAB 88.73, 24.27, -16.71

 

CMYK 6 / 42 / 0 / 8

HEX #DD88EA

RGB 221 136 234

HSL 292.04, 0.7%, 0.73%

LAB 68.69, 47.71, -36.33

 

CMYK 5 / 45 / 0 / 16

HEX #CC76D7

RGB 204 118 215

HSL 293.2, 0.55%, 0.65%

LAB 62.25, 48.45, -35.96

 

CMYK 5 / 49 / 0 / 23

HEX #BB64C4

RGB 187 100 196

HSL 294.38, 0.45%, 0.58%

LAB 55.75, 49.16, -35.52

 

CMYK 4 / 54 / 0 / 31

HEX #AA52B1

RGB 170 82 177

HSL 295.58, 0.38%, 0.51%

LAB 49.2, 49.8, -34.97

 

CMYK 3 / 59 / 0 / 38

HEX #99409E

RGB 153 64 158

HSL 296.81, 0.42%, 0.44%

LAB 42.62, 50.26, -34.24

 

CMYK 6 / 41 / 0 / 8

HEX #DD89EA

RGB 221 137 234

HSL 291.96, 0.7%, 0.73%

LAB 68.9, 47.19, -36.02

 

CMYK 0 / 41 / 6 / 8

HEX #EA89DD

RGB 234 137 221

HSL 308.04, 0.7%, 0.73%

LAB 69.9, 48.74, -27.18

 

CMYK 0 / 41 / 17 / 8

HEX #EA89C3

RGB 234 137 195

HSL 324.12, 0.7%, 0.73%

LAB 68.99, 44.52, -14.13

 

CMYK 0 / 41 / 28 / 8

HEX #EA89A9

RGB 234 137 169

HSL 340.21, 0.7%, 0.73%

LAB 68.2, 40.79, -0.73

 

CMYK 0 / 41 / 39 / 8

HEX #EA898F

RGB 234 137 143

HSL 356.29, 0.7%, 0.73%

LAB 67.55, 37.58, 12.94

 

CMYK 6 / 41 / 0 / 8

HEX #DD89EA

RGB 221 137 234

HSL 291.96, 0.7%, 0.73%

LAB 68.9, 47.19, -36.02

 

CMYK 17 / 41 / 0 / 8

HEX #C389EA

RGB 195 137 234

HSL 275.88, 0.7%, 0.73%

LAB 66.09, 39.61, -40.61

 

CMYK 28 / 41 / 0 / 8

HEX #A989EA

RGB 169 137 234

HSL 259.79, 0.7%, 0.73%

LAB 63.56, 32.25, -44.75

 

CMYK 39 / 41 / 0 / 8

HEX #8F89EA

RGB 143 137 234

HSL 243.71, 0.7%, 0.73%

LAB 61.37, 25.32, -48.36

 

CMYK 41 / 41 / 0 / 8

HEX #8989EA

RGB 137 137 234

HSL 240, 0.7%, 0.73%

LAB 60.91, 23.8, -49.11

 

CMYK 6 / 41 / 0 / 8

HEX #DD89EA

RGB 221 137 234

HSL 291.96, 0.7%, 0.73%

LAB 68.9, 47.19, -36.02

 

CMYK 7 / 49 / 0 / 4

HEX #E57EF5

RGB 229 126 245

HSL 291.93, 0.86%, 0.73%

LAB 68.15, 57.1, -43.16

 

CMYK 6 / 41 / 0 / 8

HEX #DD89EA

RGB 221 137 234

HSL 291.96, 0.7%, 0.73%

LAB 68.9, 47.19, -36.02

 

CMYK 4 / 33 / 0 / 13

HEX #D595DF

RGB 213 149 223

HSL 291.89, 0.54%, 0.73%

LAB 70.15, 36.29, -28.09

 

CMYK 3 / 25 / 0 / 17

HEX #CDA0D4

RGB 205 160 212

HSL 291.92, 0.38%, 0.73%

LAB 71.47, 25.61, -20.1

 

CMYK 1 / 15 / 0 / 22

HEX #C5ABC8

RGB 197 171 200

HSL 293.79, 0.21%, 0.73%

LAB 73, 14.59, -11.27

 

CMYK 1 / 4 / 0 / 26

HEX #BCB6BD

RGB 188 182 189

HSL 291.43, 0.05%, 0.73%

LAB 74.71, 3.41, -2.8

 

CMYK 27 / 41 / 0 / 8

HEX #AA89EA

RGB 170 137 234

HSL 260.41, 0.7%, 0.73%

LAB 63.65, 32.52, -44.6

 

