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Color name
HEX #DD68A1

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DD68A1 it is the complementary color #22975E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DD68A1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DD68A1 shade: #E2689C, #F37AAF, #FF8CC2, #FF9ED5 and #FFB0E8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DD68A1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DD68A1 shade: #DD68A1, #CC568E, #BB447B, #AA3268 and #992055

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DD68A1 shade: #DD69A1, #DD6982 and #DD6969

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DD68A1 shade: #DD69A1, #DD69C0, #D969DD, #BA69DD and #9B69DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DD68A1 shade matches the following richer shades: #DD69A1, #EB5AA1 and #FA4BA0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DD68A1 shade: #DD69A1, #CE78A2, #BF87A2, #B095A2 and #A1A4A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DD68A1 shade: #D969DD, #DD69C2, #DD69A3, #DD6984 and #DD6D69

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DD68A1 shade: #C62D77, #D5478C, #DD69A1, #E48AB6 and #ECACCB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DD68A1 shade: #DD68A1, #DDBA69 and #69D1DD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DD68A1 shade: #DD68A1, #A3DD69 and #69A3DD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DD68A1 shade: #DD68A1, #DDBA69, #69DDA3 and #698CDD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DD68A1 shade: #DD68A1, #DDDD69, #69DDA3 and #6969DD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 27 / 13

HEX #DD68A1

RGB 221 104 161

HSL 330.77, 0.63%, 0.64%

LAB 59.75, 51.91, -8.86

 

Complementary color

CMYK 77 / 0 / 38 / 41

HEX #22975E

RGB 34 151 94

HSL 150.77, 0.63%, 0.36%

LAB 55.36, -45.13, 21.24

 

CMYK 0 / 54 / 31 / 11

HEX #E2689C

RGB 226 104 156

HSL 334.43, 0.68%, 0.65%

LAB 60.31, 52.86, -5.06

 

CMYK 0 / 50 / 28 / 5

HEX #F37AAF

RGB 243 122 175

HSL 333.72, 0.83%, 0.72%

LAB 66.57, 52.13, -6.38

 

CMYK 0 / 45 / 24 / 0

HEX #FF8CC2

RGB 255 140 194

HSL 331.83, 1%, 0.77%

LAB 72.17, 49.72, -8.54

 

CMYK 0 / 38 / 16 / 0

HEX #FF9ED5

RGB 255 158 213

HSL 325.98, 1%, 0.81%

LAB 76.39, 43.38, -12.71

 

CMYK 0 / 31 / 9 / 0

HEX #FFB0E8

RGB 255 176 232

HSL 317.47, 1%, 0.85%

LAB 80.81, 37.07, -16.37

 

CMYK 0 / 53 / 27 / 13

HEX #DD68A1

RGB 221 104 161

HSL 330.77, 0.63%, 0.64%

LAB 59.75, 51.91, -8.86

 

CMYK 0 / 58 / 30 / 20

HEX #CC568E

RGB 204 86 142

HSL 331.53, 0.54%, 0.57%

LAB 53.43, 52.53, -7.45

 

CMYK 0 / 64 / 34 / 27

HEX #BB447B

RGB 187 68 123

HSL 332.27, 0.47%, 0.5%

LAB 47.14, 52.97, -5.71

 

CMYK 0 / 71 / 39 / 33

HEX #AA3268

RGB 170 50 104

HSL 333, 0.55%, 0.43%

LAB 40.94, 53.04, -3.52

 

CMYK 0 / 79 / 44 / 40

HEX #992055

RGB 153 32 85

HSL 333.72, 0.65%, 0.36%

LAB 34.93, 52.44, -0.66

 

CMYK 0 / 52 / 27 / 13

HEX #DD69A1

RGB 221 105 161

HSL 331.03, 0.63%, 0.64%

LAB 59.93, 51.43, -8.59

 

