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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DD264C it is the complementary color #22D9B3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DD264C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DD264C shade: #E22647, #F3385A, #FF4A6D, #FF5C80 and #FF6E93

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DD264C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DD264C shade: #DD264C, #CC1439, #BB0226, #AA0013 and #990000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DD264C shade: #DD264C and #DD2626

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DD264C shade: #DD264C, #DD267D, #DD26AF, #DA26DD and #A926DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DD264C shade matches the following richer shades: #DD264C and #F11240

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DD264C shade: #DD264C, #C93B58, #B44F64, #A06370 and #8C777C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DD264C shade: #DD26AF, #DD267F, #DD264E, #DD2F26 and #DD6026

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DD264C shade: #991732, #BD1D3E, #DD264C, #E24A6A and #E86E87

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DD264C shade: #DD264C, #DDDA26 and #2697DD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DD264C shade: #DD264C, #4EDD26 and #264EDD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DD264C shade: #DD264C, #DDDA26, #26DDB5 and #2629DD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DD264C shade: #DD264C, #A9DD26, #26DDB5 and #5A26DD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 66 / 13

HEX #DD264C

RGB 221 38 76

HSL 347.54, 0.73%, 0.51%

LAB 48.61, 68.67, 25.93

 

Complementary color

CMYK 84 / 0 / 18 / 15

HEX #22D9B3

RGB 34 217 179

HSL 167.54, 0.73%, 0.49%

LAB 78, -51.62, 6.6

 

CMYK 0 / 83 / 69 / 11

HEX #E22647

RGB 226 38 71

HSL 349.47, 0.76%, 0.52%

LAB 49.51, 69.75, 30.28

 

CMYK 0 / 77 / 63 / 5

HEX #F3385A

RGB 243 56 90

HSL 349.09, 0.89%, 0.59%

LAB 54.68, 70.73, 26.19

 

CMYK 0 / 71 / 57 / 0

HEX #FF4A6D

RGB 255 74 109

HSL 348.4, 1%, 0.65%

LAB 59.22, 69.63, 21.4

 

CMYK 0 / 64 / 50 / 0

HEX #FF5C80

RGB 255 92 128

HSL 346.75, 1%, 0.68%

LAB 62.06, 64.35, 14.24

 

CMYK 0 / 57 / 42 / 0

HEX #FF6E93

RGB 255 110 147

HSL 344.69, 1%, 0.72%

LAB 65.37, 58.41, 7.99

 

CMYK 0 / 83 / 66 / 13

HEX #DD264C

RGB 221 38 76

HSL 347.54, 0.73%, 0.51%

LAB 48.61, 68.67, 25.93

 

CMYK 0 / 90 / 72 / 20

HEX #CC1439

RGB 204 20 57

HSL 347.93, 0.82%, 0.44%

LAB 43.7, 66.78, 30.66

 

CMYK 0 / 99 / 80 / 27

HEX #BB0226

RGB 187 2 38

HSL 348.32, 0.98%, 0.37%

LAB 39.15, 63.89, 36

 

CMYK 0 / 100 / 89 / 33

HEX #AA0013

RGB 170 0 19

HSL 353.29, 1%, 0.33%

LAB 35.19, 59.38, 41.46

 

CMYK 0 / 100 / 100 / 40

HEX #990000

RGB 153 0 0

HSL 0, 1%, 0.3%

LAB 31.28, 54.71, 45.14

 

CMYK 0 / 83 / 66 / 13

HEX #DD264C

RGB 221 38 76

HSL 347.54, 0.73%, 0.51%

LAB 48.61, 68.67, 25.93

 

CMYK 0 / 83 / 83 / 13

HEX #DD2626

RGB 221 38 38

HSL 0, 0.73%, 0.51%

LAB 48.13, 67.23, 47.17

 

CMYK 0 / 83 / 66 / 13

HEX #DD264C

RGB 221 38 76

HSL 347.54, 0.73%, 0.51%

LAB 48.61, 68.67, 25.93

 

CMYK 0 / 83 / 43 / 13

HEX #DD267D

RGB 221 38 125

HSL 331.48, 0.73%, 0.51%

LAB 49.78, 72.12, -2.35

 

CMYK 0 / 83 / 21 / 13

HEX #DD26AF

RGB 221 38 175

HSL 315.08, 0.73%, 0.51%

LAB 51.67, 77.46, -29.34

 

CMYK 1 / 83 / 0 / 13

HEX #DA26DD

RGB 218 38 221

HSL 299.02, 0.73%, 0.51%

LAB 53.51, 83.22, -53.03

 

CMYK 24 / 83 / 0 / 13

HEX #A926DD

RGB 169 38 221

HSL 282.95, 0.73%, 0.51%

LAB 45.69, 74.92, -66.02

 

CMYK 0 / 83 / 66 / 13

HEX #DD264C

RGB 221 38 76

HSL 347.54, 0.73%, 0.51%

LAB 48.61, 68.67, 25.93

 

CMYK 0 / 93 / 73 / 5

HEX #F11240

RGB 241 18 64

HSL 347.62, 0.89%, 0.51%

LAB 51.27, 76.49, 37.25

 

CMYK 0 / 83 / 66 / 13

HEX #DD264C

RGB 221 38 76

HSL 347.54, 0.73%, 0.51%

LAB 48.61, 68.67, 25.93

 

CMYK 0 / 71 / 56 / 21

HEX #C93B58

RGB 201 59 88

HSL 347.75, 0.57%, 0.51%

LAB 47.3, 57.5, 16.21

 

