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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DD71C3 it is the complementary color #228E3C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DD71C3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DD71C3 shade: #E271BE, #F383D1, #FF95E4, #FFA7F7 and #FFB9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DD71C3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DD71C3 shade: #DD71C3, #CC5FB0, #BB4D9D, #AA3B8A and #992977

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DD71C3 shade: #DC6FC1, #DC6FA4, #DC6F87 and #DC6F6F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DD71C3 shade: #DC6FC1, #D96FDC, #BB6FDC, #9E6FDC and #806FDC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DD71C3 shade matches the following richer shades: #DC6FC1, #EA60C9 and #F952D0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DD71C3 shade: #DC6FC1, #CD7DBA, #BF8CB3, #B09AAB and #A2A9A4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DD71C3 shade: #BB6FDC, #D86FDC, #DC6FC2, #DC6FA5 and #DC6F88

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DD71C3 shade: #C830A3, #D44EB3, #DC6FC1, #E490D0 and #ECB1DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DD71C3 shade: #DD71C3, #DC9E6F and #6FDCCA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DD71C3 shade: #DD71C3, #C2DC6F and #6FC2DC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DD71C3 shade: #DD71C3, #DC9E6F, #6FDC88 and #6FADDC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DD71C3 shade: #DD71C3, #DCBF6F, #6FDC88 and #6F8CDC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 12 / 13

HEX #DD71C3

RGB 221 113 195

HSL 314.44, 0.61%, 0.65%

LAB 62.61, 52.51, -23.97

 

Complementary color

CMYK 76 / 0 / 58 / 44

HEX #228E3C

RGB 34 142 60

HSL 134.44, 0.61%, 0.35%

LAB 51.85, -47.71, 34.82

 

CMYK 0 / 50 / 16 / 11

HEX #E271BE

RGB 226 113 190

HSL 319.12, 0.66%, 0.66%

LAB 63.09, 53.25, -20.35

 

CMYK 0 / 46 / 14 / 5

HEX #F383D1

RGB 243 131 209

HSL 318.21, 0.82%, 0.73%

LAB 69.39, 52.56, -21.21

 

CMYK 0 / 42 / 11 / 0

HEX #FF95E4

RGB 255 149 228

HSL 315.28, 1%, 0.79%

LAB 75.05, 50.29, -22.93

 

CMYK 0 / 35 / 3 / 0

HEX #FFA7F7

RGB 255 167 247

HSL 305.45, 1%, 0.83%

LAB 79.39, 44.29, -26.6

 

CMYK 0 / 27 / 0 / 0

HEX #FFB9FF

RGB 255 185 255

HSL 300, 1%, 0.86%

LAB 83.54, 36.35, -24.57

 

CMYK 0 / 49 / 12 / 13

HEX #DD71C3

RGB 221 113 195

HSL 314.44, 0.61%, 0.65%

LAB 62.61, 52.51, -23.97

 

CMYK 0 / 53 / 14 / 20

HEX #CC5FB0

RGB 204 95 176

HSL 315.41, 0.52%, 0.59%

LAB 56.24, 53.13, -23.08

 

CMYK 0 / 59 / 16 / 27

HEX #BB4D9D

RGB 187 77 157

HSL 316.36, 0.45%, 0.52%

LAB 49.87, 53.6, -21.98

 

CMYK 0 / 65 / 19 / 33

HEX #AA3B8A

RGB 170 59 138

HSL 317.3, 0.48%, 0.45%

LAB 43.52, 53.8, -20.58

 

CMYK 0 / 73 / 22 / 40

HEX #992977

RGB 153 41 119

HSL 318.21, 0.58%, 0.38%

LAB 37.28, 53.48, -18.74

 

CMYK 0 / 50 / 12 / 14

HEX #DC6FC1

RGB 220 111 193

HSL 314.86, 0.61%, 0.65%

LAB 62.03, 52.87, -23.74

 

CMYK 0 / 50 / 25 / 14

HEX #DC6FA4

RGB 220 111 164

HSL 330.83, 0.61%, 0.65%

LAB 61.01, 48.58, -8.72

 

