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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DD5D4C it is the complementary color #22A2B3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DD5D4C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DD5D4C shade: #E25D47, #F36F5A, #FF816D, #FF9380 and #FFA593

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DD5D4C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DD5D4C shade: #DD5D4C, #CC4B39, #BB3926, #AA2713 and #991500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DD5D4C shade: #DC5C4B and #DC4B4B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DD5D4C shade: #DC5C4B, #DC834B, #DCAA4B, #DCD14B and #C0DC4B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DD5D4C shade matches the following richer shades: #DC5C4B and #EE4E39

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DD5D4C shade: #DC5C4B, #CB695C, #BA766D, #A8837F and #979190

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DD5D4C shade: #DC4B87, #DC4B60, #DC5C4B, #DC824B and #DCA94B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DD5D4C shade: #B33322, #D53D28, #DC5C4B, #E37B6D and #E99A90

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DD5D4C shade: #DD5D4C, #AEDC4B and #4B74DC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DD5D4C shade: #DD5D4C, #4BDC5C and #5C4BDC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DD5D4C shade: #DD5D4C, #AEDC4B, #4BCBDC and #794BDC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DD5D4C shade: #DD5D4C, #82DC4B, #4BCBDC and #A44BDC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 66 / 13

HEX #DD5D4C

RGB 221 93 76

HSL 7.03, 0.68%, 0.58%

LAB 55.81, 48.99, 34.89

 

Complementary color

CMYK 81 / 9 / 0 / 30

HEX #22A2B3

RGB 34 162 179

HSL 187.03, 0.68%, 0.42%

LAB 61.16, -26.93, -18.31

 

CMYK 0 / 59 / 69 / 11

HEX #E25D47

RGB 226 93 71

HSL 8.52, 0.73%, 0.58%

LAB 56.54, 50.49, 38.72

 

CMYK 0 / 54 / 63 / 5

HEX #F36F5A

RGB 243 111 90

HSL 8.24, 0.86%, 0.65%

LAB 62.64, 49.24, 36.25

 

CMYK 0 / 49 / 57 / 0

HEX #FF816D

RGB 255 129 109

HSL 8.22, 1%, 0.71%

LAB 68.07, 46.18, 33.02

 

CMYK 0 / 42 / 50 / 0

HEX #FF9380

RGB 255 147 128

HSL 8.98, 1%, 0.75%

LAB 72.02, 38.7, 27.79

 

CMYK 0 / 35 / 42 / 0

HEX #FFA593

RGB 255 165 147

HSL 10, 1%, 0.79%

LAB 76.24, 31.25, 23.15

 

CMYK 0 / 58 / 66 / 13

HEX #DD5D4C

RGB 221 93 76

HSL 7.03, 0.68%, 0.58%

LAB 55.81, 48.99, 34.89

 

CMYK 0 / 63 / 72 / 20

HEX #CC4B39

RGB 204 75 57

HSL 7.35, 0.59%, 0.51%

LAB 49.7, 50.14, 37.62

 

CMYK 0 / 70 / 80 / 27

HEX #BB3926

RGB 187 57 38

HSL 7.65, 0.66%, 0.44%

LAB 43.7, 51.09, 40.64

 

CMYK 0 / 77 / 89 / 33

HEX #AA2713

RGB 170 39 19

HSL 7.95, 0.8%, 0.37%

LAB 37.92, 51.6, 43.61

 

CMYK 0 / 86 / 100 / 40

HEX #991500

RGB 153 21 0

HSL 8.24, 1%, 0.3%

LAB 32.5, 51.21, 45.96

 

CMYK 0 / 58 / 66 / 14

HEX #DC5C4B

RGB 220 92 75

HSL 7.03, 0.67%, 0.58%

LAB 55.46, 49.04, 34.99

 

CMYK 0 / 66 / 66 / 14

HEX #DC4B4B

RGB 220 75 75

HSL 0, 0.67%, 0.58%

LAB 52.68, 56.45, 31.59

 

CMYK 0 / 58 / 66 / 14

HEX #DC5C4B

RGB 220 92 75

HSL 7.03, 0.67%, 0.58%

LAB 55.46, 49.04, 34.99

 

CMYK 0 / 40 / 66 / 14

HEX #DC834B

RGB 220 131 75

HSL 23.17, 0.67%, 0.58%

LAB 63.31, 29.39, 44.23

 

CMYK 0 / 23 / 66 / 14

HEX #DCAA4B

RGB 220 170 75

HSL 39.31, 0.67%, 0.58%

LAB 72.54, 8.51, 54.53

 

CMYK 0 / 5 / 66 / 14

HEX #DCD14B

RGB 220 209 75

HSL 55.45, 0.67%, 0.58%

LAB 82.55, -11.74, 65.11

 

CMYK 13 / 0 / 66 / 14

HEX #C0DC4B

RGB 192 220 75

HSL 71.59, 0.67%, 0.58%

LAB 83.39, -28.58, 65.31

 

CMYK 0 / 58 / 66 / 14

HEX #DC5C4B

RGB 220 92 75

HSL 7.03, 0.67%, 0.58%

LAB 55.46, 49.04, 34.99

 

CMYK 0 / 67 / 76 / 7

HEX #EE4E39

RGB 238 78 57

HSL 6.96, 0.84%, 0.58%

LAB 56.01, 60.28, 46.2

 

CMYK 0 / 58 / 66 / 14

HEX #DC5C4B

RGB 220 92 75

HSL 7.03, 0.67%, 0.58%

LAB 55.46, 49.04, 34.99

 

