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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DD6D30 it is the complementary color #2292CF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DD6D30. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DD6D30 shade: #E26D2B, #F37F3E, #FF9151, #FFA364 and #FFB577

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DD6D30. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DD6D30 shade: #DD6D30, #CC5B1D, #BB490A, #AA3700 and #992500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DD6D30 shade: #DD6D30, #DD3F30 and #DD3030

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DD6D30 shade: #DD6D30, #DD9C30, #DDCA30, #C1DD30 and #93DD30

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DD6D30 shade matches the following richer shades: #DD6D30 and #F0681D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DD6D30 shade: #DD6D30, #CA7344, #B67957, #A37E6B and #8F847E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DD6D30 shade: #DD3050, #DD3F30, #DD6D30, #DD9B30 and #DDC930

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DD6D30 shade: #A1491A, #C45A20, #DD6D30, #E38654 and #E89F77

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DD6D30 shade: #DD6D30, #7EDD30 and #3039DD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DD6D30 shade: #DD6D30, #30DD6D and #6D30DD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DD6D30 shade: #DD6D30, #7EDD30, #30A1DD and #8F30DD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DD6D30 shade: #DD6D30, #4ADD30, #30A1DD and #C330DD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 78 / 13

HEX #DD6D30

RGB 221 109 48

HSL 21.16, 0.72%, 0.53%

LAB 58.53, 39.91, 52.28

 

Complementary color

CMYK 84 / 29 / 0 / 19

HEX #2292CF

RGB 34 146 207

HSL 201.16, 0.72%, 0.47%

LAB 57.47, -8.74, -39.78

 

CMYK 0 / 52 / 81 / 11

HEX #E26D2B

RGB 226 109 43

HSL 21.64, 0.76%, 0.53%

LAB 59.23, 41.68, 55.39

 

CMYK 0 / 48 / 74 / 5

HEX #F37F3E

RGB 243 127 62

HSL 21.55, 0.88%, 0.6%

LAB 65.42, 39.96, 53.79

 

CMYK 0 / 43 / 68 / 0

HEX #FF9151

RGB 255 145 81

HSL 22.07, 1%, 0.66%

LAB 70.94, 36.4, 51.1

 

CMYK 0 / 36 / 61 / 0

HEX #FFA364

RGB 255 163 100

HSL 24.39, 1%, 0.7%

LAB 75.06, 28.25, 46.41

 

CMYK 0 / 29 / 53 / 0

HEX #FFB577

RGB 255 181 119

HSL 27.35, 1%, 0.73%

LAB 79.41, 20.27, 42.07

 

CMYK 0 / 51 / 78 / 13

HEX #DD6D30

RGB 221 109 48

HSL 21.16, 0.72%, 0.53%

LAB 58.53, 39.91, 52.28

 

CMYK 0 / 55 / 86 / 20

HEX #CC5B1D

RGB 204 91 29

HSL 21.26, 0.75%, 0.46%

LAB 52.3, 41.7, 53.68

 

CMYK 0 / 61 / 95 / 27

HEX #BB490A

RGB 187 73 10

HSL 21.36, 0.9%, 0.39%

LAB 46.11, 43.54, 53.96

 

CMYK 0 / 68 / 100 / 33

HEX #AA3700

RGB 170 55 0

HSL 19.41, 1%, 0.33%

LAB 40.05, 45.26, 51.74

 

CMYK 0 / 76 / 100 / 40

HEX #992500

RGB 153 37 0

HSL 14.51, 1%, 0.3%

LAB 34.18, 46.49, 46.98

 

CMYK 0 / 51 / 78 / 13

HEX #DD6D30

RGB 221 109 48

HSL 21.16, 0.72%, 0.53%

LAB 58.53, 39.91, 52.28

 

CMYK 0 / 71 / 78 / 13

HEX #DD3F30

RGB 221 63 48

HSL 5.2, 0.72%, 0.53%

LAB 50.85, 60.15, 44.62

 

CMYK 0 / 78 / 78 / 13

HEX #DD3030

RGB 221 48 48

HSL 0, 0.72%, 0.53%

LAB 49.13, 64.95, 42.85

 

CMYK 0 / 51 / 78 / 13

HEX #DD6D30

RGB 221 109 48

HSL 21.16, 0.72%, 0.53%

LAB 58.53, 39.91, 52.28

 

CMYK 0 / 29 / 78 / 13

HEX #DD9C30

RGB 221 156 48

HSL 37.46, 0.72%, 0.53%

LAB 69.01, 15.13, 62.23

 

CMYK 0 / 9 / 78 / 13

HEX #DDCA30

RGB 221 202 48

HSL 53.41, 0.72%, 0.53%

LAB 80.64, -9.01, 72.79

 

CMYK 13 / 0 / 78 / 13

HEX #C1DD30

RGB 193 221 48

HSL 69.71, 0.72%, 0.53%

LAB 83.58, -30, 74.6

 

CMYK 33 / 0 / 78 / 13

HEX #93DD30

RGB 147 221 48

HSL 85.66, 0.72%, 0.53%

LAB 80.81, -47.58, 71.05

 

CMYK 0 / 51 / 78 / 13

HEX #DD6D30

RGB 221 109 48

HSL 21.16, 0.72%, 0.53%

LAB 58.53, 39.91, 52.28

 

CMYK 0 / 57 / 88 / 6

HEX #F0681D

RGB 240 104 29

HSL 21.33, 0.88%, 0.53%

LAB 60.35, 49.02, 62.49

 

CMYK 0 / 51 / 78 / 13

HEX #DD6D30

RGB 221 109 48

HSL 21.16, 0.72%, 0.53%

LAB 58.53, 39.91, 52.28

 