CMYK 0 / 50 / 39 / 14

HEX #DC6F87

RGB 220 111 135

HSL 346.79, 0.61%, 0.65%

LAB 60.19, 44.95, 6.8

 

CMYK 0 / 50 / 50 / 14

HEX #DC6F6F

RGB 220 111 111

HSL 0, 0.61%, 0.65%

LAB 59.65, 42.5, 19.88

 

CMYK 0 / 50 / 12 / 14

HEX #DC6FC1

RGB 220 111 193

HSL 314.86, 0.61%, 0.65%

LAB 62.03, 52.87, -23.74

 

CMYK 1 / 50 / 0 / 14

HEX #D96FDC

RGB 217 111 220

HSL 298.35, 0.61%, 0.65%

LAB 62.75, 56.56, -37.87

 

CMYK 15 / 50 / 0 / 14

HEX #BB6FDC

RGB 187 111 220

HSL 281.83, 0.61%, 0.65%

LAB 59.07, 48.28, -43.91

 

CMYK 28 / 50 / 0 / 14

HEX #9E6FDC

RGB 158 111 220

HSL 265.87, 0.61%, 0.65%

LAB 55.89, 40.48, -49.14

 

CMYK 42 / 50 / 0 / 14

HEX #806FDC

RGB 128 111 220

HSL 249.36, 0.61%, 0.65%

LAB 53.09, 32.93, -53.78

 

CMYK 0 / 50 / 12 / 14

HEX #DC6FC1

RGB 220 111 193

HSL 314.86, 0.61%, 0.65%

LAB 62.03, 52.87, -23.74

 

CMYK 0 / 59 / 14 / 8

HEX #EA60C9

RGB 234 96 201

HSL 314.35, 0.77%, 0.65%

LAB 61.72, 64.99, -28.59

 

CMYK 0 / 67 / 16 / 2

HEX #F952D0

RGB 249 82 208

HSL 314.73, 0.93%, 0.65%

LAB 62.28, 75.35, -31.51

 

CMYK 0 / 50 / 12 / 14

HEX #DC6FC1

RGB 220 111 193

HSL 314.86, 0.61%, 0.65%

LAB 62.03, 52.87, -23.74

 

CMYK 0 / 39 / 9 / 20

HEX #CD7DBA

RGB 205 125 186

HSL 314.25, 0.44%, 0.65%

LAB 62.67, 39.84, -18.97

 

CMYK 0 / 27 / 6 / 25

HEX #BF8CB3

RGB 191 140 179

HSL 314.12, 0.28%, 0.65%

LAB 64.23, 25.72, -12.8

 

CMYK 0 / 13 / 3 / 31

HEX #B09AAB

RGB 176 154 171

HSL 313.64, 0.12%, 0.65%

LAB 65.97, 11.15, -5.86

 

CMYK 4 / 0 / 3 / 34

HEX #A2A9A4

RGB 162 169 164

HSL 137.14, 0.04%, 0.65%

LAB 68.56, -3.43, 1.71

 

CMYK 15 / 50 / 0 / 14

HEX #BB6FDC

RGB 187 111 220

HSL 281.83, 0.61%, 0.65%

LAB 59.07, 48.28, -43.91

 

CMYK 2 / 50 / 0 / 14

HEX #D86FDC

RGB 216 111 220

HSL 297.8, 0.61%, 0.65%

LAB 62.62, 56.28, -38.08

 

CMYK 0 / 50 / 12 / 14

HEX #DC6FC2

RGB 220 111 194

HSL 314.31, 0.61%, 0.65%

LAB 62.07, 53.03, -24.25

 

CMYK 0 / 50 / 25 / 14

HEX #DC6FA5

RGB 220 111 165

HSL 330.28, 0.61%, 0.65%

LAB 61.05, 48.71, -9.25

 

CMYK 0 / 50 / 38 / 14

HEX #DC6F88

RGB 220 111 136

HSL 346.24, 0.61%, 0.65%

LAB 60.21, 45.07, 6.26

 

