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Color name
HEX #DD682B

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DD682B it is the complementary color #2297D4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DD682B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DD682B shade: #E26826, #F37A39, #FF8C4C, #FF9E5F and #FFB072

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DD682B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DD682B shade: #DD682B, #CC5618, #BB4405, #AA3200 and #992000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DD682B shade: #DC682C, #DC392C and #DC2C2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DD682B shade: #DC682C, #DC982C, #DCC72C, #C1DC2C and #92DC2C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DD682B shade matches the following richer shades: #DC682C and #F06218

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DD682B shade: #DC682C, #C86F40, #B57554, #A17B67 and #8D817B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DD682B shade: #DC2C4F, #DC382C, #DC672C, #DC962C and #DCC52C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DD682B shade: #9D4619, #C0561F, #DC682C, #E2824F and #E89B73

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DD682B shade: #DD682B, #7EDC2C and #2C38DC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DD682B shade: #DD682B, #2CDC67 and #672CDC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DD682B shade: #DD682B, #7EDC2C, #2CA1DC and #8A2CDC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DD682B shade: #DD682B, #49DC2C, #2CA1DC and #BF2CDC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 81 / 13

HEX #DD682B

RGB 221 104 43

HSL 20.56, 0.72%, 0.52%

LAB 57.51, 42.23, 53.52

 

Complementary color

CMYK 84 / 29 / 0 / 17

HEX #2297D4

RGB 34 151 212

HSL 200.56, 0.72%, 0.48%

LAB 59.18, -9.76, -39.89

 

CMYK 0 / 54 / 83 / 11

HEX #E26826

RGB 226 104 38

HSL 21.06, 0.76%, 0.52%

LAB 58.24, 44, 56.56

 

CMYK 0 / 50 / 77 / 5

HEX #F37A39

RGB 243 122 57

HSL 20.97, 0.89%, 0.59%

LAB 64.38, 42.26, 55.03

 

CMYK 0 / 45 / 70 / 0

HEX #FF8C4C

RGB 255 140 76

HSL 21.45, 1%, 0.65%

LAB 69.85, 38.69, 52.33

 

CMYK 0 / 38 / 63 / 0

HEX #FF9E5F

RGB 255 158 95

HSL 23.63, 1%, 0.69%

LAB 73.89, 30.52, 47.54

 

CMYK 0 / 31 / 55 / 0

HEX #FFB072

RGB 255 176 114

HSL 26.38, 1%, 0.72%

LAB 78.18, 22.48, 43.1

 

CMYK 0 / 53 / 81 / 13

HEX #DD682B

RGB 221 104 43

HSL 20.56, 0.72%, 0.52%

LAB 57.51, 42.23, 53.52

 

CMYK 0 / 58 / 88 / 20

HEX #CC5618

RGB 204 86 24

HSL 20.67, 0.79%, 0.45%

LAB 51.33, 44.01, 54.74

 

CMYK 0 / 64 / 97 / 27

HEX #BB4405

RGB 187 68 5

HSL 20.77, 0.95%, 0.38%

LAB 45.23, 45.76, 54.7

 

CMYK 0 / 71 / 100 / 33

HEX #AA3200

RGB 170 50 0

HSL 17.65, 1%, 0.33%

LAB 39.29, 47.32, 51.37

 

CMYK 0 / 79 / 100 / 40

HEX #992000

RGB 153 32 0

HSL 12.55, 1%, 0.3%

LAB 33.57, 48.18, 46.63

 

CMYK 0 / 53 / 80 / 14

HEX #DC682C

RGB 220 104 44

HSL 20.45, 0.72%, 0.52%

LAB 57.36, 41.88, 52.89

 

CMYK 0 / 74 / 80 / 14

HEX #DC392C

RGB 220 57 44

HSL 4.43, 0.72%, 0.52%

LAB 49.89, 61.78, 45.68

 

CMYK 0 / 80 / 80 / 14

HEX #DC2C2C

RGB 220 44 44

HSL 0, 0.72%, 0.52%

LAB 48.51, 65.64, 44.32

 

CMYK 0 / 53 / 80 / 14

HEX #DC682C

RGB 220 104 44

HSL 20.45, 0.72%, 0.52%

LAB 57.36, 41.88, 52.89

 

CMYK 0 / 31 / 80 / 14

HEX #DC982C

RGB 220 152 44

HSL 36.82, 0.72%, 0.52%

LAB 67.91, 16.71, 62.63

 

CMYK 0 / 10 / 80 / 14

HEX #DCC72C

RGB 220 199 44

HSL 52.84, 0.72%, 0.52%

LAB 79.75, -8.04, 73.13

 

CMYK 12 / 0 / 80 / 14

HEX #C1DC2C

RGB 193 220 44

HSL 69.2, 0.72%, 0.52%

LAB 83.29, -29.68, 75.42

 

CMYK 34 / 0 / 80 / 14

HEX #92DC2C

RGB 146 220 44

HSL 85.23, 0.72%, 0.52%

LAB 80.45, -47.7, 71.81

 

CMYK 0 / 53 / 80 / 14

HEX #DC682C

RGB 220 104 44

HSL 20.45, 0.72%, 0.52%

LAB 57.36, 41.88, 52.89

 

CMYK 0 / 59 / 90 / 6

HEX #F06218

RGB 240 98 24

HSL 20.56, 0.88%, 0.52%

LAB 59.28, 51.69, 63.27

 

CMYK 0 / 53 / 80 / 14

HEX #DC682C

RGB 220 104 44

HSL 20.45, 0.72%, 0.52%

LAB 57.36, 41.88, 52.89

 