CMYK 0 / 48 / 55 / 20

HEX #CB695C

RGB 203 105 92

HSL 7.03, 0.52%, 0.58%

LAB 55.66, 37.56, 25.04

 

CMYK 0 / 37 / 41 / 27

HEX #BA766D

RGB 186 118 109

HSL 7.01, 0.36%, 0.58%

LAB 56.59, 25.62, 16.11

 

CMYK 0 / 22 / 24 / 34

HEX #A8837F

RGB 168 131 127

HSL 5.85, 0.19%, 0.58%

LAB 58.12, 13.58, 7.6

 

CMYK 0 / 4 / 5 / 41

HEX #979190

RGB 151 145 144

HSL 8.57, 0.03%, 0.58%

LAB 60.64, 2.02, 1.31

 

CMYK 0 / 66 / 39 / 14

HEX #DC4B87

RGB 220 75 135

HSL 335.17, 0.67%, 0.58%

LAB 54.02, 61.29, -2.14

 

CMYK 0 / 66 / 56 / 14

HEX #DC4B60

RGB 220 75 96

HSL 351.31, 0.67%, 0.58%

LAB 53.05, 57.8, 19.72

 

CMYK 0 / 58 / 66 / 14

HEX #DC5C4B

RGB 220 92 75

HSL 7.03, 0.67%, 0.58%

LAB 55.46, 49.04, 34.99

 

CMYK 0 / 41 / 66 / 14

HEX #DC824B

RGB 220 130 75

HSL 22.76, 0.67%, 0.58%

LAB 63.08, 29.92, 43.97

 

CMYK 0 / 23 / 66 / 14

HEX #DCA94B

RGB 220 169 75

HSL 38.9, 0.67%, 0.58%

LAB 72.3, 9.04, 54.26

 

CMYK 0 / 72 / 81 / 30

HEX #B33322

RGB 179 51 34

HSL 7.03, 0.68%, 0.42%

LAB 41.32, 50.63, 39.9

 

CMYK 0 / 71 / 81 / 16

HEX #D53D28

RGB 213 61 40

HSL 7.28, 0.68%, 0.5%

LAB 49.05, 58.1, 46.47

 

CMYK 0 / 58 / 66 / 14

HEX #DC5C4B

RGB 220 92 75

HSL 7.03, 0.67%, 0.58%

LAB 55.46, 49.04, 34.99

 

CMYK 0 / 46 / 52 / 11

HEX #E37B6D

RGB 227 123 109

HSL 7.12, 0.68%, 0.66%

LAB 63.01, 38.82, 25.7

 

CMYK 0 / 34 / 38 / 9

HEX #E99A90

RGB 233 154 144

HSL 6.74, 0.67%, 0.74%

LAB 71.18, 28.38, 17.43

 

CMYK 0 / 58 / 66 / 13

HEX #DD5D4C

RGB 221 93 76

HSL 7.03, 0.68%, 0.58%

LAB 55.81, 48.99, 34.89

 

CMYK 21 / 0 / 66 / 14

HEX #AEDC4B

RGB 174 220 75

HSL 79.03, 0.67%, 0.58%

LAB 82.21, -35.61, 63.72

 

CMYK 66 / 47 / 0 / 14

HEX #4B74DC

RGB 75 116 220

HSL 223.03, 0.67%, 0.58%

LAB 50.87, 19.08, -57.53

 

CMYK 0 / 58 / 66 / 13

HEX #DD5D4C

RGB 221 93 76

HSL 7.03, 0.68%, 0.58%

LAB 55.81, 48.99, 34.89

 

CMYK 66 / 0 / 58 / 14

HEX #4BDC5C

RGB 75 220 92

HSL 127.03, 0.67%, 0.58%

LAB 78.14, -63.75, 50.87

 

CMYK 58 / 66 / 0 / 14

HEX #5C4BDC

RGB 92 75 220

HSL 247.03, 0.67%, 0.58%

LAB 41.96, 46.81, -71.92

 

CMYK 0 / 58 / 66 / 13

HEX #DD5D4C

RGB 221 93 76

HSL 7.03, 0.68%, 0.58%

LAB 55.81, 48.99, 34.89

 

CMYK 21 / 0 / 66 / 14

HEX #AEDC4B

RGB 174 220 75

HSL 79.03, 0.67%, 0.58%

LAB 82.21, -35.61, 63.72

 

CMYK 66 / 8 / 0 / 14

HEX #4BCBDC

RGB 75 203 220

HSL 187.03, 0.67%, 0.58%

LAB 75.68, -29.53, -18.77

 

CMYK 45 / 66 / 0 / 14

HEX #794BDC

RGB 121 75 220

HSL 259.03, 0.67%, 0.58%

LAB 44.61, 51.76, -67.48

 

CMYK 0 / 58 / 66 / 13

HEX #DD5D4C

RGB 221 93 76

HSL 7.03, 0.68%, 0.58%

LAB 55.81, 48.99, 34.89

 

CMYK 41 / 0 / 66 / 14

HEX #82DC4B

RGB 130 220 75

HSL 97.24, 0.67%, 0.58%

LAB 79.86, -51.21, 60.52

 

CMYK 66 / 8 / 0 / 14

HEX #4BCBDC

RGB 75 203 220

HSL 187.03, 0.67%, 0.58%

LAB 75.68, -29.53, -18.77

 

CMYK 25 / 66 / 0 / 14

HEX #A44BDC

RGB 164 75 220

HSL 276.83, 0.67%, 0.58%

LAB 49.61, 60.43, -59.15

 

Description

Color code: HEX #DD5D4C | qconv.com Color code: HEX #DD5D4C | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 93 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 93 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 66 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 66% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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