CMYK 0 / 76 / 19 / 22

HEX #C830A3

RGB 200 48 163

HSL 314.61, 0.61%, 0.49%

LAB 48.31, 68.78, -27.78

 

CMYK 0 / 63 / 16 / 17

HEX #D44EB3

RGB 212 78 179

HSL 314.78, 0.61%, 0.57%

LAB 54.76, 63.37, -27

 

CMYK 0 / 50 / 12 / 14

HEX #DC6FC1

RGB 220 111 193

HSL 314.86, 0.61%, 0.65%

LAB 62.03, 52.87, -23.74

 

CMYK 0 / 37 / 9 / 11

HEX #E490D0

RGB 228 144 208

HSL 314.29, 0.61%, 0.73%

LAB 70.17, 41.02, -19.64

 

CMYK 0 / 25 / 6 / 7

HEX #ECB1DE

RGB 236 177 222

HSL 314.24, 0.61%, 0.81%

LAB 78.78, 28.56, -14.22

 

CMYK 0 / 49 / 12 / 13

HEX #DD71C3

RGB 221 113 195

HSL 314.44, 0.61%, 0.65%

LAB 62.61, 52.51, -23.97

 

CMYK 0 / 28 / 50 / 14

HEX #DC9E6F

RGB 220 158 111

HSL 25.87, 0.61%, 0.65%

LAB 70.05, 17.68, 33.61

 

CMYK 50 / 0 / 8 / 14

HEX #6FDCCA

RGB 111 220 202

HSL 170.09, 0.61%, 0.65%

LAB 81.2, -35.69, -0.8

 

CMYK 0 / 49 / 12 / 13

HEX #DD71C3

RGB 221 113 195

HSL 314.44, 0.61%, 0.65%

LAB 62.61, 52.51, -23.97

 

CMYK 12 / 0 / 50 / 14

HEX #C2DC6F

RGB 194 220 111

HSL 74.31, 0.61%, 0.65%

LAB 83.86, -24.91, 50.23

 

CMYK 50 / 12 / 0 / 14

HEX #6FC2DC

RGB 111 194 220

HSL 194.31, 0.61%, 0.65%

LAB 74.27, -18.31, -20.8

 

CMYK 0 / 49 / 12 / 13

HEX #DD71C3

RGB 221 113 195

HSL 314.44, 0.61%, 0.65%

LAB 62.61, 52.51, -23.97

 

CMYK 0 / 28 / 50 / 14

HEX #DC9E6F

RGB 220 158 111

HSL 25.87, 0.61%, 0.65%

LAB 70.05, 17.68, 33.61

 

CMYK 50 / 0 / 38 / 14

HEX #6FDC88

RGB 111 220 136

HSL 133.76, 0.61%, 0.65%

LAB 79.81, -49.23, 31.89

 

CMYK 50 / 21 / 0 / 14

HEX #6FADDC

RGB 111 173 220

HSL 205.87, 0.61%, 0.65%

LAB 68.34, -7.15, -29.88

 

CMYK 0 / 49 / 12 / 13

HEX #DD71C3

RGB 221 113 195

HSL 314.44, 0.61%, 0.65%

LAB 62.61, 52.51, -23.97

 

CMYK 0 / 13 / 50 / 14

HEX #DCBF6F

RGB 220 191 111

HSL 44.04, 0.61%, 0.65%

LAB 78.24, 0.12, 43.89

 

CMYK 50 / 0 / 38 / 14

HEX #6FDC88

RGB 111 220 136

HSL 133.76, 0.61%, 0.65%

LAB 79.81, -49.23, 31.89

 

CMYK 50 / 36 / 0 / 14

HEX #6F8CDC

RGB 111 140 220

HSL 224.04, 0.61%, 0.65%

LAB 59.25, 11.66, -44.06

 

Description

Color code: HEX #DD71C3 | qconv.com Color code: HEX #DD71C3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 113 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 113 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 12 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 12% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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