CMYK 0 / 56 / 44 / 29

HEX #B44F64

RGB 180 79 100

HSL 347.52, 0.4%, 0.51%

LAB 47.26, 43.02, 8.3

 

CMYK 0 / 38 / 30 / 37

HEX #A06370

RGB 160 99 112

HSL 347.21, 0.24%, 0.51%

LAB 48.97, 26.42, 3.13

 

CMYK 0 / 15 / 11 / 45

HEX #8C777C

RGB 140 119 124

HSL 345.71, 0.08%, 0.51%

LAB 52.09, 9.02, 0.28

 

CMYK 0 / 83 / 21 / 13

HEX #DD26AF

RGB 221 38 175

HSL 315.08, 0.73%, 0.51%

LAB 51.67, 77.46, -29.34

 

CMYK 0 / 83 / 43 / 13

HEX #DD267F

RGB 221 38 127

HSL 330.82, 0.73%, 0.51%

LAB 49.85, 72.3, -3.47

 

CMYK 0 / 83 / 65 / 13

HEX #DD264E

RGB 221 38 78

HSL 346.89, 0.73%, 0.51%

LAB 48.65, 68.78, 24.77

 

CMYK 0 / 79 / 83 / 13

HEX #DD2F26

RGB 221 47 38

HSL 2.95, 0.73%, 0.51%

LAB 48.94, 64.95, 47.91

 

CMYK 0 / 57 / 83 / 13

HEX #DD6026

RGB 221 96 38

HSL 19.02, 0.73%, 0.51%

LAB 55.97, 45.96, 54.26

 

CMYK 0 / 85 / 67 / 40

HEX #991732

RGB 153 23 50

HSL 347.54, 0.74%, 0.35%

LAB 33.17, 52.24, 19.71

 

CMYK 0 / 85 / 67 / 26

HEX #BD1D3E

RGB 189 29 62

HSL 347.63, 0.73%, 0.43%

LAB 41.29, 61.43, 23.92

 

CMYK 0 / 83 / 66 / 13

HEX #DD264C

RGB 221 38 76

HSL 347.54, 0.73%, 0.51%

LAB 48.61, 68.67, 25.93

 

CMYK 0 / 67 / 53 / 11

HEX #E24A6A

RGB 226 74 106

HSL 347.37, 0.72%, 0.59%

LAB 54.14, 60.82, 15.43

 

CMYK 0 / 53 / 42 / 9

HEX #E86E87

RGB 232 110 135

HSL 347.7, 0.73%, 0.67%

LAB 61.7, 49.59, 9.19

 

CMYK 0 / 83 / 66 / 13

HEX #DD264C

RGB 221 38 76

HSL 347.54, 0.73%, 0.51%

LAB 48.61, 68.67, 25.93

 

CMYK 0 / 1 / 83 / 13

HEX #DDDA26

RGB 221 218 38

HSL 59.02, 0.73%, 0.51%

LAB 84.82, -17.31, 79.03

 

CMYK 83 / 32 / 0 / 13

HEX #2697DD

RGB 38 151 221

HSL 202.95, 0.73%, 0.51%

LAB 59.68, -6.19, -44.13

 

CMYK 0 / 83 / 66 / 13

HEX #DD264C

RGB 221 38 76

HSL 347.54, 0.73%, 0.51%

LAB 48.61, 68.67, 25.93

 

CMYK 65 / 0 / 83 / 13

HEX #4EDD26

RGB 78 221 38

HSL 106.89, 0.73%, 0.51%

LAB 78.15, -67.88, 70.3

 

CMYK 83 / 65 / 0 / 13

HEX #264EDD

RGB 38 78 221

HSL 226.89, 0.73%, 0.51%

LAB 39.72, 39.18, -76.28

 

CMYK 0 / 83 / 66 / 13

HEX #DD264C

RGB 221 38 76

HSL 347.54, 0.73%, 0.51%

LAB 48.61, 68.67, 25.93

 

CMYK 0 / 1 / 83 / 13

HEX #DDDA26

RGB 221 218 38

HSL 59.02, 0.73%, 0.51%

LAB 84.82, -17.31, 79.03

 

CMYK 83 / 0 / 18 / 13

HEX #26DDB5

RGB 38 221 181

HSL 166.89, 0.73%, 0.51%

LAB 79.31, -52.43, 7.41

 

CMYK 83 / 81 / 0 / 13

HEX #2629DD

RGB 38 41 221

HSL 239.02, 0.73%, 0.51%

LAB 32.3, 59.86, -88.54

 

CMYK 0 / 83 / 66 / 13

HEX #DD264C

RGB 221 38 76

HSL 347.54, 0.73%, 0.51%

LAB 48.61, 68.67, 25.93

 

CMYK 24 / 0 / 83 / 13

HEX #A9DD26

RGB 169 221 38

HSL 77.05, 0.73%, 0.51%

LAB 81.99, -39.84, 75.17

 

CMYK 83 / 0 / 18 / 13

HEX #26DDB5

RGB 38 221 181

HSL 166.89, 0.73%, 0.51%

LAB 79.31, -52.43, 7.41

 

CMYK 59 / 83 / 0 / 13

HEX #5A26DD

RGB 90 38 221

HSL 257.05, 0.73%, 0.51%

LAB 35.56, 64.69, -83.02

 

Description

Color code: HEX #DD264C | qconv.com Color code: HEX #DD264C | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 38 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 38 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 66 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 66% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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