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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DD5497 it is the complementary color #22AB68. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DD5497. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DD5497 shade: #E25492, #F366A5, #FF78B8, #FF8ACB and #FF9CDE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DD5497. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DD5497 shade: #DD5497, #CC4284, #BB3071, #AA1E5E and #990C4B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DD5497 shade: #DD5497, #DD5472 and #DD5454

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DD5497 shade: #DD5497, #DD54BC, #D954DD, #B454DD and #8F54DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DD5497 shade matches the following richer shades: #DD5497, #ED4497 and #FE3396

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DD5497 shade: #DD5497, #CC6597, #BC7598, #AB8698 and #9B9698

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DD5497 shade: #D854DD, #DD54BD, #DD5499, #DD5474 and #DD5954

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DD5497 shade: #BA246E, #D63282, #DD5497, #E477AC and #EA99C1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DD5497 shade: #DD5497, #DDB454 and #54CFDD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DD5497 shade: #DD5497, #99DD54 and #5499DD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DD5497 shade: #DD5497, #DDB454, #54DD99 and #547DDD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DD5497 shade: #DD5497, #DDDD54, #54DD99 and #5454DD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 32 / 13

HEX #DD5497

RGB 221 84 151

HSL 330.66, 0.67%, 0.6%

LAB 56.03, 59.7, -8.59

 

Complementary color

CMYK 80 / 0 / 39 / 33

HEX #22AB68

RGB 34 171 104

HSL 150.66, 0.67%, 0.4%

LAB 62.05, -50.8, 24.72

 

CMYK 0 / 63 / 35 / 11

HEX #E25492

RGB 226 84 146

HSL 333.8, 0.71%, 0.61%

LAB 56.67, 60.6, -4.63

 

CMYK 0 / 58 / 32 / 5

HEX #F366A5

RGB 243 102 165

HSL 333.19, 0.85%, 0.68%

LAB 62.74, 60.17, -6.37

 

CMYK 0 / 53 / 28 / 0

HEX #FF78B8

RGB 255 120 184

HSL 331.56, 1%, 0.74%

LAB 68.13, 58.03, -8.96

 

CMYK 0 / 46 / 20 / 0

HEX #FF8ACB

RGB 255 138 203

HSL 326.67, 1%, 0.77%

LAB 72.06, 51.97, -13.7

 

CMYK 0 / 39 / 13 / 0

HEX #FF9CDE

RGB 255 156 222

HSL 320, 1%, 0.81%

LAB 76.26, 45.79, -17.81

 

CMYK 0 / 62 / 32 / 13

HEX #DD5497

RGB 221 84 151

HSL 330.66, 0.67%, 0.6%

LAB 56.03, 59.7, -8.59

 

CMYK 0 / 68 / 35 / 20

HEX #CC4284

RGB 204 66 132

HSL 331.3, 0.58%, 0.53%

LAB 49.98, 59.84, -6.63

 

CMYK 0 / 74 / 40 / 27

HEX #BB3071

RGB 187 48 113

HSL 331.94, 0.59%, 0.46%

LAB 44.05, 59.52, -4.18

 

CMYK 0 / 82 / 45 / 33

HEX #AA1E5E

RGB 170 30 94

HSL 332.57, 0.7%, 0.39%

LAB 38.35, 58.43, -1.03

 

CMYK 0 / 92 / 51 / 40

HEX #990C4B

RGB 153 12 75

HSL 333.19, 0.85%, 0.32%

LAB 33.01, 56.14, 3.08

 

CMYK 0 / 62 / 32 / 13

HEX #DD5497

RGB 221 84 151

HSL 330.66, 0.67%, 0.6%

LAB 56.03, 59.7, -8.59

 

CMYK 0 / 62 / 48 / 13

HEX #DD5472

RGB 221 84 114

HSL 346.86, 0.67%, 0.6%

LAB 55, 55.83, 11.74

 

CMYK 0 / 62 / 62 / 13

HEX #DD5454

RGB 221 84 84

HSL 0, 0.67%, 0.6%

LAB 54.4, 53.53, 28.57

 

CMYK 0 / 62 / 32 / 13

HEX #DD5497

RGB 221 84 151

HSL 330.66, 0.67%, 0.6%

LAB 56.03, 59.7, -8.59

 

CMYK 0 / 62 / 15 / 13

HEX #DD54BC

RGB 221 84 188

HSL 314.45, 0.67%, 0.6%

LAB 57.41, 64.62, -27.99

 

CMYK 2 / 62 / 0 / 13

HEX #D954DD

RGB 217 84 221

HSL 298.25, 0.67%, 0.6%

LAB 58.33, 68.83, -45.37

 

CMYK 19 / 62 / 0 / 13

HEX #B454DD

RGB 180 84 221

HSL 282.04, 0.67%, 0.6%

LAB 53.24, 60.09, -53.78

 

CMYK 35 / 62 / 0 / 13

HEX #8F54DD

RGB 143 84 221

HSL 265.84, 0.67%, 0.6%

LAB 48.76, 51.75, -61.21

 

CMYK 0 / 62 / 32 / 13

HEX #DD5497

RGB 221 84 151

HSL 330.66, 0.67%, 0.6%

LAB 56.03, 59.7, -8.59

 

CMYK 0 / 71 / 36 / 7

HEX #ED4497

RGB 237 68 151

HSL 330.53, 0.82%, 0.6%

LAB 56.46, 70.25, -7.68

 

CMYK 0 / 80 / 41 / 0

HEX #FE3396

RGB 254 51 150

HSL 330.74, 0.99%, 0.6%

LAB 57.69, 79.31, -4.93

 

