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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DD54F3 it is the complementary color #22AB0C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DD54F3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DD54F3 shade: #E254EE, #F366FF, #FF78FF, #FF8AFF and #FF9CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DD54F3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DD54F3 shade: #DD54F3, #CC42E0, #BB30CD, #AA1EBA and #990CA7

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DD54F3 shade: #DC53F3, #F353DE, #F353B3, #F35387 and #F3535C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DD54F3 shade: #DC53F3, #B153F3, #8653F3, #5B53F3 and #5353F3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DD54F3 shade matches the following richer shades: #DC53F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DD54F3 shade: #DC53F3, #D262E4, #C771D5, #BC7FC6 and #B18EB7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DD54F3 shade: #8553F3, #B053F3, #DB53F3, #F353E0 and #F353B5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DD54F3 shade: #C60FE4, #D52CF0, #DC53F3, #E479F5 and #ECA0F8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DD54F3 shade: #DD54F3, #F35B53 and #53F39B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DD54F3 shade: #DD54F3, #F3DB53 and #53F3DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DD54F3 shade: #DD54F3, #F35B53, #6BF353 and #53EBF3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DD54F3 shade: #DD54F3, #F38B53, #6BF353 and #53BBF3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 65 / 0 / 5

HEX #DD54F3

RGB 221 84 243

HSL 291.7, 0.87%, 0.64%

LAB 60.05, 73.55, -54.92

 

Complementary color

CMYK 80 / 0 / 93 / 33

HEX #22AB0C

RGB 34 171 12

HSL 111.7, 0.87%, 0.36%

LAB 61.21, -60.89, 60.4

 

CMYK 5 / 65 / 0 / 7

HEX #E254EE

RGB 226 84 238

HSL 295.32, 0.82%, 0.63%

LAB 60.5, 73.8, -51.38

 

CMYK 5 / 60 / 0 / 0

HEX #F366FF

RGB 243 102 255

HSL 295.29, 1%, 0.7%

LAB 66.35, 73.4, -51.36

 

CMYK 0 / 53 / 0 / 0

HEX #FF78FF

RGB 255 120 255

HSL 300, 1%, 0.74%

LAB 70.81, 68.59, -44.22

 

CMYK 0 / 46 / 0 / 0

HEX #FF8AFF

RGB 255 138 255

HSL 300, 1%, 0.77%

LAB 73.97, 60.22, -39.29

 

CMYK 0 / 39 / 0 / 0

HEX #FF9CFF

RGB 255 156 255

HSL 300, 1%, 0.81%

LAB 77.43, 51.32, -33.92

 

CMYK 9 / 65 / 0 / 5

HEX #DD54F3

RGB 221 84 243

HSL 291.7, 0.87%, 0.64%

LAB 60.05, 73.55, -54.92

 

CMYK 9 / 71 / 0 / 12

HEX #CC42E0

RGB 204 66 224

HSL 292.41, 0.72%, 0.57%

LAB 54.15, 73.27, -53.83

 

CMYK 9 / 77 / 0 / 20

HEX #BB30CD

RGB 187 48 205

HSL 293.12, 0.62%, 0.5%

LAB 48.37, 72.44, -52.38

 

CMYK 9 / 84 / 0 / 27

HEX #AA1EBA

RGB 170 30 186

HSL 293.85, 0.72%, 0.42%

LAB 42.79, 70.76, -50.43

 

CMYK 8 / 93 / 0 / 35

HEX #990CA7

RGB 153 12 167

HSL 294.58, 0.87%, 0.35%

LAB 37.53, 67.88, -47.76

 

CMYK 9 / 66 / 0 / 5

HEX #DC53F3

RGB 220 83 243

HSL 291.38, 0.87%, 0.64%

LAB 59.77, 73.72, -55.37

 

CMYK 0 / 66 / 9 / 5

HEX #F353DE

RGB 243 83 222

HSL 307.88, 0.87%, 0.64%

LAB 62.1, 75.54, -39.75

 

CMYK 0 / 66 / 26 / 5

HEX #F353B3

RGB 243 83 179

HSL 324, 0.87%, 0.64%

LAB 60.33, 69.68, -18.03

 

CMYK 0 / 66 / 44 / 5

HEX #F35387

RGB 243 83 135

HSL 340.5, 0.87%, 0.64%

LAB 58.97, 64.91, 5.51

 

CMYK 0 / 66 / 62 / 5

HEX #F3535C

RGB 243 83 92

HSL 356.63, 0.87%, 0.64%

LAB 58.05, 61.62, 29.36

 

CMYK 9 / 66 / 0 / 5

HEX #DC53F3

RGB 220 83 243

HSL 291.38, 0.87%, 0.64%

LAB 59.77, 73.72, -55.37

 

CMYK 27 / 66 / 0 / 5

HEX #B153F3

RGB 177 83 243

HSL 275.25, 0.87%, 0.64%

LAB 54.03, 64.54, -64.89

 

CMYK 45 / 66 / 0 / 5

HEX #8653F3

RGB 134 83 243

HSL 259.13, 0.87%, 0.64%

LAB 49.16, 56.13, -73.01

 

CMYK 63 / 66 / 0 / 5

HEX #5B53F3

RGB 91 83 243

HSL 243, 0.87%, 0.64%

LAB 45.47, 49.23, -79.19

 

CMYK 66 / 66 / 0 / 5

HEX #5353F3

RGB 83 83 243

HSL 240, 0.87%, 0.64%

LAB 44.94, 48.19, -80.09

 

CMYK 9 / 66 / 0 / 5

HEX #DC53F3

RGB 220 83 243

HSL 291.38, 0.87%, 0.64%

LAB 59.77, 73.72, -55.37

 