CMYK 0 / 43 / 66 / 21

HEX #CA7344

RGB 202 115 68

HSL 21.04, 0.56%, 0.53%

LAB 57.3, 30.16, 40.32

 

CMYK 0 / 34 / 52 / 29

HEX #B67957

RGB 182 121 87

HSL 21.47, 0.39%, 0.53%

LAB 56.39, 20.05, 28.29

 

CMYK 0 / 23 / 34 / 36

HEX #A37E6B

RGB 163 126 107

HSL 20.36, 0.23%, 0.53%

LAB 55.86, 11.57, 15.84

 

CMYK 0 / 8 / 12 / 44

HEX #8F847E

RGB 143 132 126

HSL 21.18, 0.07%, 0.53%

LAB 55.94, 3.06, 4.72

 

CMYK 0 / 78 / 64 / 13

HEX #DD3050

RGB 221 48 80

HSL 348.9, 0.72%, 0.53%

LAB 49.58, 66.35, 24.75

 

CMYK 0 / 71 / 78 / 13

HEX #DD3F30

RGB 221 63 48

HSL 5.2, 0.72%, 0.53%

LAB 50.85, 60.15, 44.62

 

CMYK 0 / 51 / 78 / 13

HEX #DD6D30

RGB 221 109 48

HSL 21.16, 0.72%, 0.53%

LAB 58.53, 39.91, 52.28

 

CMYK 0 / 30 / 78 / 13

HEX #DD9B30

RGB 221 155 48

HSL 37.11, 0.72%, 0.53%

LAB 68.77, 15.67, 62

 

CMYK 0 / 9 / 78 / 13

HEX #DDC930

RGB 221 201 48

HSL 53.06, 0.72%, 0.53%

LAB 80.38, -8.5, 72.56

 

CMYK 0 / 55 / 84 / 37

HEX #A1491A

RGB 161 73 26

HSL 20.89, 0.72%, 0.37%

LAB 41.87, 33.74, 43.21

 

CMYK 0 / 54 / 84 / 23

HEX #C45A20

RGB 196 90 32

HSL 21.22, 0.72%, 0.45%

LAB 50.87, 39.18, 50.76

 

CMYK 0 / 51 / 78 / 13

HEX #DD6D30

RGB 221 109 48

HSL 21.16, 0.72%, 0.53%

LAB 58.53, 39.91, 52.28

 

CMYK 0 / 41 / 63 / 11

HEX #E38654

RGB 227 134 84

HSL 20.98, 0.72%, 0.61%

LAB 64.98, 31.2, 41.77

 

CMYK 0 / 31 / 49 / 9

HEX #E89F77

RGB 232 159 119

HSL 21.24, 0.71%, 0.69%

LAB 71.75, 22.72, 31.79

 

CMYK 0 / 51 / 78 / 13

HEX #DD6D30

RGB 221 109 48

HSL 21.16, 0.72%, 0.53%

LAB 58.53, 39.91, 52.28

 

CMYK 43 / 0 / 78 / 13

HEX #7EDD30

RGB 126 221 48

HSL 92.95, 0.72%, 0.53%

LAB 79.82, -54.65, 69.77

 

CMYK 78 / 74 / 0 / 13

HEX #3039DD

RGB 48 57 221

HSL 236.88, 0.72%, 0.53%

LAB 35.55, 52.35, -83.14

 

CMYK 0 / 51 / 78 / 13

HEX #DD6D30

RGB 221 109 48

HSL 21.16, 0.72%, 0.53%

LAB 58.53, 39.91, 52.28

 

CMYK 78 / 0 / 51 / 13

HEX #30DD6D

RGB 48 221 109

HSL 141.16, 0.72%, 0.53%

LAB 78.14, -65.95, 42.83

 

CMYK 51 / 78 / 0 / 13

HEX #6D30DD

RGB 109 48 221

HSL 261.16, 0.72%, 0.53%

LAB 38.87, 62.91, -77.49

 

CMYK 0 / 51 / 78 / 13

HEX #DD6D30

RGB 221 109 48

HSL 21.16, 0.72%, 0.53%

LAB 58.53, 39.91, 52.28

 

CMYK 43 / 0 / 78 / 13

HEX #7EDD30

RGB 126 221 48

HSL 92.95, 0.72%, 0.53%

LAB 79.82, -54.65, 69.77

 

CMYK 78 / 27 / 0 / 13

HEX #30A1DD

RGB 48 161 221

HSL 200.81, 0.72%, 0.53%

LAB 62.79, -10.88, -39.22

 

CMYK 35 / 78 / 0 / 13

HEX #8F30DD

RGB 143 48 221

HSL 272.95, 0.72%, 0.53%

LAB 43.02, 67.8, -70.53

 

CMYK 0 / 51 / 78 / 13

HEX #DD6D30

RGB 221 109 48

HSL 21.16, 0.72%, 0.53%

LAB 58.53, 39.91, 52.28

 

CMYK 67 / 0 / 78 / 13

HEX #4ADD30

RGB 74 221 48

HSL 110.98, 0.72%, 0.53%

LAB 78.1, -68.17, 67.54

 

CMYK 78 / 27 / 0 / 13

HEX #30A1DD

RGB 48 161 221

HSL 200.81, 0.72%, 0.53%

LAB 62.79, -10.88, -39.22

 

CMYK 12 / 78 / 0 / 13

HEX #C330DD

RGB 195 48 221

HSL 290.98, 0.72%, 0.53%

LAB 50.61, 76.68, -57.87

 

Description

Color code: HEX #DD6D30 | qconv.com Color code: HEX #DD6D30 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 109 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 109 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 78 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 78% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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