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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DD6978 it is the complementary color #229687. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DD6978. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DD6978 shade: #E26973, #F37B86, #FF8D99, #FF9FAC and #FFB1BF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DD6978. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DD6978 shade: #DD6978, #CC5765, #BB4552, #AA333F and #99212C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DD6978 shade: #DD6978 and #DD6969

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DD6978 shade: #DD6978, #DD6997, #DD69B6, #DD69D5 and #C469DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DD6978 shade matches the following richer shades: #DD6978, #EB5A6D and #FA4B62

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DD6978 shade: #DD6978, #CE7883, #BF878E, #B09599 and #A1A4A4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DD6978 shade: #DD69B6, #DD6997, #DD6978, #DD7869 and #DD9769

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DD6978 shade: #C62D40, #D5475A, #DD6978, #E48A96 and #ECACB4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DD6978 shade: #DD6978, #D5DD69 and #69A7DD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DD6978 shade: #DD6978, #78DD69 and #6978DD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DD6978 shade: #DD6978, #D5DD69, #69DDCD and #7169DD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DD6978 shade: #DD6978, #B2DD69, #69DDCD and #9369DD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 46 / 13

HEX #DD6978

RGB 221 105 120

HSL 352.24, 0.63%, 0.64%

LAB 58.82, 46.69, 13.57

 

Complementary color

CMYK 77 / 0 / 10 / 41

HEX #229687

RGB 34 150 135

HSL 172.24, 0.63%, 0.36%

LAB 55.99, -34.57, -1.06

 

CMYK 0 / 54 / 49 / 11

HEX #E26973

RGB 226 105 115

HSL 355.04, 0.68%, 0.65%

LAB 59.44, 47.97, 17.44

 

CMYK 0 / 49 / 45 / 5

HEX #F37B86

RGB 243 123 134

HSL 354.5, 0.83%, 0.72%

LAB 65.7, 46.96, 15.61

 

CMYK 0 / 45 / 40 / 0

HEX #FF8D99

RGB 255 141 153

HSL 353.68, 1%, 0.78%

LAB 71.29, 44.2, 13

 

CMYK 0 / 38 / 33 / 0

HEX #FF9FAC

RGB 255 159 172

HSL 351.88, 1%, 0.81%

LAB 75.47, 37.21, 8.43

 

CMYK 0 / 31 / 25 / 0

HEX #FFB1BF

RGB 255 177 191

HSL 349.23, 1%, 0.85%

LAB 79.88, 30.31, 4.41

 

CMYK 0 / 52 / 46 / 13

HEX #DD6978

RGB 221 105 120

HSL 352.24, 0.63%, 0.64%

LAB 58.82, 46.69, 13.57

 

CMYK 0 / 57 / 50 / 20

HEX #CC5765

RGB 204 87 101

HSL 352.82, 0.53%, 0.57%

LAB 52.5, 47.64, 15.57

 

CMYK 0 / 63 / 56 / 27

HEX #BB4552

RGB 187 69 82

HSL 353.39, 0.46%, 0.5%

LAB 46.22, 48.48, 17.98

 

CMYK 0 / 70 / 63 / 33

HEX #AA333F

RGB 170 51 63

HSL 353.95, 0.54%, 0.43%

LAB 40.04, 49.06, 20.95

 

CMYK 0 / 78 / 71 / 40

HEX #99212C

RGB 153 33 44

HSL 354.5, 0.65%, 0.36%

LAB 34.07, 49.09, 24.67

 

CMYK 0 / 52 / 46 / 13

HEX #DD6978

RGB 221 105 120

HSL 352.24, 0.63%, 0.64%

LAB 58.82, 46.69, 13.57

 

CMYK 0 / 52 / 52 / 13

HEX #DD6969

RGB 221 105 105

HSL 0, 0.63%, 0.64%

LAB 58.5, 45.32, 21.81

 

CMYK 0 / 52 / 46 / 13

HEX #DD6978

RGB 221 105 120

HSL 352.24, 0.63%, 0.64%

LAB 58.82, 46.69, 13.57

 

CMYK 0 / 52 / 32 / 13

HEX #DD6997

RGB 221 105 151

HSL 336.21, 0.63%, 0.64%

LAB 59.63, 50.14, -3.26

 

CMYK 0 / 52 / 18 / 13

HEX #DD69B6

RGB 221 105 182

HSL 320.17, 0.63%, 0.64%

LAB 60.65, 54.37, -19.57

 

CMYK 0 / 52 / 4 / 13

HEX #DD69D5

RGB 221 105 213

HSL 304.14, 0.63%, 0.64%

LAB 61.89, 59.3, -35.24

 

CMYK 11 / 52 / 0 / 13

HEX #C469DD

RGB 196 105 221

HSL 287.07, 0.63%, 0.64%

LAB 59.03, 53.98, -44.46

 

CMYK 0 / 52 / 46 / 13

HEX #DD6978

RGB 221 105 120

HSL 352.24, 0.63%, 0.64%

LAB 58.82, 46.69, 13.57

 

CMYK 0 / 62 / 54 / 8

HEX #EB5A6D

RGB 235 90 109

HSL 352.14, 0.78%, 0.64%

LAB 58.11, 57.35, 19.33

 

CMYK 0 / 70 / 61 / 2

HEX #FA4B62

RGB 250 75 98

HSL 352.11, 0.95%, 0.64%

LAB 58.26, 67.12, 26.39

 

CMYK 0 / 52 / 46 / 13

HEX #DD6978

RGB 221 105 120

HSL 352.24, 0.63%, 0.64%

LAB 58.82, 46.69, 13.57

 