CMYK 0 / 52 / 41 / 13

HEX #DD6982

RGB 221 105 130

HSL 347.07, 0.63%, 0.64%

LAB 59.05, 47.71, 8.1

 

CMYK 0 / 52 / 52 / 13

HEX #DD6969

RGB 221 105 105

HSL 0, 0.63%, 0.64%

LAB 58.5, 45.32, 21.81

 

CMYK 0 / 52 / 27 / 13

HEX #DD69A1

RGB 221 105 161

HSL 331.03, 0.63%, 0.64%

LAB 59.93, 51.43, -8.59

 

CMYK 0 / 52 / 13 / 13

HEX #DD69C0

RGB 221 105 192

HSL 315, 0.63%, 0.64%

LAB 61.03, 55.89, -24.7

 

CMYK 2 / 52 / 0 / 13

HEX #D969DD

RGB 217 105 221

HSL 297.93, 0.63%, 0.64%

LAB 61.72, 59.6, -40.04

 

CMYK 16 / 52 / 0 / 13

HEX #BA69DD

RGB 186 105 221

HSL 281.9, 0.63%, 0.64%

LAB 57.81, 51.33, -46.46

 

CMYK 30 / 52 / 0 / 13

HEX #9B69DD

RGB 155 105 221

HSL 265.86, 0.63%, 0.64%

LAB 54.34, 43.28, -52.2

 

CMYK 0 / 52 / 27 / 13

HEX #DD69A1

RGB 221 105 161

HSL 331.03, 0.63%, 0.64%

LAB 59.93, 51.43, -8.59

 

CMYK 0 / 62 / 31 / 8

HEX #EB5AA1

RGB 235 90 161

HSL 330.62, 0.78%, 0.64%

LAB 59.48, 62.48, -9.05

 

CMYK 0 / 70 / 36 / 2

HEX #FA4BA0

RGB 250 75 160

HSL 330.86, 0.95%, 0.64%

LAB 59.79, 72.27, -7.74

 

CMYK 0 / 52 / 27 / 13

HEX #DD69A1

RGB 221 105 161

HSL 331.03, 0.63%, 0.64%

LAB 59.93, 51.43, -8.59

 

CMYK 0 / 42 / 21 / 19

HEX #CE78A2

RGB 206 120 162

HSL 330.7, 0.47%, 0.64%

LAB 60.93, 38.99, -7.9

 

CMYK 0 / 29 / 15 / 25

HEX #BF87A2

RGB 191 135 162

HSL 331.07, 0.3%, 0.64%

LAB 62.52, 25.56, -5.73

 

CMYK 0 / 15 / 8 / 31

HEX #B095A2

RGB 176 149 162

HSL 331.11, 0.15%, 0.64%

LAB 64.43, 12.29, -3.07

 

CMYK 2 / 0 / 1 / 36

HEX #A1A4A3

RGB 161 164 163

HSL 160, 0.02%, 0.64%

LAB 67.11, -1.26, 0.14

 

CMYK 2 / 52 / 0 / 13

HEX #D969DD

RGB 217 105 221

HSL 297.93, 0.63%, 0.64%

LAB 61.72, 59.6, -40.04

 

CMYK 0 / 52 / 12 / 13

HEX #DD69C2

RGB 221 105 194

HSL 313.97, 0.63%, 0.64%

LAB 61.11, 56.2, -25.71

 

CMYK 0 / 52 / 26 / 13

HEX #DD69A3

RGB 221 105 163

HSL 330, 0.63%, 0.64%

LAB 60, 51.69, -9.65

 

CMYK 0 / 52 / 40 / 13

HEX #DD6984

RGB 221 105 132

HSL 346.03, 0.63%, 0.64%

LAB 59.1, 47.93, 7

 

CMYK 0 / 51 / 52 / 13

HEX #DD6D69

RGB 221 109 105

HSL 2.07, 0.63%, 0.64%

LAB 59.28, 43.34, 22.85

 