CMYK 9 / 66 / 0 / 5

HEX #DC53F3

RGB 220 83 243

HSL 291.38, 0.87%, 0.64%

LAB 59.77, 73.72, -55.37

 

CMYK 8 / 57 / 0 / 11

HEX #D262E4

RGB 210 98 228

HSL 291.69, 0.71%, 0.64%

LAB 59.92, 62.3, -46.85

 

CMYK 7 / 47 / 0 / 16

HEX #C771D5

RGB 199 113 213

HSL 291.6, 0.54%, 0.64%

LAB 60.57, 49.2, -37.52

 

CMYK 5 / 36 / 0 / 22

HEX #BC7FC6

RGB 188 127 198

HSL 291.55, 0.38%, 0.64%

LAB 61.61, 35.5, -27.55

 

CMYK 3 / 22 / 0 / 28

HEX #B18EB7

RGB 177 142 183

HSL 291.22, 0.22%, 0.64%

LAB 63.44, 20.54, -16.39

 

CMYK 45 / 66 / 0 / 5

HEX #8553F3

RGB 133 83 243

HSL 258.75, 0.87%, 0.64%

LAB 49.06, 55.95, -73.18

 

CMYK 28 / 66 / 0 / 5

HEX #B053F3

RGB 176 83 243

HSL 274.88, 0.87%, 0.64%

LAB 53.91, 64.33, -65.1

 

CMYK 10 / 66 / 0 / 5

HEX #DB53F3

RGB 219 83 243

HSL 291, 0.87%, 0.64%

LAB 59.63, 73.5, -55.6

 

CMYK 0 / 66 / 8 / 5

HEX #F353E0

RGB 243 83 224

HSL 307.13, 0.87%, 0.64%

LAB 62.19, 75.84, -40.73

 

CMYK 0 / 66 / 26 / 5

HEX #F353B5

RGB 243 83 181

HSL 323.25, 0.87%, 0.64%

LAB 60.41, 69.92, -19.07

 

CMYK 13 / 93 / 0 / 11

HEX #C60FE4

RGB 198 15 228

HSL 291.55, 0.88%, 0.48%

LAB 49.43, 84.56, -63.73

 

CMYK 11 / 82 / 0 / 6

HEX #D52CF0

RGB 213 44 240

HSL 291.73, 0.87%, 0.56%

LAB 54.28, 84.06, -62.55

 

CMYK 9 / 66 / 0 / 5

HEX #DC53F3

RGB 220 83 243

HSL 291.38, 0.87%, 0.64%

LAB 59.77, 73.72, -55.37

 

CMYK 7 / 51 / 0 / 4

HEX #E479F5

RGB 228 121 245

HSL 291.77, 0.86%, 0.72%

LAB 67.1, 59.27, -44.82

 

CMYK 5 / 35 / 0 / 3

HEX #ECA0F8

RGB 236 160 248

HSL 291.82, 0.86%, 0.8%

LAB 75.92, 42.29, -32.65

 

CMYK 9 / 65 / 0 / 5

HEX #DD54F3

RGB 221 84 243

HSL 291.7, 0.87%, 0.64%

LAB 60.05, 73.55, -54.92

 

CMYK 0 / 63 / 66 / 5

HEX #F35B53

RGB 243 91 83

HSL 3, 0.87%, 0.64%

LAB 59.12, 57.83, 35.82

 

CMYK 66 / 0 / 36 / 5

HEX #53F39B

RGB 83 243 155

HSL 147, 0.87%, 0.64%

LAB 86.16, -60.92, 30.54

 

CMYK 9 / 65 / 0 / 5

HEX #DD54F3

RGB 221 84 243

HSL 291.7, 0.87%, 0.64%

LAB 60.05, 73.55, -54.92

 

CMYK 0 / 10 / 66 / 5

HEX #F3DB53

RGB 243 219 83

HSL 51, 0.87%, 0.64%

LAB 87.16, -6.76, 67.31

 

CMYK 66 / 0 / 10 / 5

HEX #53F3DB

RGB 83 243 219

HSL 171, 0.87%, 0.64%

LAB 87.51, -46.88, -0.62

 

CMYK 9 / 65 / 0 / 5

HEX #DD54F3

RGB 221 84 243

HSL 291.7, 0.87%, 0.64%

LAB 60.05, 73.55, -54.92

 

CMYK 0 / 63 / 66 / 5

HEX #F35B53

RGB 243 91 83

HSL 3, 0.87%, 0.64%

LAB 59.12, 57.83, 35.82

 

CMYK 56 / 0 / 66 / 5

HEX #6BF353

RGB 107 243 83

HSL 111, 0.87%, 0.64%

LAB 85.93, -65.68, 63.61

 

CMYK 66 / 3 / 0 / 5

HEX #53EBF3

RGB 83 235 243

HSL 183, 0.87%, 0.64%

LAB 85.87, -36.94, -15.65

 

CMYK 9 / 65 / 0 / 5

HEX #DD54F3

RGB 221 84 243

HSL 291.7, 0.87%, 0.64%

LAB 60.05, 73.55, -54.92

 

CMYK 0 / 43 / 66 / 5

HEX #F38B53

RGB 243 139 83

HSL 21, 0.87%, 0.64%

LAB 68.13, 34.88, 46.49

 

CMYK 56 / 0 / 66 / 5

HEX #6BF353

RGB 107 243 83

HSL 111, 0.87%, 0.64%

LAB 85.93, -65.68, 63.61

 

CMYK 66 / 23 / 0 / 5

HEX #53BBF3

RGB 83 187 243

HSL 201, 0.87%, 0.64%

LAB 72.13, -13.1, -36.64

 

Description

Color code: HEX #DD54F3 | qconv.com Color code: HEX #DD54F3 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 84 green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 84 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 65 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 65% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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