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Color name
HEX #DD2B94

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DD2B94 it is the complementary color #22D46B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DD2B94. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DD2B94 shade: #E22B8F, #F33DA2, #FF4FB5, #FF61C8 and #FF73DB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DD2B94. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DD2B94 shade: #DD2B94, #CC1981, #BB076E, #AA005B and #990048

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DD2B94 shade: #DC2C94, #DC2C64, #DC2C35 and #DC2C2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DD2B94 shade: #DC2C94, #DC2CC3, #C52CDC, #962CDC and #662CDC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DD2B94 shade matches the following richer shades: #DC2C94 and #F01897

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DD2B94 shade: #DC2C94, #C84090, #B5548D, #A16789 and #8D7B86

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DD2B94 shade: #C52CDC, #DC2CC5, #DC2C96, #DC2C67 and #DC2C38

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DD2B94 shade: #9D1967, #C01F7E, #DC2C94, #E24FA6 and #E873B8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DD2B94 shade: #DD2B94, #DC962C and #2CDCDC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DD2B94 shade: #DD2B94, #96DC2C and #2C96DC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DD2B94 shade: #DD2B94, #DC962C, #2CDC72 and #2C72DC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DD2B94 shade: #DD2B94, #DCCB2C, #2CDC72 and #2C3EDC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 33 / 13

HEX #DD2B94

RGB 221 43 148

HSL 324.61, 0.72%, 0.52%

LAB 50.96, 73.22, -14.44

 

Complementary color

CMYK 84 / 0 / 50 / 17

HEX #22D46B

RGB 34 212 107

HSL 144.61, 0.72%, 0.48%

LAB 75.13, -64.71, 40.03

 

CMYK 0 / 81 / 37 / 11

HEX #E22B8F

RGB 226 43 143

HSL 327.21, 0.76%, 0.53%

LAB 51.7, 73.88, -10.25

 

CMYK 0 / 75 / 33 / 5

HEX #F33DA2

RGB 243 61 162

HSL 326.7, 0.88%, 0.6%

LAB 57.08, 75.15, -13.1

 

CMYK 0 / 69 / 29 / 0

HEX #FF4FB5

RGB 255 79 181

HSL 325.23, 1%, 0.65%

LAB 61.82, 74.51, -16.75

 

CMYK 0 / 62 / 22 / 0

HEX #FF61C8

RGB 255 97 200

HSL 320.89, 1%, 0.69%

LAB 64.95, 70.11, -22.8

 

CMYK 0 / 55 / 14 / 0

HEX #FF73DB

RGB 255 115 219

HSL 315.43, 1%, 0.73%

LAB 68.49, 65.12, -28.01

 

CMYK 0 / 81 / 33 / 13

HEX #DD2B94

RGB 221 43 148

HSL 324.61, 0.72%, 0.52%

LAB 50.96, 73.22, -14.44

 

CMYK 0 / 88 / 37 / 20

HEX #CC1981

RGB 204 25 129

HSL 325.14, 0.78%, 0.45%

LAB 45.79, 71.07, -11.08

 

CMYK 0 / 96 / 41 / 27

HEX #BB076E

RGB 187 7 110

HSL 325.67, 0.93%, 0.38%

LAB 40.96, 67.76, -6.89

 

CMYK 0 / 100 / 46 / 33

HEX #AA005B

RGB 170 0 91

HSL 327.88, 1%, 0.33%

LAB 36.56, 63.04, -1.73

 

CMYK 0 / 100 / 53 / 40

HEX #990048

RGB 153 0 72

HSL 331.76, 1%, 0.3%

LAB 32.35, 57.58, 4.11

 

CMYK 0 / 80 / 33 / 14

HEX #DC2C94

RGB 220 44 148

HSL 324.55, 0.72%, 0.52%

LAB 50.87, 72.74, -14.6

 