CMYK 0 / 77 / 40 / 22

HEX #C62D77

RGB 198 45 119

HSL 330.98, 0.63%, 0.48%

LAB 45.93, 64, -4.87

 

CMYK 0 / 67 / 34 / 16

HEX #D5478C

RGB 213 71 140

HSL 330.85, 0.63%, 0.56%

LAB 52.45, 61.38, -7.58

 

CMYK 0 / 52 / 27 / 13

HEX #DD69A1

RGB 221 105 161

HSL 331.03, 0.63%, 0.64%

LAB 59.93, 51.43, -8.59

 

CMYK 0 / 39 / 20 / 11

HEX #E48AB6

RGB 228 138 182

HSL 330.67, 0.63%, 0.72%

LAB 68.06, 40.04, -8.33

 

CMYK 0 / 27 / 14 / 7

HEX #ECACCB

RGB 236 172 203

HSL 330.94, 0.63%, 0.8%

LAB 77.07, 28.05, -6.45

 

CMYK 0 / 53 / 27 / 13

HEX #DD68A1

RGB 221 104 161

HSL 330.77, 0.63%, 0.64%

LAB 59.75, 51.91, -8.86

 

CMYK 0 / 16 / 52 / 13

HEX #DDBA69

RGB 221 186 105

HSL 41.9, 0.63%, 0.64%

LAB 76.99, 2.63, 45.37

 

CMYK 52 / 5 / 0 / 13

HEX #69D1DD

RGB 105 209 221

HSL 186.21, 0.63%, 0.64%

LAB 78.36, -26.86, -15.19

 

CMYK 0 / 53 / 27 / 13

HEX #DD68A1

RGB 221 104 161

HSL 330.77, 0.63%, 0.64%

LAB 59.75, 51.91, -8.86

 

CMYK 26 / 0 / 52 / 13

HEX #A3DD69

RGB 163 221 105

HSL 90, 0.63%, 0.64%

LAB 82.12, -37.58, 50.49

 

CMYK 52 / 26 / 0 / 13

HEX #69A3DD

RGB 105 163 221

HSL 210, 0.63%, 0.64%

LAB 65.29, -2.66, -35.18

 

CMYK 0 / 53 / 27 / 13

HEX #DD68A1

RGB 221 104 161

HSL 330.77, 0.63%, 0.64%

LAB 59.75, 51.91, -8.86

 

CMYK 0 / 16 / 52 / 13

HEX #DDBA69

RGB 221 186 105

HSL 41.9, 0.63%, 0.64%

LAB 76.99, 2.63, 45.37

 

CMYK 52 / 0 / 26 / 13

HEX #69DDA3

RGB 105 221 163

HSL 150, 0.63%, 0.64%

LAB 80.38, -46.15, 18.64

 

CMYK 52 / 37 / 0 / 13

HEX #698CDD

RGB 105 140 221

HSL 221.9, 0.63%, 0.64%

LAB 58.96, 10.61, -45.11

 

CMYK 0 / 53 / 27 / 13

HEX #DD68A1

RGB 221 104 161

HSL 330.77, 0.63%, 0.64%

LAB 59.75, 51.91, -8.86

 

CMYK 0 / 0 / 52 / 13

HEX #DDDD69

RGB 221 221 105

HSL 60, 0.63%, 0.64%

LAB 86.06, -15.26, 56.1

 

CMYK 52 / 0 / 26 / 13

HEX #69DDA3

RGB 105 221 163

HSL 150, 0.63%, 0.64%

LAB 80.38, -46.15, 18.64

 

CMYK 52 / 52 / 0 / 13

HEX #6969DD

RGB 105 105 221

HSL 240, 0.63%, 0.64%

LAB 49.89, 31.71, -59.57

 

Description

Color code: HEX #DD68A1 | qconv.com Color code: HEX #DD68A1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 104 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 104 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 27 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 27% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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