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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DD2B74 it is the complementary color #22D48B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DD2B74. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DD2B74 shade: #E22B6F, #F33D82, #FF4F95, #FF61A8 and #FF73BB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DD2B74. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DD2B74 shade: #DD2B74, #CC1961, #BB074E, #AA003B and #990028

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DD2B74 shade: #DC2C74, #DC2C45 and #DC2C2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DD2B74 shade: #DC2C74, #DC2CA4, #DC2CD3, #B62CDC and #862CDC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DD2B74 shade matches the following richer shades: #DC2C74 and #F01871

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DD2B74 shade: #DC2C74, #C84078, #B5547B, #A1677F and #8D7B82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DD2B74 shade: #DC2CD3, #DC2CA4, #DC2C75, #DC2C46 and #DC412C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DD2B74 shade: #9D194F, #C01F61, #DC2C74, #E24F8C and #E873A3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DD2B74 shade: #DD2B74, #DCB62C and #2CBCDC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DD2B74 shade: #DD2B74, #75DC2C and #2C75DC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DD2B74 shade: #DD2B74, #DCB62C, #2CDC93 and #2C52DC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DD2B74 shade: #DD2B74, #CEDC2C, #2CDC93 and #3B2CDC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 48 / 13

HEX #DD2B74

RGB 221 43 116

HSL 335.39, 0.72%, 0.52%

LAB 49.93, 70.18, 3.33

 

Complementary color

CMYK 84 / 0 / 34 / 17

HEX #22D48B

RGB 34 212 139

HSL 155.39, 0.72%, 0.48%

LAB 75.63, -58.89, 24.44

 

CMYK 0 / 81 / 51 / 11

HEX #E22B6F

RGB 226 43 111

HSL 337.7, 0.76%, 0.53%

LAB 50.74, 71.05, 7.66

 

CMYK 0 / 75 / 47 / 5

HEX #F33D82

RGB 243 61 130

HSL 337.25, 0.88%, 0.6%

LAB 56.09, 72.08, 4.32

 

CMYK 0 / 69 / 42 / 0

HEX #FF4F95

RGB 255 79 149

HSL 336.14, 1%, 0.65%

LAB 60.8, 71.13, 0.24

 

CMYK 0 / 62 / 34 / 0

HEX #FF61A8

RGB 255 97 168

HSL 333.04, 1%, 0.69%

LAB 63.87, 66.21, -6.22

 

CMYK 0 / 55 / 27 / 0

HEX #FF73BB

RGB 255 115 187

HSL 329.14, 1%, 0.73%

LAB 67.36, 60.71, -11.81

 

CMYK 0 / 81 / 48 / 13

HEX #DD2B74

RGB 221 43 116

HSL 335.39, 0.72%, 0.52%

LAB 49.93, 70.18, 3.33

 

CMYK 0 / 88 / 52 / 20

HEX #CC1961

RGB 204 25 97

HSL 335.87, 0.78%, 0.45%

LAB 44.8, 68.28, 7.25

 

CMYK 0 / 96 / 58 / 27

HEX #BB074E

RGB 187 7 78

HSL 336.33, 0.93%, 0.38%

LAB 40.03, 65.24, 12.05

 

CMYK 0 / 100 / 65 / 33

HEX #AA003B

RGB 170 0 59

HSL 339.18, 1%, 0.33%

LAB 35.72, 60.81, 17.87

 

CMYK 0 / 100 / 74 / 40

HEX #990028

RGB 153 0 40

HSL 344.31, 1%, 0.3%

LAB 31.64, 55.67, 24.31

 

CMYK 0 / 80 / 47 / 14

HEX #DC2C74

RGB 220 44 116

HSL 335.45, 0.72%, 0.52%

LAB 49.83, 69.67, 3.17

 

CMYK 0 / 80 / 69 / 14

HEX #DC2C45

RGB 220 44 69

HSL 351.48, 0.72%, 0.52%

LAB 48.82, 66.59, 30.37

 

CMYK 0 / 80 / 80 / 14

HEX #DC2C2C

RGB 220 44 44

HSL 0, 0.72%, 0.52%

LAB 48.51, 65.64, 44.32

 

CMYK 0 / 80 / 47 / 14

HEX #DC2C74

RGB 220 44 116

HSL 335.45, 0.72%, 0.52%

LAB 49.83, 69.67, 3.17

 

CMYK 0 / 80 / 25 / 14

HEX #DC2CA4

RGB 220 44 164

HSL 319.09, 0.72%, 0.52%

LAB 51.49, 74.55, -23.16

 

CMYK 0 / 80 / 4 / 14

HEX #DC2CD3

RGB 220 44 211

HSL 303.07, 0.72%, 0.52%

LAB 53.73, 80.81, -46.96

 

CMYK 17 / 80 / 0 / 14

HEX #B62CDC

RGB 182 44 220

HSL 287.05, 0.72%, 0.52%

LAB 48.15, 75.3, -61.37

 

CMYK 39 / 80 / 0 / 14

HEX #862CDC

RGB 134 44 220

HSL 270.68, 0.72%, 0.52%

LAB 41.27, 67.61, -72.86

 

CMYK 0 / 80 / 47 / 14

HEX #DC2C74

RGB 220 44 116

HSL 335.45, 0.72%, 0.52%

LAB 49.83, 69.67, 3.17

 

CMYK 0 / 90 / 53 / 6

HEX #F01871

RGB 240 24 113

HSL 335.28, 0.88%, 0.52%

LAB 52.25, 78.12, 8.97

 

CMYK 0 / 80 / 47 / 14

HEX #DC2C74

RGB 220 44 116

HSL 335.45, 0.72%, 0.52%

LAB 49.83, 69.67, 3.17

 