CMYK 0 / 80 / 55 / 14

HEX #DC2C64

RGB 220 44 100

HSL 340.91, 0.72%, 0.52%

LAB 49.42, 68.43, 12.34

 

CMYK 0 / 80 / 76 / 14

HEX #DC2C35

RGB 220 44 53

HSL 356.93, 0.72%, 0.52%

LAB 48.6, 65.93, 39.45

 

CMYK 0 / 80 / 80 / 14

HEX #DC2C2C

RGB 220 44 44

HSL 0, 0.72%, 0.52%

LAB 48.51, 65.64, 44.32

 

CMYK 0 / 80 / 33 / 14

HEX #DC2C94

RGB 220 44 148

HSL 324.55, 0.72%, 0.52%

LAB 50.87, 72.74, -14.6

 

CMYK 0 / 80 / 11 / 14

HEX #DC2CC3

RGB 220 44 195

HSL 308.52, 0.72%, 0.52%

LAB 52.9, 78.53, -39.07

 

CMYK 10 / 80 / 0 / 14

HEX #C52CDC

RGB 197 44 220

HSL 292.16, 0.72%, 0.52%

LAB 50.5, 77.94, -57.47

 

CMYK 32 / 80 / 0 / 14

HEX #962CDC

RGB 150 44 220

HSL 276.14, 0.72%, 0.52%

LAB 43.44, 70.02, -69.24

 

CMYK 54 / 80 / 0 / 14

HEX #662CDC

RGB 102 44 220

HSL 259.77, 0.72%, 0.52%

LAB 37.47, 63.41, -79.25

 

CMYK 0 / 80 / 33 / 14

HEX #DC2C94

RGB 220 44 148

HSL 324.55, 0.72%, 0.52%

LAB 50.87, 72.74, -14.6

 

CMYK 0 / 90 / 37 / 6

HEX #F01897

RGB 240 24 151

HSL 324.72, 0.88%, 0.52%

LAB 53.4, 81.25, -12.21

 

CMYK 0 / 80 / 33 / 14

HEX #DC2C94

RGB 220 44 148

HSL 324.55, 0.72%, 0.52%

LAB 50.87, 72.74, -14.6

 

CMYK 0 / 68 / 28 / 22

HEX #C84090

RGB 200 64 144

HSL 324.71, 0.55%, 0.52%

LAB 49.45, 60.91, -14.7

 

CMYK 0 / 54 / 22 / 29

HEX #B5548D

RGB 181 84 141

HSL 324.74, 0.4%, 0.52%

LAB 49.6, 46.05, -12.95

 

CMYK 0 / 36 / 15 / 37

HEX #A16789

RGB 161 103 137

HSL 324.83, 0.24%, 0.52%

LAB 50.78, 28.44, -9.06

 

CMYK 0 / 13 / 5 / 45

HEX #8D7B86

RGB 141 123 134

HSL 323.33, 0.07%, 0.52%

LAB 53.55, 8.94, -3.43

 

CMYK 10 / 80 / 0 / 14

HEX #C52CDC

RGB 197 44 220

HSL 292.16, 0.72%, 0.52%

LAB 50.5, 77.94, -57.47

 

CMYK 0 / 80 / 10 / 14

HEX #DC2CC5

RGB 220 44 197

HSL 307.84, 0.72%, 0.52%

LAB 53, 78.81, -40.07

 

CMYK 0 / 80 / 32 / 14

HEX #DC2C96

RGB 220 44 150

HSL 323.86, 0.72%, 0.52%

LAB 50.94, 72.95, -15.69

 

CMYK 0 / 80 / 53 / 14

HEX #DC2C67

RGB 220 44 103

HSL 339.89, 0.72%, 0.52%

LAB 49.49, 68.65, 10.61

 

CMYK 0 / 80 / 75 / 14

HEX #DC2C38

RGB 220 44 56

HSL 355.91, 0.72%, 0.52%

LAB 48.64, 66.04, 37.78

 