CMYK 0 / 45 / 68 / 22

HEX #C86F40

RGB 200 111 64

HSL 20.74, 0.55%, 0.52%

LAB 56.11, 31.25, 40.97

 

CMYK 0 / 35 / 54 / 29

HEX #B57554

RGB 181 117 84

HSL 20.41, 0.4%, 0.52%

LAB 55.26, 21.58, 28.5

 

CMYK 0 / 24 / 36 / 37

HEX #A17B67

RGB 161 123 103

HSL 20.69, 0.24%, 0.52%

LAB 54.79, 11.92, 16.63

 

CMYK 0 / 9 / 13 / 45

HEX #8D817B

RGB 141 129 123

HSL 20, 0.07%, 0.52%

LAB 54.86, 3.46, 4.89

 

CMYK 0 / 80 / 64 / 14

HEX #DC2C4F

RGB 220 44 79

HSL 348.07, 0.72%, 0.52%

LAB 48.98, 67.1, 24.56

 

CMYK 0 / 75 / 80 / 14

HEX #DC382C

RGB 220 56 44

HSL 4.09, 0.72%, 0.52%

LAB 49.77, 62.1, 45.57

 

CMYK 0 / 53 / 80 / 14

HEX #DC672C

RGB 220 103 44

HSL 20.11, 0.72%, 0.52%

LAB 57.17, 42.38, 52.71

 

CMYK 0 / 32 / 80 / 14

HEX #DC962C

RGB 220 150 44

HSL 36.14, 0.72%, 0.52%

LAB 67.43, 17.78, 62.19

 

CMYK 0 / 10 / 80 / 14

HEX #DCC52C

RGB 220 197 44

HSL 52.16, 0.72%, 0.52%

LAB 79.23, -7.02, 72.68

 

CMYK 0 / 55 / 84 / 38

HEX #9D4619

RGB 157 70 25

HSL 20.45, 0.73%, 0.36%

LAB 40.6, 33.64, 42.27

 

CMYK 0 / 55 / 84 / 25

HEX #C0561F

RGB 192 86 31

HSL 20.5, 0.72%, 0.44%

LAB 49.45, 39.59, 49.68

 

CMYK 0 / 53 / 80 / 14

HEX #DC682C

RGB 220 104 44

HSL 20.45, 0.72%, 0.52%

LAB 57.36, 41.88, 52.89

 

CMYK 0 / 42 / 65 / 11

HEX #E2824F

RGB 226 130 79

HSL 20.82, 0.72%, 0.6%

LAB 63.92, 32.58, 43.08

 

CMYK 0 / 33 / 50 / 9

HEX #E89B73

RGB 232 155 115

HSL 20.51, 0.72%, 0.68%

LAB 70.76, 24.48, 32.65

 

CMYK 0 / 53 / 81 / 13

HEX #DD682B

RGB 221 104 43

HSL 20.56, 0.72%, 0.52%

LAB 57.51, 42.23, 53.52

 

CMYK 43 / 0 / 80 / 14

HEX #7EDC2C

RGB 126 220 44

HSL 92.05, 0.72%, 0.52%

LAB 79.5, -54.46, 70.59

 

CMYK 80 / 75 / 0 / 14

HEX #2C38DC

RGB 44 56 220

HSL 235.91, 0.72%, 0.52%

LAB 35.07, 52.3, -83.37

 

CMYK 0 / 53 / 81 / 13

HEX #DD682B

RGB 221 104 43

HSL 20.56, 0.72%, 0.52%

LAB 57.51, 42.23, 53.52

 

CMYK 80 / 0 / 53 / 14

HEX #2CDC67

RGB 44 220 103

HSL 140.11, 0.72%, 0.52%

LAB 77.7, -66.96, 45.14

 

CMYK 53 / 80 / 0 / 14

HEX #672CDC

RGB 103 44 220

HSL 260.11, 0.72%, 0.52%

LAB 37.58, 63.52, -79.07

 

CMYK 0 / 53 / 81 / 13

HEX #DD682B

RGB 221 104 43

HSL 20.56, 0.72%, 0.52%

LAB 57.51, 42.23, 53.52

 

CMYK 43 / 0 / 80 / 14

HEX #7EDC2C

RGB 126 220 44

HSL 92.05, 0.72%, 0.52%

LAB 79.5, -54.46, 70.59

 

CMYK 80 / 27 / 0 / 14

HEX #2CA1DC

RGB 44 161 220

HSL 200.11, 0.72%, 0.52%

LAB 62.67, -11.62, -38.87

 

CMYK 37 / 80 / 0 / 14

HEX #8A2CDC

RGB 138 44 220

HSL 272.05, 0.72%, 0.52%

LAB 41.8, 68.2, -71.98

 

CMYK 0 / 53 / 81 / 13

HEX #DD682B

RGB 221 104 43

HSL 20.56, 0.72%, 0.52%

LAB 57.51, 42.23, 53.52

 

CMYK 67 / 0 / 80 / 14

HEX #49DC2C

RGB 73 220 44

HSL 110.11, 0.72%, 0.52%

LAB 77.75, -68.27, 68.33

 

CMYK 80 / 27 / 0 / 14

HEX #2CA1DC

RGB 44 161 220

HSL 200.11, 0.72%, 0.52%

LAB 62.67, -11.62, -38.87

 

CMYK 13 / 80 / 0 / 14

HEX #BF2CDC

RGB 191 44 220

HSL 290.11, 0.72%, 0.52%

LAB 49.55, 76.87, -59.05

 

Description

Color code: HEX #DD682B | qconv.com Color code: HEX #DD682B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 104 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 104 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 81 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 81% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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