CMYK 0 / 68 / 40 / 22

HEX #C84078

RGB 200 64 120

HSL 335.29, 0.55%, 0.52%

LAB 48.64, 58.16, -1.44

 

CMYK 0 / 54 / 32 / 29

HEX #B5547B

RGB 181 84 123

HSL 335.88, 0.4%, 0.52%

LAB 49, 43.57, -3.07

 

CMYK 0 / 36 / 21 / 37

HEX #A1677F

RGB 161 103 127

HSL 335.17, 0.24%, 0.52%

LAB 50.46, 26.8, -3.61

 

CMYK 0 / 13 / 8 / 45

HEX #8D7B82

RGB 141 123 130

HSL 336.67, 0.07%, 0.52%

LAB 53.43, 8.19, -1.27

 

CMYK 0 / 80 / 4 / 14

HEX #DC2CD3

RGB 220 44 211

HSL 303.07, 0.72%, 0.52%

LAB 53.73, 80.81, -46.96

 

CMYK 0 / 80 / 25 / 14

HEX #DC2CA4

RGB 220 44 164

HSL 319.09, 0.72%, 0.52%

LAB 51.49, 74.55, -23.16

 

CMYK 0 / 80 / 47 / 14

HEX #DC2C75

RGB 220 44 117

HSL 335.11, 0.72%, 0.52%

LAB 49.86, 69.75, 2.6

 

CMYK 0 / 80 / 68 / 14

HEX #DC2C46

RGB 220 44 70

HSL 351.14, 0.72%, 0.52%

LAB 48.83, 66.64, 29.79

 

CMYK 0 / 70 / 80 / 14

HEX #DC412C

RGB 220 65 44

HSL 7.16, 0.72%, 0.52%

LAB 50.89, 58.99, 46.68

 

CMYK 0 / 84 / 50 / 38

HEX #9D194F

RGB 157 25 79

HSL 335.45, 0.73%, 0.36%

LAB 34.86, 54.91, 3.23

 

CMYK 0 / 84 / 49 / 25

HEX #C01F61

RGB 192 31 97

HSL 335.4, 0.72%, 0.44%

LAB 42.84, 64.1, 4.13

 

CMYK 0 / 80 / 47 / 14

HEX #DC2C74

RGB 220 44 116

HSL 335.45, 0.72%, 0.52%

LAB 49.83, 69.67, 3.17

 

CMYK 0 / 65 / 38 / 11

HEX #E24F8C

RGB 226 79 140

HSL 335.1, 0.72%, 0.6%

LAB 55.74, 61.98, -2.47

 

CMYK 0 / 50 / 30 / 9

HEX #E873A3

RGB 232 115 163

HSL 335.38, 0.72%, 0.68%

LAB 63.39, 50.41, -4.43

 

CMYK 0 / 81 / 48 / 13

HEX #DD2B74

RGB 221 43 116

HSL 335.39, 0.72%, 0.52%

LAB 49.93, 70.18, 3.33

 

CMYK 0 / 17 / 80 / 14

HEX #DCB62C

RGB 220 182 44

HSL 47.05, 0.72%, 0.52%

LAB 75.36, 0.75, 69.28

 

CMYK 80 / 15 / 0 / 14

HEX #2CBCDC

RGB 44 188 220

HSL 190.91, 0.72%, 0.52%

LAB 70.64, -25.84, -26.51

 

CMYK 0 / 81 / 48 / 13

HEX #DD2B74

RGB 221 43 116

HSL 335.39, 0.72%, 0.52%

LAB 49.93, 70.18, 3.33

 

CMYK 47 / 0 / 80 / 14

HEX #75DC2C

RGB 117 220 44

HSL 95.11, 0.72%, 0.52%

LAB 79.13, -57.25, 70.11

 

CMYK 80 / 47 / 0 / 14

HEX #2C75DC

RGB 44 117 220

HSL 215.11, 0.72%, 0.52%

LAB 50.01, 14.45, -58.97

 

CMYK 0 / 81 / 48 / 13

HEX #DD2B74

RGB 221 43 116

HSL 335.39, 0.72%, 0.52%

LAB 49.93, 70.18, 3.33

 

CMYK 0 / 17 / 80 / 14

HEX #DCB62C

RGB 220 182 44

HSL 47.05, 0.72%, 0.52%

LAB 75.36, 0.75, 69.28

 

CMYK 80 / 0 / 33 / 14

HEX #2CDC93

RGB 44 220 147

HSL 155.11, 0.72%, 0.52%

LAB 78.36, -59.26, 24

 

CMYK 80 / 63 / 0 / 14

HEX #2C52DC

RGB 44 82 220

HSL 227.05, 0.72%, 0.52%

LAB 40.8, 36.76, -73.93

 

CMYK 0 / 81 / 48 / 13

HEX #DD2B74

RGB 221 43 116

HSL 335.39, 0.72%, 0.52%

LAB 49.93, 70.18, 3.33

 

CMYK 6 / 0 / 80 / 14

HEX #CEDC2C

RGB 206 220 44

HSL 64.77, 0.72%, 0.52%

LAB 84.22, -24.36, 76.6

 

CMYK 80 / 0 / 33 / 14

HEX #2CDC93

RGB 44 220 147

HSL 155.11, 0.72%, 0.52%

LAB 78.36, -59.26, 24

 

CMYK 73 / 80 / 0 / 14

HEX #3B2CDC

RGB 59 44 220

HSL 245.11, 0.72%, 0.52%

LAB 33.77, 59.36, -85.49

 

Description

Color code: HEX #DD2B74 | qconv.com Color code: HEX #DD2B74 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 43 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 43 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 48 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 48% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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