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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DD752C it is the complementary color #228AD3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DD752C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DD752C shade: #E27527, #F3873A, #FF994D, #FFAB60 and #FFBD73

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DD752C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DD752C shade: #DD752C, #CC6319, #BB5106, #AA3F00 and #992D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DD752C shade: #DC752C, #DC452C and #DC2C2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DD752C shade: #DC752C, #DCA42C, #DCD42C, #B5DC2C and #86DC2C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DD752C shade matches the following richer shades: #DC752C and #F07118

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DD752C shade: #DC752C, #C87840, #B57C54, #A17F67 and #8D837B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DD752C shade: #DC2C43, #DC432C, #DC722C, #DCA12C and #DCD02C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DD752C shade: #9D4F19, #C0611F, #DC752C, #E28C4F and #E8A373

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DD752C shade: #DD752C, #72DC2C and #2C2CDC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DD752C shade: #DD752C, #2CDC72 and #722CDC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DD752C shade: #DD752C, #72DC2C, #2C96DC and #962CDC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DD752C shade: #DD752C, #3EDC2C, #2C96DC and #CB2CDC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 80 / 13

HEX #DD752C

RGB 221 117 44

HSL 24.75, 0.72%, 0.52%

LAB 60.14, 35.7, 55.55

 

Complementary color

CMYK 84 / 35 / 0 / 17

HEX #228AD3

RGB 34 138 211

HSL 204.75, 0.72%, 0.48%

LAB 55.3, -2.64, -45.45

 

CMYK 0 / 48 / 83 / 11

HEX #E27527

RGB 226 117 39

HSL 25.03, 0.76%, 0.52%

LAB 60.81, 37.54, 58.43

 

CMYK 0 / 44 / 76 / 5

HEX #F3873A

RGB 243 135 58

HSL 24.97, 0.89%, 0.59%

LAB 67.04, 35.73, 57.23

 

CMYK 0 / 40 / 70 / 0

HEX #FF994D

RGB 255 153 77

HSL 25.62, 1%, 0.65%

LAB 72.61, 32.09, 54.86

 

CMYK 0 / 33 / 62 / 0

HEX #FFAB60

RGB 255 171 96

HSL 28.3, 1%, 0.69%

LAB 76.82, 23.81, 50.46

 

CMYK 0 / 26 / 55 / 0

HEX #FFBD73

RGB 255 189 115

HSL 31.71, 1%, 0.73%

LAB 81.23, 15.76, 46.34

 

CMYK 0 / 47 / 80 / 13

HEX #DD752C

RGB 221 117 44

HSL 24.75, 0.72%, 0.52%

LAB 60.14, 35.7, 55.55

 

CMYK 0 / 51 / 88 / 20

HEX #CC6319

RGB 204 99 25

HSL 24.8, 0.78%, 0.45%

LAB 53.85, 37.61, 56.37

 

CMYK 0 / 57 / 97 / 27

HEX #BB5106

RGB 187 81 6

HSL 24.86, 0.94%, 0.38%

LAB 47.58, 39.65, 55.87

 

CMYK 0 / 63 / 100 / 33

HEX #AA3F00

RGB 170 63 0

HSL 22.24, 1%, 0.33%

LAB 41.38, 41.7, 52.43

 

CMYK 0 / 71 / 100 / 40

HEX #992D00

RGB 153 45 0

HSL 17.65, 1%, 0.3%

LAB 35.3, 43.41, 47.59

 

CMYK 0 / 47 / 80 / 14

HEX #DC752C

RGB 220 117 44

HSL 24.89, 0.72%, 0.52%

LAB 60, 35.3, 55.37

 

CMYK 0 / 69 / 80 / 14

HEX #DC452C

RGB 220 69 44

HSL 8.52, 0.72%, 0.52%

LAB 51.44, 57.49, 47.21

 

CMYK 0 / 80 / 80 / 14

HEX #DC2C2C

RGB 220 44 44

HSL 0, 0.72%, 0.52%

LAB 48.51, 65.64, 44.32

 

CMYK 0 / 47 / 80 / 14

HEX #DC752C

RGB 220 117 44

HSL 24.89, 0.72%, 0.52%

LAB 60, 35.3, 55.37

 

CMYK 0 / 25 / 80 / 14

HEX #DCA42C

RGB 220 164 44

HSL 40.91, 0.72%, 0.52%

LAB 70.84, 10.28, 65.26

 

CMYK 0 / 4 / 80 / 14

HEX #DCD42C

RGB 220 212 44

HSL 57.27, 0.72%, 0.52%

LAB 83.17, -14.59, 76.11

 

CMYK 18 / 0 / 80 / 14

HEX #B5DC2C

RGB 181 220 44

HSL 73.3, 0.72%, 0.52%

LAB 82.48, -34.49, 74.4

 

CMYK 39 / 0 / 80 / 14

HEX #86DC2C

RGB 134 220 44

HSL 89.32, 0.72%, 0.52%

LAB 79.86, -51.84, 71.06

 

CMYK 0 / 47 / 80 / 14

HEX #DC752C

RGB 220 117 44

HSL 24.89, 0.72%, 0.52%

LAB 60, 35.3, 55.37

 

CMYK 0 / 53 / 90 / 6

HEX #F07118

RGB 240 113 24

HSL 24.72, 0.88%, 0.52%

LAB 62, 44.65, 65.24

 

CMYK 0 / 47 / 80 / 14

HEX #DC752C

RGB 220 117 44

HSL 24.89, 0.72%, 0.52%

LAB 60, 35.3, 55.37

 