CMYK 0 / 62 / 32 / 13

HEX #DD5497

RGB 221 84 151

HSL 330.66, 0.67%, 0.6%

LAB 56.03, 59.7, -8.59

 

CMYK 0 / 50 / 26 / 20

HEX #CC6597

RGB 204 101 151

HSL 330.87, 0.5%, 0.6%

LAB 56.47, 46.51, -8.21

 

CMYK 0 / 38 / 19 / 26

HEX #BC7598

RGB 188 117 152

HSL 330.42, 0.35%, 0.6%

LAB 57.73, 32.78, -7.13

 

CMYK 0 / 22 / 11 / 33

HEX #AB8698

RGB 171 134 152

HSL 330.81, 0.18%, 0.6%

LAB 59.87, 17.12, -4.18

 

CMYK 0 / 3 / 2 / 39

HEX #9B9698

RGB 155 150 152

HSL 336, 0.02%, 0.6%

LAB 62.55, 2.21, -0.41

 

CMYK 2 / 62 / 0 / 13

HEX #D854DD

RGB 216 84 221

HSL 297.81, 0.67%, 0.6%

LAB 58.19, 68.59, -45.61

 

CMYK 0 / 62 / 14 / 13

HEX #DD54BD

RGB 221 84 189

HSL 314.01, 0.67%, 0.6%

LAB 57.45, 64.77, -28.5

 

CMYK 0 / 62 / 31 / 13

HEX #DD5499

RGB 221 84 153

HSL 329.78, 0.67%, 0.6%

LAB 56.1, 59.94, -9.66

 

CMYK 0 / 62 / 48 / 13

HEX #DD5474

RGB 221 84 116

HSL 345.99, 0.67%, 0.6%

LAB 55.05, 56.01, 10.63

 

CMYK 0 / 60 / 62 / 13

HEX #DD5954

RGB 221 89 84

HSL 2.19, 0.67%, 0.6%

LAB 55.23, 51.31, 29.63

 

CMYK 0 / 81 / 41 / 27

HEX #BA246E

RGB 186 36 110

HSL 330.4, 0.68%, 0.44%

LAB 42.5, 62.53, -4.63

 

CMYK 0 / 77 / 39 / 16

HEX #D63282

RGB 214 50 130

HSL 330.73, 0.67%, 0.52%

LAB 49.72, 67.78, -5.61

 

CMYK 0 / 62 / 32 / 13

HEX #DD5497

RGB 221 84 151

HSL 330.66, 0.67%, 0.6%

LAB 56.03, 59.7, -8.59

 

CMYK 0 / 48 / 25 / 11

HEX #E477AC

RGB 228 119 172

HSL 330.83, 0.67%, 0.68%

LAB 63.89, 48.32, -8.89

 

CMYK 0 / 35 / 18 / 8

HEX #EA99C1

RGB 234 153 193

HSL 330.37, 0.66%, 0.76%

LAB 72.31, 35.87, -8.05

 

CMYK 0 / 62 / 32 / 13

HEX #DD5497

RGB 221 84 151

HSL 330.66, 0.67%, 0.6%

LAB 56.03, 59.7, -8.59

 

CMYK 0 / 19 / 62 / 13

HEX #DDB454

RGB 221 180 84

HSL 42.04, 0.67%, 0.6%

LAB 75.24, 4.19, 53.41

 

CMYK 62 / 6 / 0 / 13

HEX #54CFDD

RGB 84 207 221

HSL 186.13, 0.67%, 0.6%

LAB 77.12, -29.77, -17.12

 

CMYK 0 / 62 / 32 / 13

HEX #DD5497

RGB 221 84 151

HSL 330.66, 0.67%, 0.6%

LAB 56.03, 59.7, -8.59

 

CMYK 31 / 0 / 62 / 13

HEX #99DD54

RGB 153 221 84

HSL 89.78, 0.67%, 0.6%

LAB 81.36, -43.12, 58.79

 

CMYK 62 / 31 / 0 / 13

HEX #5499DD

RGB 84 153 221

HSL 209.78, 0.67%, 0.6%

LAB 61.56, -1.22, -41.08

 

CMYK 0 / 62 / 32 / 13

HEX #DD5497

RGB 221 84 151

HSL 330.66, 0.67%, 0.6%

LAB 56.03, 59.7, -8.59

 

CMYK 0 / 19 / 62 / 13

HEX #DDB454

RGB 221 180 84

HSL 42.04, 0.67%, 0.6%

LAB 75.24, 4.19, 53.41

 

CMYK 62 / 0 / 31 / 13

HEX #54DD99

RGB 84 221 153

HSL 150.22, 0.67%, 0.6%

LAB 79.56, -52.6, 22.63

 

CMYK 62 / 43 / 0 / 13

HEX #547DDD

RGB 84 125 221

HSL 222.04, 0.67%, 0.6%

LAB 53.78, 15.41, -53.39

 

CMYK 0 / 62 / 32 / 13

HEX #DD5497

RGB 221 84 151

HSL 330.66, 0.67%, 0.6%

LAB 56.03, 59.7, -8.59

 

CMYK 0 / 0 / 62 / 13

HEX #DDDD54

RGB 221 221 84

HSL 60, 0.67%, 0.6%

LAB 85.87, -16.76, 64.98

 

CMYK 62 / 0 / 31 / 13

HEX #54DD99

RGB 84 221 153

HSL 150.22, 0.67%, 0.6%

LAB 79.56, -52.6, 22.63

 

CMYK 62 / 62 / 0 / 13

HEX #5454DD

RGB 84 84 221

HSL 240, 0.67%, 0.6%

LAB 43.43, 40.63, -70.12

 

Description

Color code: HEX #DD5497 | qconv.com Color code: HEX #DD5497 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 84 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 84 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 32 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 32% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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