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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DD1B0C it is the complementary color #22E4F3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DD1B0C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DD1B0C shade: #E21B07, #F32D1A, #FF3F2D, #FF5140 and #FF6353

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DD1B0C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DD1B0C shade: #DD1B0C, #CC0900, #BB0000, #AA0000 and #990000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DD1B0C shade: #DE1A0B and #DE0B0B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DD1B0C shade: #DE1A0B, #DE530B, #DE8C0B, #DEC50B and #BFDE0B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DD1B0C shade matches the following richer shades: #DE1A0B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DD1B0C shade: #DE1A0B, #CB2B1E, #B83B31, #A54B44 and #925B57

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DD1B0C shade: #DE0B6E, #DE0B35, #DE190B, #DE520B and #DE8A0B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DD1B0C shade: #901107, #B71609, #DE1A0B, #F32F20 and #F55447

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DD1B0C shade: #DD1B0C, #A6DE0B and #0B52DE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DD1B0C shade: #DD1B0C, #0BDE19 and #190BDE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DD1B0C shade: #DD1B0C, #A6DE0B, #0BD0DE and #440BDE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DD1B0C shade: #DD1B0C, #67DE0B, #0BD0DE and #830BDE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 95 / 13

HEX #DD1B0C

RGB 221 27 12

HSL 4.31, 0.9%, 0.46%

LAB 47.21, 69.01, 57.34

 

Complementary color

CMYK 86 / 6 / 0 / 5

HEX #22E4F3

RGB 34 228 243

HSL 184.31, 0.9%, 0.54%

LAB 83.07, -38.55, -19.94

 

CMYK 0 / 88 / 97 / 11

HEX #E21B07

RGB 226 27 7

HSL 5.48, 0.94%, 0.46%

LAB 48.22, 70.28, 59.77

 

CMYK 0 / 81 / 89 / 5

HEX #F32D1A

RGB 243 45 26

HSL 5.25, 0.9%, 0.53%

LAB 52.96, 71.4, 58.32

 

CMYK 0 / 75 / 82 / 0

HEX #FF3F2D

RGB 255 63 45

HSL 5.14, 1%, 0.59%

LAB 57.08, 70.29, 54.3

 

CMYK 0 / 68 / 75 / 0

HEX #FF5140

RGB 255 81 64

HSL 5.34, 1%, 0.63%

LAB 59.45, 64.8, 47.08

 

CMYK 0 / 61 / 67 / 0

HEX #FF6353

RGB 255 99 83

HSL 5.58, 1%, 0.66%

LAB 62.35, 58.43, 40.16

 

CMYK 0 / 88 / 95 / 13

HEX #DD1B0C

RGB 221 27 12

HSL 4.31, 0.9%, 0.46%

LAB 47.21, 69.01, 57.34

 

CMYK 0 / 96 / 100 / 20

HEX #CC0900

RGB 204 9 0

HSL 2.65, 1%, 0.4%

LAB 42.81, 66.85, 56.92

 

CMYK 0 / 100 / 100 / 27

HEX #BB0000

RGB 187 0 0

HSL 0, 1%, 0.37%

LAB 38.84, 63.45, 53.24

 

CMYK 0 / 100 / 100 / 33

HEX #AA0000

RGB 170 0 0

HSL 0, 1%, 0.33%

LAB 35.1, 59.12, 49.41

 

CMYK 0 / 100 / 100 / 40

HEX #990000

RGB 153 0 0

HSL 0, 1%, 0.3%

LAB 31.28, 54.71, 45.14

 

CMYK 0 / 88 / 95 / 13

HEX #DE1A0B

RGB 222 26 11

HSL 4.27, 0.91%, 0.46%

LAB 47.36, 69.43, 57.81

 

CMYK 0 / 95 / 95 / 13

HEX #DE0B0B

RGB 222 11 11

HSL 0, 0.91%, 0.46%

LAB 46.7, 71.31, 57.46

 

CMYK 0 / 88 / 95 / 13

HEX #DE1A0B

RGB 222 26 11

HSL 4.27, 0.91%, 0.46%

LAB 47.36, 69.43, 57.81

 

CMYK 0 / 63 / 95 / 13

HEX #DE530B

RGB 222 83 11

HSL 20.47, 0.91%, 0.46%

LAB 53.75, 51.76, 61.52

 

CMYK 0 / 37 / 95 / 13

HEX #DE8C0B

RGB 222 140 11

HSL 36.68, 0.91%, 0.46%

LAB 65.21, 23.29, 69.1

 

CMYK 0 / 11 / 95 / 13

HEX #DEC50B

RGB 222 197 11

HSL 52.89, 0.91%, 0.46%

LAB 79.32, -6.83, 79.26

 

CMYK 14 / 0 / 95 / 13

HEX #BFDE0B

RGB 191 222 11

HSL 68.82, 0.91%, 0.46%

LAB 83.62, -32.16, 81.44

 

CMYK 0 / 88 / 95 / 13

HEX #DE1A0B

RGB 222 26 11

HSL 4.27, 0.91%, 0.46%

LAB 47.36, 69.43, 57.81

 

CMYK 0 / 88 / 95 / 13

HEX #DE1A0B

RGB 222 26 11

HSL 4.27, 0.91%, 0.46%

LAB 47.36, 69.43, 57.81

 

CMYK 0 / 79 / 85 / 20

HEX #CB2B1E

RGB 203 43 30

HSL 4.51, 0.74%, 0.46%

LAB 44.97, 60.65, 46.98

 

