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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DD773F it is the complementary color #2288C0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DD773F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DD773F shade: #E2773A, #F3894D, #FF9B60, #FFAD73 and #FFBF86

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DD773F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DD773F shade: #DD773F, #CC652C, #BB5319, #AA4106 and #992F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DD773F shade: #DD7740, #DD4D40 and #DD4040

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DD773F shade: #DD7740, #DDA240, #DDCC40, #C3DD40 and #99DD40

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DD773F shade matches the following richer shades: #DD7740 and #EF722E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DD773F shade: #DD7740, #CB7D52, #B98264, #A68776 and #948D88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DD773F shade: #DD405D, #DD4D40, #DD7740, #DDA140 and #DDCB40

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DD773F shade: #AC501E, #CF6124, #DD7740, #E39063 and #E9A986

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DD773F shade: #DD773F, #86DD40 and #4048DD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DD773F shade: #DD773F, #40DD77 and #7740DD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DD773F shade: #DD773F, #86DD40, #40A6DD and #9640DD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DD773F shade: #DD773F, #57DD40, #40A6DD and #C540DD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 71 / 13

HEX #DD773F

RGB 221 119 63

HSL 21.27, 0.7%, 0.56%

LAB 60.72, 35.44, 47.4

 

Complementary color

CMYK 82 / 29 / 0 / 25

HEX #2288C0

RGB 34 136 192

HSL 201.27, 0.7%, 0.44%

LAB 53.77, -8.47, -37.11

 

CMYK 0 / 47 / 74 / 11

HEX #E2773A

RGB 226 119 58

HSL 21.79, 0.74%, 0.56%

LAB 61.37, 37.19, 50.73

 

CMYK 0 / 44 / 68 / 5

HEX #F3894D

RGB 243 137 77

HSL 21.69, 0.87%, 0.63%

LAB 67.64, 35.58, 48.94

 

CMYK 0 / 39 / 62 / 0

HEX #FF9B60

RGB 255 155 96

HSL 22.26, 1%, 0.69%

LAB 73.25, 32.14, 46.28

 

CMYK 0 / 32 / 55 / 0

HEX #FFAD73

RGB 255 173 115

HSL 24.86, 1%, 0.73%

LAB 77.51, 24.13, 41.76

 

CMYK 0 / 25 / 47 / 0

HEX #FFBF86

RGB 255 191 134

HSL 28.26, 1%, 0.76%

LAB 81.97, 16.36, 37.63

 

CMYK 0 / 46 / 71 / 13

HEX #DD773F

RGB 221 119 63

HSL 21.27, 0.7%, 0.56%

LAB 60.72, 35.44, 47.4

 

CMYK 0 / 50 / 78 / 20

HEX #CC652C

RGB 204 101 44

HSL 21.38, 0.65%, 0.49%

LAB 54.37, 37.14, 49.19

 

CMYK 0 / 56 / 87 / 27

HEX #BB5319

RGB 187 83 25

HSL 21.48, 0.76%, 0.42%

LAB 48.03, 38.97, 50.58

 

CMYK 0 / 62 / 96 / 33

HEX #AA4106

RGB 170 65 6

HSL 21.59, 0.93%, 0.35%

LAB 41.75, 40.84, 50.8

 

CMYK 0 / 69 / 100 / 40

HEX #992F00

RGB 153 47 0

HSL 18.43, 1%, 0.3%

LAB 35.61, 42.58, 47.75

 

CMYK 0 / 46 / 71 / 13

HEX #DD7740

RGB 221 119 64

HSL 21.02, 0.7%, 0.56%

LAB 60.73, 35.49, 46.92

 

CMYK 0 / 65 / 71 / 13

HEX #DD4D40

RGB 221 77 64

HSL 4.97, 0.7%, 0.56%

LAB 53, 55.4, 38.27

 

CMYK 0 / 71 / 71 / 13

HEX #DD4040

RGB 221 64 64

HSL 0, 0.7%, 0.56%

LAB 51.16, 60.42, 36.14

 

CMYK 0 / 46 / 71 / 13

HEX #DD7740

RGB 221 119 64

HSL 21.02, 0.7%, 0.56%

LAB 60.73, 35.49, 46.92

 

CMYK 0 / 27 / 71 / 13

HEX #DDA240

RGB 221 162 64

HSL 37.45, 0.7%, 0.56%

LAB 70.58, 12.6, 57.35

 

CMYK 0 / 8 / 71 / 13

HEX #DDCC40

RGB 221 204 64

HSL 53.5, 0.7%, 0.56%

LAB 81.25, -9.37, 68.03

 

CMYK 12 / 0 / 71 / 13

HEX #C3DD40

RGB 195 221 64

HSL 69.94, 0.7%, 0.56%

LAB 83.8, -28.48, 69.83

 

CMYK 31 / 0 / 71 / 13

HEX #99DD40

RGB 153 221 64

HSL 85.99, 0.7%, 0.56%

LAB 81.21, -44.58, 66.41

 

CMYK 0 / 46 / 71 / 13

HEX #DD7740

RGB 221 119 64

HSL 21.02, 0.7%, 0.56%

LAB 60.73, 35.49, 46.92

 

CMYK 0 / 52 / 81 / 6

HEX #EF722E

RGB 239 114 46

HSL 21.14, 0.86%, 0.56%

LAB 62.15, 44.29, 57.52

 

CMYK 0 / 46 / 71 / 13

HEX #DD7740

RGB 221 119 64

HSL 21.02, 0.7%, 0.56%

LAB 60.73, 35.49, 46.92

 