CMYK 17 / 41 / 0 / 8

HEX #C389EA

RGB 195 137 234

HSL 275.88, 0.7%, 0.73%

LAB 66.09, 39.61, -40.61

 

CMYK 6 / 41 / 0 / 8

HEX #DD89EA

RGB 221 137 234

HSL 291.96, 0.7%, 0.73%

LAB 68.9, 47.19, -36.02

 

CMYK 0 / 41 / 6 / 8

HEX #EA89DD

RGB 234 137 221

HSL 308.04, 0.7%, 0.73%

LAB 69.9, 48.74, -27.18

 

CMYK 0 / 41 / 17 / 8

HEX #EA89C3

RGB 234 137 195

HSL 324.12, 0.7%, 0.73%

LAB 68.99, 44.52, -14.13

 

CMYK 9 / 70 / 0 / 13

HEX #C943DD

RGB 201 67 221

HSL 292.21, 0.69%, 0.56%

LAB 53.66, 71.77, -52.95

 

CMYK 7 / 55 / 0 / 11

HEX #D366E4

RGB 211 102 228

HSL 291.9, 0.7%, 0.65%

LAB 60.74, 60.7, -45.55

 

CMYK 6 / 41 / 0 / 8

HEX #DD89EA

RGB 221 137 234

HSL 291.96, 0.7%, 0.73%

LAB 68.9, 47.19, -36.02

 

CMYK 4 / 28 / 0 / 6

HEX #E7ADF0

RGB 231 173 240

HSL 291.94, 0.69%, 0.81%

LAB 77.97, 32.33, -25.22

 

CMYK 2 / 15 / 0 / 4

HEX #F1D0F6

RGB 241 208 246

HSL 292.11, 0.68%, 0.89%

LAB 87.23, 18.06, -14.34

 

CMYK 6 / 42 / 0 / 8

HEX #DD88EA

RGB 221 136 234

HSL 292.04, 0.7%, 0.73%

LAB 68.69, 47.71, -36.33

 

CMYK 0 / 38 / 41 / 8

HEX #EA9089

RGB 234 144 137

HSL 4.33, 0.7%, 0.73%

LAB 68.93, 33.26, 18.21

 

CMYK 41 / 0 / 22 / 8

HEX #89EAB6

RGB 137 234 182

HSL 147.84, 0.7%, 0.73%

LAB 85.78, -40.02, 16.43

 

CMYK 6 / 42 / 0 / 8

HEX #DD88EA

RGB 221 136 234

HSL 292.04, 0.7%, 0.73%

LAB 68.69, 47.71, -36.33

 

CMYK 0 / 6 / 41 / 8

HEX #EADD89

RGB 234 221 137

HSL 51.96, 0.7%, 0.73%

LAB 87.49, -7.14, 42.77

 

CMYK 41 / 0 / 6 / 8

HEX #89EADD

RGB 137 234 221

HSL 171.96, 0.7%, 0.73%

LAB 86.69, -31.65, -2.67

 

CMYK 6 / 42 / 0 / 8

HEX #DD88EA

RGB 221 136 234

HSL 292.04, 0.7%, 0.73%

LAB 68.69, 47.71, -36.33

 

CMYK 0 / 38 / 41 / 8

HEX #EA9089

RGB 234 144 137

HSL 4.33, 0.7%, 0.73%

LAB 68.93, 33.26, 18.21

 

CMYK 36 / 0 / 41 / 8

HEX #96EA89

RGB 150 234 137

HSL 111.96, 0.7%, 0.73%

LAB 85.57, -43.79, 39.21

 

CMYK 41 / 3 / 0 / 8

HEX #89E3EA

RGB 137 227 234

HSL 184.33, 0.7%, 0.73%

LAB 85.1, -25.16, -11.88

 

CMYK 6 / 42 / 0 / 8

HEX #DD88EA

RGB 221 136 234

HSL 292.04, 0.7%, 0.73%

LAB 68.69, 47.71, -36.33

 

CMYK 0 / 26 / 41 / 8

HEX #EAAD89

RGB 234 173 137

HSL 22.27, 0.7%, 0.73%

LAB 75.57, 17.87, 27.23

 

CMYK 36 / 0 / 41 / 8

HEX #96EA89

RGB 150 234 137

HSL 111.96, 0.7%, 0.73%

LAB 85.57, -43.79, 39.21

 

CMYK 41 / 15 / 0 / 8

HEX #89C7EA

RGB 137 199 234

HSL 201.65, 0.7%, 0.73%

LAB 77.34, -10.95, -23.57

 

Description

Color code: HEX #DD88EA | qconv.com Color code: HEX #DD88EA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 136 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 136 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 42 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 42% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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