CMYK 0 / 68 / 73 / 28

HEX #B83B31

RGB 184 59 49

HSL 4.44, 0.58%, 0.46%

LAB 43.57, 49.71, 34.25

 

CMYK 0 / 55 / 59 / 35

HEX #A54B44

RGB 165 75 68

HSL 4.33, 0.42%, 0.46%

LAB 43.43, 36.57, 22.12

 

CMYK 0 / 38 / 40 / 43

HEX #925B57

RGB 146 91 87

HSL 4.07, 0.25%, 0.46%

LAB 44.63, 22.09, 11.79

 

CMYK 0 / 95 / 50 / 13

HEX #DE0B6E

RGB 222 11 110

HSL 331.85, 0.91%, 0.46%

LAB 48.13, 75.22, 4.43

 

CMYK 0 / 95 / 76 / 13

HEX #DE0B35

RGB 222 11 53

HSL 348.06, 0.91%, 0.46%

LAB 47.01, 72.16, 37.82

 

CMYK 0 / 89 / 95 / 13

HEX #DE190B

RGB 222 25 11

HSL 3.98, 0.91%, 0.46%

LAB 47.3, 69.59, 57.78

 

CMYK 0 / 63 / 95 / 13

HEX #DE520B

RGB 222 82 11

HSL 20.19, 0.91%, 0.46%

LAB 53.59, 52.19, 61.42

 

CMYK 0 / 38 / 95 / 13

HEX #DE8A0B

RGB 222 138 11

HSL 36.11, 0.91%, 0.46%

LAB 64.75, 24.36, 68.78

 

CMYK 0 / 88 / 95 / 44

HEX #901107

RGB 144 17 7

HSL 4.38, 0.91%, 0.3%

LAB 30.27, 49.58, 40.64

 

CMYK 0 / 88 / 95 / 28

HEX #B71609

RGB 183 22 9

HSL 4.48, 0.91%, 0.38%

LAB 39, 59.64, 49.49

 

CMYK 0 / 88 / 95 / 13

HEX #DE1A0B

RGB 222 26 11

HSL 4.27, 0.91%, 0.46%

LAB 47.36, 69.43, 57.81

 

CMYK 0 / 81 / 87 / 5

HEX #F32F20

RGB 243 47 32

HSL 4.27, 0.9%, 0.54%

LAB 53.16, 71.02, 56

 

CMYK 0 / 66 / 71 / 4

HEX #F55447

RGB 245 84 71

HSL 4.48, 0.9%, 0.62%

LAB 58.23, 60.75, 41.49

 

CMYK 0 / 88 / 95 / 13

HEX #DD1B0C

RGB 221 27 12

HSL 4.31, 0.9%, 0.46%

LAB 47.21, 69.01, 57.34

 

CMYK 25 / 0 / 95 / 13

HEX #A6DE0B

RGB 166 222 11

HSL 75.92, 0.91%, 0.46%

LAB 82.04, -42.03, 79.52

 

CMYK 95 / 63 / 0 / 13

HEX #0B52DE

RGB 11 82 222

HSL 219.81, 0.91%, 0.46%

LAB 40.21, 35.72, -76.06

 

CMYK 0 / 88 / 95 / 13

HEX #DD1B0C

RGB 221 27 12

HSL 4.31, 0.9%, 0.46%

LAB 47.21, 69.01, 57.34

 

CMYK 95 / 0 / 89 / 13

HEX #0BDE19

RGB 11 222 25

HSL 123.98, 0.91%, 0.46%

LAB 77.51, -76.69, 72.09

 

CMYK 89 / 95 / 0 / 13

HEX #190BDE

RGB 25 11 222

HSL 243.98, 0.91%, 0.46%

LAB 28.69, 69.54, -95.13

 

CMYK 0 / 88 / 95 / 13

HEX #DD1B0C

RGB 221 27 12

HSL 4.31, 0.9%, 0.46%

LAB 47.21, 69.01, 57.34

 

CMYK 25 / 0 / 95 / 13

HEX #A6DE0B

RGB 166 222 11

HSL 75.92, 0.91%, 0.46%

LAB 82.04, -42.03, 79.52

 

CMYK 95 / 6 / 0 / 13

HEX #0BD0DE

RGB 11 208 222

HSL 183.98, 0.91%, 0.46%

LAB 76.35, -36.7, -18.93

 

CMYK 69 / 95 / 0 / 13

HEX #440BDE

RGB 68 11 222

HSL 256.21, 0.91%, 0.46%

LAB 31.21, 70.77, -90.87

 

CMYK 0 / 88 / 95 / 13

HEX #DD1B0C

RGB 221 27 12

HSL 4.31, 0.9%, 0.46%

LAB 47.21, 69.01, 57.34

 

CMYK 54 / 0 / 95 / 13

HEX #67DE0B

RGB 103 222 11

HSL 93.84, 0.91%, 0.46%

LAB 79.13, -63.01, 75.98

 

CMYK 95 / 6 / 0 / 13

HEX #0BD0DE

RGB 11 208 222

HSL 183.98, 0.91%, 0.46%

LAB 76.35, -36.7, -18.93

 

CMYK 41 / 95 / 0 / 13

HEX #830BDE

RGB 131 11 222

HSL 274.12, 0.91%, 0.46%

LAB 38.44, 75.39, -78.67

 

Description

Color code: HEX #DD1B0C | qconv.com Color code: HEX #DD1B0C | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 27 green and 12 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 27 12 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 95 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 95% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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