CMYK 0 / 84 / 34 / 38

HEX #9D1967

RGB 157 25 103

HSL 324.55, 0.73%, 0.36%

LAB 35.68, 57.29, -11.02

 

CMYK 0 / 84 / 34 / 25

HEX #C01F7E

RGB 192 31 126

HSL 324.6, 0.72%, 0.44%

LAB 43.79, 66.84, -12.49

 

CMYK 0 / 80 / 33 / 14

HEX #DC2C94

RGB 220 44 148

HSL 324.55, 0.72%, 0.52%

LAB 50.87, 72.74, -14.6

 

CMYK 0 / 65 / 27 / 11

HEX #E24FA6

RGB 226 79 166

HSL 324.49, 0.72%, 0.6%

LAB 56.6, 65, -16.43

 

CMYK 0 / 50 / 21 / 9

HEX #E873B8

RGB 232 115 184

HSL 324.62, 0.72%, 0.68%

LAB 64.06, 53.25, -15.39

 

CMYK 0 / 81 / 33 / 13

HEX #DD2B94

RGB 221 43 148

HSL 324.61, 0.72%, 0.52%

LAB 50.96, 73.22, -14.44

 

CMYK 0 / 32 / 80 / 14

HEX #DC962C

RGB 220 150 44

HSL 36.14, 0.72%, 0.52%

LAB 67.43, 17.78, 62.19

 

CMYK 80 / 0 / 0 / 14

HEX #2CDCDC

RGB 44 220 220

HSL 180, 0.72%, 0.52%

LAB 80.12, -41.01, -12.16

 

CMYK 0 / 81 / 33 / 13

HEX #DD2B94

RGB 221 43 148

HSL 324.61, 0.72%, 0.52%

LAB 50.96, 73.22, -14.44

 

CMYK 32 / 0 / 80 / 14

HEX #96DC2C

RGB 150 220 44

HSL 83.86, 0.72%, 0.52%

LAB 80.66, -46.27, 72.07

 

CMYK 80 / 32 / 0 / 14

HEX #2C96DC

RGB 44 150 220

HSL 203.86, 0.72%, 0.52%

LAB 59.45, -5.43, -43.93

 

CMYK 0 / 81 / 33 / 13

HEX #DD2B94

RGB 221 43 148

HSL 324.61, 0.72%, 0.52%

LAB 50.96, 73.22, -14.44

 

CMYK 0 / 32 / 80 / 14

HEX #DC962C

RGB 220 150 44

HSL 36.14, 0.72%, 0.52%

LAB 67.43, 17.78, 62.19

 

CMYK 80 / 0 / 48 / 14

HEX #2CDC72

RGB 44 220 114

HSL 143.86, 0.72%, 0.52%

LAB 77.84, -65.3, 40.02

 

CMYK 80 / 48 / 0 / 14

HEX #2C72DC

RGB 44 114 220

HSL 216.14, 0.72%, 0.52%

LAB 49.18, 16.34, -60.31

 

CMYK 0 / 81 / 33 / 13

HEX #DD2B94

RGB 221 43 148

HSL 324.61, 0.72%, 0.52%

LAB 50.96, 73.22, -14.44

 

CMYK 0 / 8 / 80 / 14

HEX #DCCB2C

RGB 220 203 44

HSL 54.2, 0.72%, 0.52%

LAB 80.8, -10.08, 74.05

 

CMYK 80 / 0 / 48 / 14

HEX #2CDC72

RGB 44 220 114

HSL 143.86, 0.72%, 0.52%

LAB 77.84, -65.3, 40.02

 

CMYK 80 / 72 / 0 / 14

HEX #2C3EDC

RGB 44 62 220

HSL 233.86, 0.72%, 0.52%

LAB 36.27, 48.93, -81.38

 

Description

Color code: HEX #DD2B94 | qconv.com Color code: HEX #DD2B94 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 43 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 43 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 33 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 33% 13% C M Y K

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Provide designers and agencies with accurate color values.

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