CMYK 0 / 40 / 68 / 22

HEX #C87840

RGB 200 120 64

HSL 24.71, 0.55%, 0.52%

LAB 58.12, 26.41, 43.23

 

CMYK 0 / 31 / 54 / 29

HEX #B57C54

RGB 181 124 84

HSL 24.74, 0.4%, 0.52%

LAB 56.96, 17.68, 30.65

 

CMYK 0 / 21 / 36 / 37

HEX #A17F67

RGB 161 127 103

HSL 24.83, 0.24%, 0.52%

LAB 55.82, 9.65, 18.05

 

CMYK 0 / 7 / 13 / 45

HEX #8D837B

RGB 141 131 123

HSL 26.67, 0.07%, 0.52%

LAB 55.41, 2.32, 5.67

 

CMYK 0 / 80 / 70 / 14

HEX #DC2C43

RGB 220 44 67

HSL 352.16, 0.72%, 0.52%

LAB 48.79, 66.5, 31.52

 

CMYK 0 / 70 / 80 / 14

HEX #DC432C

RGB 220 67 44

HSL 7.84, 0.72%, 0.52%

LAB 51.17, 58.25, 46.94

 

CMYK 0 / 48 / 80 / 14

HEX #DC722C

RGB 220 114 44

HSL 23.86, 0.72%, 0.52%

LAB 59.37, 36.84, 54.78

 

CMYK 0 / 27 / 80 / 14

HEX #DCA12C

RGB 220 161 44

HSL 39.89, 0.72%, 0.52%

LAB 70.1, 11.88, 64.59

 

CMYK 0 / 5 / 80 / 14

HEX #DCD02C

RGB 220 208 44

HSL 55.91, 0.72%, 0.52%

LAB 82.11, -12.59, 75.19

 

CMYK 0 / 50 / 84 / 38

HEX #9D4F19

RGB 157 79 25

HSL 24.55, 0.73%, 0.36%

LAB 42.51, 28.84, 43.98

 

CMYK 0 / 49 / 84 / 25

HEX #C0611F

RGB 192 97 31

HSL 24.6, 0.72%, 0.44%

LAB 51.67, 33.96, 51.64

 

CMYK 0 / 47 / 80 / 14

HEX #DC752C

RGB 220 117 44

HSL 24.89, 0.72%, 0.52%

LAB 60, 35.3, 55.37

 

CMYK 0 / 38 / 65 / 11

HEX #E28C4F

RGB 226 140 79

HSL 24.9, 0.72%, 0.6%

LAB 66.13, 27.3, 45.64

 

CMYK 0 / 30 / 50 / 9

HEX #E8A373

RGB 232 163 115

HSL 24.62, 0.72%, 0.68%

LAB 72.62, 20.22, 35.05

 

CMYK 0 / 47 / 80 / 13

HEX #DD752C

RGB 221 117 44

HSL 24.75, 0.72%, 0.52%

LAB 60.14, 35.7, 55.55

 

CMYK 48 / 0 / 80 / 14

HEX #72DC2C

RGB 114 220 44

HSL 96.14, 0.72%, 0.52%

LAB 79.01, -58.15, 69.96

 

CMYK 80 / 80 / 0 / 14

HEX #2C2CDC

RGB 44 44 220

HSL 240, 0.72%, 0.52%

LAB 32.93, 58.45, -86.91

 

CMYK 0 / 47 / 80 / 13

HEX #DD752C

RGB 221 117 44

HSL 24.75, 0.72%, 0.52%

LAB 60.14, 35.7, 55.55

 

CMYK 80 / 0 / 48 / 14

HEX #2CDC72

RGB 44 220 114

HSL 143.86, 0.72%, 0.52%

LAB 77.84, -65.3, 40.02

 

CMYK 48 / 80 / 0 / 14

HEX #722CDC

RGB 114 44 220

HSL 263.86, 0.72%, 0.52%

LAB 38.81, 64.88, -77.01

 

CMYK 0 / 47 / 80 / 13

HEX #DD752C

RGB 221 117 44

HSL 24.75, 0.72%, 0.52%

LAB 60.14, 35.7, 55.55

 

CMYK 48 / 0 / 80 / 14

HEX #72DC2C

RGB 114 220 44

HSL 96.14, 0.72%, 0.52%

LAB 79.01, -58.15, 69.96

 

CMYK 80 / 32 / 0 / 14

HEX #2C96DC

RGB 44 150 220

HSL 203.86, 0.72%, 0.52%

LAB 59.45, -5.43, -43.93

 

CMYK 32 / 80 / 0 / 14

HEX #962CDC

RGB 150 44 220

HSL 276.14, 0.72%, 0.52%

LAB 43.44, 70.02, -69.24

 

CMYK 0 / 47 / 80 / 13

HEX #DD752C

RGB 221 117 44

HSL 24.75, 0.72%, 0.52%

LAB 60.14, 35.7, 55.55

 

CMYK 72 / 0 / 80 / 14

HEX #3EDC2C

RGB 62 220 44

HSL 113.86, 0.72%, 0.52%

LAB 77.51, -70.25, 68.03

 

CMYK 80 / 32 / 0 / 14

HEX #2C96DC

RGB 44 150 220

HSL 203.86, 0.72%, 0.52%

LAB 59.45, -5.43, -43.93

 

CMYK 8 / 80 / 0 / 14

HEX #CB2CDC

RGB 203 44 220

HSL 294.2, 0.72%, 0.52%

LAB 51.46, 79.02, -55.88

 

Description

Color code: HEX #DD752C | qconv.com Color code: HEX #DD752C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 117 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 117 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 80 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 80% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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