CMYK 0 / 38 / 60 / 20

HEX #CB7D52

RGB 203 125 82

HSL 21.32, 0.54%, 0.56%

LAB 59.86, 26.13, 35.94

 

CMYK 0 / 30 / 46 / 27

HEX #B98264

RGB 185 130 100

HSL 21.18, 0.38%, 0.56%

LAB 59.16, 17.57, 24.69

 

CMYK 0 / 19 / 29 / 35

HEX #A68776

RGB 166 135 118

HSL 21.25, 0.21%, 0.56%

LAB 58.74, 9.2, 13.59

 

CMYK 0 / 5 / 8 / 42

HEX #948D88

RGB 148 141 136

HSL 25, 0.05%, 0.56%

LAB 59.09, 1.67, 3.58

 

CMYK 0 / 71 / 58 / 13

HEX #DD405D

RGB 221 64 93

HSL 348.92, 0.7%, 0.56%

LAB 51.64, 62.07, 19.66

 

CMYK 0 / 65 / 71 / 13

HEX #DD4D40

RGB 221 77 64

HSL 4.97, 0.7%, 0.56%

LAB 53, 55.4, 38.27

 

CMYK 0 / 46 / 71 / 13

HEX #DD7740

RGB 221 119 64

HSL 21.02, 0.7%, 0.56%

LAB 60.73, 35.49, 46.92

 

CMYK 0 / 27 / 71 / 13

HEX #DDA140

RGB 221 161 64

HSL 37.07, 0.7%, 0.56%

LAB 70.34, 13.14, 57.09

 

CMYK 0 / 8 / 71 / 13

HEX #DDCB40

RGB 221 203 64

HSL 53.12, 0.7%, 0.56%

LAB 80.99, -8.86, 67.77

 

CMYK 0 / 53 / 83 / 33

HEX #AC501E

RGB 172 80 30

HSL 21.13, 0.7%, 0.4%

LAB 45.08, 34.68, 45

 

CMYK 0 / 53 / 83 / 19

HEX #CF6124

RGB 207 97 36

HSL 21.4, 0.7%, 0.48%

LAB 53.97, 40.08, 52.49

 

CMYK 0 / 46 / 71 / 13

HEX #DD7740

RGB 221 119 64

HSL 21.02, 0.7%, 0.56%

LAB 60.73, 35.49, 46.92

 

CMYK 0 / 37 / 56 / 11

HEX #E39063

RGB 227 144 99

HSL 21.09, 0.7%, 0.64%

LAB 67.41, 26.98, 36.83

 

CMYK 0 / 27 / 42 / 9

HEX #E9A986

RGB 233 169 134

HSL 21.21, 0.69%, 0.72%

LAB 74.46, 19.28, 27.34

 

CMYK 0 / 46 / 71 / 13

HEX #DD773F

RGB 221 119 63

HSL 21.27, 0.7%, 0.56%

LAB 60.72, 35.44, 47.4

 

CMYK 39 / 0 / 71 / 13

HEX #86DD40

RGB 134 221 64

HSL 93.25, 0.7%, 0.56%

LAB 80.26, -51.13, 65.14

 

CMYK 71 / 67 / 0 / 13

HEX #4048DD

RGB 64 72 221

HSL 236.94, 0.7%, 0.56%

LAB 39.49, 45.18, -76.61

 

CMYK 0 / 46 / 71 / 13

HEX #DD773F

RGB 221 119 63

HSL 21.27, 0.7%, 0.56%

LAB 60.72, 35.44, 47.4

 

CMYK 71 / 0 / 46 / 13

HEX #40DD77

RGB 64 221 119

HSL 141.02, 0.7%, 0.56%

LAB 78.54, -62.22, 38.52

 

CMYK 46 / 71 / 0 / 13

HEX #7740DD

RGB 119 64 221

HSL 261.02, 0.7%, 0.56%

LAB 42.47, 57.22, -71.54

 

CMYK 0 / 46 / 71 / 13

HEX #DD773F

RGB 221 119 63

HSL 21.27, 0.7%, 0.56%

LAB 60.72, 35.44, 47.4

 

CMYK 39 / 0 / 71 / 13

HEX #86DD40

RGB 134 221 64

HSL 93.25, 0.7%, 0.56%

LAB 80.26, -51.13, 65.14

 

CMYK 71 / 25 / 0 / 13

HEX #40A6DD

RGB 64 166 221

HSL 201.02, 0.7%, 0.56%

LAB 64.63, -11.71, -36.32

 

CMYK 32 / 71 / 0 / 13

HEX #9640DD

RGB 150 64 221

HSL 272.87, 0.7%, 0.56%

LAB 46.14, 62.71, -65.42

 

CMYK 0 / 46 / 71 / 13

HEX #DD773F

RGB 221 119 63

HSL 21.27, 0.7%, 0.56%

LAB 60.72, 35.44, 47.4

 

CMYK 61 / 0 / 71 / 13

HEX #57DD40

RGB 87 221 64

HSL 111.21, 0.7%, 0.56%

LAB 78.53, -64.33, 62.81

 

CMYK 71 / 25 / 0 / 13

HEX #40A6DD

RGB 64 166 221

HSL 201.02, 0.7%, 0.56%

LAB 64.63, -11.71, -36.32

 

CMYK 11 / 71 / 0 / 13

HEX #C540DD

RGB 197 64 221

HSL 290.83, 0.7%, 0.56%

LAB 52.68, 72, -54.54

 

Description

Color code: HEX #DD773F | qconv.com Color code: HEX #DD773F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 119 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 119 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 71 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 71% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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