CMYK 0 / 42 / 36 / 19

HEX #CE7883

RGB 206 120 131

HSL 352.33, 0.47%, 0.64%

LAB 60.06, 34.8, 8.67

 

CMYK 0 / 29 / 26 / 25

HEX #BF878E

RGB 191 135 142

HSL 352.5, 0.3%, 0.64%

LAB 61.96, 22.45, 4.85

 

CMYK 0 / 15 / 13 / 31

HEX #B09599

RGB 176 149 153

HSL 351.11, 0.15%, 0.64%

LAB 64.18, 10.72, 1.63

 

CMYK 2 / 0 / 0 / 36

HEX #A1A4A4

RGB 161 164 164

HSL 180, 0.02%, 0.64%

LAB 67.13, -1.06, -0.38

 

CMYK 0 / 52 / 18 / 13

HEX #DD69B6

RGB 221 105 182

HSL 320.17, 0.63%, 0.64%

LAB 60.65, 54.37, -19.57

 

CMYK 0 / 52 / 32 / 13

HEX #DD6997

RGB 221 105 151

HSL 336.21, 0.63%, 0.64%

LAB 59.63, 50.14, -3.26

 

CMYK 0 / 52 / 46 / 13

HEX #DD6978

RGB 221 105 120

HSL 352.24, 0.63%, 0.64%

LAB 58.82, 46.69, 13.57

 

CMYK 0 / 46 / 52 / 13

HEX #DD7869

RGB 221 120 105

HSL 7.76, 0.63%, 0.64%

LAB 61.5, 37.75, 25.8

 

CMYK 0 / 32 / 52 / 13

HEX #DD9769

RGB 221 151 105

HSL 23.79, 0.63%, 0.64%

LAB 68.41, 21.31, 34.73

 

CMYK 0 / 77 / 68 / 22

HEX #C62D40

RGB 198 45 64

HSL 352.55, 0.63%, 0.48%

LAB 44.59, 59.83, 27.21

 

CMYK 0 / 67 / 58 / 16

HEX #D5475A

RGB 213 71 90

HSL 351.97, 0.63%, 0.56%

LAB 51.14, 56.76, 20.53

 

CMYK 0 / 52 / 46 / 13

HEX #DD6978

RGB 221 105 120

HSL 352.24, 0.63%, 0.64%

LAB 58.82, 46.69, 13.57

 

CMYK 0 / 39 / 34 / 11

HEX #E48A96

RGB 228 138 150

HSL 352, 0.63%, 0.72%

LAB 67.18, 35.69, 8.38

 

CMYK 0 / 27 / 24 / 7

HEX #ECACB4

RGB 236 172 180

HSL 352.5, 0.63%, 0.8%

LAB 76.46, 24.56, 5.19

 

CMYK 0 / 52 / 46 / 13

HEX #DD6978

RGB 221 105 120

HSL 352.24, 0.63%, 0.64%

LAB 58.82, 46.69, 13.57

 

CMYK 4 / 0 / 52 / 13

HEX #D5DD69

RGB 213 221 105

HSL 64.14, 0.63%, 0.64%

LAB 85.44, -18.47, 55.22

 

CMYK 52 / 24 / 0 / 13

HEX #69A7DD

RGB 105 167 221

HSL 207.93, 0.63%, 0.64%

LAB 66.41, -4.89, -33.44

 

CMYK 0 / 52 / 46 / 13

HEX #DD6978

RGB 221 105 120

HSL 352.24, 0.63%, 0.64%

LAB 58.82, 46.69, 13.57

 

CMYK 46 / 0 / 52 / 13

HEX #78DD69

RGB 120 221 105

HSL 112.24, 0.63%, 0.64%

LAB 80.03, -51.63, 47.48

 

CMYK 52 / 46 / 0 / 13

HEX #6978DD

RGB 105 120 221

HSL 232.24, 0.63%, 0.64%

LAB 53.66, 22.61, -53.52

 

CMYK 0 / 52 / 46 / 13

HEX #DD6978

RGB 221 105 120

HSL 352.24, 0.63%, 0.64%

LAB 58.82, 46.69, 13.57

 

CMYK 4 / 0 / 52 / 13

HEX #D5DD69

RGB 213 221 105

HSL 64.14, 0.63%, 0.64%

LAB 85.44, -18.47, 55.22

 

CMYK 52 / 0 / 7 / 13

HEX #69DDCD

RGB 105 221 205

HSL 171.72, 0.63%, 0.64%

LAB 81.36, -36.71, -2.18

 

CMYK 49 / 52 / 0 / 13

HEX #7169DD

RGB 113 105 221

HSL 244.14, 0.63%, 0.64%

LAB 50.49, 33.38, -58.57

 

CMYK 0 / 52 / 46 / 13

HEX #DD6978

RGB 221 105 120

HSL 352.24, 0.63%, 0.64%

LAB 58.82, 46.69, 13.57

 

CMYK 19 / 0 / 52 / 13

HEX #B2DD69

RGB 178 221 105

HSL 82.24, 0.63%, 0.64%

LAB 83.02, -32.07, 51.77

 

CMYK 52 / 0 / 7 / 13

HEX #69DDCD

RGB 105 221 205

HSL 171.72, 0.63%, 0.64%

LAB 81.36, -36.71, -2.18

 

CMYK 33 / 52 / 0 / 13

HEX #9369DD

RGB 147 105 221

HSL 261.72, 0.63%, 0.64%

LAB 53.52, 41.28, -53.55

 

Description

Color code: HEX #DD6978 | qconv.com Color code: HEX #DD6978 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 105 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 105 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 46 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 46% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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